14782 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

A late 19th/ early 20th Century Meissen figural group after the 18th Century Gardener series modelled by Michel Victor Acier, comprising six figures pyramid of various gardeners at work with central cavalier with basket of flowers, all on rocky elevated base, the circular base with gilt decoration, the underside with large blue underglaze crossed swords, red painted no: 25, incised D 97 & 46 to underside, approx 29.5cm high (1)  Further details:  repair to watering can, female figure missing a rake, chips and losses to flower petals, all fingers appear intact with repairs to male figure with axe left hand and seated girl's left hand 

Taschenuhrum 1900, Handaufzug, Gehäuse 750 Gelbgold, geprüft, Zwischendeckel Metall, Emaille-Zifferblatt mit römischen Ziffern, Gehäuse verso floral graviert, Zwischendeckel bezeichnet 'échappement a ancre axe levees & dix trous garnis en rubis', Gehäusedeckel 5687 & 893 nummeriert, Ø 5,3 cm, Gewicht ca. 70 g, läuft, Zustand befriedigend, Zifferblatt mit Haarrissen, partiell minimal gedellt, Glas mit kleiner Bereibung bei der 1, ohne Original-Box oder -Papiere

A REGENCY SIMULATED ROSEWOOD AND PARCEL GILT 'WATERFALL' OPEN BOOKCASECIRCA 1815138.5cm high, 70cm wide, 34cm deepCondition Report: Bookcase with the marks, knocks, scratches and abrasions commensurate with age and use. Various old chips and splits - see images. The painted surface with the expected wear, chips, losses and marks. Some evidence of old worm. Cream paint to the shelves and interior is later. Backboards also have a later black wash applied to them. Later tape applied to the edge of the backboards to help secure.No key present, both locks are open. 'Axe-head' handle to the door is likely an old replacement and the catch element to the interior is lacking. Old sections of repair to the front edges of the sides of the lower shelf - see images. All four legs are old replacements. Pleated silk to the door is a later replacement. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A 19th century Indian Bulova fighting axe, on later hilt, Location:

A 19th century Indian Bulova fighting axe, on later hilt, Location:

A 19th century Indian Bulova fighting axe, on later hilt, Location:

Assorted Scottish and similar hallmarked silver and white metal hardstone set jewellery comprising an axe brooch, a brooch modelled as a pair of scissors, three other brooches and a pair of earrings.

AN ASSORTMENT OF TOOLS TO INCLUDE AN AXE, A SLEDGE HAMMER AND GARDEN TOOLS ETC

AN ASSORTMENT OF VINTAGE TOOLS TO INCLUDE AXE, SAWS, RULERS, ETC

*Item to be collected from Friargate, Derby* Two French GRAS bayonets, one numbered 32418, engraved to back of blade St Etienne 1875, approx 64cm long, the other numbered 84961, no inscription, approx 64cm long; a replica Far Eastern axe, cast with dragons, approx 55cm long; a replica pistol, approx 37cm long; a Finnish knife and sheath, knife approx 20cm long; a Dianna Mod 2 pistol, approx 23cm; a replica mace, approx 96cm long (7)Condition - wear and tear commensurate with age (see images)Object location - Snug

New and unused 1.5lb wood handled axe. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Roman Republic (509BCE-27BCO) - Julius Caesar, silver Denarius, circa 49BCE-48BCE, military traveling mint, Elephant, right, trampling serpent, CAESAR, below, within beaded boarder, ./. Emblems of the Pontificate, simpulum, aspergillum and axe, 3.8g

A Scottish silver and agate mounted broadsword brooch, length 49mm, together with a silver axe brooch. (2)

Steel forged bearded axe, L: 77 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

Framed display of various fossils and a knapped flint axe head

An antique New Zealand pounamu jade axe-head shape pendant with yellow metal mount, 1.9".

This is a rare Deep Mudder (Factory Cross Country modifications) that's been meticulously and accurately restored over our vendor's 13 years ownership.This fine example was built on 11/06/1945 at the Dallas plant with a life expectancy in combat of thee monthsIt's a 'Deep Mudder'- designed to be able to run in mud and flood water- low production and rareDifferences include taller tyres with a speedometer adaptor, spare wheel rim only as the tyre didn’t fit on the original bracket some cars were issued with vacuum wipers, exhaust pipe runs parallel to the rear axleMeticulously and accurately restored over our vendor's 13 years ownership with invoicesFinished in the correct shade of Olive Drab with accurate US stencilsVery well detailed with the appropriate tools (Collins axe and Ames shovel). Very impressiveUpgraded with an alternator and mechanical fuel pump in the interests of reliabilityStarts on the button and drives really well. Paperwork and photographs to document the restorationEvery rural car show in the country now has a section for Military Vehicles, and with WWII re-enactments and the prestigious classic car meetings all clamouring for 1940s Jeeps, this lovely example could keep you busy for the rest of the SummerSpecificationMake: JEEPModel: FORDYear: 1945Chassis Number: 272229Registration Number: 643 XURTransmission: ManualDrive Side: Left-hand DriveOdometer Reading: 1352 MilesMake: Only LHDInterior Colour: ClothClick here for more details, condition report and images

