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A 20TH CENTURY OAK CHEST OF THREE LONG DRAWERS, width 92cm x depth 47cm x height 79cm, along with an oak tool chest, and a bookcase with two lead glazed doors and two cupboard doors (condition report: chest with split to top, all with wear, tear and scuffs, cornice loose to bookcase, tool chest with alterations) (3)
TWO BOXES OF ASSORTED SUNDRY ITEMS ETC, to include computer PC-CD games, photographic equipment to include an Ilford Advocate camera in need of attention, Olympus XA1 with A9M flash, Olympus Camedia digital camera, Minolta Vectis 200 camera, Sanyo and Polycal micro cassette recorders, Victorinox multi-tool knife with sixteen attachments in leather case, 7x50 and 10x50 binoculars, Bontempi Zither etc
A scarce WW2 era ‘ABCA’ (Army Bureau Of Current Affairs) educational map review poster from september 27th - 10th October 1943 and published by Fosh & Cross for H.M. Stationery Office, double sided, with a map to one side, and further information related to the war effort on the other. Posters such as these were used by the Army Educational Corps as a tool for educating soldiers about current affairs, and later the rebuilding of the country in the post war era. - approximately 101.5cm x 76cm.5 items.
comprising ten instruments within a shagreen case: folding brass hinged rosewood (?) rule, further wooden rule, brass protractor, six dividers, and a bone tool, 17cm high. *CR Some damage/splitting to edge to lid, end of bone instrument broken off, remainder in good condition, owner's name inscribed to interior.
GEORGE GROSZ (1893-1959)Die Nacht von Mord und Glücksspiel (The night of murder and gamble) stamped with the artist's signature 'Grosz' (lower right); stamped with the artist's Nachlass stamp and inscribed 'UC 399 13' (on the reverse)pencil on paper17.6 x 12.9cm (6 15/16 x 5 1/16in).Executed in 1925Footnotes:The authenticity of this work has been confirmed by Ralph Jentsch. This work will be included in the forthcoming George Grosz catalogue raisonné of works on paper, currently being prepared.ProvenanceThe artist's estate, no. UC 399 13.Henry Boxer Gallery, London (acquired from the above).Private collection, London (acquired from the above in 1988).ExhibitedLondon, Gillian Jason Gallery in association with Henry Boxer Gallery, London, Georg Grosz, Berlin-New York, 14 September - 28 October 1988, no. 18.As the basis for any artist, drawing was the invaluable tool for Grosz and his work on paper output was vast. Nevertheless, his drawings hold a conciseness with their lines, showing purpose and thought with every stroke. He would often work in only pencil or pen and ink and the immediacy of these drawings allowed Grosz's running social commentary to reach a wider, more diverse audience than major paintings. Included in periodicals and journals, they were mainly aimed at the working class and some radical, anti-Capitalist groups.Though seemingly the final study for a lithograph of the same name, the present work wholly encompasses Grosz's attention to the medium of drawing. Rather than unformed and sketchy, his figures are clearly defined and precise. Furthermore, this small sketch is filled with his most iconic and challenging motifs: the smoking gamblers, the prostitute and the murderer, whose legs we see in the upper right as he swiftly escapes the scene. A recurring motif in Grosz's oeuvre, one could argue it is his infamous serial killer, John.For further information on this lot please visit Bonhams.com
Bronze Age Bronze Spear Head, Circa 950-800 BC. A nice example of a Late Bronze Age socketed spear head with dark green even patination. The spearhead has a slender leaf-shaped blade, the edges of which are bevelled and still relatively sharp. The shaft tapers through the length of the spearhead to the point from the base with the socket itself being at least half the depth of the entire shaft. Two holes in the side of the shaft for fixing via pegs.Length approximately 17.1cm x Width 4cm.Condition: some clipping to the edges of the blade, mostly to one side.Fine all over patination to the metal. A Neolithic stone axe head of trapezoidal form, with a pointed oval profile.Approximately 9.5cm x 5cm.Condition: generally good.Some clipping to the pointed edge, plus further old tool marks from where the head has been shaped.
