We found 13124 price guide item(s) matching your search

Ca. AD 1100-1200.A pottery jug with a bulbous body conveys a sense of harmony and visual appeal. The low ring foot provides stability and balance to the vessel, ensuring that it rests securely on a flat surface. The broad funnel-shaped neck adds a graceful and distinctive element to the overall composition of the jug. The arched handle, ingeniously designed with thumb support, offers both practical functionality and aesthetic refinement. While the neck remains plain and unadorned, the main body of the jug boasts a densely embellished relief decoration that captures attention and elevates its artistic value. Divided in half by a horizontal groove, the relief decoration is executed with remarkable precision and intricacy. This exquisite embellishment features geometric motifs, floral patterns, and interlacing designs, showcasing the mastery of the Seljuk artisans in creating harmonious compositions on ceramic surfaces. Notably, a decorative band adorned with calligraphy encircles the base of the jug, adding a distinctive touch to its overall design. The calligraphic script, skillfully executed and precisely inscribed, may bear religious verses, blessings, or decorative phrases, reflecting the cultural and religious significance of the Seljuk Empire. Size: 130mm x 120mm ; Weight: 260g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. AD 1100-1200.A bronze oil lamp features a flaring and concave foot, meticulously shaped to provide stability and ensure balance in its overall composition. Its round body, embellished with intricate chiselled patterns, showcases the fine attention to detail lavished upon this piece. The addition of a hinged lid further enhances both its practicality and visual allure. The rear handle of the lamp not only adds an element of elegance but also serves a functional purpose, facilitating effortless transportation of the lamp from one location to another. The arched spout, boasting an heart-shaped nozzle, serves as yet another testament to the exceptional skill and craftsmanship of the lamp's maker, demonstrating their ability to create aesthetically pleasing and technically precise features. Oil lamps, such as this exquisite example, held significant importance in both practical and symbolic realms. Widely used in homes, mosques, and other public spaces, these lamps provided essential illumination, dispelling darkness and creating an inviting ambiance. Beyond their utilitarian function, oil lamps were often elevated to objects of artistic expression, with intricate designs and ornate calligraphy adorning their surfaces. These decorative elements served as visual reminders of the religious and cultural values cherished during the lamp's time of creation, reflecting the rich tapestry of beliefs and traditions held by the communities that utilized them. Size: 195mm x 230mm ; Weight: 700g Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.

Ca. AD 1100-1200 .A tray hammered from a thin sheet of bronze into a rectangular shape with a shallow octagonal-shaped basin with broad lateral panels with a pronounced edge. The interior of the basin is adorned with a central decor of hexagonal-shaped panels enclosing six-petalled embossed rosettes. Stylised calligraphy inscriptions run around the circumference. Size: 310mm x 195mm; Weight: 460g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. AD 1100-1200.A circular bronze dish inlaid with copper, with a broad lip and a wide, flat base. The plate is densely covered with Kufic calligraphy and radiating decoration encircling the central roundel. Concentric circles motif to the underside. Size: 185mm x 40mm; Weight: 795g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. AD 1100-1200.A bronze dish inlaid with copper, of shallow form with an everted, flat rim embellished with Kufic script panels alternating with small, decorative medallions. The central roundel contains four sphinxes against arabesque background. The slightly sloping walls are also decorated with Kufic calligraphy together with discs of vegetal decoration. Size: 165mm x 35mm; Weight: 535g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. AD 1100-1200.An engraved bronze dish with copper inlay, of shallow form with its walls sloping inwards towards the everted rim. The interior with a central, eight-petaled rosette encircled by decorative bands. Panels of Kufic calligraphy on the rim and the sides. Size: 180mm x 40mm; Weight: 740g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. AD 1100-1200.A flat-bottomed bronze dish inlaid with copper, of shallow form with its walls tapering to an everted rim. The exterior walls and the rim are adorned with rectangular-shaped panels of Kufic calligraphy interspersed with roundels containing vegetal motifs. The interior's decor features a depiction of a human figure sitting on the back of a quadruped animal. Size: 170mm x 30mm; Weight: 625g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Havana cigar box of ornamental knife, Park calligraphy set, penknives, tape measure etc This lot is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over. Please note that if you require P&P for this lot, this can only be done using an age verified method.

