We found 34077 price guide item(s) matching your search

Two multi-tool knives

A set of pen knives including multi-tool knives

A boxed Phillipe Reveur wristwatch, pen and wallet set, a Daniel Hechter wristwatch and an Antaris tool set

Derivatives of the M3 are developed by BMW’s in-house motorsport division, where BMW have continued to build impressive racing credentials. The M3 Evolution was upgraded from 2,990cc (282bhp) in November 1995 to 3,201cc delivering 321bhp from the legendary S50B32 inline six engine, plus a new six-speed manual gearbox along with other more minor upgrades. Popular amongst circuit competition drivers, the E36 is widely considered as one of the best handling cars of the 1990s and has become a very rare sight on todays roads, due to their popularity with track day enthusiasts, meaning completely original and un-touched examples like this are very hard to come by.This example is specified in stunning Estoril blue metallic with a black Nappa leather interior and the rarer ‘sunflower’ alloy wheels. The car was our vendors company car from brand new and he purchased the car from his company after one year, meaning he has been the sole driver and owner of this car from new, cherishing and always ensuring it has been maintained impeccably. The car is specified with the SMG gearbox, which was cutting edge at the time and allows the driver to change gear with a simple pull or push on the gear selector, or with buttons on the steering wheel. This is an incredibly original example, which comes with all the accessories such as torch, first aid kit, all keys and manuals, tool kit and warning triangle and it has lived a very cossetted life. The paintwork is showing some stone chips on the front end and a few small scratches here and there, to be expected with a 26 year old car and the interior is in excellent condition throughout.In 2002, at approximately 38,000 miles, the engine was completely rebuilt by BMW main dealers. In March 2017, the SMG cables, linkages, relays and fuses were replaced. In July 2020, minor oil leaks were investigated, leading to the differential being removed, stripped and rebuilt and in October 2022, the water pump was replaced. In June 2023, new brake pads and discs were fitted, along with the alloy wheels being fully refurbished; the power steering hose/pipe also being replaced. The car was taken to CPC Engineering in September 2023, who checked the Vanos and determined it was working well. A total of twenty stamps are present in the service book, all from main dealers and BMW specialists, except for four recent services, which were carried out by a local garage when our vendor relocated to Cornwall. The most recent service (Inspection II) was carried out in June 2024 by BMG BMW specialist. This is a rare opportunity to acquire a single owner, original M3 with full documentation in excellent condition. Consigned by Fraser Smith ENTERED BY ITS ONLY PRIVATE OWNER FROM NEWEXTENSIVE HISTORY FILE AND SERVICE RECORDENGINE REBUILT BY BMW IN 2002

