We found 152438 price guide item(s) matching your search
There are 152438 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
152438 item(s)/page
Two First Period Worcester cups and saucers, fluted bodies painted with a Carnation design, 13cm diameter; and a similar beaker, damaged, 7cm..Qty: 5Condition report:One tea cup has a small "U-shaped" hairline spanning the base line. The other cup has a shallow chip to the crest of one of the flutes on the inside rim, and other minor chips/ nibbles to the baseline. One of the saucers has a shallow 1cm chip to the underside of the rim. The other saucer has a shallow 1cm chip to the inner/ upper rim affecting the blue outline.The beaker has a large network of hairlines that travel through the wall. It may have been broken into quite large pieces and carefully reglued, such is the extent of the fault lines. Other small chips and nibbles to the base line.All pieces ith evident scratches and wear to the surface.
A Wedgwood mottled rouge part teaset, comprising cake plate, plates, teacups, saucer, milk jug and sugar bowl; Royal Crown Derby part coffee set, Derby Posies pattern, comprising coffee pot, milk jug and sugar bowl; Mintons twin-handled soup bowls and saucers; Crown Staffordshire part teaset; other tablewares.Qty: 2 boxes
15 piece Bavaria coffee set comprising 6 cups, 6 saucers, coffee pot, sugar & cream, 20 piece Victoria China Desert Scene tea set comprising 4 cups, 6 saucers, 6 side plates, 2 sandwich plates, milk jug & sugar bowl, 6 Shelley cups and saucers, Crown Devon Balmoral Castle cup and saucer, George V Silver Jubilee saucer, Crown China QEII Silver Jubilee cup, George VI & Q. Mary coronation beaker, Edward VIII coronation mug, West Germany cow, R. Winton wedding cake slice and wooden Russian doll
Mixed selection of ceramics to include Radford Countess - 11 tea plates, 1 cake plate, 7 saucers. Aynsley Blue & Gold - 7 x saucers, 8 x tea plates, 2 x cake plates, 1 x sugar bowl, 8 x teacups. Carlisle ware Burgess Bros - 5 x tea plates, Crown Staffordshire - 9 x coffees cans, 9 plates. Clifford - 5 x Soup bowls, 1 x cake plate. Flora - dish
Six English porcelain coffee-cans, c.1805-20, comprising; a pair of Worcester Barr Flight and Barr coffee-cans, impressed crowned BFB marks, c.1805-1810, with gilt-marbled bands reserved with octagonal panels painted en grisaille with Neptune and Juno, 6cm high; a Derby coffee-can, c.1815, red crowned crossed batons mark, with brightly coloured scrolling foliage issuing from gilt urns, between orange key-pattern borders, 6.6cm high; a pair of English porcelain yellow-ground coffee-cans and saucers, c.1815-20, reserved with panels of flowers, 6.2cm high; and an English porcelain coffee-can, c.1815-20, painted en grisaille with a figure crossing a bridge in a mountainous river landscape, 6.8cm high (6)Provenance: Porcelain from a UK Private Collection.
A study group of three Italian porcelain cutlery-handles, three Samson porcelain saucers and a Nove porcelain saucer, the cutlery handles perhaps Cozzi, c.1775, the Samson saucers probably late 19th century, the first with a red anchor mark, the Nove saucer with a red star mark, the cutlery handles decorated in underglaze blue, coloured enamels and gilding with chinoiserie landscape vignettes with pavilions, fences, rockwork, shrubs and trees, mounted with knife-blades, the handles - 8.6cm long (excluding fittings); the Samson saucers in the Cozzi style, the first with two chinoiserie figures by a tree, 11.8cm diameter; the second painted with a lady standing by a plinth, a shield of arms in an escutcheon above surmounted by a coronet, 11.8cm diameter; the third with two ladders resting against trees, a temple nearby, 12.1cm diameter; the Nove saucer with star mark, two chinoiserie figures in a stylised landscape, one holding a fan, mis-fired, 11.1cm diameter (7)Provenance: The first and second Samson saucers: Samson Porcelain Original Factory Models from the Showroom of Etablissement Edme Samson sale; Christie’s, London, 16 June 1980, lot 100 (part). Property of the late Hugo Morley-Fletcher MA FSA (1940-2022). Condition Report: Cutlery handles: There is some slight wear to these and there is a small chip / loss to one (2mm x 4mm) to one handle near the blade. The blades have oxidised and need cleaning. Samson saucer: This appears to be in good condition. Second Samson saucer: This appears to be in good condition. Third Samson saucer: This appears to be in good condition. Nove saucer: This piece represents an example of a mis-fired piece. There is a small rim chip at 5 o’clock – but the issue with this piece is the black speckled sanding, which dates from the time of manufacture and is extensive. In addition, the surface is slightly bubbled, particularly on the reverse.