A WWII Second World War USAAF United States Army Air Force aircraft escape axe likely from a Waco CG-4 Glider. Typical insulated rubber handle with textured grip and steel axe head. Measures approx. 40cm.

Vintage "Ricard" horn handled axe with folding saw blade and hook in the handle, 32.5cm

A large Mdina fish or axe glass vase signed Mdina glass & dated 1977, height 20.5cmGood condition, no chips or cracks

A GEORGE V SILVER OVAL TEAPOT by William Aitken, Birmingham 1920, the squat body with ebonised finial and handle, on four splayed legs, engraved with 'axe wielding' armorial with motto 'Fidem Non Movet Ignis', 25cm high, gross weight 18 tr. ozs

Tribal Art - an African axe, fan shaped blade, 70cm long

Tribal Art - a Luba axe, carved figural pommel, 59.5cm long, Democratic Republic of Congo

A Georgian British Naval Boarding Axe Head 8in

A Viking Style Throwing Axe, the upswept iron blade with cylindrical socket on a later wood haft, 60cm

An Indian Pesh Kabz, with 19cm T section steel blade, brass bolster and bone two piece earred grip, with wood scabbard; two Indian Ornamental Axes, each with crescent shape steel blade decorated with deities in brass and copper, one with steel haft, the other with bamboo haft; also, an Indian bowie type knife in leather sheath, an axe with turned wood haft, three reproduction Mughal style dagger grips and a small Indian kukri (9)

A Victorian Scottish basket hilted sword, the 73.5cm blade with brass hilt composed of flattened rounded bars united by pierced junction plates and fish-skin grip 89cm overall; together with a small Indian axe, the crescent shaped blade with top spike mounted with an elephant 53.5cmThe guard is not of the greatest quality, but has age and doesn’t appear to be a reproduction and fits the rest of the sword nicely. See multiple additional images, sharkskin grip and guard looks 19th century but blade is worn and pitted. Sold as seen

A Gladiator type sword in sheath together with an ornamental axe.

COAL HOD WITH MISC FIRESIDE TOOLS & SMALL PICK AXE

A 9ct gold brooch total weight approx. 2.5gms; a yellow metal and seed pearl memorial brooch 3gms; a silver brooch decorated with a horse; a silver brooch in the form of a sword; a silver brooch in the form of an axe AF and a white metal and agate bracelet

Wilkinson sword commemorative mounted police throwing axe. Shipping category C.

A WWII Air Ministry aircraft escape axe stamped with crown and 'AM' cipher.

British WWII Military Pick Axe, dated 1942 and made in Sheffield. It is in good condition with some wear, retaining almost all of its original paint, separates into two pieces. 56.5cm wide head, the shaft is 91cm's long.

A George III silver caddy spoon, with a fluted bowl and an engraved axe-head-shaped handle, initialled 'L', by Elizabeth Morley, London 1807, 6.8cms long, 0.3oz.

A carved African tribal axe, notched border below the cast metal head, 61cm long; and an ethnographic short sword in twine-bound wooden scabbard, twine grip, blade length 30cm, overall length 62cm.Qty: 2

CAMP Interalp climbers axe, overall length 81cm.

A collection of assorted treen ware to include a Mauchline trinket box and cover transfer printed with a view of St Mary's Church Eastbourne, a pocket snuff box transfer printed with a huntman and titled L'Affut, one other snuff box printed with an axe, donkey and letters MY, a rule printed with a view of Hastings Castle, a boxwood dice shaker and a rosewood rule. (6)

A treen incised decorated iron bladed African axe (L 55cm x 17cm)

A Papua New Guinea stone bladed axe, with polished green stone blade, woven vegetal bindings and carved geometric decoration, 53cm wide, with plain handle

Gunnar S. Malm (1909-1986) - Man with axe in tree-lined landscape, oil on artist board, signed lower left, 38 x 46cm

George P. R. Pulman. The Book of the Axe, one volume bound in 2, fourth edition, folding lithographed map, backed on linen, wood-engravings in text, contemporary half morocco, 8vo, London: Longman, Green, Reader and Dyer, 1875; and 7 others, mostly Devon interest, 8vo (9). ** (i) titles spotted, boards rubbed (ii) remaining titles in poor condition.