The Aston Martin DP214 is a rare and legendary race car, designed in the early 1960s as a part of Aston Martin’s "Development Project" series. Created specifically to compete in high stakes “World Endurance races” such as the 24 Hours of Le Mans; the DP214 holds a special place in Aston Martin's racing history. Martin Brewer’s involvement with the DP214 has helped to keep this iconic car alive in the world of historic motorsports. Only two original DP214s were built, making them incredibly rare. The car was an evolution of the DB4 GT and, more specifically, the DB4 GT Zagato, both of which were high-performance models of the DB4. The DP214 was developed by Ted Cutting, Aston Martin’s chief designer at the time, who focused on reducing weight and improving aerodynamics for better performance on the track. This design work was essential in creating a vehicle capable of competing against other powerful race cars of its era, like Ferrari’s 250 GTO. The DP214 featured a lightweight aluminium body and an upgraded version of Aston Martin’s straight-six engine. This was paired with a five-speed manual transmission, which was rare for its time. The car could reach speeds of over 180 mph on the Mulsanne straight at Le Mans, an impressive feat for the era. Its design emphasized aerodynamic efficiency, with a sleek, elongated body, a rear spoiler for stability at high speed and carefully sculpted lines to reduce drag. Martin Brewer’s involvement with the Aston Martin DP214 comes through his efforts in preserving and racing a tool room copy of the original DP214. Given that one of the original DP214s was destroyed in a tragic accident at the Nürburgring in dreadful weather conditions, certain enthusiasts have undertaken the challenge of keeping the spirit of the DP214 alive through accurately crafted replicas. The two most prominent recreations, of which this is one, have been built to exacting standards, using original design specifications and where possible, period-correct materials and genuine Aston Martin parts. They offer a rare glimpse into the past and allow modern audiences to experience the DP214's performance and style.Purchased by Martin Brewer some 18 years ago, this tool room copy of DP214 has competed at many of the British circuits and extensively in Europe, as well as competing at Laguna Seca in California. The car was originally built by Adrian Johnson at Post Vintage Engineers and has been continuously fettled by the Runnymede team along the way. The engine, which produces approximately 385 BHP was painstakingly rebuilt by James Hipwell at Warren Heath Engineering, the build of which included a steel crankshaft, a lightened flywheel, high compression pistons and Carillo con-rods, with the 12 plug cylinder head being gas flowed and with fuel being supplied via triple 50DCOE Weber carburettors. A very sturdy custom-built roll-cage adds to the driver safety, together with five-point harness safety belts. The car has proved to be utterly reliable and Martin has enjoyed considerable success at the wheel of this rare Aston Martin. The car’s achievements in competition are too numerous to list but include two wins at Laguna Seca in Monterey and a win at Silverstone in 2018. Perhaps one of his most pleasurable achievements, was sharing the car with Iain Rowley at the Spa Summer Classic in 2019, when the car was last raced and coming second against strong opposition at the age of 75. In 2023 Martin spent over £12,000 on the car with Rex Woodgate & Co at Silverstone in preparation for the 2024 season, although unfortunately, it has not been raced this year for personal reasons. Race cars can often look a little scruffy and bruised, this is not the case with this Aston Martin. It always presents well and can be used as a road car should you choose to do so. Martin Brewer has been known to drive the car to the Le Mans classic, such is the flexibility of this Aston Martin. It is supplied with a V5C registration document and very comprehensive history files.One of the remaining original Aston Martin Project cars sold in 2018 for $21,455,000 including buyer’s premium by R M Sotheby’s. This ‘tool room copy’ appears to be realistically estimated given the quality and history of the car. This DP214 is not merely a showpiece but has been built to perform on the track, embodying the legacy of Aston Martin’s engineering prowess and racing spirit. The DP214 remains an iconic chapter in Aston Martin’s racing history, cherished and celebrated by enthusiasts who ensure its legacy endures. Consigned by Stewart Banks. OWNED BY THE VENDOR FOR THE LAST 18 YEARSTHE ENGINE WAS REBUILT BY RESPECTED RACE ENGINE BUILDER JAMES HIPWELLRACED SIGNIFICANTLY BY THE VENDOR WITH A LEARGE DEGREE OF SUCCESSTHIS IS A RARE AND INTERESTING CAR

A collection of wares comprising, a set of eleven metal vintage cream horn moulds, a Hartley Product potatoes masher tool and a 1930's George B. Ritchie Surgical instrument maker wooden display box. (a/f) (3)

A box containing empty tool boxes 

Two tool boxes

WMT. An unusual limited-production stainless steel self-winding wristwatch Watch Experimental Unit, Royal Marine - Royal Navy Edition / Heavily Aged, No.14080, made in 2023 Cal.8215 automatic movement, black dial with artificially aged luminescent dot, baton and triangle markers, aged luminous broadsword hands, centre seconds, stainless steel case with screw-down reverse and crown, bi-directional rotating bezel calibrated to 60 minutes with luminous dot marker, on NATO style strap. Accompanied by the original case with spring bar tool and spare spring bars, manufacturers warranty dated 09 September 2023, green canvas travel pouch. Diameter 39.5mm. The Watch Experimental Unit ‘Royal Marine’ is creatively based, using correct proportions, on the famous Rolex Military Submariner issued to the British Armed Forces in the 1970s. The dial, hands and case have been artificially aged to represent an authentic vintage style. Created in a limited-production, this heavily-aged version of the Mil-Sub is no longer available.

A Leica P.O.S Tool Box / Leica Light Dot Lamp, product code 96288, body, VG-E, with instructions and maker's box

A vintage pine tool chest.

