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Neolithic, 4th-2nd millennium BC. A mixed group of stone implements comprising: a large and a smaller square-section axe-hammer; two tanged arrowheads; a small axehead with square butt; a triangular-section point; two tongue-shaped blades; a scaphoid axehead; two scrapers. 1 kg, 4-15cm (1 3/4 - 6"). Property of a London businessman, from his grandfather's collection formed after World War II; thence by descent 1972. [11, No Reserve]. Fine condition.
19th-17th century BC. A rectangular baked clay plaque with low-relief figure of god Adad wearing long skirt and belt(?) standing on a bull, in right hand holding ring and lighting; left hand stretched backwards, possibly holding a weapon. 227 grams, 12.5cm (5"). From a German collection; acquired on the German art market before 1990. Adad, also known as Haddad or Ishkur, was an old Mesopotamian god of storm and lightning. His symbols are bull, lightning and axe or club. Adad was regarded as the son of the god An; he was equated with the Hurrian god Teshup or the Kassite god Buriash. Although he was the god of storms he was also associated with fruitful rain and mountain streams, and thus the fertility of crops. [No Reserve]. Fine condition, upper right corner absent.
2nd century AD. A bronze plate brooch formed as an axe with notched blade, scrolled tendrils, ribbed handle; hinged pin and catch to the reverse. Cf. Hattatt, R. Brooches of Antiquity, Oxford, 1987, item 1143. 8.17 grams, 46mm (1 3/4"). UK art market, acquired prior to 2000. . Very fine condition.
Middle Palaeolithic, 300,000-30,000 BP. A finely knapped hand axe with twist in cross-section; the flint grey in colour with black border and cream lower body; old inked accession details to one face 'Rickso[n's pit] / occup.[ation] / in 4/3 / 111 3x'. Cf. Evans, J. The Ancient Stone Implements, Weapons and Ornaments of Great Britain, London, 1897, item 1.10. 195 grams, 10cm (4"). Ex Edwards collection, Nottingham, UK; previously in the Dewey collection; found Ricksons Pit, Swanscombe, UK. . Very fine condition.
Neolithic, 5th-2nd millennium BC. A pecked and ground boat-shaped axe-hammer with convex cutting edge; edge and hammer butt showing some evidence of use; with central piercing to receive haft. Cf. Evans, J. The Ancient Stone Implements, Weapons and Ornaments of Great Britain, London, 1897, p.220-1 for type. 328 grams, 11cm (4 1/4"). Property of an Essex gentleman; formerly in the E. S. Gosling collection, 1980s; thence by descent. [No Reserve]. Very fine condition.
1st millennium BC. A biconvex greenstone hand-axe with extensive wear polish to the edge. 1.1 kg, 15cm (6"). Property of a European collector; formerly from the collection of Prof. RNDr. Jan Jelínek, DrSc., anthropologist, and Director of the Moravian museum, and the president of the International Committee of Museums (ICOM) for eight years; thence by descent 2004; collected by Prof. Jelinek during the Moravian expedition in Australia in 1969. Professor RNDr. Jan Jelinek, DrSc. Born 26th February 1926 in Brno, Czech Republic, Jan Jelinek studied anthropology at Brno University and graduated from the faculty of Sciences in 1949. After graduation, he spent two years taking special courses in the Medical Faculty and made postgraduate studies in the Faculty of Philosophy at the same institution. Jelinek started his scientific work at the Moravian Museum where he founded the Anthropos Institute, covering several scientific disciplines including the study of man in the Pleistocene environment, physical and cultural anthropology, prehistory and palaeontology. The Institute’s exhibition building, the Anthropos Pavilion, opened in 1962 to accommodate a unique exhibition on the origins and evolution of man. In the same year, Jelinek began to publish the quarterly journal Anthropology, and was its editor for 33 years. He also edited a series of Anthropos monographs containing articles by outstanding Czech and foreign anthropologists. In 1958, Jelinek was appointed director of the Moravian Museum. He launched an extensive reconstruction programme for the museum’s premises. His name is connected with the foundation of the Genetics Department, and of the Department for Research into the Karst Phenomenon. The scientific activities of Jan Jelinek focused mainly on palaeoanthropology, on the study of Pleistocene and