A collection of 19th Century red wax seals, fruitwood cased steel seals, this lot also includes boxes of seal wax (Rekcana sized 30 & 34), Asian calligraphy set, seal set, vintage boxed dating stamp (1 bag) 

A large Chinese soapstone seal, 20th century, carved with two 'Chilong' beasts above Kaishu calligraphy, 11.5cm high, with box (at fault)

Chinese School early 20th century Mountainous landscape with pavilion, trees and courtly lady's, ink and colour on silk, calligraphy, red seal marks, framed Overall 50 c 122.5 cm.Condition: bright good condition

Chinese famille rose saucer dish with figure, hens and calligraphy, 20.5cm diameter.

A CHINESE BAMBOO BRUSH POT carved with a seated figure in a rectangular panel with re-entrant corners, the reverse with four vertical lines of calligraphy, Qing or later, 13cm high x 6.75 diam.

A COLLECTION OF BOOKS including history, medieval studies, manuscripts, calligraphy, bibliography etc.

Cy Twombly (1928–2011) was an American painter, sculptor, and photographer known for his distinctive and expressive style that merged elements of abstraction, graffiti, and calligraphy. Here are key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Art Education:** Twombly studied art at the School of the Museum of Fine Arts, Boston, and later at Black Mountain College in North Carolina. At Black Mountain College, he studied under influential artists such as Robert Motherwell and Franz Kline.3. **Influences:** Twombly's work was influenced by a range of sources, including classical literature, mythology, poetry, and his experiences in Europe. He spent considerable time in Italy, where he drew inspiration from classical antiquity.4. **Graffiti-Like Markings:** Twombly's paintings are often characterized by graffiti-like markings, scribbles, and gestural lines. His approach to mark-making is spontaneous and often resembles handwritten or calligraphic gestures.5. **White Paintings:** In the 1950s, Twombly created a series of "white paintings" that featured white surfaces with subtle pencil lines. These works marked a departure from the bold colors and gestural abstraction of his contemporaries.6. **Blackboard Paintings:** Twombly's "blackboard paintings," created in the late 1960s and early 1970s, featured large-scale canvases covered with gray or black paint, reminiscent of a chalkboard. They often incorporated frenetic, scribbled lines and words.7. **Mythological and Literary Themes:** Throughout his career, Twombly drew inspiration from mythological and literary themes. His works often reference figures from classical mythology, poetry, and historical events.8. **Use of Words and Text:** Twombly frequently incorporated words, phrases, and fragments of text into his paintings. The text elements added a layer of meaning and complexity to his visual compositions.9. **Sculpture and Photography:** In addition to painting, Twombly created sculptures and worked in photography. His sculptural works often featured found objects, and his photographs captured everyday scenes and details.10. **Recognition and Controversy:** Twombly's work garnered both acclaim and controversy. Some critics celebrated his innovative approach to painting, while others were critical of what they saw as a lack of traditional skill.11. **Major Exhibitions:** Twombly's work has been featured in major exhibitions at renowned institutions, including the Museum of Modern Art (MoMA) in New York, the Tate Modern in London, and the Centre Pompidou in Paris.12. **Death:** Cy Twombly passed away on July 5, 2011, in Rome, Italy, at the age of 83.Cy Twombly's contributions to contemporary art are characterized by a unique fusion of classical influences, expressive mark-making, and a deep engagement with literature and mythology. His work continues to be influential and is celebrated for its poetic and evocative qualities.Measures 30 x 22.5.

