Corgi Toys A Pair - (1) 109 Pennyburn workman's Trailer - Blue and yellow, red plastic towing eye, with brush, shovel and Axe, (2) 441 Volkswagen Van "Toblerone" - Light blue, lemon interior, silver trim and "Trans-O-Lites" - conditions are Excellent to Excellent Plus in Excellent blue and yellow carded picture boxes (2)
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14783 Los(e)/Seite
THREE BOXES AND LOOSE METALWARE, WICKER AND SUNDRIES, to include a spelter figure of a Sailor, brass candle sticks, brass figurines, a brass letter rack, a boxed 1920's dressing table set, a carved wood souvenir axe, a group of framed pictures, a framed oil on canvas depicting Mars and other planets, unsigned, wicker shopping basket, picnic hamper, model Spanish Galleon, a carved wood desk top pen stand with two ink wells in the form of a large game bird, a Victorian Imperial typewriter, a white metal hinged ink well in the form of a parrot, copper bed warmer, etc. (s.d) (3 boxes + loose)
A distinct form of a Philippine shield attributed to the Bontoc people of the northern Philippines and now the Mountain region. The shortened and flattened points of the shield, two on one side and three on the other, delineate this style from the more well-known Igorot shield which has longer and sharp points. Shields of this type are associated with headhunting and would be carried alongside the classic Bontoc axe, which were used to cut the heads off of fallen enemies. Height: 32.5 in.- Provenance: this item comes from the private collection of Lou A. and Barbara B. Pritchett. Lou Pritchett was the ex-Vice President of Procter and Gamble. Lou Pritchett rose through the ranks at Procter & Gamble and was instrumental in the creation of the partnership between Procter & Gamble and Wal-Mart. Pritchett was instrumental in bringing Proctor & Gamble to the Phillipines during his time there. Now retired, Lou is a sought-after public speaker and author of Stop Paddling & Start Rocking the Boat.
An Indo-Persian Shield (Taj), 19th Century, with four brass bosses and applied figural subjects, and with engraved and copper and brass detail, 17.5ins diameter, and an Indo-Persian horseman's axe, the blade inlaid in brass and copper with a figural subject and flowering branches, and with concealed dagger to lower handle, 20.75ins
LURISTAN BRONZE AXE HEAD WESTERN ASIA, 800-900 B. C. the flaring and downward-curving blade with thick edges and a ribbed tubular shaft socket with four butt-spikes in the shape of stilised leopard heads, on a custom stand 21cm long Provenance: The Paul Strickland collection of Lorestan artBought from R. Solaimani in 1991
COLLECTION OF NORDIC FLINT TOOLS DENMARK, NEOLITHIC PERIOD, C. 4TH – 3RD MILLENNIUM B.C. a small collection of Neolithic flint tools, consisting of a trapezoidal Danish Neolithic stone axe; a Danish Neolithic tabular ground grey stone axehead, 16.8cm long; a stone pick, inscribed ‘Holev’, 13.5, a handaxe inscribed with a Danish findspot, 12cm long; a flint borer, 11.3cm long, a flint tranchet, inscribed PH, 10cm long; a handaxe inscribed PH, 9.3cm long; and a knife, 8.2cm long (8) The largest 17cm long Provenance: Private collection, United Kingdom, formed 1970s - 1990s
A collection of antiquities and curios to include a Bronze Age cast bronze socket socket axe head with a small loop, accompanied with a hand written paper note 'from a hoard found in Warwickshire in the 1970's, a 17th century beggars badge bearing a portcullis ÒI receive Allemes / of the Town / Made in the Mayorality / of Mr. Henry Squibb /Mayor of Romsey inf- / ra in Hamsir / Anno Domini 1678 / of Rumsey", a lead token 'His majesty's Yard Chatham', a specimen section of mammoth tooth, a section of preserved wood with label 'Found during excavations 1978 Hungate York Viking oak boat fragment 9th century', a late 16th / 17th century wrought iron witches hat candle snuffer by repute found in the Thames, a roof slaters lead trade plate initialled A.T.M., a Tibetan leather and steel tinder pouch, a selection of alleygobs for five stones, etc., (qty)first length 9.5cm.,Condition: Viewing recommend in person
A post-medieval executioner's-style axe, a wrought iron executioner's-style goose-wing hewing axe,79cm longWhile this axe was likely not made specifically for executions, axes of this type were widely used for that purpose. Even the famous executioner's axe in the Tower of London - known to have been used for the beheading of Simon Fraser, 11th Lord Lovat, in 1747 - began its life as a timber hewing axe.Shipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition Reportsome rusting, probably replacement handle - old woodworm to handle
Copper alloy and wood socketed axe head, advised late Bronze Age, with crescentic cutting edge, plain bosy with slight concave upper and lower sides and a sub-rectangular socket, single loop along with desiccated wood pieces taken from within the mouth of the socket - includes print out sheet with entry number 8421 Dave Revell finds and Paul Robbins museum paperwork
Timpo - Medieval Knights [Swoppet type] Range [1966], RARE YELLOW HELM VARIANT, comprising: Mounted Knight with Battle Axe, Moulded in the Very Rare Green Surcoat with Caparison, Reins, Shield, Red Surcoat & Shield Device & YELLOW HELM. Mint & Complete overall, Exceptionally Rare Variant.The figure is original and was found by the Vendor in a standard boxed set of mounted medieval knights.
