We found 34077 price guide item(s) matching your search
There are 34077 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
34077 item(s)/page
Lot 796
A BOX OF JAGUAR CAR RELATED ITEMS, to include a Jaguar tool box with partial contents (missing two small spanners, a pair of pliers and another boxed item), and three Jaguar Service Manuals in folders: Mark 2 Models 2.4, 3.4 and 3.8 litre, 3.4 and 3.8 'S' Models, and Mark 10 Model (1 box) (sd)
Lot 331
A large collection of vintage engineering tools from a Charles Edward Atkins , who had an apprenticeship in 1951 at RA Lister & Co of Dursley Gloucestershire. items to include his wooden tool cabinet, photos and Apprenticeship agreement, A WW II poster from the railway executive committee IS YOUR JOURNEY REALLY NECESSARY ? Tool box is also full of various engineering tooling lose Tools to include folwer gauges set squares , calipers, verniers height gauges, feeler gauges, micrometers, digital micrometers, plus other tooling of the period Condition Commensurate with age View all pictures
Lot 2195
Omega: A Rare Stainless Steel Automatic Centre Seconds Wristwatch, signed Omega, model: Seamaster 300, ref: 165024, 1967, (calibre 552) lever movement signed and numbered 25587339, black dial with Arabic and luminous hour markers, case with protected screw down crown, 60 minute scale bakelite rotating bezel, screw back with Sea Horse Seamaster logo, inside back cover stamped Omega Watch Co and numbered 165024 and case maker's mark HF for Huguenin Freres, Omega stainless steel Bracelet with deployant clasp signed and numbered 1175 No.12 and dated 1-7140mm wideThis watch has been in the same family since new.Case with surface scratches and small dents in parts, bracelet with surface scratches, bracelet links are evenly stretched, case back with some opening tool scratch marks, Omega crown is screwing down on the threaded tube correctly, original bakelite bezel insert with scratches, very minor dents and some small cracks, bezel with numerals discoloured, original dial with the luminous hour markers evenly discoloured but have a good patina, hands have been re-lumed and the lume in the hands is cracking, later centre seconds hand, hand setting correctly, movement needs cleaning, movement is working. This watch has been in the same family since new.
Lot 2198
Omega: A Rare British Military Royal Air Force "Thin Arrow" Centre Seconds Wristwatch, signed Omega, ref: 2777-1, issued in 1953, (calibre 283) manual wound lever movement signed and numbered 13056698, movement dust cover and inner retention ring, black dial with Arabic numerals and Thin broad arrow, case with fixed bars between the lugs, screw back with broad arrow and military numbers 6645 101000 6B/542 1504/53, inside back cover stamped Omega Watch Co and numbered 2777-1 SC37mm wideOmega watches were issued to the RAF, which are today often appropriately nicknamed “53 Omegas”. Designed for use in combat, they were built to a very high standard, they were waterproof and had the 283 calibre shockproof movements finished in rose gold, and a soft iron inner casing to make the watch less magnetic, thus reducing the risk of interfering with an aircraft’s instruments whilst not altering the efficiency of the watch.The first of this consignment of watches were issued with ‘Thin Arrow’ radium dials, like this present example. However, there was concern within the MoD that the radium might be a safety issue when the watches were all stockpiled; the watches were recalled and re-dialled with a safer alternative – the tritium ‘Fat Arrow’ dial. The vast majority of the original radium dials were replaced by the MoD, and it is thought that only a few hundred of the Omega ‘Thin Arrow’ watches escaped the upgrade, and few still survive today, particularly in good condition.Case with surface scratches and small dents in parts, case back with small opening tool scratch marks, later strap and buckle not by Omega, original dial finish, dial with a small scratch between 4 and 5, dial surface with small staining marks visible under an eyeglass, original radium dial lume has evenly faded but have a good patina, dial numerals and outer minute track is clear, hand lume with good patina, centre seconds hand with small spotting marks, hand setting correctly and winding smoothly, movement is working.
Lot 67
A Ryobi portable tool chest to include a Ryobi CW-1801/150 18v battery circular saw, a Ryobi STP-1801 18v battery drill, a Ryobi CFL-180F 18v battery handheld torch, a Ryobi CJS-180QEO 18v battery jigsaw, a Ryobi CMS-1801 18v battery cross cut saw, a Ryobi BC-1807T 18v charger and two Ryobi 18v batteries.
Lot 71
A collection of mid twentieth century and later hand tools to include a boxed steel mitre jig, two Black and Decker D980 drill stands (one boxed), Anant wood plane, spring balance scales, two brass blow lamps, brass garden sprayer, a Nu-Tool 5" 240v 120 2950rpm bench grinder, a Record No. 1 bench vice, car axle stands, a car jack, Swinborne socket set, an unbranded socket set, spanners, a Britool torque wrench and a wooden tool box with internal sliding storage trays 71cm (w) x 38cm (d) x 29cm (h).