A vintage military steel tool box and contents

A oak cased tool cabinet

A vintage military tool box

* Locomotive. A well-presented and detailed 7 mm fine-scale (2-rail) electric model of the LNER Class K4 2-6-0 locomotive and tender No. 3553 'The Great Marquess', built by P.Everton, Rotheram, (9.5 cm x 41. 5cm), complete with external details including fluted connecting and coupling rods, brake and sanding gear, lubricators, lubricator boxes and pipework, fine pipework, scale cab and backhead fittings, steps, hand and lamp irons, tender details include pick-up scoop, brake gear, tool boxes, water cocks, filler caps, steps, hand and lamp irons, finished in finely lined LNER green livery and lining, set on track in the display caseQTY: (1)NOTE:Provenance: Christie's, 23 December 1986, lot 161.

* Powder Flasks. A collection of powder flasks, including a Victorian horn and brass example, of bag shape form with copper pivotal nozzle stamped '1000', with green cord carrying straps, 25 cm long, together with four copper and brass flasks, unmarked and condition variable plus a leather and brass shot flask and gun capping toolQTY: (8)

* Holster. A WWI German P08 Luger pistol holster, the brown leather with good stitching and with hinged flap enclosing additional magazine numbered '9298' and tool contained in a small pouch, the holster indistinctly stamped with makers mark and dated 1916, additionally inscribed with owners name, 'F. Rasiki [?]', a nice example with minor scuffs and wear QTY: (1)

An Edwardian tool chest with four drawers containing vintage wood handled chisels and other vintage tools.

A mixed box of power tools, tool boxes & electric items COLLECT ONLY

MALTON (THOMAS)A Picturesque Tour through the Cities of London and Westminster, Illustrated with the Most Interesting Views, Accurately Delineated, and Executed in Aquatinta, 2 vol. in 1, FIRST EDITION, engraved calligraphic titles, engraved dedication to the Prince of Wales with hand-coloured aquatint vignette, letterpress list of subscribers, and 100 FINE HAND-COLOURED AQUATINT PLATES, some with light foxing visible only in margins, others with margins trimmed (3 with loss of imprint, a few with imprint shaved, a number in volume 2 without plate numbers), full burgundy straight-grain panelled morocco gilt by Bayntun Riviere, sides with elaborate roll-tool borders and a carnation in each corner, inner panel with gilt rule border incorporating further carnations and spiral tooling, gilt panelled spine in 6 compartments separated by gilt tooled bands, gilt lettered in one compartment, the others decorated with carnations and pointille within borders of floral tendrils and drawer handle tools, inner gilt dentelles, g.e., slight rubbing to joints (upper one just beginning to crack at head), 404 x 295mm. [Abbey Scenery 204; B. Adams, London illustrated 1604-1851 (1983), no. 72, p.170-5], folio (405 x 300mm.), T. Bensley for T. Malton, 1792-[1801]Footnotes:ONE OF THE FIRST AND FINEST SERIES OF LONDON VIEWS - RARE HAND-COLOURED COPY IN A HANDSOME BAYNTUN RIVIERE BINDING.Thomas Malton (1748-1804) exhibited regularly at the Royal Academy, and was principally known for his views of the capital's streets, squares and buildings. He also designed scenery for Covent Garden Theatre and ran a drawing school whose students included Turner and Girtin. The 100 meticulously observed views in the Picturesque Tour Through London were all composed, engraved and aquatinted by Malton, a remarkable endeavour at a time when the aquatint process was still in its infancy in England. The work represents the first large collection of aquatints of London, or anywhere else in the country, and includes views of Chelsea Hospital, Hyde Park, Grosvenor Square, Westminster Abbey, The Horse Guards, Charing Cross, St. Martin's in the Fields, The Adelphi, Covent Garden, Somerset House, St. Paul's, Mansion House, The Bank of England, Royal Exchange and Greenwich Hospital.'The Picturesque Tour is remarkable, if not unique, in that the 100 large plates of which it is composed were all engraved and aquatinted by the artist in person' (Bernard Adam). 'Like Horwood's Plan – and unlike works like Modern London or the Microcosm – Malton's book was pitched as a solo endeavour, a vision of the city produced by a man keen to establish his cultural credentials and capable of fine artistry, accurate perception, technological innovation and skilful composition... London looms in Malton in ways that most other contemporary illustrations fail to capture. The metropolis is not a threatening city in his works, but it is one that reaches up in great spires and vaulting arches, a place of proud ingenuity and soaring, untroubled magnificence' (Matthew Sangster, www.romanticlondon.org/maltons-picturesque-tour-intro/).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Y&nbspJAEGER-LECOULTRE, MASTER CONTROL, REF. 140.3.80 AN 18 CARAT WHITE GOLD PERPETUAL CALENDAR WRISTWATCH WITH MOONPHASE, NO. 0350, CIRCA 2000Movement: Automatic, 50 jewels Case: 18 carat white gold case, display case back under a hinged cover, stamped with 0.750 common control mark Dial: Silvered Strap: Jaeger-LeCoultre brown crocodile strap with stainless steel deployant clasp Size: 37mm Signed: Case, dial, movement, crown, strap, clasp Accessories: Jaeger-LeCoultre box, adjustment tool and outer card packaging Condition Report: Movement is currently functioning. Movement appears to be in a generally good condition with little sign of previous intervention when viewed under a 4x loupe. Dial appears to be in a generally good condition with no marks visible when viewed under a 4x loupe. Hands appear to be in a generally good condition.Glass appears free of significant scratches or marks when viewed under a 4x loupe. Case shows light scratches and marks. Crown has light scratches when viewed under a 4x loupe. Strap appears to be in good condition with minor marks and creasing. Buckle appears to be in good condition with minor marks and scratches when viewed under a 4x loupe.This lot comes with a box but no papers.94g grossDreweatts 1759 do not guarantee the working order or accuracy of any lots sold. We recommend this watch is tested by a qualified technician to ensure any stated water resistance is achieved.If you should have any further questions regarding this lot, please contact the Watch Department on 01635 553 553 or at watches@dreweatts.com           Condition Report Disclaimer