MEISSEN/POTSCHAPPEL u.a., Konvolut 13 Tassen und 13 Untertassen, 19./20. Jh.: MEISSEN: 1 Tasse (1 Schleifstrich) und 1 Untertasse (abweichend), Tasse mit Doppelhenkel und Blumen- und Banddekor, Untertasse im Spiegel mit Malerei eines Helms, Schild, Schwert und Axt; 1 Tasse und 1 Untertasse (abweichend) mit Streublumenmalerei; 1 Andenkentasse mit Spruch 'Sey fleißig wie sie!' und Malerei eines Bienenkorbs und 1 Untertasse; POTSCHAPPEL 1 Tasse mit 1 Untertasse mit Hausmalerei eines Drachens (Marke an der Tasse übermalt); TIRSCHENREUTH 1 Mokkatasse und 1 Untertasse, Kobaltblau und Goldstaffage; FRANZ FRITZ Mokkatasse und 1 Untertasse mit Dresdner Stadtwappen und Goldstaffage; ROSENTHAL Mokkatasse mit 1 Untertasse 'Empire'; PRAG 4 Mokkatassen mit 4 Untertassen u.a. mit Ansicht der Teynkirche; nicht aufgelöste Hersteller: 1 Tasse mit 1 Untertasse, Kobaltblau mit Goldstaffage und Figurenmalerei; 1 Ziertässchen mit 1 Untertasse, feine Malerei eines Mädchens in romatischer Landschaft, Untertasse mit Monogramm und einer Malerei von Enten. Teilweise mit starken Altersspuren, berieben.| MEISSEN/POTSCHAPPEL a. o., convolute of 13 cups and 13 saucers, 19th/20th cent: MEISSEN: 1 cup (1 grinding stroke) and 1 saucer (different), cup with double handle and flower and ribbon decoration, saucer in mirror with painting of a helmet, shield, sword and axe; 1 cup and 1 saucer (different) with scattered flower painting; 1 commemorative cup with saying 'Sey fleißig wie sie! ' and painting of a beehive and 1 saucer; POTSCHAPPEL 1 cup with 1 saucer with house painting of a dragon (mark on the cup painted over); TIRSCHENREUTH 1 mocha cup and 1 saucer, cobalt blue and gold decoration; FRANZ FRITZ mocha cup and 1 saucer with Dresden city coat of arms and gold decoration; ROSENTHAL mocha cup with 1 saucer 'Empire'; PRAGUE 4 mocha cups with 4 saucers a.o. including a view of the Teyn church; unresolved makers: 1 cup with 1 saucer, cobalt blue with gold decoration and figure painting; 1 decorative cup with 1 saucer, fine painting of a girl in a romantic landscape, saucer with monogram and a painting of ducks. Partly with strong signs of age, rubbed.
A Victorian / Edwardian Ancient Order of the Foresters ceremonial wooden axe, the head decorated with the society's crest of a stag's head issuing out of a coronet and inscribed "Court Prosperity / Court 5481", 90 cm. [Court 5481 believed to be "Court Prosperity" of Woolpit, Bury St Edmunds.]
