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Lot 9
Bronze sculpture of a blacksmith standing proudly with his tool in one hand and the other resting on his apron. His sleeves are rolled up and his shirt is wide open as he stands in front of the industrial tools. Beautiful green-brown patina. Mounted on a dark grey marble base. Inscribed on back of the base: H. Rieder. Artist: Hans RiederIssued: c. 1930Dimensions: 9"L x 7.50"W x 18"HCountry of Origin: GermanyCondition: Age related wear.
Lot 275
A collection of pocket knives to include; a Rodgers I*XL multi-tool pocket knife, a CK real lamb foot knife (blade tip A/F) two Richards of Sheffield two bladed penknives, A Richards single bladed knife, another twin bladed penknife stamped Stainless Foreign, An Edwardian pen knife with simulated tortoise shell scales, A Richards multi tool (possibly military issue) and a Victoria Knox style stainless steel multi tool (9)
Lot 374
Ella Garvey Hold Me Fast and Fear Me Not, 2023 Graphite and Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ella Garvey (originally from the Isle of Man) is a painter based in London, recently graduated from Central Saint Martins. Her practice centres around the mythologizing of space and objects, using paint as a tool to play with form. Through collecting imagery spanning civilisations and styles, from ancient vessels to art nouveau design objects, she creates a visual language of recognisable symbols and forms that relate yet contradict. Stumbling upon one object and its stories leads her down the path of many more, all to be explored upon the surface of the canvas. It is a way of rearranging to pose new questions, to create poetry from the ordinary. She enjoys her work to be undefined, alluding to surrealism, symbolism and narrative, representing whilst also hiding. She emphasises a beauty that can't be spoken, an eerie stillness inhabiting each world she imagines. Ella draws from a multiplicity of different sources ranging from folklore, religion and alchemical symbols to nature and art nouveau. Her aim is to create mythological lyricism and poetry from the ordinary and mundane. She compares her works to dreams: disparate objects that intertwine to form fantastical images that have emerged from the subconscious. Often her narratives are obscure, encouraging the viewer to uncover their own meanings and truths. Education Central Saint Martins You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 1196
An Omega rolled gold half hunter fob wind pocket watch c.1916, with Dennison 'Moon' case, no. 884910, with black enamel Roman chapter ring to case front, gilt three quarter plate lever movement signed 'Omega Swiss Made', no. 5959952, the white Roman enamel dial with subsidiary seconds at six, blued steel hands, 51mm. diameter, not running. *Not running - appears overwound. The balance spring is damaged. Dial VG. Case good, with some tool marks from opening. Some scratching throughout but no dings or dents. Enamel VG.
Lot 119
OMEGA SEAMASTER & BULOVA ACUTRON Gents Omega Seamaster Cosmic, automatic movement, 34.8mm diameter stainless steel case, no: 166026-Tool 107, on sinuous flat mesh strap. Silvered dial, baton and hands with date apeture. Large crack across bottom of face. Also Bulova Acutron, tank style case, approx 35.5 x 30.1mm, case no: 8098-1. Gold coloured dial, black Roman numerals and hands on leather strap. Condition Report : Both watches have cracks to face (glass). sold as seen Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition. CONDITION REPORTS LOTCONDITION 119All of the watches are sold as seen without a guarantee of working. Both not working.
Lot 471
Victorian mother-of-pearl multi-tool pocket knife by Hilliar, Glasgow with seven folding tools (one blade reduced) (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 31
A collection of treen and metal wares to include a Tunbridge ware glass holder with Ilkley Bridge decoration, a further smaller version of Kenilworth Castle, a parquetry inlaid folding box with bridge marker to top, a modern mahogany hinge-lidded box, pierced brass trivet stand, an electric copper kettle, a lead-working tool, etc.
Lot 326
A WILLIAM AND MARY EBONY BRACKET CLOCKBY ALEXANDER HEWITT, C.1690-1695the brass eight day twin fusee repeating movement with five knopped pillars and a crown wheel escapement, chiming on a nest of five bells and striking on a sixth, with a backplate heavily engraved with scrolling tulip foliage around a cartouche inscribed 'Alex. Hewitt / LONDON', the brass dial engraved with scrolling foliage, with a silvered chapter ring with black Roman hours and Arabic minutes, with cherub head spandrels, the matted centre with a mock pendulum and date aperture beneath subsidiary strike/silent and seconds dials flanking the inscription 'Alex Hewitt / LONDON', the caddy top case with gilt brass mounts including flaming urns, with silk backed grilles, on clawed feet35.5cm high, 26.5cm wide, 17.4cm deep Catalogue NoteAlexander Hewitt was born in around 1671 and was apprenticed to the horologist and tool maker Benjamin Bell from 1685 until Bell’s death in 1691. Bell had a professional relationship with other London horologists including Robert Hooke and Thomas Tompion, the latter helped Hewitt to itemise and evaluate Bell’s workshop equipment and tools which Hewitt had inherited on Bell’s death.Despite being an extremely accomplished clockmaker, Hewitt appears to have joined the Curriers’ Company in 1697, thus watches and clocks by Hewitt are very rare.
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