post-Pleistocene populations with special emphasis on the physical and cultural evolution of man. The beginnings of his scientific work are connected with the anthropological research of Cézavy, a Hallstatt locality near Blu?ina (Southern Moravia"). This work developed into extensive research and studies of other prehistoric periods, including the Old Slavonic period in the Early Middle Ages. Jelinek was in charge of the excavation of the Palaeolithic finds in the Mlade? caves, of the Brno II finds, of Dolni V?stonice III and Staré M?sto. He initiated the research of the Old Pleistocene site on Stránska Skála. The results of this research have made Moravia one of the oldest inhabited territories of Europe. Another research project lasting many years was carried out in the Kûlna cave. Jelinek’s research and studies in prehistoric anthropology and palaeoanthropology have resulted in a large number of publications, including: The Great Picture Atlas of Prehistoric Man, 1975, published in 14 languages; The Great Art of the Early Australians, 1989; Disappearing Sahara, published in Czech, in press; Le Sahara Libyen – l’art le plus ancient, published in French, in press. The total number of publications exceeds 250 titles. His extensive international contacts have enabled Jan Jelinek to undertyake a number of scientific expeditions, including two to Australia (1969, 1973), to the interior of Arnhem Land, stimulated by the study of prehistory, anthropology and ethnography of the Aboriginals, especially the Rembrranga tribe. During these expeditions, he documented a rich anthropological and ethnographical material, bark paintings and other unique finds. Jelinek studied rock art also during his expeditions to Eastern Siberia. In 1977-81 he organised five expeditions to the Sahara Desert and during 1976-85 he was commissioned by UNESCO and the Libyan government to take charge of the construction of the National Museum of Libya. Although primarily a scientific worker, Jan Jelinek was also active as a university lecturer. He read cultural anthropology and museology at Brno University. He later taught palaeoanthropology at the Charles University in Prague and anthropology at the Comenius University in Bratislava. One of Jelinek’s pioneering acts was the foundation of the Department of Museology at the J.E. Purkyn? University in Brno in 1964. It was the first department of museology in Europe. In 1990 Jelinek qualified as an ordinary professor at the Faculty of Sciences of the Masaryk University, Brno. Over the years, Jelinek organised a number of international congresses and held important posts in various scientific societies and organisations: 1962-6 – chairman of the International Section of Regional Museums of the International Council of Museums (ICOM); 1965-71 – President of the Advisory Committee of ICOM; 1971-7 – President of ICOM; 1977 – Honorary Member of ICOM; 1973 – President of the Czechoslovak Anthropological Society; 1980 – Honorary Member of the Royal Society of Antiquaries, London; 1981-4 – President of the European Anthropological Association, etc. For his distinguished work in the field of anthropology, he received a number of distinctions: Aleš Hrdli?ka Medal (1963), the State Distinction for Reconstitution Services (1968), Pešina’s Medal (1971), J.E. Purkyn? University Medal (1979"). [No Reserve]. Very fine condition.
2nd millennium BC. A bronze axe head with ovoid socket and ribbed tongue-shaped blade, two elliptical piercings to each face extending to the socket. See discussion in Godard, F. The Art of Iran, London, 1965, p.76-82. 157 grams, 10cm (4"). From a German collection; acquired on the German art market before 1990. [No Reserve]. Fine condition.
Neolithic, 4th-2nd millennium BC. A mixed stone group comprising: a ground and polished axe-hammer with perforation to receive shaft, in a mottled dorite stone, with an old inked label in Danish yxa från Skirsocken arn efter M.P. Jansson 1928'; a bifacial knapped crescent sickle-knife, in brown-grey flint showing some wear polish to convex edge and surfaces. See Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, nos.551 and 593 for similar examples. 293 grams total, 90-120mm (3 1/2 - 4 3/4"). Property of a West London gentleman; acquired on the London art market before 1995; formerly in a Scandinavian collection before 1930. [2, No Reserve]. Very fine condition.