Mdina - A post war Axe Head vase, decorated internally with mottled deep brown spots and ochre and blue streaks, heavily cased in clear, engraved signature, height 21.5cm.

JAMES DRUMMOND RSA (SCOTTISH 1816 - 1877) THE ABBOT OF INCHAFFRAY BLESSING THE SCOTTISH ARMY BEFORE THE BATTLE OF BANNOCKBURN THE ABBOT OF INCHAFFRAY BLESSING THE SCOTTISH ARMY BEFORE THE BATTLE OF BANNOCKBURNoil on canvas, titled partial label versoframedimage size 85cm x 125cm, overall size 108cm x 148cmPartial handwritten exhibition label verso. Label verso: Britnell's Art Galleries, London & Toronto.Exhibited: Royal Scottish Academy Annual Exhibition 1844 cat no 173.Exhibited: Royal Scottish Academy Annual Exhibition 1880 cat no 298 (Lent by Mrs Ballantine)Note: The Scots soldiery was aroused at around daybreak on Sunday 23rd June 1314. Maurice, the aged blind Abbot of Inchaffray celebrated mass for the army. On seeing this, Edward II is reputed to have said: "Yon folk are kneeling to ask mercy." Sir Ingram de Umfraville, a Balliol supporter fighting for Edward, is said to have replied: "They ask for mercy, but not from you. They ask God for mercy for their sins. I'll tell you something for a fact, that yon men will win all or die. None will flee for fear of death." "So be it", retorted Edward. Robert the Bruce addressed his soldiers, informing them that anyone who did not have the stomach for a fight should leave. A great cry re-assured him that most were ready for the battle. If there is a fact every Scot knows, it is who won the Battle of Bannockburn in 1314; although it did not bring outright victory in the war, which lay 14 years in the future and would only be won at the negotiating table. The victory was a combination of Bruce's demand of 1313: that all of the remaining Balliol supporters acknowledge his kingship or forfeit their estates, and the imminent surrender of the English garrison encircled in Stirling castle – which spurred Edward II to invade Scotland. He mobilised a massive military machine: summoning 2,000 horse and 25,000 infantry from England, Ireland and Wales. Although probably only half the infantry turned up, it was by far the largest English army ever to invade Scotland. The Scots common army numbered around 6000, with a small contingent on horseback. It was divided into three "divisions" or schiltroms (massive spear formations), led by King Robert Bruce, his brother, Edward, and his nephew, Sir Thomas Randolph, Earl of Moray. After eight years of successful guerrilla warfare and plundering the north of England for booty, the Scots had created an experienced battle-hardened army. The battle opened with one of the most celebrated individual contests in Scottish history. Sighting a group of Scots withdrawing into the wood, the English vanguard, made up of heavy cavalry, charged. As they clashed with the Scots, an English knight, Sir Henry de Bohun, spotted Robert Bruce. If de Bohun had killed or captured Bruce, he would have become a chivalric hero. So, spurring his warhorse to the charge, he lowered his lance and bared down on the king. Bruce, an experienced warrior, didn't panic, but mounted "ane palfray, litil and joly" and met the charge. Dodging the lance, he brought his battle axe down on de Bohun's helmet, striking him dead. Elated, the Scots forced the English cavalry to withdraw. The Scots had won the first day. Their morale was high and Bruce's new tactic of using the schiltroms offensively rather than statically, as Wallace had used them at Falkirk, appeared to be working. Yet Bruce must have been contemplating a strategic withdrawal before the set piece battle that would inevitably follow in the morning. For the English the setbacks of the first day were disappointing. Fearing Bruce might mount a night attack, they encamped in the Carse of Balquhiderock. The following day they still hoped to draw Bruce into a full-scale, set-piece battle where their decisive Welsh longbowmen could be brought to bear rather than let Bruce return to guerrilla warfare. At this critical moment, Sir Alexander Seton, a Scots noble in the English army, defected to Bruce bringing him vital intelligence of Edward's army: its confined position and the low morale within the English camp. Bruce decided to risk all in the morning and face Edward in open battle. At dawn the Scots ate their breakfast and advanced out of the wood to face the enemy. Medieval battles were seen as the judgement of God; it was important to have the saints on your side, and so, in the midst of the Scots schiltroms, Abbot Bernard of Arbroath carried their ancient lucky talisman, the Breccbennach (or Monymusk Relquary), which held the relics of St Columba. Bruce himself made a speech invoking the power of St Andrew, John the Baptist and Thomas Beckett. Then, according to the chronicler Walter Bower: "At these words, the hammered horns resounded, and the standards of war were spread out in the golden dawn."