Mixed treen to include a bottle corking tool and other items Location: LAFIf there is no condition report shown, please request

A gold plated Omega wristwatch, the silver coloured dial with baton markers and date aperture to 3 o’clock, set to plain polished case, stamped ‘Tool 9070’ 3.8cm wide (including crown) upon lizard calf strap Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.  Condition report: Hands happily complete full 24h rotation. Date aperture completes rotation. Currently ticking. Crown and glass with Omega emblem. Minor blemishes seen to the dial (seen with x10 loupe) Glass with minor surface scratches, blemishes and scuffs to edges (seen with x10 loupe) Scratches seen to case, particularly to the reverse of the case, commensurate with being worn.Associated buckle and strap. Strap is worn.

A rosewood and mother of pearl inlaid table cabinet fitted for sewing, jewellery and writing, circa 1850, the rectangular base raised on bun feet, below a pair of panel doors inset with cut panels of mother of pearl within pewter lines and mother of pearl roundels, the stepped and canted hinged lid with conforming decoration. The lid interior with elaborate red ruched silk panel over a conforming lidded and compartmentalised tray with pewter edging with a set of eight mother of pearl reels and a tool card with four various tools. The front with a plain drawer, a drawer fitted for jewellery and a drawer with a hinged leather writing case with original gilt tooled green leather insets and a pair of cut glass ink bottles, with key, 32 x 25 x 33cms.

A personalised Victorian papier mache sewing box, circa 1850, of bombe form with curved front raised on a moulded plinth base with triform feet, the stepped lid of pagoda form, the whole decorated with mother of pearl flowers with gilt highlights and leaves within gilt and painted ropework and other borders. The lid interior initialled in gilt 'MHB' within a gilt rope work border. The base section with a conforming border and a lidded and compartmentalised tray in green silk, velvet and paper. With a selection of fittings including a set of six mother of pearl top reel holders, matching tape measure with complete printed tape, similar emery and a waxer lacking mother of pearl top, the tool card with four various tools, and with a holed silver thimble, box 31 x 28 x 14cms max.

