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Wedgwood tea & dinner ware in the Chinese Flowers design, to include 13 cups and saucers,(3 no gold rim), 9 dinner plates, 4 rimmed bowls, 2 pasta bowls, 1 serving plate, 1 open veg dish, 2 large oval platters, 1 fruit bowl, 1 salad plate, 6 18cm side plates, 4 x 16cm side plates, 10 cereal bowls with gold rim, 10 cereal bowls with no gold rim, coffee pot and 2 rectangular serving plates. Some marked Reg. Trademark of the Colonial Williamsburg Foundation. (61 pieces, 4 trays)
Wedgwood 'Chester' R4446 part dinner set to include Two Lidded Tureens, One Tureen without Lid, Two Milk Jugs, Gravy Boat and Dish, Seven Saucers, Seven Dessert Bowls, Nine Double Handled Soup Bowls, Six Large Side Plates, Nine Small Side Plates, One 9" Side Plate, Six Soup Bowls, Thirteen Dinner Plates and One Ashtray. One Wedgwood 'Osborne' Ashtray. (approx. 66 pieces) (2 Trays)
A Collection of 18th Century English Porcelain, mainly Liverpool, including a waste bowl, various coffee cans, coffee cups, tea bowls and saucers, together with a Keeling tea bowl and saucer (one tray)Four cups and saucers lots are matching patterns.One tea bowl - with old stapled repairs.Remaining pairs are ok.Single tea bowl - with heavy large losses to the rimTea cup - restoredCoffee can - appears okBowl - with chipped rim and come possible restoration
A Wileman & Co. Foley Porcelain Tea Set, Japan pattern, Rd. 119505, comprising: 12 cups, saucers and side plates, a jug, bowl and two plates, printed numbers only (qty)One saucer broken and stapled with loss to the rim. One saucer and one cup crack. The remaining pieces without damage.Some gilt wear.
DAME LAURA KNIGHT (BRITISH, 1877-1970) 'NOAH'S ARK' PART COFFEE SERVICE, MADE BY FOLEY, DESIGNED 1934 English bone china, the design with prominent purple lustre glaze. Comprising a milk jug, sugar bowl, a sandwich serving plate, six sandwich plates, six cups and six saucers. Printed FOLEY ENGLISH BONE CHINA mark with Knight's facsimile signature. Sandwich serving plate 23.2cm Cup 8.9 x 6.5cm This design ware was first produced for the 1934 Harrod's Art in Industry exhibition. Condition Report: PLEASE NOTE: ALL LOTS IN THIS AUCTION ARE NOT AVAILABLE TO VIEW The below condition report is the only one available. Large sandwich plate with rivetted repair. One saucer smashed and glued with residue of old tape in two places, another saucer rings 'dead'. Small hairline to the rim of one cup.Please note this is a part-service with missing pieces including the coffee pot itself.The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly.PLEASE NOTE: ALL LOTS WILL BE AVAILABLE TO COLLECT FROM SACKVILLE WEST STORAGE IN ANDOVER, SP10 3SA, TWO DAYS AFTER THE AUCTION. Condition Report Disclaimer
A Shelley Phlox part tea service. Comprising of a teapot, six tea cups and saucers, a milk jug and sugar pot, with other Shelley pieces in various patterns including a Mode sugar bowl.The green and yellow teapot has damage to the lid and a chip to the internal rim, the Phlox teapot has a crack through the body. One saucer has yellow discolouration to the back and three other pieces have hairline cracks.
A Victorian Copeland 'Prunus' breakfast set. Includes a platter, a muffin dish and cover, breakfast plates, cups and saucers, a milk jug and slop basin.This service is in generally good condition, bright, and with the slightest of wear to some of the gilt.One plate has a small stain on the edge, a cup has a star crack in the base, and another cup has a small hairline in the base.
A Sevres Dore Napoleon III tete a tete set. 19th century, comprising a tray, teapot and cover, sucrier and cover, milk jug, and two cups and saucers, with gilt vine borders, and a crowned N, the tray 27X30cm, together with a similar coffee pot and coverThere are areas with light gilt loss across the pieces, the sucrier has gilt of a slightly different tone under both the handles.
John Miller tea, coffee and dinner ware. Comprising seven dinner plates, eight side plates, four teacups and saucers, two coffee cans and saucers, all in a beach parasol design. Together with four dinner plates, four side plates, four bowls, four coffee mugs, two coffee cans and saucers in a beachscape design. Plus six placemats, and two sets of six coasters. Also included is a set of four 'St Ives by Ella Doran for Tate' photographic print coffee mugs.There are no condition issues to report on this wonderful set.
