We found 34077 price guide item(s) matching your search

A collection of tools and garden items, to include hosepipe on reel, wine rack, jerry can, tool boxes, etc.

A box of vintage clogs, wooden planing tool, etc.

A rectangular wooden tool chest with fitted interior together with a metal tool chest with contents

A red painted tool chest containing tools

Sampson Morden: A Multi-Tool Knife, with silver hallmarked scales, two blades, bottle opener, tin opener, spanner and file, 9cm closed.

Herbert Robinson -Sheffield; A Multi-Tool Knife, with single blade and eight tools, lanyard ring, nickel silver bolsters, 9cm closed.

TRADE, part sets, inc. Barratt Football, Sweet Tool, Devlin, Twinings, Paramount, Lamberts, Typhoo, Morning Foods, Kane etc., in modern album, G to EX, Qty.

A J M W (clocks) clock and watch makers Depthing Tool, cased

A WOODEN CARPENTER'S TOOL BOX AND CONTENTS

A QUANTITY OF TOOL BOXES AND CONTENTS

A QUANTITY OF TOOL BOXES AND CONTENTS

A QUANTITY OF HAND TOOLS AND TOOL BOXES WITH CONTENTS

A MODERN BELLIED WATER JUG GRAHAM STEWART, EDINBURGH 2015 of hand raised and planished baluster form with long tapered spout the handle of curved form with scrolling terminalDimensions:11.5cm high, 11.4ozNote: Note: Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.

A MODERN 'HONEYCOMB' CANDLESTICK GRAHAM STEWART, EDINBURGH 2014 of hexagonal form, modelled as a honeycomb, three sides with a silver-gilt honeycomb design and applied bees, feature hallmarks to one sideDimensions:5cm high, 9.4ozNote: Note: Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.

A MODERN BRITANNIA STANDARD WINE COASTER GRAHAM STEWART, EDINBURGH 2003 the shaped dish on stepped foot with planished surface and flared rim, set to interior with removable turned wooden base with circular cartouche to centreDimensions:14.8cm diameter, 13.2ozNote: Note: Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.

A MODERN 'THISTLE' BOX GRAHAM STEWART, EDINBURGH 2001 of cylindrical form, the pull of lid with a pierced silver-gilt thistle to the centreDimensions:4.5cm high, 3.9ozNote: Note: Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.

A MODERN SILVER AND GLASS CANDLESTICK GRAHAM STEWART, EDINBURGH 2000 (WITH ADDITIONAL MILLENNIUM HALLMARK) the cubed glass base with a naturalistic textured surface, set to the top with a hemispherical large sconce with a dished centreDimensions:14.5cm high, sconce 12cm diameter, 10ozNote: Note: Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.

AN IMPRESSIVE HAND FORGED BRITANNIA STANDARD SOUP LADLE GRAHAM STEWART, EDINBURGH 1998 the terminal of concave rounded form, with bold sweeping stem and deep circular bowlDimensions:29cm long, 14ozNote: Note: Struck with feature hallmarks to the reverse of the stem these feature the last set of traditional UK hallmarks beofre the imposition beginning with the 1999 hallmarking year from the European Union to add a purity mark in numerical not just graphic form.Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver.

A MODERN TUMBLER CUP GRAHAM STEWART, EDINBURGH 1998 of simple hand raised and planished form with a rounded baseDimensions:6cm high 4.3ozNote: Note: Struck with feature hallmarks this lot features the last set of traditional UK hallmarks before the imposition beginning with the 1999 hallmarking year from the European Union to add a purity mark in numerical, not just graphic form.For a similar pair of tumbler cups with additional engraved initial see Scottish Works of Art & Whisky Lyon & Turnbull 18th August 2021, lot 205.Not only was Graham Leishman Stewart (1955-2020) one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father, an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection (which is devoted to Post-War II British silver), his work is well represented in both public and private collections which supports his place a key contributor to modern Scottish and British silver. Graham Leishman Stewart, 1955-2020 Not only was Graham Stewart one of Scotland’s foremost silversmiths of the late 20th and early 21st centuries, but he was also a master of hand engraving. The inspiration for his forms was mainly nature. He did not replicate what he saw, but it was organic and often intuitively so. He had great respect for words and was a devotee of the Irish bard Seamus Heaney. When he discovered Heaney’s favourite prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls. Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His father an industrial designer, was a leading influence in his life as he had a keen interest in silversmithing. His brother, an engineer, joined him when he retired which explains why Stewart used a hydraulic press, not a tool normally associated with silversmithing, for very large commissions.As visitors enter the Scottish Parliament, they are greeted with the Three Honours a large silver sculpture designed and made by Stewart. It is an impressive, intertwined creation with the three elements representing Scotland’s State Jewels, its crown, sceptre and sword, which are held in Edinburgh Castle. Arguably it has been one of the most viewed pieces of modern silver in Britain today. His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House. His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces. With important pieces now included within numerous British institutions including the Aberdeen Museum and Art Gallery, as well as The Pearson Silver Collection, which is devoted to Post-War II British silver, his work is well represented in both in public and private collections which supports his place a key contributor to modern Scottish and British silver.

