We found 34083 price guide item(s) matching your search
There are 34083 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
34083 item(s)/page
AN ARCHAISTIC BROWN JADE CONG WITH 'PHOENIXES', QINGChina, Qing Dynasty (1644-1912). Crafted in the style of the Liangzhu culture, exemplifying exceptional craftsmanship quality and attention to detail, through the laborious techniques of manual carving and chiseling, the piece achieves a remarkable level of precision and aesthetic beauty, without any evidence of modern tool usage. Of cylindrical form with square projections on four corners, each corner carved with a stylized phoenix design. The opaque stone of brown and green tones with surface alterations.Condition: Good condition with some wear, some nicks and nibbling to the edges. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Acquired in the Hong Kong antiques market in the early 1990s.Weight: 765 g Dimensions: Height 6.5 cm, diameter 10 cm
AN ARCHAISTIC WHITE AND BROWN JADE DOUBLE BI DISC, QINGChina, Qing Dynasty (1644-1912). Executed with great artistry in the Eastern Zhou Dynasty style, a remarkable display of exceptional craftsmanship quality achieved entirely through meticulous manual techniques of carving and chiseling, without any trace of modern tool usage evident on its surface. Both sides carved with raised irregular hook patterns, with a similarly decorated inner ring held in place by three rectangular struts. The disc flanked by a pair of elongated phoenixes and tigers. The semi-translucent stone of a white to dark brown tone with few small darker patches and surface alterations.Condition: Very good condition with minor wear and minuscule nibbling here and there. With two tiny chips to exposed areas. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Acquired in the Hong Kong antiques market in the early 1990s.Weight: 214 g Dimensions: Height 11.8 cm, width 14 cm
AN ARCHAISTIC PALE CELADON JADE PENDANT OF A QILIN, QINGChina, Qing dynasty (1644-1912) or slightly later. Crafted in the style of the Eastern Zhou Dynasty, meticulously carved and chiseled by hand and without modern tool marks. The flattened pendant carved in the form of a Qilin, seated atop an elongated phoenix and with its head resting on the phoenix's head, with ears flicked back and a single horn, the body carved with flames. The semi-translucent stone of a pale celadon tone, the lower area with russet inclusions and creamy alterations.Condition: Very good condition with minor wear. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Acquired in the Hong Kong antiques market in the early 1990s.Weight: 62 g Dimensions: Length 6 cm, height 4.5 cm
A SMALL GREEN JADE CONG, QING OR EARLIERChina, Qing Dynasty (1644-1912) or earlier. Finely carved in the style of the Liangzhu culture, showing fine details, all executed through manual carving and chiseling with no modern tool marks. The slightly tapering thick-sided square-section facetted exterior is incised with bands of horizontals lines below a stylized mask, terminating in a short circular foot and mouth, the interior aperture of characteristic circular section. The polished, opaque stone of spinach green and yellow color with russet inclusions and darker veining.Condition: Very good condition with minor wear and minuscule nibbling here and there. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Acquired in the Hong Kong antiques market in the early 1990s. Weight: 324 g Dimensions: Height 10 cm
A LARGE AND RARE CELADON JADE FOOD VESSEL, GUI, QING DYNASTYChina, Qing Dynasty (1644-1912). Masterfully crafted to resemble a Western Zhou Dynasty bronze vessel, demonstrating superior levels of craftsmanship quality achieved through meticulous manual carving and chiseling techniques, with no modern tool marks. Of compressed globular form, rising from a ring foot, the shoulders set with a pair of curved loop handles, the domed cover surmounted by a stepped finial. The exterior carved in relief with concentric ridges and fine archaistic scroll motifs. The semi-translucent stone of a deep celadon tone with extensive opaque brown surface alterations.Condition: Very good condition with minor wear, few natural fissures and minuscule nibbling here and there. The rims with very few small nicks. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Acquired in the Hong Kong antiques market in the early 1990s.Weight: 1595 g Dimensions: Height 15 cm, diameter 27 cm (handle to handle)Auction result comparison: Compare to two models of jade censers, gui, also carved to resemble archaistic bronze vessels at Bonhams Hong Kong, Fine Chinese Ceramics and Works of Art on 30 May 2017, lot 105, sold for HKD 375,000, and Sotheby´s New York, The Hundred Antiques: Fine & Decorative Asian Art on 22 June 2021, lot 85, sold for 35,280 USD.