Cy Twombly (1928–2011) was an American painter, sculptor, and photographer known for his distinctive and expressive style that merged elements of abstraction, graffiti, and calligraphy. Here are key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Art Education:** Twombly studied art at the School of the Museum of Fine Arts, Boston, and later at Black Mountain College in North Carolina. At Black Mountain College, he studied under influential artists such as Robert Motherwell and Franz Kline.3. **Influences:** Twombly's work was influenced by a range of sources, including classical literature, mythology, poetry, and his experiences in Europe. He spent considerable time in Italy, where he drew inspiration from classical antiquity.4. **Graffiti-Like Markings:** Twombly's paintings are often characterized by graffiti-like markings, scribbles, and gestural lines. His approach to mark-making is spontaneous and often resembles handwritten or calligraphic gestures.5. **White Paintings:** In the 1950s, Twombly created a series of "white paintings" that featured white surfaces with subtle pencil lines. These works marked a departure from the bold colors and gestural abstraction of his contemporaries.6. **Blackboard Paintings:** Twombly's "blackboard paintings," created in the late 1960s and early 1970s, featured large-scale canvases covered with gray or black paint, reminiscent of a chalkboard. They often incorporated frenetic, scribbled lines and words.7. **Mythological and Literary Themes:** Throughout his career, Twombly drew inspiration from mythological and literary themes. His works often reference figures from classical mythology, poetry, and historical events.8. **Use of Words and Text:** Twombly frequently incorporated words, phrases, and fragments of text into his paintings. The text elements added a layer of meaning and complexity to his visual compositions.9. **Sculpture and Photography:** In addition to painting, Twombly created sculptures and worked in photography. His sculptural works often featured found objects, and his photographs captured everyday scenes and details.10. **Recognition and Controversy:** Twombly's work garnered both acclaim and controversy. Some critics celebrated his innovative approach to painting, while others were critical of what they saw as a lack of traditional skill.11. **Major Exhibitions:** Twombly's work has been featured in major exhibitions at renowned institutions, including the Museum of Modern Art (MoMA) in New York, the Tate Modern in London, and the Centre Pompidou in Paris.12. **Death:** Cy Twombly passed away on July 5, 2011, in Rome, Italy, at the age of 83.Cy Twombly's contributions to contemporary art are characterized by a unique fusion of classical influences, expressive mark-making, and a deep engagement with literature and mythology. His work continues to be influential and is celebrated for its poetic and evocative qualities.Measures 30 x 24.

Cy Twombly (1928–2011) was an American painter, sculptor, and photographer known for his distinctive and expressive style that merged elements of abstraction, graffiti, and calligraphy. Here are key points about Cy Twombly:1. **Early Life:** Edwin Parker "Cy" Twombly Jr. was born on April 25, 1928, in Lexington, Virginia, USA.2. **Art Education:** Twombly studied art at the School of the Museum of Fine Arts, Boston, and later at Black Mountain College in North Carolina. At Black Mountain College, he studied under influential artists such as Robert Motherwell and Franz Kline.3. **Influences:** Twombly's work was influenced by a range of sources, including classical literature, mythology, poetry, and his experiences in Europe. He spent considerable time in Italy, where he drew inspiration from classical antiquity.4. **Graffiti-Like Markings:** Twombly's paintings are often characterized by graffiti-like markings, scribbles, and gestural lines. His approach to mark-making is spontaneous and often resembles handwritten or calligraphic gestures.5. **White Paintings:** In the 1950s, Twombly created a series of "white paintings" that featured white surfaces with subtle pencil lines. These works marked a departure from the bold colors and gestural abstraction of his contemporaries.6. **Blackboard Paintings:** Twombly's "blackboard paintings," created in the late 1960s and early 1970s, featured large-scale canvases covered with gray or black paint, reminiscent of a chalkboard. They often incorporated frenetic, scribbled lines and words.7. **Mythological and Literary Themes:** Throughout his career, Twombly drew inspiration from mythological and literary themes. His works often reference figures from classical mythology, poetry, and historical events.8. **Use of Words and Text:** Twombly frequently incorporated words, phrases, and fragments of text into his paintings. The text elements added a layer of meaning and complexity to his visual compositions.9. **Sculpture and Photography:** In addition to painting, Twombly created sculptures and worked in photography. His sculptural works often featured found objects, and his photographs captured everyday scenes and details.10. **Recognition and Controversy:** Twombly's work garnered both acclaim and controversy. Some critics celebrated his innovative approach to painting, while others were critical of what they saw as a lack of traditional skill.11. **Major Exhibitions:** Twombly's work has been featured in major exhibitions at renowned institutions, including the Museum of Modern Art (MoMA) in New York, the Tate Modern in London, and the Centre Pompidou in Paris.12. **Death:** Cy Twombly passed away on July 5, 2011, in Rome, Italy, at the age of 83.Cy Twombly's contributions to contemporary art are characterized by a unique fusion of classical influences, expressive mark-making, and a deep engagement with literature and mythology. His work continues to be influential and is celebrated for its poetic and evocative qualities.Measures 40 x 24.75.