Lot 19
A collection of power tools to include, a boxed Black and Decker KG915 230v 900w disc grinder with spare discs, a boxed AEG SBE600R 240v 600w drill, a boxed Black and Decker KX200K 240v 2000w heat gun, a boxed Black and Decker Wizard 230v 90w polishing tool with attachments and a Tool Tec PA6-GF30 240v 900w wood planer. (5).
Lot 69
A Plasplugs 'Master Sharp' modular sharpening system, a Black and Decker DNJ4506-7240v 315w hedge trimmer, a Power Devil PDRT420 18v rotary tool kit, a Skil 'Supertwist' 3,6v battery screwdriver, a boxed Kinzo 230v 135w finishing sander, a boxed JMB DS180-M-230 230v 180w detail sander, a boxed Black and Decker 240v 175w finishing sander along with a Black and Decker DN31-113 240v 315w jigsaw, a boxed Black Spur DR103 14.4 battery drill, a boxed Wolf Sapphire 76 240v 420w hand drill, a Black and Decker BD551/HIC 240v 400w hand drill, a Black and Decker HG3000 240v 2050w heat gun, a Black and Decker H553 240v 350w hand drill and a Black and Decker BD561 240v 400w hand drill.
Lot 8
A black plastic tool box containing a selection of hand tools, a Black and Decker BL24V 240v cordless screwdriver with box, a grey Bosch plastic case containing a selection of drill bits, an Am-Tech four nozzle rivet gun with a selection of rivets, a white tub containing a selection of heavy duty chisels, wire brush and a hand tile cutter, a blue plastic storage unit with thirty four pull out drawers, red plastic bench tool storage rack, a Starplast plastic lever toolbox containing a selection of wood drill bits and carbide tipped masonry bits, a Zag plastic lever toolbox containing a selection of hand tools, a plastic tub containing a 12v remote control unit with electrical consumables, a yellow hand held torch and an ariel, an Abru Starmaster extendable two piece aluminium ladder 7.18m overall length.
Lot 43
A large wooden portable tool chest with two metal handles to the sides and internal storage tray 97.5cm (W) x 68cm (D) x 81cm (H) containing a selection of carpentry consumables to include woodscrews, nails, bolts, self tapping bolts and electrical connectors, also a small selection of tools to include chisels, screwdrivers, a Rabone tape measure, allen keys and a wood plane, and a boxed F and D Smallwood, Birmingham military issue steel rule No 2662 dated 1958 91.5cm (36") long.
Lot 306
A vintage wooden tripod featuring adjustable legs and brass fittings, designed for durability and functionality. The tripod displays a rustic charm with its aged wood and patinated metal components, making it a practical tool or a decorative piece for enthusiasts of vintage equipment. Suitable for use or as a collectible display item.Issued: 20th centuryDimensions: 18"HCondition: Age related wear.
Lot 214
Katherine Perrins Little Weed, 2025 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Katherine Perrins' paintings explore the domestic spaces we inhabit and the everyday rituals that occur within them. Light captured or reflected within these interiors becomes a tool to record the passing of time and accumulation of memories stored inside the home. Produced in series, her still life paintings provide an investigation of place and time. Perrins' current works explore the experience of maternity leave after the birth of her children. Attention is focused on the minutiae of daily routines and her paintings explore the experience of home as womb-like, a protective nest or chrysalis. Hers is a deeply intimate relationship with the domestic environment; paint is a tool to examine the overlooked. Here are areas where things have come undone or been abandoned; half-drunk coffee cups, dust under the table, scattered children's toys. The works explore stillness and a noticing of the everyday; they express a longing for moments that have passed. Education 2016-2017 City and Guilds of London Art School, MA Fine Art, Distinction 2008-2009 University of Cambridge, PGCE in Secondary Art Education 2002-2005 Falmouth College of Arts, BA (Hons), 1st Class 2001 Falmouth College of Arts, Foundation Diploma, Distinction Solo Exhibitions 2024 Many Lines of Luminous Things, CLOSE, Somerset, UK Group Exhibitions 2024 Mirrors Fog Over When I Breathe, Centrespace Gallery, Bristol, UK Drawing Now Art Fair, Paris, France 2023 GOLD, CLOSE, Somerset Bruton Open Exhibition, Bruton, Somerset 2022 Royal Academy Summer Exhibition, curated by Grayson Perry, London, UK Somerset Reacquainted, ACEarts and Musgrove Hospital, Taunton, Somerset Awards 2024 100 Emerging Female Artists- Hearts to Arts Project 2020 Recipient of a 'Creative Pathways Bursary', Somerset Art Works 2017 Shortlisted for the Art IQ Graduate Art Prize Gallery Representation CLOSE Gallery, Hatch Beauchamp, Somerset UK The Lemon Street Gallery, Truro, Cornwall Statement about AOAP Submitted Artwork These works explore visual elements of a children's playground. They are studies for a larger body of new work, but here I was interested in contrasting textures; the softness of the sand and shadows and waxy leaves in 'Little Weed' and the cool reflective metal surface of the swing's chain against the sandy floor in 'Swing Time'. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 395
