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Lot 184
Royal Worcester ‘Harvest Ring’ dinner ware comprised of; one meat dish, five dinner plates, five smaller, six side plates four soup tureens and saucers, gravy boat and stand mid century Dakin dinner service for five, red and black cross hatch design including; five dinner plates, five smaller, five soup tureens and saucers; etc
Lot 56
An early 20th century Continental glass table service with enamelled pink cabbage rose decoration and gilded rims, 72 pieces approxCondition:x10 Liqueurs - 3 1/2" high - All fine.x6 Sherry glasses - 4 7/8"h - x2 chipped.x8 White wines - 5 1/2"h - x3 chipped.x10 Champagne coupes - 5 1/8" h - all fine.x9 Saucers - 5 1/2" dia - x3 chipped.x7 Red wines - 7 1/2"h - x3 chippedx12 Bowls - 2 1/2"h x 4 1/2" dia - x2 chippedx10 Hock glasses - 8 1/8"h - x2 chipped.Please note all glasses have some degree of gilding losses, see additional images.
Lot 54
A selection of ceramic items, including: an early 20th Century Staffordshire Jackson and Gosling nineteen-piece tea set; two late 19th Century Meissen outside decorated cups and saucers, with swan necked handles, decorated in floral sprays, the saucers 14.5cms diameter; a Dudson Brothers teapot decorated with classical Ladies, 17cms high; and two moulded loop pattern jugs. (5)PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
Lot 78
A Coalport 'Animal Service' coffee can and saucer, circa 1800-1805, painted with a 'Squirrel' (red)' to the coffee can and 'The Phalanger' (Cuscuses) to the saucer, titled in red to the bases, coffee cup 6.5cm diameter and 6cm high, saucer 14cm Note: This offers an interesting addition to what was historically known as a dessert service until the publication of Roger Edmundson and Kate Cadman's article on Charles Muss, Part 2 (Northern Ceramic Society), which includes several coffee cans and saucers held in private collection. It must also be noted that some other pieces do exist using the same source inspiration but with entirely different borders and overall grounds, including a 'Hyena' campagna vase with stylised purple scrolling and puce ground in Shrewsbury Museum and Art Gallery (SHYMS: C/2565). For further information, see the footnote section. See also Bewick, Thomas, Ralph Beilby, 1800. A General History of Quadrupeds : The Figures Engraved on Wood. Newcastle upon Tyne, S. Hodgson, R. Beilby, & T. Bewick. Provenance:Private collection, purchased in London. Footnote:The animal painting, from which this service takes its title, is inspired by Thomas Bewick's A History of Quadrupeds, published in 1800. The Bewick Society states that the extent of the original service is unknown, but it likely would have comprised a centre dish, a selection of side dishes, tureens, plates and perhaps a pair of ice pails. (1) The scope of potential inspiration was enormous, with over 200 different woodcut engravings. The most extensive known offering of pieces reached the market in 1970, including a 'Polar Bear' centre dish and 'Hartebeest' lozenge dish, all of which was secured for the nation with the V&A Purchase Grant Fund and are now on display at the Shrewsbury Museum and Art Gallery. Further plates have cropped up sporadically throughout the years.The principal decorator is not definitively known, although they were almost certainly from London and working outside the factory. Roger Edmundson, however, has proposed Charles Muss (1779-1824) as at least one of the painters of this service, of which the pieces sometimes vary in style and are perhaps by more than one hand. The reasoning for this attribution includes known pieces of this service illustrated in Messenger's Coalport book and displayed at the Shrewsbury Museum and Art Gallery to exhibit aspects of Muss's technical work. For example, the 'Tigers' stripes are carefully drawn, predominantly with two fine lines and shading alongside visible outlines to some of the legs. For this, Edmundson suggests, 'Muss probably decorated some or all of the animals'. (2) Charles Muss' father was the son of an Italian artist, Beneficio, who came to London in or around 1778. Beneficio set up as a drawing master in Newcastle-upon-Tyne when Charles was eleven years old; therefore, it is likely that Charles worked under his father's instruction. Charles exhibited several works after moving to London, including Dunkeld Castle at the Royal Academy in 1800. He later produced an enamelled plaque with a named and dated view of the Coalport China Works in 1804. After several years' break, during which time his daughter was born, he again exhibited seven further works at the Royal Academy between 1817 and 1823. He produced enamels on glass and copper, including portraits and works after old master subjects. His work extended to stained glass works, with known examples of these being Eaton Hall in Cheshire and St. Bride's Church in London, among others. References: (1) Edmundson, Roger, Charles Muss, his Painting of the Coalport Works and Decoration on Porcelain (Northern Ceramic Society, Journal 33, Volume 17) (2) Newland, Barry, The Coalport Animal Service (Cherryburn Times - Journal of the Bewick Society, Volume 6, Number 9, 2016) (3) Messenger, Michael, 1995, Coalport 1795-1926 (Antique Collectors Club, Suffulk, 1995) Condition:5mm long hairline to rim of saucer. The Phalanger has a scratch through one foot and a small portion of the green landscape and belly. This piece also has some slight wear to the internal gilt ring. The coffee can is good condition with no damages or repairs. There is some expected handling wear to the gilding on the handle and the upper rim.
Lot 688
Royal Crown Derby cups and saucers and small plates pattern 1128 - 25 piecesInventory:- 6 x tea cups, 7 x saucers, 5 side plates, 4 x coffee cups, 4 x saucers.Condition:- cracks in 2 x tea cups, chip to 1 x coffee cup, 3 cracks to middle of 1 x coffee cup saucer, no sign of any gilt wear/ useage wear or other major dmage or repair.
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152438 item(s)/page