Franz Kline (1910–1962) was an American abstract expressionist painter known for his bold and expressive black-and-white paintings. Here are key points about Franz Kline:1. **Early Life:** Franz Kline was born on May 23, 1910, in Wilkes-Barre, Pennsylvania. He grew up in an industrial town, and his surroundings had a significant impact on his later artistic style.2. **Artistic Education:** Kline initially studied art at Boston University but dropped out and later attended the Heatherley School of Fine Art in London. He also studied at the Art Students League of New York.3. **Early Style:** In his early years as an artist, Kline was associated with Social Realism. However, his style evolved towards abstraction, influenced by his exposure to avant-garde art movements and the works of artists like Willem de Kooning.4. **Abstract Expressionism:** Kline became a prominent figure in the Abstract Expressionist movement, which emerged in the post-World War II era. This movement emphasized spontaneous, gestural, and non-representational forms of painting.5. **Black-and-White Paintings:** One of Franz Kline's distinctive contributions to abstract expressionism was his focus on bold, black-and-white paintings. His large-scale works featured dynamic and energetic brushstrokes, often creating a sense of movement and intensity.6. **Action Painting:** Kline's painting technique was associated with "action painting," a term used to describe the physical and gestural approach to creating art. He would use broad strokes and dynamic movements to apply paint to the canvas.7. **Major Works:** Some of Kline's notable paintings include "Chief" (1950), "Mahoning" (1956), and "C & O" (1958). His works are characterized by their powerful and abstract compositions.8. **Influence of Calligraphy:** Kline was influenced by calligraphy, and his paintings often resembled large, abstract brushstrokes. The contrast between black and white, as well as the dynamic compositions, contributed to the impact of his work.9. **Recognition:** Kline gained recognition for his contributions to abstract expressionism, and his work was exhibited in major galleries and museums. He was associated with influential artists like Willem de Kooning and Jackson Pollock.10. **Short Career:** Franz Kline's artistic career was relatively short, as he passed away at the age of 51 in 1962. Despite the brevity of his career, he left a significant impact on the trajectory of abstract expressionism.11. **Legacy:** Franz Kline's black-and-white paintings continue to be celebrated for their boldness and energy. His influence on abstract expressionism and his unique approach to abstraction have left a lasting legacy in the history of American art.Franz Kline's powerful and dynamic paintings have made him a notable figure in the abstract expressionist movement. His distinctive use of black and white, along with his emphasis on gestural brushstrokes, contributed to the evolution of abstract art in the mid-20th century.Measures 40 x 28.25.

A quantity of William Mitchell nibs, pens and other calligraphy equipment with three vintage William Mitchell boxes, in a floral tin.

A boxed collection of "The Writing Collection" calligraphy pens and inks

A case Oriental calligraphy writing set

Large collection of calligraphy equipment, including pens, nibs and sets, together with other writing equipment and stationery, in three boxes

Late 20th century Jade calligraphy brush 39.5cm long

Indian School (19th century)Study of a figure on horseback on a river island within panels of calligraphy21cm by 11.5cmA Similar, with a figure riding a camel21cm by 12cmAnother, with a figure riding an elephant19cm by 10cm (3)

A Revolutionary War pay slip signed by Elijah Hubbard (1745-1808), a lawyer and merchant of Middletown and New London, Connecticut. A Patriot of the American Revolution for Connecticut with the rank of commissary of which this document concludes,This ALS document is dated February 23rd, 1781 and is a pay statement for services rendered to the state of Connecticut during the Revolutionary War as a commissary agent. Nicely laid out clear and concise in the manuscript and is in matting ready to frame. Approximate Dimensions:h. 14,75", w, 9.25"Condition:The document has been previously folded to file. There are several small holes in the paper on the right side at the fold intersections. The paper showing some nibbling at the edges and some paper lost on the same from folding. Calligraphy has

An original manuscript document from the court of Edward III of England containing the fancy calligraphy of the day showing cartoons of a bird, a person’s head and typical ballooning of the top line words. Written on vellum and punched to fit into bindings. Mounted in a plexiglass covered frame to a black background and sealed. Comes with a letter dated Dec 22, 1999, mounted to the verso, from H. George Fletcher, director of the Brooke Russell Astor Special Collections department of the New York Public Library. The document is quoted as being the confirmation of the rights of a certain abbey St. Victor and speaks of three manors in England that produce income for the abbey. Approximate Dimensions:h. 19", w. 14.5"Condition: A few water spots and edge damage with a penciled inscription in upper left corner with a couple of names and looks like vol1 page 32, (n) Wilks Crawford St. Victor. Light chipping and nicking to frame.