A GEORGE II SAUCE BOAT JAMES WELSH, EDINBURGH 1753 Assay Master Hugh Gordon, of slight baluster form with everted scalloped rim and wide pouring spout, the body engraved with crest and moto, with leaf capped S scroll handle and shell capped scroll feetDimensions:19cm long, 9.3ozNote: Heraldry: The Crest of Maxwell of Cardoness Crest: A man’s face affronty with two branches of laurel disposed in orle all properMotto: Think onNote: Given the date of hallmarking this sauce boat was either in the possession of Major John Maxwell of Cardoness in the County of Kirkcudbrightshire (born 5th April 1700 died February 1754) or one of his four sons The Maxwells of Cardoness were a cadet branch of the Maxwells of Calderwood in the County of Lanarkshire.James Welsh marks along with James Mitchell's are the only maker's marks in Scotland to include a figure within the punch. It has long been debated what these figures are holding, a bag of coinage, precious metal, or tool of the craft, There seems little doubt it does signify a connection with the craft and trade.

2 SMALL PLASTIC TOOL BOXES WITH CONTENTS

EMPTY WOODEN TOOL BOX

1 METAL & 1 PLASTIC TOOL BOX WITH CONTENTS

2 PLASTIC TOOL BOXES WITH CONTENTS

SMALL WOODEN TOOL CHEST WITH CONTENTS

A MECCANO POWER TOOL SET AND A MECCANO COLLECTION OF EIGHT MODELS

A RED METAL MULTI DRAWER TOOL CHEST

A METAL TOOL BOX CONTAINING AN ASSORTMENT OF TOOLS

AN AMMO TIN AND A TOOL BOX CONTAINING AN ASSORTMENT OF TOOLS TO INCLUDE SOCKETS AND JUMP LEADS, TO ALSO INCLUDE TWO ELECTRIC DRILLS ETC

A METAL TOOL BOX CONTAINING AN ASSORTMENT OF TOOLS TO INCLUDE MOLE GRIPS AND PLIERS ETC

A TOOL BOX CONTAINING AN ASSORTMENT OF ELECTRICAL HARDWARE

A HOMAK FOUR WHEELED TOOL TROLLEY

Seven Stanley fat max sectional tool boxes. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Tool box with tool content. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A vintage retro 20th century German made Leitz Wetzlar Miniload micro hardness tester. The miniload system tester is used for non destructive hardness tests with loads below 1 kg. The system is ideal for the inspection of tool edges, wires and failure investigations. The Mini load hardness tester produced by Leitz can be used to examine metallurgical samples at a magnification of up to 400x, offer precise measurement of coatings and micro structural features. The miniload tester / specialist engineer microscope having an indemnification plaque to the back reading Ernst Leitz GMBH Wetzlar type 060-366.002 No. 843570 to the base, Leitz Wetzlar Germany 808756 impressed mark to the body and Leitz Wetzlar Germany 5960 to the eyepiece body. Condition: Good condition, used condition, appear to be in working condition but sold as untested. Measures 47 cm tall.