A pair of Chinese blue-and-white porcelain chargers: probably late 19th century, painted with two opposing long bodied, four-toed dragons amidst flowering plants, within a broad border of ruyi and prunus blossom, the underside with three sprays of bamboo. (30.3 cm in diameter) (One with a small rim chip and hairline.) * Condition: One with a small rim chip and 1.5in. hairline, and a small underglaze firing flaw to the rim. The other in good condition overall, but with a raised glaze flaw to the edge of the central design, which has been removed with an abrasive tool, leaving a matted patch to the glaze with surrounding glaze scratching. There are also some iron spots to the glaze around this area.
Patek Philippe. A fine 18K gold automatic perpetual calendar wristwatch with moon phasePatek Philippe. Belle montre bracelet en or jaune 18K (750) calendrier perpétuel et phase de lune mouvement automatiqueReference: 3940Date: Purchased 23rd December 1987Movement: 27-jewel Cal.240Q automatic, adjusted to heat, cold, isochronism and 5 positions, stamped with the Seal of Geneva, Gyromax balance, 22K gold micro-rotor, No.770347Dial: Silvered, applied 18K gold pointed baton hour markers, dot outer minute markers, subsidiary dials at 3, 6 and 9 indicating day combined with 24-hour display, month combined with leap year indication, and phases of the moon combined with date, gilt dagger handsCase: Brushed and polished round, solid snap on back, quick set buttons in the band at 6, 9 and 12, No.2831401Strap/Bracelet: Black crocodile leatherBuckle/Clasp: Signed 18K gold buckleSigned: Case, dial & movementSize: 36mm Weight: 59,34g Accompaniments: Patek Philippe box, outer card, quick set tool, Certificate of OriginFootnotes:In 1984 Patek Philippe launched the reference 3940, to replace the reference 3450. At the time, it was their slimmest automatic perpetual calendar. In the first year of production only 100 examples were manufactured but by 1985, the model went into standard production. It was discontinued in 2007, and replaced by the reference 5140.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Jacob & Co. An 18K rose gold diamond set quartz wristwatchJacob & Co. Montre bracelet en or rose 18K (750) sertie de diamants mouvement quartz Model: Kuwait Limited EditionDate: Circa 2010Movement: 5-jewel quartzDial: Sand beige, gilt edged Kuwait map to centre, applied gilt diamond filled quarter hour markers, each hour marker corresponds to a place as follows: at 1 The Gates of Kuwait, at 2 The Dhow, at 4 The Liberation Tower, at 5 The Seif Palace, at 7 The Water Towers, at 8 The Grand Mosque, at 10 The Kuwait Towers and at 11 The National Assembly, gilt faceted lance handsCase: Brushed and polished square, back secured by 8 screws, quick set button to backStrap/Bracelet: Black Jacob & Co alligator leatherBuckle/Clasp: Signed 18k rose gold buckleSigned: Case & dialSize: 37mm x 37mm Weight: 114,73g Accompaniments: Fitted box, hour setting tool, spare Jacob & Co brown alligator leather, Instructions and information bookletThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A monumental silver African bull elephantdesigned and modelled by Victor Hayton for the World Wildlife Fund, maker's mark for Hamilton and Inches, Edinburgh 1997, signed 'Hayton', limited edition numbered 2 of 5, script '94 and additional markA realistically modelled African bull elephant, naturalistically cast and chased in intricate detail, the powerful animal suspended in motion, with animated expression and powerful polished tusks to the fore, comes with a framed limited edition lithograph bearing the image of the elephant, signed by the artist and certifying this is model number two of only five cast, and inscribed 'Amboseli, June 1993', height 38cm, length 60cm, weight 428oz. (2)Footnotes:Amboseli National Park is part of a vast, cross-border wildlife ecosystem about 200 kilometres south of Nairobi. An oasis supporting over 1,800 elephants and other megafauna in the dusty shadows of Mount Kilimanjaro, it is a UNESCO Man and Biosphere Reserve and the only national park in Kenya established through negotiations with community landowners. The park's African elephants have thrived in this small, semi-arid landscape. Water from seasonal swamps sustains them, and the community lands provide safe and secure spaces to graze. Amboseli National Park therefore offers some of the best opportunities to see African wildlife, because of the sparse vegetation due to the long, dry months. The protected area is not only home to African bush elephant, but also to Cape buffalo, impala, lion, cheetah, spotted hyena, Masai giraffe, Grant's zebra, and blue wildebeest, with a whole host of large and small birds.In the 1990s, this magnificent African bull elephant silver sculpture was purportedly commissioned by the Duke of Edinburgh