A Japanese lacquered box containing calligraphy equipment, and a boxed paper scroll, W25cm

Calligraphy / typography sample book. Calligrafia - Album Calligrafico Raccolta Completa. In original publishers binding. Circa 1850.

Box asiatica b.u.3 cloissoné vases, wood carvings, mask, plastic statues, prayer wheel, Imari plate, travel box, lidded box with plate, various. natural stone figurines and calligraphy set

CALLIGRAPHY PEN HOLDER, TRENCH ART INKWELL & BIRD INKWELL

A SET OF FOUR INDO PERSIAN EROTIC MINIATURES India, gouache on paper, all with inscribed calligraphy above image 11 x 6cm Condition: Condition Report Occasional minor insect damage and one example with torn section to lower centre. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Mid century Wooden Calligraphy Box, the single door formed as rows of leather bound books opening to a fitted interior, the back with hand etched decoration of a pen and pencils, 20cm high

Two Chinese blue and white bamboo & calligraphy pattern teabowls (2) 10 x 5cm.

Early 20th century side table, the circular brass top with Islamic style calligraphy, 38 x 39cm.

The Art of Calligraphy pen and ink sets together with 8 part work folders and a collection of artist equipment

18th / 19th Century Persian calligraphy scissors with Damascened decoration. Approximately 25cm in length

Dase (Spanish)  Carne Tour  Screenprint on paper Signed and numbered 2/50 by artist Measures approx. 59cm x 42cm (23" x 16 1/2") Vegan artivist and graphic designer from Barcelona focused in conceptual one line art, realistic illustrations, lettering & calligraphy. Dase's artworks are part of the urban landscape in Europe and America and works for NGOs, public administrations, multinationals, SMEs and individuals.

A cased of Chinese reverse painted snuff bottles, Chinese opera mask wall hangings, a calligraphy set, a blue and white tea pot Condition Report:Available upon request

A Chinese Famille Rose teapot with a blossoming floral decor and calligraphy. 19th/20th century. Dimensions: (L:12 x W:21 x H:16 cm)

A LARGE 17TH CENTURY TINNED COPPER BASIN, with calligraphy and engraved fish decoration, possibly Deccani or Safavid Persian, 36cm diameter.

AN 18TH CENTURY INDIAN DECCANI MINIATURE PAINTING, depicting imam Ali and his two sons Hassan and Hussein, finely signed calligraphy to the verso, unframed, 25.5cm x 18.5cm.

A FINE 14TH CENTURY MAMLUK TINNED COPPER BOWL, with calligraphy and Arabesque decoration, 19cm diameter.

A COLLECTION OF THREE RARE 8TH - 9TH CENTURY UMAYYAD YELLOW AND GREEN GLAZED BORDER TILES, depicting Kufic calligraphy, (3).

THE MANY NAMES OF ALLAH, calligraphy on parchment, framed and glazed, 50.5cm x 50.5cm.

A FINE AND LARGE CHINESE WATERCOLOUR PAINTING, depicting a rocky landscape with waterfall, calligraphy inscription, framed and glazed, image 60.5cm x 121cm.

Chinese brass temple bell with dragon and calligraphy decoration, 16cm highSmall hairline crack to handle but structurally strong, as shown in photo's

To Be Sold With No ReserveA calligraphy panel, Iran, 20th century, Arabic manuscript on paper, with 6ll. of black nasta'liq text on a floral ground, 80 x 65cm. Condition Report: Warped. Corners lacking or heavily scuffed. Edges scuffed with numerous losses. Burgundy borders stained. Text panel and illumination clean.

Otani Kocho (1903 - 1993)A Japanese calligraphy, ink on paper, mounted as hanging scroll, signed Kocho with two seals of the artist, 114 x 32.5cm, with fitted wood box.Condition Report: Creasing and staining to the painting, water marks to the mount and to the top left corner of the painting.