A collection of Derby and Worcester porcelain, second half 18th century, comprising: six Worcester teacups, c.1770, blue crescent marks, a Derby teacup and tea bowl ensuite, c.1785, crowned crossed baton marks, eleven English porcelain saucers ensuite, and a Worcester saucer and two Worcester cups, the first tea cups, tea bowl and saucers of fluted form, painted with garlands of roses above gilt-scroll-edged turquoise caillouté borders, the rims with gilt-edged blue borders, the Worcester cups 4.9cm high, the Derby cups 4.9cm high, the tea bowl 5.3cm high, the saucers 14cm wide; together with a Worcester lobed saucer, c.1770, blue crescent mark, painted with a tower in a landscape, 13.5cm wide; a Worcester coffee cup c.1770, blue seal mark, painted with the ‘Queen Charlotte’ pattern, 5.8cm high; and a Worcester blue and white coffee cup, final quarter of the 18th century, moulded with vertical ribs, 5.7cm high (26)Provenance: Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).
A Royal Crown Derby 'Red Aves' pattern dinner service, 1970s, red printed and impressed marks and date codes, comprising: an oval serving plate, 33cm wide; an oval serving dish, 24.6cm wide; a circular twin-handled tureen with cover raised on four feet, 22cm diameter; two circular soup tureens with twin handles, covers and saucers, the tureens - 14cm diameter; a sauce boat and stand; eight dinner plates; sixteen salad or dessert plates; eight side plates; eight twin-handled soup bowls with eight saucers; a sugar bowl; a milk jug; and eight coffee-cans with eight saucers (lot) Condition Report: The tureen with dirt-filled hairline cracks to base, both handles with repaired cracks and the cover with a chip and hairline to the rim. The soup tureen covers have been broken and crudely repaired, with further hairline cracks to the tureens. One dinner plate with crudely repaired cracks. One side plate with a very minor chip to rim. One soup bowl saucer with crudely repaired cracks. The sugar bowl broken through and crudely repaired with a loss to the foot. One coffee can with a dirt-filled hairline crack to the base. The remaining pieces in good condition with light scratches and light surface dirt to the porcelain.
Three English porcelain cups and two saucers, c.1815-20, comprising: a Derby coffee-can and saucer, c.1815, puce crossed batons marks, painted with flowers in octagonal panels surrounded by gilt wreaths, the can - 5.9cm high, the saucer - 13.1cm diameter; a Derby blue-ground teacup and saucer, c.1815-20, red crowned crossed batons marks, reserved with Italian landscape vignettes, named In Italy and Vitta of Harace in red script below, the blue ground with bold scrolling gilt foliage, 8.5cm diameter; a Derby blue-ground coffee-can, c.1815-20, red crowned crossed batons mark, painted with a pastoral scene, the ground with bold gilt scrolling foliage and flowerheads, 6.5cm high (5)Provenance: Porcelain from a UK Private Collection.
A Nyon porcelain armorial coffee can and two Nyon porcelain saucers, late 18th century, blue fish marks, the can decorated with an accollée coat-of-arms enriched in silver and within a gilt escutcheon surrounded by amatory trophies and surmounted by a gilt coronet, 6.5cm high; one saucer with a gilt VJM monogram surmounted by a coronet, within a blue and gilt garland border, 13.2cm diameter; the other painted with a lady and her child, within pendant gilt and red swags suspended from a gilt and black border, 13.4cm diameter (3)Provenance: Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).