NO RESERVE Laennec (René Théophile Hyacinthe) Traité de l'Auscultation Médiate et des Maladies des Poumons et du Coeur, 2 vol., second edition, half-titles, 4 double-page engraved plates, vol.2 with final blank, plates with numbers shaved and light offsetting, occasional foxing and slight browning to text, light water-staining at beginning and end, mostly marginal but affecting lower outer corner of plates, old ink stamp to titles, contemporary ink signature of Dr.H.Goudet to front free endpapers, original half green cloth, very slightly rubbed, [cf.PMM 280, first edition of 1819], 8vo, Paris, 1826.⁂ A classic of medical history, containing the first description of Laennec's ground-breaking invention of the stethoscope. This was the greatest advance in physical diagnosis between Auenbrugger's percussion and Roentgen's discovery of X-rays. Laennec used his new tool to study the sounds made by the movements of the heart and lungs, and from this work stems our modern knowledge of diseases of the chest. This second edition, the last edited by Laennec himself, is considerably altered and enlarged from the first edition of 1819 with each disease described in detail, making it "the most important treatise on diseases of the thoracic organs ever written" (Garrison, History of Medicine, p. 412).
A BRONZE OKIMONO (TABLE ORNAMENT) OF A FALCONERMeiji era (1868-1912), late 19th/early 20th centuryThe falconer standing, the falcon perched on a gloved arm, his other hand holding a now-missing tool, his outer robe decorated with chidori (plovers), butterflies, and a mitsu aoi mon (triple hollyhock crest) of the Tokugawa clan, the falcon turned slightly, fixed to a rocky stand; the stand possibly inscribed on the reverse Tensho Yoshitoshi. 59.5cm (23 7/16in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
* Heinkel He III. Relics recovered from Heinkel He 111 H-2 5536 of 9/KG53 which crashed into the River Stour on 29 October 1940, including an oil gun from a gunners tool kit, inspection cover, part of saddle drum and petrol coupon numbered Lt Nr 32, presented in a glazed display case, 30.5 x 39.5 cmQTY: (1)NOTE:Important Notice: All lots from the Tonbridge Battle of Britain Museum (lots 401-557) will remain in situ in the Museum and will only be available for viewing and collection from there in Tonbridge, Kent. All viewings and collections are strictly by timed appointment - please see front of catalogue or contact the auction office for details.Provenance: Tonbridge Battle of Britain Museum, Malcolm Pettit.Heinkel He 111 H-2 5536 of 9/KG53 crashed in the mud flats at Parkestone Quay on the River Stour, Essex on 29 October 1940. The aircraft was flying from Roubaix to attack RAF Gravesend when it failed to pick up the Knickebein navigation beam and instead tried to find the targets by dead reckoning. The crew further hampered by the loss of electrical power could not operate the wireless. They became hopelessly lost and after jettisoning the bombs flew east in the hope they would fly over the Netherlands. They thought they were over the Netherlands and were unable to locate an airfield to land and bailed out. In fact, they were over East Anglia and all crew survived but were quickly captured.The items were recovered during an excavation by Malcolm Pettit in the 1990s.See lot 432, 461 and 487.