A fine papier mache sewing box with a painted panel of Christ Church Oxford and with the original retailers folding card, circa 1850, the box of oval form with stepped back and front, the black ground decorated with gilt lines and stylised floral medallions and spandrils in reds and blues, over a moulded base painted in gilt and blue, the domed top with a fine painted panel of Christ Church within painted and gilt borders and numbered '2119'. The lid interior with a hinged compartment in red velvet inset with cream watered silk over a velvet and crimson silk lidded and compartmentalised tray complete with a set of four mother of pearl top reels, twin pin cushions and needle book and a tool card with four various tools, the lower section in matching and original watered crimson silk. The box is accompanied by a highly decorative folding retailers card featuring on the cover the same view of Christ Church and advertising to the reverse 'Spier and Sons Stationers Manufacturers ….. Oxford', unfolding to reveal further college and other views, a map, table of distances, an exterior view of the retailers premises, an internal view captioned 'Manufactory of Papier Mache Goods Ornamented With Views Of Every College and Public Building in Oxford', the card folded, 12.5 x 9cms, the box 35 x 25.5 x 17.5cms.                                                                                                                                                            † Further details of this box can be found in an extensive article published in The Decorator, Fall 2015 - Journal Of The Historical Society of Early American Decorative, Inc. by Yvonne Jones, author of Japanned Papier Mache and Tinware, c.1740-1940, a copy available on request or follow this link: https://bit.ly/PapierMache-Spiers-Son-YvonneJones

A well fitted French ebonised inlaid sewing box, circa 1850, of rectangular form, the lid and front inlaid with cut and engraved brass inset with mother of pearl, blue and tortoiseshell lac within brass lines and moulded edges. The lid interior with ruched silk panel over a lidded and compartmentalised tray in pink silk and silver paper and pin stuck dated 'June 1854'. The fittings comprising a set of eight mother of pearl top reels, mother of pearl top tape measure with complete printed tape, silver thimble, and a tool card with steel scissors, silver bodkin, and three other tools. The lid with printed black on yellow label 'Richard Wathew, Maker 78, Buchanan Street, Glasgow', 32.5 x 23.5 x 16cms.

A French gilt metal and glass etui for a child, circa 1880, in the form of a gilt metal corn stook adorned with flowers, supporting an opaque glass egg surmounted by a gilt flower and leaves. The interior with plum velvet tool mount with fancy cord border, the tools comprising gilt metal thimble, needle case, bodkin, steel bladed scissors with gilt handles, and a gilt handled stiletto, the egg 5.6cms max. dia., 14.5cms high.                                      From the collection of the late Jennifer Bundock

A French sewing etui, circa 1880, of near semi circular form and covered in reeded and gilt tooled brown leather titled in gilt 'Lady's Companion', gilt brass engraved hinge mount and catch. The interior with blue velvet tool mount with two slightly variant scent bottles, steel button hook, ribbon threader, tweezer / ear spoon, thimble, bone crochet hook, bone needle threader, and a silver pencil, two apertures vacant, some tools matched, 7 x 6.5 x 11cms.                                      From the collection of the late Jennifer Bundock

A late 18th Century style enamel sewing etui, probably Samson of Paris, of oval section and tapering form, the pink ground overlaid with white dots and scrolls, gilt metal fancy hinge and frame mounts. The domed lid with a reserved oval of cupid with bow, the lower section with four reserved panels of figures in classical landscapes all featuring cupids including one seated on a lion, the base in plain white. The interior with gilt metal tools comprising a file, a canted angle oval needle case, a button hook and a stiletto in a gilt tool mount, two vacant apertures, the tools present seemingly all original, case 5 x 3 x 9.5cms max.                                      From the collection of the late Jennifer Bundock

A French etui for a child, circa 1890, the gilt metal pierced leaf and ball base supporting a gilt metal framework incorporating six panels of tortoiseshell, opened by depressing the gilt metal leaf and ball finial. The interior with circular worn velvet tool stand with gilt brass thimble, bodkin, needle case, steel bladed gilt mounted scissors and a similar stiletto, 12.5cms high.                                      From the collection of the late Jennifer Bundock

