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Lot 2566
Incl.: 5 tools w. finely turned wooden handles, all ending in a brass holder with variously shaped tips made of different kinds of (translucent) stone; 1 similar tool with iron tip, all approx. 37 cm in length; 3 tools w. curved brass surfaces for ornamental borders; 2 tools ending in sm. brass dec.; 1 other tool w. large wooden handle (total length 53 cm); 1 other tool w. unknown purpose, all w. orig. wooden handles; and 2 pairs of iron compasses, kept in old wooden box.A fine collection of very rare orig. bookbinding tools, probably late 19th/ early 20th cent. 3 of the larger tools are marked "Wilh Leo Stuttgart" on the brass fittings. With: Orig. antique set of several hundred brass ornamental lines and sm. ornaments for bookbinding, various sizes, kept in the original box, and w. orig. adjustable brass tool w. wooden handle for carving the lines. Added: later electric bookbinder's tool produced by L. Berens.
Lot 1087
VARIOUS POWER TOOLS AND GARDEN ITEMS including a Performance PDD144DA 14v drill, a Performance Power Rotary tool, an Earlex Wallpaper Stripper (all PAT pass and working), a Gardenline grass and hedge trimmer (no power supply so untested), a brand new and sealed Hoozelock Water Butt pump (not tested as sealed) hand tools etc
Lot 1318
A SELECTION OF OCCASIONAL FURNITURE, to include a teak effect tile top nest of three tables (missing of tile) a mahogany nest of tables, an elm kitchen chair, a painted chair, a painted three drawer tool chest, beech towel rail, a painted stool, two pool cues, and a metal box with a set of pool balls (10)
Lot 478
TWO BOXES OF ART AND CRAFTS MATERIALS, to include a boxed A4-F USB light board, packs of card design kits, tools, an adjustable magnifying light, a box of 24 Pinselstife watercolour pens, water colour pads, green plastic tool box, a boxed set of 120 Faber-Castell polychromos colour pencils, cutting board, craft tool kit, twenty Parchment Craft magazines, ParchCraft Australia tool sets, Aran Knitting books, etc (2 boxes)
Lot 540
TWO BOXES OF ELECTRICAL AND TECHNICAL ITEMS, to include three mobile phones, a Blackberry 9300 and a boxed LG KE970, a boxed Samsung GT-S3100 slider phone, a boxed Tomtom GO 510 satellite navigation system, a boxed unused Roberts Sports DAB 2 digital radio, a boxed 'Forerunner' 305 GPS-enabled trainer with heart rate, a boxed Casio EX-Z700 camera, a Science Museum alarm clock, a West German Ilford Sporti camera, a boxed Tomtom XL live, a Panasonic TZ30 camera with a Leica Dc lens, a boxed Kelvin 23 multi tool, a Netgear wireless router, a pair of Nordica K5.1 quick fit ski boots, a Novum chain stitch automatic sewing machine, brass light switches, metal drawer handles, etc. (2 boxes + loose)
Lot 543
ONE BOX OF TECHNICAL ITEMS AND SUNDRIES, to include three adult Crewsaver 150N Lifejackets EN396, a red Musto Performance waterproof holdall, Revo sun glasses, a Plastimo Iris 50 bearing compass, a Buck Crosslock multi-tool (to be sold to over eighteens only), an Olympus digital voice recorder, an Icom VHF marine transceiver IC-M1euro V, a Garmin GPS 48 12 Channel (untested, batteries appear corroded), an Alessi electric kettle designed by Michael Graves, an Alessi 'Lupita' dogs water bowl designed by Miriam Mirri, a Sebo 1800W K1 vacuum cleaner, an Altec Lansing in motion Max portable speaker for iPhone and iPod, etc (s.d) (2 boxes + loose)
Lot 549