A Chelsea porcelain Kakiemon tea bowl and a saucer, c.1750-52, four panels of the tea bowl painted with precious objects alternating with iron-red panels reserved with white scrolls centred by gilt flowerheads, the tea bowl - 5.8cm high; the saucer - 3.7cm wide (2)Provenance: With Albert Amor, Bury Street, St. James’s, London. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Note: The design of this tea bowl and saucer was either copied from a Japanese original, or from a Meissen copy of the Japanese original. Lot 68 in the second day of the Chelsea factory’s 1755 sale was comprised of ‘Twelve octagon tea-cups and saucers, a tea-pot, a slop-bason [sic], a sugar-bason [sic], and a cream ewer, of the fine red pannel [sic] pattern’, which may have included this tea bowl or saucer. A small part of a Meissen service with this design (which is rare in Meissen) was sold by Christie’s on 24th March 1969, lots 9-12 (a teapot and cover, a tea caddy and cover and two pairs of two-handled cups and saucers), and the provenance published in the catalogue suggests that the service was in England during George II’s lifetime. The catalogue noted that the lots were the property of Mrs G.M. Boyd, to whom the lots had ‘descended from Peter Murdoch of Parkhouse’. It also noted ‘a letter of Murdoch’s dated July 22nd 1815 traces the earliest provenance of the service which was given by the Queen of Prussia to Caroline, wife of George II who in turn gave it to the Countess Cathcart. She gave it to Mrs Cochrane (née Murdoch) who bequeathed it to her nephew, the writer of the letter’. A Chelsea tea bowl and saucer of this design is illustrated by John C. Austin, Chelsea Porcelain at Williamsburg, 1977, pp. 62-63, no. 44. A teapot of similar design is illustrated by Severne Mackenna, Chelsea Porcelain, The Triangle and Raised Anchor Wares, London, 1969, pl. 17 (at the time in the author’s collection, and subsequently sold by the Kensington Church Street dealer E. & H. Manners).
A study group of a Meissen waste-bowl, a Höchst cup and saucer and an Ansbach porcelain Hague-decorated teacup, the bowl c.1755, blue crossed swords mark, Pressnummer 9, each side painted with figures in river landscapes with distant towns, gilt line rim, 17.1cm diameter; the Höchst teacup and saucer c.1755, puce wheel marks, painted with figures in river landscapes, gilt line rims, the cup - 7.8 diameter, the saucer - 11.9cm diameter; the Hague-decorated teacup c.1780, blue enamel stork mark, painted with a recumbent stag, the interior with a gilt arched scroll border (4)Provenance: The Meissen bowl: Christie’s, London, 7 May 1979, lot 133. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Note: The Hague-decorated Ansbach teacup appears to be from the same tea-service as two saucers which are illustrated by Constance L.H. Scholten, Haags porselein 1776-1790, p. 122, fig 71, where the author notes that the decoration was derived from the engravings of Ridinger.
A study group of a Capodimonte porcelain saucer and three Samson saucers, comprising: a Capodimonte saucer, c.1759-60, Buen Retiro, painted with flowering ‘Indian’ shrubs within a Meissen-style border of gilt scrollwork divided by diaper panels. 13.1cm diameter; the first Samson saucer probably late 19th century, red anchor mark, painted with a loose bouquet of flowers, 11.9cm diameter; the second Samson saucer probably late 19th century, with five red foliate panels around a central gilt circle, gilt line rim, 12.9cm diameter; the third Samson saucer probably late 19th century, red anchor mark, painted with five bouquets within a border of black scale ornament edged with gilt scrolls, 13cm diameter (4) Provenance: The first and second Samson saucers: Samson Porcelain Original Factory Models from the Showroom of Etablissement Edme Samson sale; Christie’s, London, 16 June 1980, lot 100 (part). Property of the late Hugo Morley-Fletcher MA FSA (1940-2022). Note: The extraordinary rendering of the flowers on the Capodimonte saucer, which owes its origins to Chinese famille rose porcelain and Japanese Kakiemon decoration, must be derived from a Meissen original as the gilt border is very similar to Meissen’s baroque laub und bandlewerk borders of the late 1720s and early 1730s. A teabowl and saucer with this decoration in Lokar Collection is illustrated by Andreina d’Agliano, Italian Porcelain in the Lokar Collection, Milan, 2013, pp. 222-223. Also see Angela Caròla Perotti, Le Porcellane dei Borbone di Napoli, 1986, pp. 60-61 and p. 70, no. 14.Condition Report: Capodimonte saucer: There is some chipping to the rim, mainly to the underside of the rim (the largest of these is 3mm x 9mm). There is some very slight wear to the flowers at the centre, but this is minor. An area of the reverse has a circular ground area (which may once have had a mark) – this would have been removed at the time of manufacture as the base bows out a little and it would have made the saucer unsteady when placed on a surface. This is also minor. Samson saucer with flowers: This appears to be in good condition with only two firing faults (which date from the time of manufacture) – an indentation at 7 o’clock and a brown speck at 12 o’clock – these are minor. Samson saucer (black scale border): This appears to be in good condition.