Kate van Doren Free Soul, 2025 Graphite on ACM charta panel Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate Van Doren (American, b.1978) explores human resiliency, connection, and the healing power of nature through her realism paintings, drawings, and photography. With over two decades of experience as an art therapist in the mental health field, Kate offers a unique perspective that deeply connects with her subjects and fosters their stories about the human condition. Kate received an honors degree in Fine Art and Psychology from the University of Oregon (2002) and earned a double master's in Counseling and Art Therapy from Marylhurst University (2006). As a board-certified art therapist, she has developed and administered art therapy programs for at-risk youth, individuals with severe mental illness, trauma survivors, the elderly, and hospice care patients. She also mentors artists and art therapy students globally. Kate is the creator of the Healing Words Project, a photography and painting workshop for women that documents the healing journeys of over 2,000 participants. This project has been recognized internationally, including in Newsweek Español, as an early intervention program to prevent violence against women. Her current painting series is based from this initiative. Her work has been exhibited in galleries and museums across the U.S. and Mexico, including Art Basel Miami, and is held in private collections worldwide. Kate has been featured in Fine Art Connoisseur, American Art Collector, PoetsArtists, Mod Portrait, the Art Renewal Center among other publications. In 2022, she was an ARC and Beautiful Bizarre Art Prize Finalist, and earned 2nd Place in the international FIKVA award for painters. She was also a finalist in the ARC in 2024 and was also included in the Peregrine Collection, a time capsule of digitized art and literature sent to the moon. Kate is based in San Miguel de Allende, México, where she devotes her time to her family, her art therapy practice, activism work, and her fine art studio. Education 1999-2003 BFA-University of Oregon 1999-2003 BS Psychology-University of Oregon 2004-2007 Double Master's in Art and Counselling Art Therapy- Marylhurst University, Marylhurst, OR Solo Exhibitions 2022 El Dia Sin Mujeres: Oraciòn Por Las Desaparecidas/ The Day Without Women: Honoring the Stolen, Fabrica Aurora Gallery, San Miguel de Allende Mexico 2020 Fabrica La Aurora Gallery, El Dia Sin Mujeres: Taking our Voices back International Women's Day, San Miguel de Allende, Mexico Intersections Bajio Gallery, San Miguel De Allende, Mexico The landscape Bajio Gallery, San Miguel De Allende, Mexico The Running Jen Garay Art Gallery La Fabrics Aurora, SMA Mexico Group Exhibitions 2024 Feminism, 33 Contemporary gallery, curated by Didi Menendez 2023 Context Miami Art Fair, Miami, 33 Contemporary Gallery, curated by Didi Menendez and Sergio Gomez Paint The Figure Now, Waussaw Museum of Contemporary Art, WI, Currated by David A. Hummer Mujer, 33 Contemporary Gallery, Poets Artist 2022 Twist Out Cancer Brushes with cancer, WNDR Museum, Chicago Fikva Foundation International Fikva award group exhibition Just Nudes presented by 33 Contemporary Gallery Contemporary Realism presented by 33 Contemporary Gallery, Curated by Didi Menendez Mujer, presented by 33 Contemporary Gallery, Curated by Didi Menendez Awards 2024 Finalist, ARC (Art Renewal Center) 2022 Finalist, ARC (Art Renewal Center) 2nd Place International Figurative Kunst Van Draag (Fikva) award Finalist, RAYMAR Traditional Art Award, 2022 Beautiful Bizarre Art Prize 2020-2022 Art Ambassador for the Twist out Cancer Program Statement about AOAP Submitted Artwork This graphite drawing includes the mantra FREE SOUL and is part of the Healing Words Project, an initiative that uses photography and painting to document the healing journeys of women around the world. The artwork represents strength, resilience, and the pursuit of freedom, with the detailed shading and texture highlighting the depth of personal experiences. The clenched fists symbolize determination and struggle, reflecting the voices of women who face challenges yet remain committed to reclaiming their identity and autonomy. The peace symbol within the lettering reinforces the project's focus on healing and empowerment, demonstrating how art can be a powerful tool for self-expression and connection. Salma Neghive, a participant in the Healing Words Project, is the inspiration for this piece. Read her powerful story here: www.healingwordsproject.com You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 485