AN ASSORTMENT OF GARDEN ITEMS TO INCLUDE A GARDEN SPRAYER, PICK AXE AND CROW BAR ETC

New unused wood handled felling axe. Not available for in-house P&P

Vintage ski equipment, including skis, bamboo ski poles and a mountaineering axe

A Chinese stone axe, possibly Neolithic, 12.5cm l

A French bronze statuette of a miner, c1900, cast from a model by Gamboge, medium and golden brown patina, rubbed on left foot, 35cm h, stamped BRONZE GARANTI seal Handle of axe slightly bent, a little dusty, original patina

A box of tools, vintage axe, wood plane, mover's trolley etc

A Vintage Broomhook Axe

A Chinese blue and white inscribed ‘Ode to the Red Cliff’ bowl, Kangxi period, painted with Su Shi and his scholarly friends looking toward the Red Cliff across a channel of water, the moon above them, the reverse inscribed ‘Chibifu’ (for the poem Qian Chibifu by Su Shi (1037-1101) with a thirty one column version of the poem Ode to the Red Cliff, the interior painted with ‘fu’, birds, rabbits, cliffs, celestial star formations, an axe and other motifs, emblematic of good luck, longevity and safe travel, the base with six character mark ‘Qi yu bao ding zhi zhen’ (Precious as a treasured ding of rare jade), 15.7cm diameter, 7.5cm high***CONDITION REPORT***There is a small 4mm x 2mm glaze chip to the rim, an over glazed splinter chip to the inside of the foot, another firing indentation to the inside of the foot, other glaze imperfections to the underside of the bowl next to the foot. There is some scratching to the glaze on the interior and to an imperfection on the glaze on the underside otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Hand axe

An unusual ironwork hanging ceiling light, the looped X frame in the form of two longboats supporting four light fittings, central Norse man figure wielding an axe and shield, etc

Indian Parashu Battle Axe 62cm in length with a single blade and spike point. Axe Head is covered in decoration. Silvered inlay leaf decoration on the spike. Tang of the axe head extends 345mm into the handle.

A QUALCAST CONCORDE32 LAWNMOWER (PAT pass and working) along with a The Handy push along mower, pick axe, sythe and two steel supports for fence posts (6)

A Neolithic period stone carved axe head aprox 10cm long. Unsure of provenance or where this item was found.

Viking Age, Ca. 900–1100 AD. A beautiful bronze pendant in the shape of an axe or Perun amulet comprising a suspension loop and a stylised axe with a notched head, and impressed concentric circles intended to decorate the outward-facing surface. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjolnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky and earth who used the axe to kill the snake that stole the earthly light. Excellent condition, wearable. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61–65.Size: L:52mm / W:35mm ; 12gProvenance: Private London collection since the 1990.

Viking Age, Ca. 900–1100 AD. A beautiful, solid silver pendant shaped as broad battle axe with an integral loop. This type of pendant might have been worn around the neck by a Viking warrior. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61–65.Size: L:24mm / W:13mm ; 3.4gProvenance: Private London collection since the 1990.

Northern Europe, Ca. 700–900 AD. A beautiful silver pendant with an integral loop shaped like a bearded Viking axe head. Good condition. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjölnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky and earth who used the axe to kill the snake that stole the earthly light. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65.Size: L:30mm / W:13mm ; 3gProvenance: Private London collection since the 1990.

Viking Age, Ca. 900–1100 AD. A beautiful pendant in the shape of an axe. The curved miniature bronze axe-head is of the Scandinavian type, with a long gently curved blade and recurved horns to the inner edges; a hole is punched through the centre. The shaft hole is to be used as a loop for the necklace's chain. This type of amulet is modelled after the axe Molnia and is often seen as a counterpart to the common Mjölnir amulet. Some associate these axe pendants with Perun who was the ruler of the living world, sky and earth who used the axe to kill the snake that stole the earthly light. For more information on Viking jewellery, see Arbman, H. (1940). Birka I Die Gräber. Uppsala & Hubbard, B. (2016) The Viking Warrior. Amber Books Ltd, London, 61-65.Size: L:30mm / W:45mm ; 8.8gProvenance: Private London collection since the 1990.