A study group of four Continental porcelain and two English porcelain saucers, 18th century, comprising: a Meissen kapuziner-braun and blue and white saucer, c.1740, underglaze blue double concentric line border enclosing blue crossed swords mark, Pressnummer 12, four blue dots mark, painted in blue with a stylised chinoiserie landscape, 12cm diameter; a Meissen chinoiserie saucer, c.1765, blue crossed swords and dot mark, blue A (?) and puce dot mark, incised No 5, painted with a bird perched on a flowering prunus branch, 13.5cm diameter; a Meissen café-au-lait-ground and blue and white saucer, c.1735, blue crossed swords mark, indistinct blue mark to footrim, painted in blue with indianische Blumen within a diaper panelled border, the underside moulded with ribs, 11.9cm diameter; a Nyon blue and white saucer, late 18th century, blue fish mark, with three panels of indianische Blumen around a central flower-spray, 12.9cm diameter; a Liverpool blue and white saucer, c.1780-90, painted with flower-sprays, 12.4cm diameter; a Worcester chinoiserie blue and white saucer, c.1755, painter’s blue tally mark, painted within a flowering shrub issuing from rockwork within a diaper border reserved with four panels, 11.8cm diameter (6)Provenance: The Meissen saucer decorated in coloured enamels: Christie’s, London, 3 April 1978, lot 108. The Meissen café-au-lait-ground saucer: Christie’s, London, 9 May 1977, lot 184. Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).
An Aynsley 'Helene Ivory' pattern porcelain dinner service, second quarter 20th century, green printed marks with pattern number 8221 to undersides, comprising: two circular twin-handled tureens and covers, 22cm diameter; a large oval platter, 40cm long; an oxbow dish, 21cm wide; a sauce boat and stand, the boat- 10cm high, the stand - 22cm long; nineteen dinner plates; three cake plates; twenty-three salad plates; twenty-four side plates; twenty-one twin handled soup bowls with twenty saucers; a milk jug and stand - the jug 9cm high, the stand - 12.4cm long; a sugar bowl - 6.5cm high; twenty-seven tea cups with thirty saucers; and fourteen coffee cans with fourteen saucers (lot)
Five English porcelain cups and saucers and a trio, c.1810-40, comprising: a Worcester Barr Flight and Barr coffee-can and saucer, impressed crowned BFB marks, painted with red, pink and gold foliage, the can - 6.3cm high, the saucer - 14.1cm diameter; a Worcester Flight Barr and Barr coffee-can and saucer, impressed crowned FBB marks, painted with brown and gold foliage and red flowers, the can - 6.6cm high, the saucer - 15.1cm diameter; a Worcester Barr Flight and Barr orange-ground coffee-can and saucer, impressed crowned BFB marks, decorated with gilt oak leaves and acorns, the can - 6.2cm high, the saucer - 14.1cm diameter; a pair of Spode coffee-cups and saucers, red Spode marks, painted with specimen flowers, the waved blue-ground borders with gilt foliage and red flowerheads, the cups - 7cm high, the saucers - 14cm diameter; a Rockingham claret-ground trio, the saucer with an elaborate puce griffin mark, the cup exteriors and saucer undersides basket-moulded, the cups reserved with panels of gilt fruiting vine, the claret-ground cup interiors reserved with flowers alternating with panels of flowers, the lobed saucer - 14.2cm wide (13)Provenance: Porcelain from a UK Private Collection.
A Sèvres porcelain bleu-céleste-ground cup and two Vincennes bleu-céleste-ground saucers, the cup 1756, the saucers 1755, blue interlaced L cypher marks with date letters C and B, incised marks, the cup with painter’s compass mark for Mutel, one saucer with painter’s mark for F. Binet, the other with mark for D. Levé, the cup reserved with a panel painted with two birds in flight within a gilt floral cartouche, 4.4cm high; each pentafoil saucer reserved with pentafoil panels edged with gilt floral garlands, further flowers trailing from the intersections, gilt dentil rims, 14.2cm and 13.5cm wide (3) Provenance: Property of the late Hugo Morley-Fletcher MA FSA (1940-2022).Note: The painter’s mark on the cup is presumably for Mutel, a painter of birds, landscapes and edgings at Sèvres from 1754 to 1759 and then between 1765 and 1767 and ultimately between 1771 and 1774. François Binet was a flower painter at Sèvres from 1750 to 1775, and Denis Levé was a painter of flowers, patterns and birds at Sèvres from 1754 to 1793, and from 1795 to 1805.Condition Report: The cup appears to be in very good condition. Overall, the smaller saucer is also in good condition, but there is some very minute wear to part of the dentil edging of the central gilt border (this is very minor) and some slight wear to the gilt branches at the tips of the bleu-céleste ground (this is also minor). The larger saucer has some areas of wear to the gilt rim, the gilt foliate edging to the ground and the gilt dentil edge of the central well.