An early Le Nove beaker, c.1762, the flared form painted to one side with the crowned armorial for an Italian noble family, the reverse with a large flower spray, and two Le Nove saucers, one painted with a young woman being stabbed by a man, the other with mythological figures in a lakeside setting, damages, 1.7cm max. (3)The decoration on the first saucer bear similarities to Chinese decoration for the Western market, and it is possible that this saucer copied such an example.All three pieces were acquired via Hoff Antiques from the same private collection near Venice.
A pair of London-decorated Chinese porcelain coffee cups and saucers, c.1760-65, painted by Jefferyes Hamett O'Neale in the atelier of James Giles, with Classical ruins and obelisks, one saucer with European figures seated in a river landscape, within formal gilt scroll borders, small rim chips, 12.5cm. (4)The gilt border is the same as that used on the Grubbe plates, decorated in the atelier on Worcester porcelain.
Three Chinese porcelain London-decorated teabowls and saucers, c.1760, painted by Jefferyes Hamett O'Neale and others in the workshop of James Giles, with colourful birds perched on and among berried, leafy branches, traces of gilt dentil rims, gilt wear, one saucer broken and restuck, 11.8cm. (6)Illustrated: Stephen Hanscombe, The Early James Giles and his Contemporary London Decorators, no.103 (one teabowl).
A Capodimonte (Carlo III) cup by Giovanni Caselli, c.1750, finely painted with a pastoral figure and a dog standing beside a maiden reclining on rock, before a characteristic rose-tinted sky, the interior rim with a formal gilt foliate border, the fine angular handle picked out in gilt, blue fleur de lys mark, 7.3cm high.Cf. G. Morazzoni, Le Porcellane Italiane, vol. II, pl. 288, and F. Stazzi, Capodimonte, nos. 10-11 for two similar cups and saucers from the collection in the Duca di Martina Museum, Naples.
A group of Meissen teawares, c.1745-80, including five teacups, a coffee cup and two saucers, finely painted with hunting scenes, battle scenes and figures in landscapes and harbour settings, one cup with an unusual scene of a man carrying sacks and being followed by a dog, various blue crossed swords marks, 13.5cm max. (8)
Two Sèvres cups and two saucers, c.1760-90, one saucer painted with colourful birds within a shaped blue rim with gilt trellis decoration, the other painted with sprays of dry blue flowers, the larger cup later decorated with Isméne et Daphnis after Boucher, on a bleu celeste ground, the teacup painted with sprays of flowers on a white ground, a chip to the larger saucer, some decoration possibly later, 13.5cm max. (4)
A group of Italian porcelain teawares, c.1750-90, including an octagonal Doccia cup painted with a monochrome landscape panel and puce flowers on a yellow ground, painter's mark G, a later Doccia coffee cup with a purple monochrome landscape, a teacup with a landscape between blue and gilt borders, a similarly decorated saucer, a monochrome saucer with a maiden seated with baskets, two saucers painted in the Sèvres manner with flower panels on a dark blue ground, a Meissen-style sucrier base moulded and painted with flowers, the sucrier and one cup cracked, 13.6cm max. (8)The blue ground saucers formerly in the Torre Collection and sold at Sotheby's, 18th November 1996.
Two Meissen teabowls and saucers, c.1720-30, one painted with schwarzlot landscapes and a figure fishing within cartouches of Böttger lustre and puce scrollwork, with a similar teabowl bearing Kauffahrtei scenes, the other painted with figures in landscapes and harbour settings within laub und bandelwerk borders, blue crossed swords marks, some gilders' marks, one saucer with a repaired rim section, 2.5cm max. (5)
Three Vienna chocolate or coffee cups and two saucers, c.1760-70, painted by or in the manner of Andreas Oettner with pastoral figures at various pursuits, one saucer with a woman entertaining a soldier dismounted from his horse, the other with a traveller seated on rocks, the well with a pierced trembleuse gallery, one cup unusually painted with two topers carousing on a pig crate and calling for more ale, all within formal gilt scroll borders, blue shield marks, some impressed marks, 13.5cm max. (5)
A pair of Meissen Böttger porcelain hausmaler saucers, c.1715, probably painted by Johann Friedrich Metzsch in Bayreuth, c.1735, with purpurmalerei scenes of fauns molesting maidens, within elaborate cartouches topped by baskets of flowers and birds, and a third saucer, probably also by Metzsch, with a central monochrome landscape within an elaborate foliate scroll cartouche, small rim chips, some gilt wear, 12.8cm max. (3)
Two Chinese porcelain London-decorated saucers, c.1760, one painted possibly by Fidelle Duvivier with a couple on a riverbank before a sailing vessel and a distant windmill, within a puce and gilt border, and another painted elsewhere with two ladies at repose beneath a short tree, 13.9cm max. (2)Illustrated: Transactions of the English Ceramic Circle, Vol. 14, Pt. 3, Bernard Watney, Four or Five Pointers to the Possibility that Fidelle Duvivier Worked for James Giles, no.6. A teabowl and saucer from the Billie Pain collection were illustrated in the same article.