Broadside.- Luddites.- Pentrich Martyrs.- Evidence taken on the State Trials, at Derby, October 1817, printed broadside, foldlines, short marginal tear affecting odd word, neat tape repair to verso, ex-Nottingham library with neat ink stamps to margins, laid onto paper, c.520 x 390 mm., Nottingham, G. Stretton, [1817]. *** Rare. Seemingly unrecorded. Broadside recording the trial of Jeremiah Brandreth, William Turner and Isaac Ludlum who were convicted of high treason for a plot to overthrow the government. They were the last people in Britain to be beheaded by axe, after being executed by hanging.
* Strang (William, 1859-1921). The Thunderstorm, 1889, etching with drypoint on laid paper, signed lower right, title in another hand to verso, the third (of three) states, printed with plate tone, tipped-on to backing board, mount stained, scattered spotting, plate size 30 x 35 cm (12 x 13 3/4 ins), sheet size 32 x 41 cm, framed and glazed, together with The Bathers, 1932, etching on laid paper, signed lower right in pencil 'Wm. Strang fec. DS.', additionally signed by David Strang, tipped-on to backing card, plate size 17.5 x 20.2 cm (7 x 8 ins), sheet size 20.2 x 22.6 cm, framed and glazed (34.5 x 35.5 cm), together with Stevens (Geoffrey, 1899-1979). The Well, 1933, etching on laid paper, signed in pencil, plate size 15.5 x 22.8 cm (6 x 9 ins), framed and glazed (35.5 x 42 cm) and Landscape with Chapel, 1933, etching, signed in pencil, plate size 19.5 x 26.6 cm (7 3/4 x 10 1/2 ins), framed and glazed (39 x 46 cm), plus five further works by various artists including John Dixon (The Axe of Brandonan), Alfred Waldron (Bathers in Tree) and John Nicholls, various sizesQTY: (9)
A 19th century Italian shell cameo gold mounted brooch. Carved as a huntress on a rearing horseback with an axe and a tiger, indistinctly signed 'Capannia', in a rose gold mount, 60 x 50mm, 21.2g.No chips to the raised decoration. There are two faint hairlines above the axe. There is a faint hairline to the ground on the left. On the back you can see the cracks clearly but they appear stable. Please see images.
* Gillray (James). Patriotic Regeneration - viz - Parliament Reform'd a la Francoise - that is - Honest Men (ie - opposition) in the seat of Justice, published H. Humphrey, March 2nd 1795, etching with aquatint with contemporary hand colouring, trimmed to the plate mark, small areas of adhesions scaring to the verso, 310 x 420 mmQTY: (1)NOTE:BM satires 8624. Gillray is imagining a situation where the French revolutionaries have taken command of the British parliament. Replicating the sham trials of the National Convention during Robespierre's Reign of Terror into an English equivalent in the House of Commons.Francophile Whigs wearing their bonnets rouges now control the House of Commons. As in France, the crowns and jewels of the Royal Family have been seized, and the estates of "Loyalists" like the Chatham and Grenville families, have been forfeited. Cash from the Treasury has been converted to the famously worthless French Assignats, and the former Prime Minister William Pitt has been manacled and placed in the prisoner's dock.Pitt is dressed only in a torn white shirt which may be intended to recall another sham trial, that of Jesus before Pontius Pilate. Behind Pitt is Lord Lauderdale, an outspoken critic of Pitt's policies in the House of Lords, carrying an executioner's axe and holding a noose around Pitt's neck. Sitting opposite Pitt in the Speaker's chair and acting as presiding judge over this trial, is the Whig leader Charles James Fox. Beneath him, the famous barrister, Thomas Erskine, identified by papers in his pocket alluding to his recent successful defence of the radical Thomas Hardy, but now in the role of the prosecuting counsel, seems to be arguing for the death sentence. Next to him, the financially scheming and habitually indebted Richard Brinsley. Sheridan seems to be making notes of valuables he could acquire.The dubious nature of the trial is emphasised by the scales of justice being forcibly manipulated by the always shifty Marquess of Lansdowne so that a French bonnet rouge will assume more weight than the British crown.Subtle it is not, but for sheer political theatre, it is a masterpiece.

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