A study group of four French porcelain saucers and two English porcelain saucers, comprising: a St. Cloud porcelain blue and white saucer, c.1710-20, painted with a border of flowers on plinths and single flowers enclosing a gadrooned well, the centre with a foliate medallion, 13cm diameter; two Chantilly porcelain Kakiemon saucers, c.1735-45, the shaped octagonal saucer painted with the two quail pattern, 13.6cm wide; the trembleuse saucer painted with a red dragon and turquoise and yellow foliage and berries around a raised central gallery, 13.6cm diameter; a Samson porcelain Kakiemon saucer, late 19th century, iron-red swastika mark, in the Kakiemon-type palette with two herons and quail on a radiating petal-moulded well, 13.6cm diameter; a Bow porcelain chinoiserie saucer, c.1755, painted in the famille rose palette with flowering shrubs within a panelled green diaper border, 11.4cm diameter; a Worcester scalloped chinoiserie saucer, c.1770, blue seal mark, painted with the ‘Kylin’ or ‘Dragons in Compartments’ pattern, 12.1cm wide (6)Provenance: The Chantilly shaped octagonal saucer: Anonymous sale, Sotheby’s, London, 22 April 1975, lot 84 (part). Lady Cynthia Postan collection, Cambridge, no. 87 (paper collection label attached to underside of saucer). E.&H. Manners, London, Lady Cynthia Postan Collection selling exhibition, 21-29 May 2015, no. 11. The Chantilly trembleuse saucer: Anonymous sale, Christie's, London, 3 July 1978, lot 176. The Samson saucer: Anonymous sale, Christie's, London, 3 March 1980, lot 65.Property of the Late Hugo Morley-Fletcher MA FSA (1940-2022).Note: For a St. Cloud cup and trembleuse saucer with very similar borders, see Aileen Dawson, French Porcelain, A Catalogue of the British Museum Collection, London, 1994, p. 10. For a Chantilly saucer of the same form as the first (two quail) saucer with the addition of stalks, see Simon Spero, The Bowles Collection of 18th-Century English and French Porcelain, San Francisco, 1995, p. 170, no. 178. The Samson saucer is a copy of a St. Cloud design; for a St. Cloud trembleuse saucer of c.1720-30, moulded with a similar design radiating from a raised central gallery, see E.&H. Manners, Early French Soft Paste Porcelain, exhibition catalogue, 2001, pp. 17-18, no. 04.Condition Report: Chantilly saucers: The shaped octagonal example appears to be in very good condition with only minute wear to the rim and one of the leaves – both are extremely minor. The trembleuse saucer has a rim chip and two chips to the gallery. In addition, there is some minute wear to the rim and a slight short hairline crack to the centre – these are minor.St. Cloud saucer: This has a dirt-filed hairline crack from the rim to the centre. In addition, there is a firing crack to the underside (this is not visible from the top side) and there is a minute firing fault to the edge of the well –these date from the time of manufacture.Samson saucer: This appears to be in good condition. There is some black speckled sanding to the surface – this dates from the time of manufacture.Bow saucer: There is a slight dirt-filled hairline crack from the rim at 2 o’clock. There is some wear to the rim and there is some slight sanding (black speckles) to the surface which date from the time of manufacture, and these are minor.Worcester saucer: There is some minute wear to the enamels, but it appears to otherwise be in good condition.