on behalf of the World Wildlife Fund (WWF). Beautifully executed by the artist Victor Hayton, it is number two out of a limited edition of five made. Given the date of this piece, it is possible (although not confirmed) that this was a representation of 'Tim', the famous great tusker who roamed freely across Amboseli National Park for over 50 years, and was its most famous resident. With his giant stature and spectacular tusks, watching Tim stride out across the Kenyan plains was without doubt a sight to behold, and was a huge draw for the many tourists who visited the Kenyan reserve in the hope of seeing him.Born in January 1969, Tim was four years old when he first came to the attention of wildlife conservation organisations operating in Amboseli. They watched as he grew and became independent, observed him as he reached maturity, and were proud to see him become one of Africa's most famous elephant's, thanks, in part, to his exceptional tusks. Tim was a magnificent bull elephant; one of Kenya's last great tuskers. But it wasn't just his tusks which set him apart from the herd. Amongst those who observed him, he was renowned for his calm and gentle nature, and was popular with other elephants of all ages. He was known to nurture friendships with younger males who were learning to be independent, and was a favourite choice of mate for females, fathering multiple calves over his lifetime. He died of natural causes in 2020, creating global headlines, with the world mourning his passing. The Duke of Edinburgh, way before it became fashionable, carried out pioneering work promoting environmental causes, having encouraged conservation in his singular style throughout his life. His passion for conservation and the environment was best characterised by his long relationship with the World Wildlife Fund (WWF). He toured the world to draw attention to the plight of wildlife endangered by poaching, deforestation and pollution, photographing seals in Antarctica, feeding elephants in Africa and posing with pandas in China. 'We depend on being part of the web of life, we depend on every other living thing on this planet, just as much as they depend on us,' he once reflected. Tim, alongside the other protected African elephants and wildlife at Amboseli, was a testament to what effective conservation could achieve. This symbolic sculpture was purportedly offered to chosen Heads of State to promote the organisation's aims and raise funds, a tool to encourage conservation activism globally (please note, this information is anecdotal rather than verified). As such, His Royal Highness was actively involved with the World Wildlife Fund from 1961 in a variety of roles, from President of the UK branch, to member of the International Board to International President and finally President Emeritus. At the invitation of Sir Peter Scott, the founding chairman of the World Wildlife Fund, The Duke of Edinburgh became President of the Fund's UK Branch in 1961. Between 1965 and 1980 he was a member of the Board of Trustees of WWF International. In 1981 His Royal Highness gave up the UK Presidency and became International President until 1996 when he retired and became President Emeritus.As Pavan Sukhdev, President of WWF International stated on the passing of HRH The Duke of Edinburgh in 2021:-'The Duke of Edinburgh has been a tireless champion for the environmental cause and a passionate ambassador for conservation issues around the world for decades. His Royal Highness helped chart the course of WWF from its very beginning and has truly made enormous contributions to the organization.'Across more than 50 years, His Royal Highness, Prince Philip's efforts on behalf of WWF have been inestimable – visiting WWF projects in over fifty countries on five continents, promoting conservation issues at the highest government and corporate levels, and helping with essential fundraising and awareness promotion...'This imposing silver sculpture of a proud and free roaming African bull elephant symbolises what the World Wildlife Fund represents, and what we need to protect and preserve for future generations.Literature:Born Free Foundation, 'Remembering Tim: 1969 - 2020', accessed via https://www.bornfree.org.uk/articles/remembering-timKenya Wildlife Service, 'Amboseli National Park', accessed via https://www.kws.go.ke/amboseli-national-parkThe Independent, 'How Prince Philip tacked conservation and climate change', 9th April 2021, accessed via https://www.independent.co.uk/climate-change/news/prince-philip-conservation-climate-change-b1829227.htmlWorld Wildlife Fund, 'HRH The Duke of Edinburgh', accessed via https://wwf.panda.org/wwf_news/?1995941/A-champion-for-the-environmentFor further information on this lot please visit Bonhams.com

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34077 item(s)/page