CMC M-036K Mercedes-Benz 1954 Renntransporter - 1/43 Scale with blue body, wheels with plated hubs with flatbed. This comes complete with polishing cloth and small tool. Serial No. 5194 of 9999 produced. Condition does generally appear to be Good to Good Plus although not checked for completeness or correctness in Good outer box and Good inner polystyrene packaging. (1)
CMC M-036K Mercedes-Benz 1954 Renntransporter - 1/43 Scale with blue body, wheels with plated hubs with flatbed. This comes complete with polishing cloth and small tool. Serial No. 5245 of 9999 produced. Condition does generally appear to be Good to Good Plus although not checked for completeness or correctness in Good outer box and Good inner polystyrene packaging. (1)
CMC M-036K Mercedes-Benz 1954 Renntransporter - 1/43 Scale with blue body, wheels with plated hubs with flatbed. This comes complete with polishing cloth and small tool. Serial No. 5192 of 9999 produced. Condition does generally appear to be Good to Good Plus although not checked for completeness or correctness in Good outer box and Good inner polystyrene packaging. (1)
CMC M-036K Mercedes-Benz 1954 Renntransporter - 1/43 Scale with blue body, wheels with plated hubs with flatbed. This comes complete with polishing cloth and small tool. Serial No. 5248 of 9999 produced. Condition does generally appear to be Good to Good Plus although not checked for completeness or correctness in Good outer box and Good inner polystyrene packaging. (1)
CMC M-036K Mercedes-Benz 1954 Renntransporter - 1/43 Scale with blue body, wheels with plated hubs with flatbed. This comes complete with polishing cloth and small tool. Serial No. 5249 of 9999 produced. Condition does generally appear to be Good to Good Plus although not checked for completeness or correctness in Good outer box and Good inner polystyrene packaging. (1)
CMC M-036K Mercedes-Benz 1954 Renntransporter - 1/43 Scale with blue body, wheels with plated hubs with flatbed. This comes complete with polishing cloth and small tool. Serial No. 5494 of 9999 produced. Condition does generally appear to be Good to Good Plus although not checked for completeness or correctness in Good outer box and Good inner polystyrene packaging. (1)
CMC M-036K Mercedes-Benz 1954 Renntransporter - 1/43 Scale with blue body, wheels with plated hubs with flatbed. This comes complete with polishing cloth and small tool. Serial No. 5247 of 9999 produced. Condition does generally appear to be Good to Good Plus although not checked for completeness or correctness in Good outer box and Good inner polystyrene packaging. (1)
A watchmaker's tool or press used for replacing the glass in watch cases, mounted on a wooden base with accessories, width 32cm, also a Henri Picard watchmaker's vice, an oak watchmaker's miniature cabinet fitted with an arrangement of twelve drawers containing balance wheels screws and accessories below a lift up lid and a small box containing fob watch keys. (4)
ZHANG HUAN (b.1965)Untitled, 2006Ink on paper, framed. 119cm long x 80cm wide (46 3/4in long x 31 1/2in wide).Footnotes:張洹(1965年生) 無題 水墨紙本 鏡框 2006年作Provenance: Galerie Volker Diehl, BerlinSotheby's Hong Kong, 4 April 2016, lot 581 (part lot)Published, Illustrated and Exhibited: Chinese Ink Paintings Now, New York, 2010, p.234.來源:Galerie Volker Diehl, 柏林香港蘇富比,2016年4月4日,拍品編號581(部分拍品)Zhang Huan was born in Anyang, Henan Province in 1965. He is an internationally recognised artist whose versatility is evident in performance, photography, sculpture, and installation.After graduating from Henan University, Kaifeng, and teaching art and art history for three years, Zhang moved to Beijing in 1991. He studied oil painting at the Central Academy of Fine Arts. Actively involved in the avant-garde while living in the famous Beijing East Village, a dilapidated cluster of houses inhabited by young artists in the early 1990s, Zhang moved away from classical art in 1992 and started his signature performances that explore how the body could be a material for art. He continued his performances involving feats of endurance after he moved to New York in 1998 and soon earned international recognition. A survey exhibition was held in New York at Asia Society in 2008.Since moving to Shanghai in 2006 and opening a large studio, Zhang Huan has also explored the possibilities of ink, which he had studied in college. His works in ink and acrylic, or simply ink on paper are visual metaphors of a persistent theme in all of his art, namely the question of the nature of reality and the power of culture. In one untitled work of 2006, for instance, the face of a naked male figure, almost submerged in water, is obliterated by blotches of ink and a horse is placed on his shoulders. It is another example of Zhang Huan's interpretation of the body as a tool which can amplify one's understanding of life; see U.Grosenick and C.H.Schubbe, China Artbook, Cologne, 2007, pp.595-599.This lot is subject to the following lot symbols: W TPW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A RARE BRONZE 'EIGHT DAOIST IMMORTALS' INCENSE-TOOL VASE16th centuryElaborately cast of tall cylindrical form with the 'Eight Daoist Immortals' around the exterior in high relief against ruyi-shaped apertures, floating above crashing waves, beneath a band of dragons and key-fret, applied with a pair of S-shape mythical beast handles, all supported on three cabriole legs, further supported on another base with diaper-pattern and three feet on a tall ring. 25cm (9 3/4in) high.