Neolithic, 5th-3rd millennium BC. A polished diorite axe-hammer with keeled upper face, rounded edge, round-section hammer-face to the rear. 151 grams, 84mm (3 1/4"). Property of a European collector; formerly from the collection of Prof. RNDr. Jan Jelínek, DrSc., anthropologist, and Director of the Moravian museum, and the president of the International Committee of Museums (ICOM) for eight years; thence by descent 2004; from central Europe. Professor RNDr. Jan Jelinek, DrSc. Born 26th February 1926 in Brno, Czech Republic, Jan Jelinek studied anthropology at Brno University and graduated from the faculty of Sciences in 1949. After graduation, he spent two years taking special courses in the Medical Faculty and made postgraduate studies in the Faculty of Philosophy at the same institution. Jelinek started his scientific work at the Moravian Museum where he founded the Anthropos Institute, covering several scientific disciplines including the study of man in the Pleistocene environment, physical and cultural anthropology, prehistory and palaeontology. The Institute’s exhibition building, the Anthropos Pavilion, opened in 1962 to accommodate a unique exhibition on the origins and evolution of man. In the same year, Jelinek began to publish the quarterly journal Anthropology, and was its editor for 33 years. He also edited a series of Anthropos monographs containing articles by outstanding Czech and foreign anthropologists. In 1958, Jelinek was appointed director of the Moravian Museum. He launched an extensive reconstruction programme for the museum’s premises. His name is connected with the foundation of the Genetics Department, and of the Department for Research into the Karst Phenomenon. The scientific activities of Jan Jelinek focused mainly on palaeoanthropology, on the study of Pleistocene and post-Pleistocene populations with special emphasis on the physical and cultural evolution of man. The beginnings of his scientific work are connected with the anthropological research of Cézavy, a Hallstatt locality near Blu?ina (Southern Moravia"). This work developed into extensive research and studies of other prehistoric periods, including the Old Slavonic period in the Early Middle Ages. Jelinek was in charge of the excavation of the Palaeolithic finds in the Mlade? caves, of the Brno II finds, of Dolni V?stonice III and Staré M?sto. He initiated the research of the Old Pleistocene site on Stránska Skála. The results of this research have made Moravia one of the oldest inhabited territories of Europe. Another research project lasting many years was carried out in the Kûlna cave. Jelinek’s research and studies in prehistoric anthropology and palaeoanthropology have resulted in a large number of publications, including: The Great Picture Atlas of Prehistoric Man, 1975, published in 14 languages; The Great Art of the Early Australians, 1989; Disappearing Sahara, published in Czech, in press; Le Sahara Libyen – l’art le plus ancient, published in French, in press. The total number of publications exceeds 250 titles. His extensive international contacts have enabled Jan Jelinek to undertyake a number of scientific expeditions, including two to Australia (1969, 1973), to the interior of Arnhem Land, stimulated by the study of prehistory, anthropology and ethnography of the Aboriginals, especially the Rembrranga tribe. During these expeditions, he documented a rich anthropological and ethnographical material, bark paintings and other unique finds. Jelinek studied rock art also during his expeditions to Eastern Siberia. In 1977-81 he organised five expeditions to the Sahara Desert and during 1976-85 he was commissioned by UNESCO and the Libyan government to take charge of the construction of the National Museum of Libya. Although primarily a scientific worker, Jan Jelinek was also active as a university lecturer. He read cultural anthropology and museology at Brno University. He later taught palaeoanthropology at the Charles University in Prague and anthropology at the Comenius University in Bratislava. One of Jelinek’s pioneering acts was the foundation of the Department of Museology at the J.E. Purkyn? University in Brno in 1964. It was the first department of museology in Europe. In 1990 Jelinek qualified as an ordinary professor at the Faculty of Sciences of the Masaryk University, Brno. Over the years, Jelinek organised a number of international congresses and held important posts in various scientific societies and organisations: 1962-6 – chairman of the International Section of Regional Museums of the International Council of Museums (ICOM); 1965-71 – President of the Advisory Committee of ICOM; 1971-7 – President of ICOM; 1977 – Honorary Member of ICOM; 1973 – President of the Czechoslovak Anthropological Society; 1980 – Honorary Member of the Royal Society of Antiquaries, London; 1981-4 – President of the European Anthropological Association, etc. For his distinguished work in the field of anthropology, he received a number of distinctions: Aleš Hrdli?ka Medal (1963), the State Distinction for Reconstitution Services (1968), Pešina’s Medal (1971), J.E. Purkyn? University Medal (1979"). [No Reserve]. Very fine condition.