FOUR BOXES OF SUNDRIES AND ONE PICNIC BASKET, to include a black Breton cap, a large brass vintage car horn with fixings and rubber bulb (working), an A.Shaw & Son diamond tipped glass cutter tool in original leather pouch, an E.H Ltd drafting set, a cast Lion door knocker (painted gold), a boxed NCD Professional blood pressure set, nine Elvis L.P records to include Elvis' Golden Records RCA LPM1707 (black and silver label, cover damaged and sellotaped), Almost in Love, Elvis Sings Hits From his Movies, Elvis Separate ways, You'll Never Walk Alone, Burning Love, C'mon Everybody, Volume 1 A Legendary Performer, I Got Lucky, Elvis, together with approximately forty 1980's cassettes, a boxed set of BCE pool balls and a wooden triangle, a 1680 edition of the second part of The History of The World (has been rebound and has new end covers), a large Victorian family Bible, a collection of 1960s eleven Power magazines (official journal of the Bullworker Club), twenty six editions of late 1960s Man's World, three featuring Arnold Schwarzenegger, May 1967, December 1967 and December 1969, twenty three editions of Health and Strength, etc (s.d) (4 boxes + picnic basket)
Lot 569
SEVEN BOXES AND LOOSE SUNDRY ITEMS ETC, to include a set of Russian nesting Matryoshka dolls, petit point dressing table items, Roma Jardiniere lace curtains, small quantity of table linen, boxed part used Price's candles, Salter cast iron scales with weights, plastic tool box containing sewing accessories, box of neck ties, metal construction desk cannon, boxed vacuum cleaner accessory set, Trivial Pursuit Genus II Edition card set, Junghans W274 / 210 chiming mantle clock, box of assorted books etc
Lot 701
Monica Bonvicini (Venedig 1965 – lebt in Berlin). „Leather Tool (claw hammer)“. 2009Leder, Lederschnur, Hammer, mit Sockel und Haube. 3 × 33 × 17,5 cm, Sockel mit Haube: 102,7 × 46 × 47,5 cm (1 ⅛ × 13 × 6 ⅞ in., Sockel mit Haube: 40 ⅜ × 18 ⅛ × 18 ¾ in.). Auf der Hülle mit einem Etikett der Galerie Max Hetzler, Berlin/Paris/London.[3139] Provenienz: Privatsammlung, BerlinWir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 180
A LARGE CHINESE NEOLITHIC / BRONZE AGE PAINTED POTTERY JAR, XINDIAN. Bulbous body, two wide loop handles at the waist with a tall wide neck and mouth. The colour of the pottery varying from pale brown to black, a result of uneven conditions during firing. The outer surface covered with fine lightly incised parallel lines from the shaping tool. The shoulder and neck decorated in geometric patterns in dark brown pigment. Height 32cm, 35cm wide at handles. Xindian Culture (c. 1200 – 500 BC). Overall good condition with surface wear expected for age. No obvious signs of repair or restoration.
Lot 314
A steel three tier, sixteen drawer Tool Cabinet (Superline Pro and Magnum) containing a very large quantity of mechanic's tools of various makes and quality and including: long reach 1/2'' drive sockets and flexible drives, calipers, punches, Torx drivers, cold chisels, Allen keys, long and short nose pliers, circlip pliers, large quantity of combination and ring spanners by Elora, Britool, Gedore, Magnum, Superline Pro and others, ring and open ended spanners, a large quantity of screwdrivers, Beta 42 combination spanners, impact sockets, Kennedy 3/8'' drive socket set, male and female Torx drivers, ''Angry Jester" 60 piece professional bit set in 3/8'' and 1/2'' drive, hammers, soft head mallets, air blow guns, hacksaws, files, etc., etc., plus an eight drawer Britool tool Chest containing glow-plug removal set, stepped conical drills, brake pipe flaring tool, electrical test equipment, Chicago Pneumatics 1/2'' drive air wrench, etc., etc., These tools are the lifetime collection of a local, highly regarded mechanical engineer who is sadly no longer with us, they have obviously been well used and well cared for. It is difficult to imagine that anybody has a greater selection of tools, there must be something here to deal with almost any mechanical eventuality.