A French ruby glass and gilt mounted ring and chain etui for a child, circa 1860, the egg with gilt brass hinge mount and crescent mount to chain and ring, the interior with pink velvet tool mount the tools comprising silver bodkin, needle case, stiletto, steel bladed silver mounted scissors and a thimble, the latter matched, egg dia. 5cms max., 7.5cms high excluding ring and chain.                                      From the collection of the late Jennifer Bundock

A well fitted coromandel wood inlaid sewing box, circa 1840, of rectangular form, the lid and front with cut brass, pearl and abalone shell inlay and wavy brass lines. The lid interior with blue silk and ribbon panel over a lidded and compartmentalised tray in blue silk and silver paper with a set of six mother of pearl top reels, similar waxer and tape measure, two silver thimbles, and a tool card with steel scissors and four mother of pearl handled tools, 30 x 22 x 13cms.

A good mother of pearl Lady's Companion, circa 1830, of rectangular section, the silver lid tablet initialled 'ABC'. The interior with leather skein holder / tool card with two mother of pearl handled tools and gilt metal mounted scissors (solder repair to one arm), with a silver tape measure the incomplete tape printed in nails, nesting on a leather removeable box with miniature wooden reels, and further fitted with pearl handled folding knife, silver pencil, silver tweezer / earspoon, bodkin and silver thimble, 5.6 x 4.4 x 10.4cms.                                      From the collection of Sally French-Greenslade

A well fitted French rosewood sewing box, circa 1840, of rectangular form, the lid with box wood line edge and inlaid spandrils centred by a steel plaque and brass ball, the whole raised on brass ball feet. The lid interior in watered green silk with ribbon trellis over an English lidded and compartmentalised tray in blue silk with fancy pewter trim with a set of five and one mother of pearl top reels, similar waxer and emery, similar tape measure, silver thimble and a tool card with steel scissors, bodkin and three mother of pearl handled tools, 22.5 x 15.5 x 12cms.

A well fitted rosewood and tumbling blocks sewing box, circa 1830, of rectangular form, the lid and front with panels of cube work within rosewood, pewter line and mother of pearl roundel borders. The lid interior with ruched yellow silk panel over a matching lidded and compartmentalised tray with a set of eight mother of pearl top reels, matching tape and emery, white metal thimble, a disc form waxer and a tool card with a pair of Palais Royal mother of pearl handled scissors and six other tools, the lock stamped 'WR Patent' and crown, 30.5 x 22.5 x 12.5cms.

A French or Dutch sewing etui, circa 1890, the gilt brass tripod base cast with mythical bird heads supporting a glass egg painted with sailing ships and a young Dutch girl with a dog, purple velvet tool stand with gilt metal bodkin, gilt steel scissors, engraved silver handled stiletto, and a replacement American silver thimble, max. dia. of egg 6.2cms, 12cms high.                                      From the collection of the late Jennifer Bundock

An English ebony sewing box, circa 1835, of rectangular form, the lid with steel strap mounts, the interior in red silk, the lid fitted with steel hairpin crochet and other tools over a neat lidded and compartmentalised tray with mother of pearl top tape measure and five mother of pearl top reels in two sizes, fitted flannel and pin cushion, the tool lid with steel scissors stamped 'Asprey' and four other tools, lock stamped 'Patent', 28 x 19.7 x 10cms.                                     From the collection of the late Jennifer Bundock

A rare ring and chain child's etui of egg form, circa 1850, the porcelain egg with gilt metal mounts and painted with semi circular panels of flowers within elaborate turquoise and silver 'jewelled' borders over a blue ground decorated with silver stars. The lid interior in pleated red silk with cord border and ribbon bow centre, the lower section with velvet tool frame complete with gilt metal thimble, stiletto, needle case, bodkin and steel bladed scissors, max. dia. 5.6cms, 9cms high excluding chain.