Neolithic, 4th-2nd millennium BC. A mixed group of stone tools comprising: five polished axe blades; two tanged arrowheads; six flint scrapers. 351 grams total, 46-84mm (1 3/4 - 3 1/4"). Property of a professional gentleman, acquired 2011; formerly in a private collection formed before 1950. [13, No Reserve]. Fine condition.
A LATE VICTORIAN SKELETON CLOCK, the Gothic inspired frame with triple steeple upper section, twin fusee movement, anchor escapement axe head hammer, passing strike on a bell, the shaped and pierced dial with Roman numerals and raised on four fluted columns, the oval plinth made of wood and alabaster, glass dome, H 37.5 cm - Clock, H 45 cm - Overall S/DCondition Report:The glass dome has been cracked and stuck.
Great War American Infrantry Soldiers Full Uniform and Equipment Grouping, consisting of four pocket wool combat tunic with bronzed infantry collar discs and American eagle buttons. Other ranks wool breeches, wool putties, brown leather combat boots with replaced laces, original model 17 steel combat helmet with original rough textured paint finish and oil skin liner. Webbing belt with ammunition pouches, back pack, 1918 dated pick axe and shaft, P.17 American bayonet with original scabbard, American issue gas mask and filter with original canvas bag and cut down French Gras bayonet as used by troops as a fighting knife. All remain in generally good condition with many items of equipment being dated. (Quantity of items, viewing recommended )
A large set of retro video games mainly for Sinclair platforms. Games include Golden Axe, Wordspell, Monaco Gran Prix etc. Approx 50+ POSTAGE: Worldwide Postage & Packing Available On ALL Items UK Small packet (single small item) £12.99+VAT UK Standard Size (multiple lots) £15.99+VAT (per box) Europe from £19.99+VAT USA from £25.00 +VAT Australia from £25.00 +VAT Please contact us for a specific quote. All postage dependant upon specific location.
HIP HOP - A substantial collection of around 350 x mainly 12" with some LPs with DJ scratch tools and acapellas. Artists include The Roots, Various - 'Heavy Loungin' (FCLP004 deleted), Total Devastation, Atmosphere - The Lucy EP, Arsonists - As The World Burns, KND, Freestyle Fellowship, Erykah Badu, Blackalicious, Terminator X, Rob Swift, Money Mark, Kid Koala, Power, Gang Starr, Warp Nine, Newcleus, Time Zone and Victor And The Glove. Labels include Fat Beats, Fat City, Ubiquity, Rawkus, Battle Axe, Grand Central, P.R.O. Division, Electro Beat, Arvis, Nia, Asphodel, Love Kit, Ninja Tune, Fourth And Broadway, Ziaka and Celluloid. Condition is generally VG+ to Ex and look to have been stored well.
Neolithic Polished Greenstone Axehead.A ground and polished Greenstone axehead dating to the Neolithic period circa 3000-4000 BC. The axehead is probably a product of the Neolithic axe industry centred around Great Langdale, Cumbira, where the material for these axes (volcanic tuff) is found in outcrops on nearby peaks, 97mm x 38mm Found at Shardlow, Derbyshire c.1990
Mdina Axe Head glass vase, etched signature to base, also one other art glass vase, (2) the largest measures 30cm high This lot is sold subject to VAT. Condition report: No chips, cracks or damages. The first vase has a scratch to one side, the second has surface scratches as well as a scuff to the side, there is a minor bruise to the base.
A BRONZE FIGURE OF SIVA AND PARVATI, KERALA, SOUTH INDIA, 16TH CENTURY seated on a lotus throne on rectangular base, the four-armed god with long flaring hair, holding his consort on his left knee, holding an axe and a deer in his upper hands, his primary right hand in varada mudra 12cm high Provenance: Private collection, USA. Acquired before 1990
A 19th century Indian axe, crescent blade 5”, with brass panel, into stem and ornamental peen stamped overall with small concentric circle patterns, knopped top to spiralled haft, the stem in the form of a stylised tiger’s head which unscrews to reveal a 7” blade. GC, with a dark patina. Plate 8

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