Emma Hardy J-Cloths, 2004 C-type print from negative Signed on Front with COA 10 x 15cm (3¾ x 5¾ in.) About Emma Hardy is a british photographer. She studied drama & French at Bristol University, then lived and worked in Paris for 5 years. Returning to London she worked as an actress for a few years until she realised she was much happier behind a camera. She started photographing portraits, documents and fashion for British Vogue, the Telegraph magazine, Vanity Fair, The Fader, The New York Times, Rolling Stone, Time, Harpers Bazaar, among many other international titles, and had her first solo exhibition at the National Portrait Gallery in London in 2006 with a project titled 'Exceptional Youth.' Other exhibitions in London, New York and Milan followed, and she was invited to photograph a series of portraits for the London 2012 Olympics, again featured at the National Portrait Gallery. Thirty-nine of her portraits are in the permanent collection at the NPG London. In 2012 she was commissioned by Oxfam & The Economist to travel to Cambodia to document the citizens of Phnom Penh who were battling the governments land grabs-this series became an exhibition in London in 2013 titled 'Losing Ground,' the exhibition travelled to Washington DC where the images were used as a lobbying tool to help the Cambodian situation onto the G8 summit list. Permissions, her first monograph, which documented her family over 20 years, was published by Gost Books in November 2022 and sold out swiftly. A selection of the images were exhibited at 1014 Gallery in Dalston, London, December 2022 - January 2023. Further solo exhibitions in Lisbon at Narrativa Gallery and in Brussels Belladone Gallery as part of the Photo Festival 2024. The work was long-listed for the Deutsche Borse Photography Prize 2024. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 118
ACHEULEAN STONE CHOPPER MOROCCO, LOWER PALEOLITHIC, C. ONE MILLION YEARS B.P. knapped stone, protobiface form, raised on a bespoke mount 13.2cm tall Private collection, Belgium, formed late 1960s – present A small proto-biface axe dating to c. 1 million years before the present day; it blurs the line between functionality and artistry, created by an entirely different species of human to ourselves, Homo erectus. While primarily used as a chopping tool, it may also have served as an early core when flake tools were required. It is fashioned from blue-grey stone, displaying subtle variations in tone that highlight its carefully worked form.
Lot 65
NEOLITIHIC FLINT DAGGER TYPE IV. NORTHERN GERMANY, C. 2000 - 1800 B.C. knapped grey flint, with an elongated leaf shaped blade and thin handle terminating in a fish-tail butt, raised on a bespoke mount 18.8cm high Private collection, northern GermanySubsequently part of a Belgian collection This fine blade is an example of the remarkable heights achieved by flint workers in late Neolithic Scandinavia and northern Germany. It dates to c. 2000 – 1800 B.C., aptly named the “Dagger Period”, an era where much of the rest of Europe had already adopted metallurgy. Though fashioned from flint, daggers such as these were inspired by contemporaneous European metal counterparts. During this period, Scandinavia lacked a sustainable supply of copper ore to support a metallurgical industry, so communities were traditionally thought to have lacked the ability, rather than the will, to produce copper daggers. However, recent studies have found that the delicate finishing could only have been completed with the aid of a metal-tipped tool. As such, it appears that the continued use of flint as a medium was made through choice as opposed to necessity. Indeed, even as bronze became very popular, the production of these beautiful flint daggers continued well into the Bronze Age.The common consensus is now that these daggers were a symbol of status. Used to demonstrate prestige or given as gifts. Microwear analysis on these items reveals that they were unlikely to have been used for practical purposes. Rather, the wear was found to be consistent with frequent removal from a protective sheath.They are widely considered to represent the very pinnacle of a European flint working industry that dated back tens of thousands of years.
Lot 60
AFRICAN PALAEOLITHIC STONE HANDAXE WESTERN SAHARA, LATE ACHEULEAN, 250,000 - 200,000 B.C. knapped jasper, of teardrop form, with a glossy desert patination, raised on a bespoke mount 19.9cm high Private collection, Belgium, formed late 1960s – present This Acheulean handaxe, with its sand blasted patination coming as the result of centuries of exposure to the Saharan environment, dates to around 250,000 B.C. It was used for tasks such as digging, chopping, and butchering.Handaxes are the earliest and longest-used tools made by hominids, with a history spanning 1.7 million years. They reflect an early human interest in both functionality and form, with makers often crafting symmetrical edges and faces beyond practical needs. This attention to detail highlights not only their usefulness but also an early sense of aesthetics in tool-making.
Loading...-
34077 item(s)/page