A study group of two Böttger porcelain Hausmalerei saucers, two Meissen Hausmalerei saucers, a Chinese blanc de chine porcelain cold-painted Hausmalerei beaker, a Vienna porcelain saucer and a Continental cup, the first Böttger saucer c.1715-20, the reverse with gilt W monogram, decorated at Augsburg by Elizabeth Wald in the Auffenwerth workshop, c.1731, with three chinoiserie figures around a circular table, an elaborate scrollwork support below surmounted by gilt seated pagoda figures, 11.9cm diameter; the second Böttger saucer c.1715-20, the reverse moulded with flutes, the obverse decorated at Augsburg in the Seuter workshop, c.1725, gilt with chinoiserie figures by a tree on a terrace, a diaper-panel support below, the broad scalloped band border with husks and scrolls, 12.7cm diameter; the Vienna saucer c.1750-60, blue shield mark, impressed and incised marks, gilded in the manner of the Augsburg Seuter workshop with chinoiserie figures on a tasselled support within a similar border, 12.7cm diameter; the third Meissen saucer c.1728, blue crossed swords mark, the decoration probably c.1735-40, the reverse moulded with radiating gilt flutes, the centre of the obverse with figures on horseback, within a border of gilt scrollwork, 12cm diameter; the fourth Meissen saucer c.1735-39, blue crossed mark, the decoration probably Bayreuth, probably Johann Friedrich Metzsch workshop, c.1740-50, the reverse moulded with radiating gilt and puce stiff leaves, the obverse with a seascape within an elaborate cartouche with fruit, flowers and scrollwork, 13.3cm diameter; the Chinese Blanc de Chine beaker moulded with prunus, c.1690-1700, the European decoration first quarter of the 18th century, perhaps Holland or Germany, decorated in cold colours and gilding with a figure of a woman, a bird, a church and flowers, 7.5cm high; the Continental cup probably second half of the 19th century, blue sabre crossing two crossed swords mark, painted with finely dressed figures in a park landscape, 6.5cm high (7) Provenance: Property of the late Hugo Morley-Fletcher MA FSA (1940-2022). Note: The first Böttger saucer was decorated by Elizabeth Wald (née Auffenwerth) for the Hosennestal Service, a service which was produced for her sister Sabina’s wedding in 1731. Two beakers from this service are illustrated by E. & H. Manners, Decorators of Ceramics and Glass, June 2004 Treasure House exhibition catalogue, London, 2004, p. 111. The decoration of the third Meissen saucer bears similarities with a teapot illustrated by Hugo Morley-Fletcher, Meissen Porcelain in Colour, London, 1979 (second edition), p. 111, which he attributed to ‘probably Dresden, circa 1730’.
SEVENTY - FOUR PIECES OF SUSIE COOPER 'PRINTEMPS' DINNER WARE, pattern no. 2205 comprising two covered tureens (heavy use, crazing), oval meat plate, ten dinner plates (heavy use, some crazing), twelve salad plates (four plates have heavy use, crazing on some), twelve side plates (heavy use, some crazing), one small cake plate, twelve soup bowls (heavy use and crazing on most)), sauce boat (heavy use, crazing), eleven twin handled soup bowls and twelve saucers (medium to heavy use and crazing) (74) (Condition Report: overall no obvious damage, see main description for specific items as there is heavy use and crazing on many items)
A QUANTITY OF ROYAL DOULTON TEA, COFFEE, AND DINNER WARES comprising a group of 'Yorktown' tea and coffee wares comprising a cream jug, a sugar bowl, six side plates, five teacups (one chipped) with eight saucers, eight coffee cups with eight saucers, and a large collection of 'Larchmont' items to include a sauce boat and stand, eight double handled soup bowls (one seems heavily marked with ink) with eight saucers, nine dinner plates, eight tea plates, two dessert plates, a serving plate, a cake plate, eight bowls, ten side plates, a coffee pot, sugar bowl, cream jug, and six coffee cups with six saucers (qty)
A LARGE QUANTITY OF ROYAL DOULTON 'BUNNYKINS' DINNERWARE, comprising three oval nursery dishes with a Christmas pattern, seaside, and classroom scenes, four circular nursery dishes, two breakfast dishes (one has a hairline crack and crazing), one egg cup, a Bunnykins dish decorated by Barbara Vernon, sixteen assorted plates, a mug decorated by Barbara Vernon, a cup and saucer decorated by Barbara Vernon (cup chipped), eight mugs (one has a large chipped handle), two cups and saucers, a money box, etc. assorted scenes on all pieces, backstamps vary from 1930s-2020s (48) (Condition Report: a few pieces with noticeable damage, one plate is marked as second quality, surface scratches and wear to decoration on some)