A vintage retro 20th century German made Leitz Wetzlar Miniload micro hardness tester. The miniload system tester is used for non destructive hardness tests with loads below 1 kg. The system is ideal for the inspection of tool edges, wires and failure investigations. The Mini load hardness tester produced by Leitz can be used to examine metallurgical samples at a magnification of up to 400x, offer precise measurement of coatings and micro structural features. The miniload tester / specialist engineer microscope having an indemnification plaque to the back reading Ernst Leitz GMBH Wetzlar type 060-366.002 No. 805841 to the base, Leitz Wetzlar Germany 792498 impressed mark to the body and Leitz Wetzlar Germany 5639 to the eyepiece body. Condition: Good condition, used condition, appear to be in working condition but sold as untested. Measures 47 cm tall.

A stained pine tool chest, 100 x 56cm, 57cm high, (bottom af) and two smaller painted chests, (af), (3).

Four dockyard rope-handled tool boxes, one other and various tools.

A Norris style bronze, steel and mahogany plane, various shipwright's and other tools in tool box.

A painted pine tool box, a Moore & Wright micrometer, one other and a small quantity of tools.

A metal concertina tool box and a fishing box containing assorted hand tools with two two-piece fishing rods by Daiwa, a Shakespeare XK3000 reel (boxed) and a landing net

A Vintage Wooden Carpenters Tool Chest Containing Moulding Planes, 82cm wide

A Modern Bisley Fifteen Drawer Steel Office or Tool Chest, 28cm Wide

Collection of small engineering tools, mostly used for model railway, including a modern hardwood engineer's tool cabinet, with a panelled front, 51cm; adjustable bench vice; and other small tools.Condition report:Please see the added photos online.

A deal tool-chest with a hinged lift-lid, 22¾” wide, containing various tools; together with a fibre-covered suitcase; a wire-work stand; & sundry other items.

A Walther Model Lever Action .177 calibre Winchester pattern CO2 air rifle: with instructions in original box.(missing pliers and tool)

Hampton, C, W & Clifford, E 'Planecraft. Hand Planing by Modern Methods',: 7th ed, 1959 with dust wrapper; together with seven various tool catalogues, M&W Moore and Wright Sheffield, John Hall Tools, Stanley, Gardiner and Sons, Eclipse and Co, H S and Co London No 6. and Buck and Hickman.

An overpainted pine tool/collectors cabinet: the double panel doors enclosing an array of 28 short and long graduated drawers, raised on a plinth base, 102 x 90 x 39cm.

Various PECO Lima Dapol 00 N and 0 Gauge Product Catalogues and some books, Peco 1995-2016 (8), Peco Setrack Planbooks 00 (2), N (1), Lima 1999/2000 and 2001 Summer releases leaflet, Welcome to O Gauge by Kneeshaw, Expo 2015 Tool Catalogue, Dapol 2014/5 N, 00 and 0 Gauge Catalogue, Hornby Magazine build a layout Booklet, Railways South East Summer 1989, Pacific Steam by Evans, Steam Motive Power Vol 1 Southern England by Smith and SB The Railway Data File, in a good storage box, generally VG-E (21)

ANTIQUE STYLE JEWELLERY COLLECTION - an excellent mixed quantity in various styles and metals including 925 silver, mainly CF- (Cavendish French) brand, notable items include two seed pearl and peridot type necklaces, stylish 925 and 24ct gold pendant, other pendants, rings and cufflinks set with various hard stones, 4 x 925 stamped chokers, silver crosses, Sweet Romance USA base metal and multi-stone set bracelets, ammonite fossil jewellery including 2 x large necklaces and two pairs of earrings along with various other statement jewellery items, additionally the lot contains a few collectable items including 2 x Crystal Temptations hooded prams, multi-tool pocket knife, ETC, along two vintage style jewellery boxes, one in walnut with musical box and interior dancing girl

A plastic tool stand and large quantity of garden tools

A large Snap On tool box and contents of various Snap On and other tools

A garden trolley tool box / seat and a cycle carrier

A metal tool box and contents of tools and a wooden tool box and contents of riveters and rivets

Two plastic tool boxes and contents

A vintage carpenters tool box and contents of tools

Two plastic tool boxes and contents of tools

A wooden garden tool shed with locks and various hooks inside

A flexi magnifier with a Rolson 9 piece computer tool kit

Ap budy profile stab jacket 'M' 008895 with emergency cylinder, sea quest weight belt with kit ring attachment 3x6lb, 1x 4lb & 2 x 2lb, 2 ankle weights, 1 dive tool- stainless, 1 emergency flag, 1 cylinder handle, 1 dive slate & others