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十六世紀 銅獸耳八仙人物瓶Compare with a similar hexagonal incense tool vase but with musicians around the exterior, early 16th century, illustrated by D.Failla, Food for the Ancestors Flowers for the Gods, Genoa, 2017, p.347. See also a related cylindrical incense tool vase but with other figures in high relief around the exterior, 16th century, illustrated by M.Maucuer, Bronzes de la Chine Imperiale des Song aux Qing, Paris, 2013, p.137, no.88.For further information on this lot please visit Bonhams.com
An attractive Chinese bronze incense-tool vase, 17th century, of square baluster form with tall neck set with two lion-head handles, with shaped recessed rim, the base with incised apocryphal Xuande mark, 15cm high, 588 grams明17世纪 "大明宣德年制"刻款双耳香瓶 (克重588g)Condition Report: the surface with patches of bronze diseasethe surface with small dents and knocks commensurate with age Condition Report Disclaimer
Freemasonry: a Georgian silver jewel of Lodge No 205 (Lodge of Israel), engraved openwork oval 81mm high by 63mm wide, the chevron cut border inhabited by a mason's tools comprising a square and compasses, a mallet, a trowel, a plumb and a level - the latter two each set with a simulated diamond to represent the plumb bob, each tool with finely engraved details and shading, Thomas Harper, London 1811, good very fine or better.81mm high and 63mm wide
A GOLD AND GEM-SET BRACELET, BY ROY KING, Circa 1960The mesh-link bracelet, the clasp set with circular-cut emeralds and sapphire accented with brilliant-cut diamonds, mounted in 18K gold, with maker's mark 'RCK' for Roy King, London hallmarks, length 20.5cmRoy King was an admired and celebrated jewellery and watch designer who stands out as one of the great innovators of 20th Century British design. After a turbulent childhood King became an apprentice at the Hatton Garden jewellery firm MJ Greengross at only 14 years old in 1927. During this time King became adept at mounting diamonds and began to learn the mechanics of jewellery-making.This artistic education was somewhat disrupted with the Second World War, during which King worked as a planning engineer in an aeroplane factory. King climbed the ranks and led a department of 100 workers, while also learning complex tool techniques. This wartime experience was translated into the design and manufacture of jewellery, with King making uncredited pieces for Rolex, Cartier, Asprey, and Garrard in the latter half of the 1930s.King continued on to build his own company with a factory in Watford, Hertfordshire. He designed a plethora of jewellery pieces and was honoured with tie pins and five strawberry-leaf tiaras being worn at Queen Elizabeth II’s Coronation in 1953. In 1965 King built a new factory and increased output of his work to an impressive 25,000 gold and silver pieces a year. In addition to mass production, the brand also played with aesthetic design, with their “bark finish” rings, bracelets, and watches being very popular. As a result, Pattie Boyd chose a “bark finish” wedding ring for her marriage to Beatle George Harrison in 1966. Lot 83, with its circular-cut emeralds and sapphires also shows King’s ability to create an exciting and pleasing piece.The brand continued to grow and flourish, acquiring in particular more space in the watch market. King was therefore celebrated in exhibitions at Goldsmith’s Hall such as a 1984 solo show and being included in the 1999 Treasures of the 20th Century exhibit.Condition Report: Clasp secureNormal signs of wear, overall in good conditionTotal gross weight approx. 75g
A mid-19th century multi-tool pocket knife by Henry Boker, with various fold-out blades and tools, the main blade stamped with lion and maker's mark, length 6.5cm, with mother-of-pearl grips and inset white metal plaque, detailed 'Mjr. H.C.S. C.S.A. 1822-94' (both grips cracked), together with a group of research material relating to Major Henry Churchill Semple (1822-94), Confederate States of America.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Omega Seamaster Cosmic, a gentleman's stainless steel wristwatch the dial with raise gold and black baton numerals, and hands, date aperture and signed Omega Automatic Seamaster Cosmic, the case engraved to the rear with the Seamaster logo and stamped Seamaster, Waterproof, 16602SP - Tool 125, diameter 34mm.
MIXED VINTAGE & LATER FURNITURE PARCEL (4) - to include a vintage stripped pine and wire mesh food cabinet with single door, 74cms H, 70cms W, 42cms D, stripped pine lidded box marked to the front "Pratt & Whitney Machine Tool Division, West Hertford", 27cms H, 127cms W, 37cms D, modern pine framed wall mirror, 134cms H, 43cms W and an Arts & Crafts style oak stool with red rexine seat and lower foot bar, 84cms H, 41cms W, 38cms D maximum

-
34083 item(s)/page