Lot 270
Venetian binding.- A dated morocco binding by the 'Arabesque Outline Tool Binder', chestnut morocco over pasteboards, central panels richly gilt-tooled in the arabesque style, enclosing the name 'Laurentio Maripetr' on upper cover and date 'MDLIII' on lower cover, all within various gilt and blind-ruled decorative or filet borders, two sets of which with floral corner-pieces, spine in compartments and with a background of intersecting blind-rules surmounted by a single gilt central floral motif at point of intersection, double gilt filet borders at spine ends, lacking ties, spine with chip at foot and several wormholes, some marking, rubbed, 234 x 174mm., [Venice], 1563.⁂ A handsome example of a binding by the 'Arabesque Outline Tool Binder', who was active in the 1560s and into the early 1570s. There are around 30 known works from this bindery. Provenance: Lorenzo Malipiero, who is recorded as Podestà of Conegliano in 1564 (name to upper cover). Literature: I. Schunke, 'Venezianische Renaissance-Einbände. Ihre Entwicklung und ihre Werkstätten', in Studi di bibliografia e di storia in onore di Tammaro de Marinis, Verona, 1964, vol. 4, pp. 123-200; A. Hobson & P. Culot, Italian and French 16th-century bookbindings, Brussels 1991, p.47; L. Nuvoloni, 'Commissioni dogali: Venetian bookbindings in the British Library', in 'For the love of binding', Studies in bookbinding history presented to Mirjam Foot, London, 2000, pp. 81-109.
Lot 2645
A collection of corkscrews and other collectors' items, including a concertina corkscrew, probably Wiers patent, various 'eyebrow' corkscrews and a boxwood snooker cue tipping tool.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2475
A group of antiquities and other collectors' items, including a Paleolithic flint fabricator tool, length 15cm, an African wire bound dagger and a green glass Roman style jug.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1396
A mid-century 9ct gold Garrard gents manual wind wrist watch, the 31mm. Dennison case hallmarked Birm. 1931, inscribed to caseback, the 17J Swiss movement signed 'Garrard', the silvered, 27mm. dial with Arabic numerals and subsidiary seconds at six, blue steel lance hands, on a later tan leather strap.. Winds and runs. Dial VG. Case good, with tool scratches to edge of caseback. Caseback with presentation inscription. Strap good but later.
Lot 2058
Mining interest - An assorted collection of Ninety Five Colliery and associated brass and white metal tokens and checks, Starting 'W' or 'Y' and various others, to include West Cannock; Western; Westfield; West Riding; Westthorpe; Westcliffe; Wheldale; Whitemoor; Whitefield; Whitewell; Whitwick; Whit; Wigan; Williamthorpe; Willow Bank; Wimblebury; Windsor; Wistow Mine; Wistow; Wollaton; Wolstanton; Woodmoor; Wooley; Wyndham; Wyndham Western; Yorkshire Main; Miner's lamp check; pit tool check, various others. (95) + reference books etc.
Lot 319
AMENDMENT- please note this lot is unframed.David Hockney OM CH RA, British b. 1937- Waiting at York, 180, 2010; ipad drawing in colours on wove, signed, dated and numbered from an edition of 25, 94 x 71.1 cm, (unframed) (ARR) Note: Hockney’s experimentalism with new medias and technologies is represented in ‘Waiting at York’, an early iPad drawing, made in the first year Hockney was working on an iPad. Prior to working on an iPad, Hockney experimented with the capabilities of an iPhone. Hockney first discovered the iPhone during the winter of 2008. “I was fascinated by it, because I think it’s a stunning visual tool”. He stated that “It took a while to master how to get thicker and thinner lines, transparency and soft edges. But then I realised that it had marvellous advantages.” He uses an app called Brushes. “People keep sending me new drawings apps to try out, but once you get used to one it’s sufficient.” Hockney often explores new technologies in his art. In the mid-1980s he bought one of the first colour photocopying machines and used it to create a series of works entitled Hand-Made Prints. A few years later, he did the same with the fax. When discussing using an iPhone, he states “There are gains and losses with everything. You miss the resistance of paper a little, but you can get a marvellous flow. So much variety is possible. You can’t overwork this, because it’s not a real surface. In watercolour, for instance, about three layers are the maximum. Beyond that it starts to get muddy. Here you can put anything on anything. You can put a bright, bright blue on top of an intense yellow.” In 2010, Hockney got his first iPad and was immediately converted to using that instead. “I thought the iPhone was great, but this takes it to a new level – simply because it’s eight times the size of the iPhone, as big as a reasonably sized sketchbook.” One discovery that came with the iPad was that the process of drawing could be re-run at the tap of a finger. The screen goes blank again, then lines and washes reappear one after another, apparently of their own accord. The result is, in effect, a performing drawing.Please refer to department for condition report
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34083 item(s)/page