A collection of silver and other pencils, comprising a blue enamel and gilt fob pencil, 3.7cms closed, another, retractable in white metal cylinder case with hinged ring mount, 6cms closed, a retractable silver pencil stamped 'S. Mordan and Co., Sterling Silver', 8.5cms closed, a hall marked push pull pencil, another with stone top, a brass cased pencil / multi tool, three damaged or incomplete enamel pencils, bone lead case, and two other pencils.      (12)

A cardboard, scrap and decorative paper needle packet box, labelled to the lid interior 'The Palace Companion', around diamond registration mark, over two hinged cards with four original needle packets 'W. Woodfield and Sons', over a mirror base and a drawer lined in purple silk, the fall front with tool retainer, the box with scrap applied silk pin cushion top, 8.2 x 5 x 4cms.                                      From the collection of the late Jennifer Bundock

A coromandel wood dome top sewing box of rectangular form, circa 1860, inlaid with brass lines, mother of pearl escutcheon and lid plaque, the lid interior with rouched silk panel in tooled frame, over a lidded and compartmentalised tray, the tool card with five mother of pearl handled tools, dents and chips around lock area, one lid and one division lacking to tray, 30.5 x 22.7 x 14cms.                                      From the collection of Sally French-Greenslade

A good example of an English papier mache Lady's Companion, circa 1850, of rectangular section, the sides painted with flowers and gilt scrolls, the sloping lid with a bird at its nest with eggs. The interior in crimson silk and velvet, with watered crimson silk skein holder / flannel / tool mount with the correct steel bladed silver mounted scissors complete with sheath, a fancy silver bodkin, writing tablet, leather framed mirror with easel support, fancy silver tweezer / ear spoon, silver handled stiletto, a fancy button end silver waxer, fitted pin cushion, and a lined silver filigree thimble, latter probably replaced, 7.5 x 6 x 10cms.                                      From the collection of the late Jennifer Bundock

A good English mother of pearl and abalone shell Lady's Companion, circa 1840, of canted corner rectangular section, the sloping lid with white metal shield tablet initialled 'JK'. The interior in blue silk and velvet with the correct steel bladed fancy silver handled scissors, worn blue silk needle flannel / tool mount, unmarked silver thimble, silver pencil, single blade folding knife with fancy silver scales, glass scent bottle with silver plated screw top and a silver handled stiletto, 6.5 x 5.2 x 10.5cms max.                                      From the collection of the late Jennifer Bundock

A white wood veneered, inlaid and print decorated Tunbridge ware sewing box, of rectangular form, plain sides, inlaid pointed oval escutcheon. The lid veneered in partridge wood and centred by an oval colour print of a winged draped male figure in a chariot within an inlaid oval border and a similar outer edge border. The lid interior in original pink paper over a compartmentalised base with two sliding lid boxes, pin cushion, four part reel, and tool tray, 26.7 x 21.5 x 7.5cms.                                      From the Collection of Anne Wick

A French gilt metal etui for a child, circa 1880, in the form of a bee skep, raised on three legs, the front two with leaf mounts, the woven gilt base with part enamelled bee at the skep with four other bees to the upper exterior. The interior with purple velvet tool mount with fancy cord border, the tools comprising gilt brass thimble, stiletto, needle case, steel bladed gilt mounted scissors, and a bodkin, 5.5cms max. dia., 13cms high.                                      From the collection of the late Jennifer Bundock

A well fitted coromandel wood and mother of pearl sewing box by T. Forgie, circa 1850, of rectangular form, the lid and front with three canted and stepped bandings highlighted in mother of pearl with a shield shaped mother of pearl escutcheon and lid tablet. The lid interior with ruched oval silk panel in pink silk border over a compartmentalised and lidded tray in silver paper and pink silk. The fittings comprising a set of six mother of pearl top reels, matching waxer and tape measure, the complete printed tape re-enforced, two silver thimbles, a set of six mother of pearl thread winders and a tool card with steel scissors and four mother of pearl handled tools, 29.7 x 23 x 15cms. The lid compartment with an oval black on yellow label 'T. Forgie Desk and Dressing Case Maker,  Jeweller, Cutler etc., 93, Buchanan St., Glasgow, British and Foreign Fancy Goods'.

A fitted papier mache sewing box, circa 1850, of rectangular form, the sides with gilt scroll decoration, the lid with a bouquet of painted flowers enhanced with mother of pearl within crushed pearl and painted boxes. The interior with a fancy paper lidded and compartmentalised tray with a set of six mother of pearl top reels with brass stems and pearl bases, and a tool card with five mother of pearl handled tools, 22.6 x 16.5 x 9cms.