A COLLECTION OF MASON'S 'FRUIT BASKET' DINNER AND TEA WARES to include a pedestal lidded soup tureen, two meat plates, a lidded cheese dish, a rectangular and a square tray, a lidded pot, a coffee pot, a milk jug, two cream pots, six dinner plates, six bowls, three double handled soup bowls, (two with chipped rims), four side plates, a breakfast mug (chipped rim), two teacups, four coffee cups, fourteen saucers of various diameter, and a lidded pot (qty) (Condition Report: scratches indicative of use, itemised conditions above, varying degrees of crazing)
A QUANTITY OF ROYAL CROWN DERBY AND DAVENPORT IMARI COFFEEWARES to include a group of Royal Crown Derby '2451' patterned items comprising a water jug (date cypher 1925), a milk jug and sugar bowl (date cypher 1923, light scratches to gilt below the spout), three coffee cups and two saucers (with green undated backstamps, the faded text remains 'Tiffany & Co. New York, one with a hairline crack to the interior base, two dull when tapped, light staining), side plates diameter 12.5cm (with a triangular date cypher indicative of 1929), a nineteenth-century plate with a red painted backstamp diameter 19.5cm (some light scratches commensurate with age), and a group of Davenport '2614' patterned items to include four coffee cups (one with a hairline crack, one with a crack near the base of the handle, one with a red 'William Whitely Universal Providers Westbourne Grove London' backstamp) and six saucers (three with red backstamp, all with pressed 'Davenport' marks, light wear to the gilt)
A GROUP OF HAND-PAINTED DRESDEN TEA WARE, hand painted with various floral designs and gilt pattern on a white background, comprising a twin handle cake plate 1115, 68 on the base (chip on the edge underneath), a milk jug (repaired with staples on the handle and a chip on the base), slop bowl (visible repair), nine side plates (some damage but not obvious), seven cups, eight saucers, small sweet dish (repaired with staples), (28) also included decorative floral plates with lace effect borders, a sectioned dish (not hand painted), and three small side plates floral marked on the back with makers mark SAXE and pattern number 3076, etc. (qty), (Condition Report: would benefit from a clean, see main description for individual damage)
A COLLECTION OF ROYAL DOULTON DINNER WARE, pattern no. D5334 'Minden', comprising four oval meat plates, small plated covered soup tureen with serving spoon, one tureen plate, eight dinner plates, (crazing and nibbles), ten side plates, (medium use, nibbles, some crazing), five twin handled soup bowls, and six saucers, (37), The Romance Collection 'Lisette', pattern no. H5082, comprising a large oval meat plate, two covered tureens, two plated gravy boats, eight dinner plates, eight salad plates, eight side plates, eight soup bowls, four cups and saucers, (all very light use no obvious damage), (47), (qty), (Condition Report: see main description for individual items)
A COLLECTION OF ROYAL CROWN DERBY 'DERBY POSIES' comprising a cake plate, ten side plates (one plate has a chip on the edge), two milk creamers (one has a hairline crack on the pourer), one slop bowl, two small trinket plates, ten teacups, fourteen saucers (medium use, one cup and saucer has a hairline crack), various colour backstamps (40), also included Hammersley floral spray patterns, comprising a cake plate 12668, bon bon dish, covered preserve pot (hairline crack around the base), two mugs, (5), (qty), (Condition Report: no obvious damage, see main description for specific damage)
A COLLECTION OF CERAMICS, to include a pair of hand painted Vienna porcelain figure groups (male figure has been broken around the neck and glued, both figure groups have sd), two Dresden oval reticulated bowls painted with flowers (one has been repaired), a nineteenth century loving cup with gilt lettering 'William Downs, A Present from his Nephew, Joseph Dolphin 1865', painted with flowers verso (hairline crack, gilding loss/wear), five Cauldon handle-less coffee cans and saucers (light crazing), a Minton Marlow sandwich plate (chipped, small hairline), over-sized teacups and saucers including Royal Worcester V.I.P., etc (1) (Condition Report: sd and as stated in the description, some pieces appear ok)
A COLLECTION OF DECORATIVE CERAMICS, comprising Royal Crown Derby 'Derby Posies' selection of small trinket dishes, six small cups and saucers, small jug etc. three vintage royal blue and gold coffee cups and saucers by Collingwood pattern no. 5144, a handmade Diamond Juilee 2012 china cup and saucer in the box, other Royal commemorative items, comprising thimbles, plates, covered trinket pots etc. by Spode, Aynsley, and Royal Worcester (qty) (Condition Report: no obvious damage to most items, there are signs of repair on some)

-
152438 item(s)/page