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Lot 1141
A collection of first period Worcester blue and white wares, comprising; three coffee cans and saucers (to include fluted examples), one other saucer, and a leaf moulded cream jug, and one coffee can and saucer well printed with a chinoisserie landscape within borders, all with crescent marks verso (5) Condition Report / Extra Information Cream jug - restored area to rim. Fluted saucer - chip to rim and star crack. Fluted coffee can - small chip to rim. Saucer - two small chips to rim.
Lot 263
Shelley china part tea service viz four cups, six saucers, four tea plates, two bread and butter plates and a sugar basin, all panelled and painted in blue and pink, with Art Nouveau flowers and scrolls Live Bidding: There was a small crack in one of the plates other than that I could see no obvious additional visible damage or restoration to the item, but cannot be held responsible for any damage/restoration not readily visible. Please note the item has not been checked with UV light or microscopes for restoration or damage.
Lot 215
Robert Ellis Williams (1928-2015) for J. & G. Meakin 'Frolic' pattern part set including tureen and cover, eight tea cups, seven saucers, four side plates and a coffee cup and saucer manufacturer's back stamps the tureen 23.2cm across. 215-224 Collection of Robert Ellis Williams (1928-2015) Robert Ellis William worked as a designer for the firm J & G. Meakin, a company that was amongst the first British pottery works to experiment with modernist design in the art deco and 1950s periods. As early as 1929, they had introduced the 'Moderne' range with angular shapes decorated with geometric patterns. After 1945 the firm introduced the new streamline Studio shape (1953) and Horizon shape (1955), influenced by American modernist designers particularly Russell Wright and the Studio shape was one of the most commercially successful productions for Meakins until the late-1970s. At the heart of their manufacture they placed an emphasis on original design and craftsmanship, one of the first companies to do so and Ellis Williams was central to this in the post-1945 period. This collection shows the importance of Ellis Williams as a leading modernist influence on the designs for J & G Meakin, and includes some rare designs that never went into full production.
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152439 item(s)/page