A set of four steel crochet hooks, with variant partly blued steel handles, three with suspension loops, in a pink silk tool holder with a bone handled steel stiletto, hooks 12cms.                                      From the collection of the late Jennifer Bundock

A nice example of a Georgian red leather and silver mounted hussif of purse form, unravelling to reveal five division skein holder and a wallet form section with graduated stitched border needle flannel over a mirror, blue silk covered note book, fitted pencil and a tool compartment with late 18th Century steel scissors and a selection of bodkins, near mint, 9 x 7cms closed, 33cms open.

A tortoiseshell scent bottle etui, serpentine front, curved sides and square back, engraved silver hinge mount. The interior lined in old red velvet, the tool mount with eight apertures including two for scent bottles (one present but probably matched), the other tools present being a silver bodkin and a silver tweezer / earspoon, both matched, 7.2 x 4.5cms max.

A miniature sewing etui for a doll, contained in a natural walnut shell, circa 1860, decorative gilt tool and hinge mount, the complete silver mounted tools comprising bodkin, needle case, scissors, stiletto and thimble with decorative frieze, catch inoperative, 4.2cms wide.                                      From the collection of Sally French-Greenslade

A small oval sewing basket for a child or doll, silk lined with leather band tool retainer with a few accessories, packets, hanks, etc., 12.5cms wide.                                      From the collection of Sally French-Greenslade

A fine example of an English book form Lady's Companion, circa 1840, in neat gilt tooled green leather titled to the 'spine'. The interior with writing tablet, maroon leather skein holder / needle flannel / and tool mount with the correct silver mounted scissors, silver fish form bodkin, and silver handled stiletto, the front section with silver Victoria and Albert commemorative tape measure, the printed tape complete, silver pencil, single blade folding knife with fancy silver scales, and a silver thimble the frieze part frosted and engraved, the latter nesting on a drawer, a fine example, near mint, 5.8 x 4 x 9.3cms.                                      From the collection of the late Jennifer Bundock

A miniature sewing etui for a doll, housed in a walnut shell, circa 1850, white metal hinge mount, the silver tool mount engraved with leaf scrolls and complete with a pair of silver screw top scent bottles, pair of steel scissors, silver needle case, bodkin, stiletto, steel button hook (possibly matched), and a matched American silver thimble, 5.2cms wide.                                      From the collection of the late Jennifer Bundock

A tortoiseshell etui of Lady's Companion form, circa 1840, the cushion lid with white metal tablet, the interior with notelet, purple silk folding skein holder / needle flannel and tool card with cut steel scissors and a bodkin, unmarked silver thimble, steel tweezer / earspoon stamped 'Rodgers, England', steel top pencil and a silver cylinder tape measure, the complete yellow silk tape printed in ins. with a leaf border, case 6 x 4.7 x 10.5cms.     Ivory exemption number B3YLLCQR.

A velvet and gilt mounted Souvenir style needle packet / tool book, fancy gilt brass scroll decorated covers with coloured highlights, interior in pink silk with triple needle packet apertures flanked by tool board with bone stylus closure, 9 x 6.3cms.                                     From the collection of the late Jennifer Bundock

A COLLECTION OF WEBBING INCLUDING 1937 AND 1958 PATTERN. A collection of Army 1937 pattern webbing to include a spike bayonet, entrenching tool and other items, similar RAF webbing and 1958 pattern webbing, various ammunition pouches, entrenching tools etc. *CR Generally in good used condition, some parts later, many with previous owners name marked on.

Selection Of Antique Gun Tools including Sergeants pattern gun tool with nipple key, oil bottle, pricker, worm and screwdriver ... Steel nipple key ... Steel mainspring clamp ... Pocket pistol barrel key ... Brass double ended cap container ... Brass, oblong nipple cap dispenser ... 2 x steel wad punches ... Brass, multi tool set.  10 items.

Pair Of WW2 Lanchester SMG Magazine Pouches khaki webbing, long pouches. The front to one with small rectangular pouch to hold the loading tool.  Removed to the other.  Internal divisions to hold 3 Lanchester magazines.  Rear with belt hooks and brace buckle.  Pouches dated 1941 and 1942.  Minor wear.  2 items.