A group of Russian porcelain teawares, c.1760-1830, including a pair of St Petersburg cups and saucers from the Alexander I period, painted with arrangements of fruit within orange ribbon borders, an earlier Imperial cup with a landscape scene, and a coffee cup from the period of Catherine II with a recumbent sheep, two Popov teacups painted with panel landscapes, marked with painter's numeral 1 in black, another two with flowers on a blue ground, painter's numeral 3, a Popov cup painted with flowers on a claret ground, minor damages, 13cm max. (11)
A pair of Höchst saucers with comical scenes, c.1770, attributed to Louis Victor Gerverot, one painted with two figures having a scuffle, the other with a woman standing behind a man having a sulk, a further Höchst saucer painted with a boy standing and pointing, the rim with insects and a caterpillar, a cup painted with peasant figures beside a fountain, and an early Höchst coffee cup painted with a chinoiserie figure before buildings, various wheel marks, 12.5cm max. (5)
An unusual pair of Meissen cups and saucers, c.1740-50, the quatrefoil forms painted with a variety of European songbirds perched on leafy and fruiting branches, within moulded puce-edged panels, and a saucer painted with similar bird panels reserved on a radiating blue scale ground, blue crossed swords marks, 14.8cm max. (5)
A group of Derby porcelains, c.1790-1815, including a pair of plates painted in pattern 321 with titled English landscapes within apple green borders, possibly by George Robertson, a cup and saucer in pattern 113 with puce monochrome landscapes on a yellow ground, two other coffee cups and two saucers, variously painted with landscape panels on a yellow ground, one by Zachariah Boreman, a coffee can with a continuous landscape, and a pair of Derby plaques with titled Italianate landscapes, mounted in gilt wood frames, crowned D and crossed baton marks in red, blue and puce, some damages, 26.6cm max. (11)
A pair of Caughley teabowls and saucers, c.1792, the spiral-moulded forms painted by Fidelle Duvivier at the Chamberlain workshop, with scenes of children at play and in pastoral landscapes, reserved on a ground of formal scattered leaf sprigs in green and gilt, 14cm. (4)Cf. Geoffrey Godden, Chamberlain Worcester Porcelain, p.54 and pls.238-241 for a discussion on the decoration of this service, painted during Duvivier's brief period at the Chamberlain workshop.
A group of English porcelain teawares, c.1800-10, including two Herculaneum teacups painted with landscapes in monochrome and polychrome, one in pattern 273, three Miles Mason saucers and a coffee can, printed in black with animal subjects including an ocelot, armadillo, taken from Thomas Pennant's Synopsis of Quadrupeds, two Miles Mason coffee cans printed and coloured with scenes from Sir Walter Scott's The Lady of the Lake, after Francis Engleheart's engravings, another and a monochrome cup and saucer with scenes of the four seasons as Classical figures, and two other bat printed Mason cups, 14cm max. (13)
Two Chelsea cabinet cups and saucers, c.1760-65, one finely painted in purple monochrome with peacocks and other fancy birds, within a formal gilt border, the other with panels of dishevelled birds reserved on a claret ground, with gilt butterflies, gold anchor marks, a chip to the first saucer, 14.2cm max. (4)The claret ground cup and saucer formerly in the Lady Ludlow Collection.
A collection of New Hall teawares, c.1800, including a pair of teacups and saucers printed in pattern 495 with monochrome landscapes, five further cups and saucers plus three teacups, variously printed and coloured with rural landscapes, including a titled view of Pinxton Hall, and a distant view of smoking kiln chimneys, 14.2cm max. (17)

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152438 item(s)/page