Two Chinese famille rose 'birds and flowers' vases20th centuryThe first enamelled with a peacock amongst peonies, the reverse with calligraphy, the base with apocryphal Qianlong seal mark in iron red, 30.5cm high; the second, of bottle form, with a pair of swallows alighting over flowering prunus and bamboo, the reverse also with calligraphic inscriptions, the base with iron-red seal mark, 24.8cm high (2).二十世紀 粉彩繪花卉圖紋瓶兩件，「乾隆年製」寄托款Condition Report: The peacock vase with approx. 55x32mm section broken off of shoulder but extant.The swallows vase with drill hole through mark, for mounting as lamp.

Yamamoto Genpō (1866-1961)A Japanese calligraphy, ink on paper mounted as hanging scroll, signed by the artist with two seals, 123 x 29.5cm, with inscribed fitted wood box, signed Yamamoto Genpō.  

Ishikawa Kyūyō (1945 - )A pair of Japanese calligraphies, ink on paper, mounted as hanging scrolls, each with a seal of the artist, 137 x 33.5cm, with fitted wood box. (2)cf. Ishikawa Kyūyō is a Japanese contemporary calligrapher and a historian of calligraphy, also a visiting professor and the director of the Institute of Character and Civilization, Institute for Expression Research at Kyoto Seika University.Condition Report: Good condition.

Seki Seisetsu (1877-1945)A Japanese calligraphy, ink on paper, mounted as hanging scroll, signed by the artist with three seals, 138.5 x 33.5cm, with fitted wood box.cf. Seki Seisetsu, also Seisetsu Genjō, was a Zen Buddhist monk, a priest of Tenryu-ji, Kyoto, Japan. He was born in Hamasaka, Hyōgo prefecture.Condition Report: Creasing to the calligraphy with faint foxing. Foxing to the top section of the mount to the back.

Fujii Kaido (1898-1984)A Japanese calligraphy, ink on paper, signed Zendaitoku Kaido with three seals of the artist, 98.5 x 27cm.cf. Fujii Kaido was the 515th abbot of Daitoku-ji, a Rinzai school of Japanese Zen Buddhist temple located in Kyoto, Japan.Condition Report: Creases to the mount and calligraphy, water marks to the top of the mount.

Deiryū Kutsu (1895-1954), also Kanshū SōjunA Japanese painting, ink on paper, mounted as hanging scroll, depicting Daruma with two lines of calligraphy, signed by the artist with two seals and one other seal, 41.5 x 60.5cm, with fitted wood box dated to Shōwa period. Condition Report: Creases to the calligraphy, very faint minute foxing to the painting.

Yamamoto Genpō (1866 - 1961)A Japanese calligraphy, ink on paper mounted as hanging scroll, signed by the artist with a seal and another seal, 41 x 23.5cm, with a fitted wood box.cf. Gempō Yamamoto was the abbot of both Ryūtaku-ji, Mishima and Shoin-ji, Numazu, in Shizuoka prefecture, Japan.Condition Report: Slight creases to the painting. 

A Chinese Yixing red-clay 'calligraphy' teapot and cover20th centuryOf tapering square form, one side decorated in shallow relief with calligraphy in seal script, the base with impressed four-character mark 'Yixing zisha', the interior of the cover also stamped 'zisha', 16.5cm wide.二十世紀 宜興鐘形壺，「宜興紫砂」款Condition Report: Expected old wear and nibbling to edges. Small nibble to underside of spout.

Nakayama Miya (1840-1871)Two Japanese paintings, mounted as hanging scrolls, the smaller painted with ink on paper depicting a line of hovering swallows below calligraphy and above a patch of grass, signed by the artist with a seal; the larger one painted with ink and colour on paper, with bamboo leaves below calligraphy, signed by the artist, 103 x 22.5cm; 120.5 x 30cm, each with a fitted wood box. (2)Condition Report: Each with creases to the painting and mount, with very faint foxing.

Attributed to Ōtagaki Rengetsu (1791 - 1875)A Japanese calligraphy, ink on printed paper, inscribed with waka poetry, translated as: 'any day now, in Tokiwa village when a little cuckoo chips the first song of the season will people notice the fourth month how come? ' Signed Rengetsu to the bottom right corner, 36 x 6cm, with fitted wood box. Condition Report: Good condition.

A Chinese mountainous landscape painting after Fang Hengxian20th centuryPainted with ink and colour on paper, inscribed with a paragraph of calligraphy to the top left corner, signed by the artist with a seal, 89.5 x 41cm.二十世紀 設色紙本，立軸，仿方亨咸富春山水圖，「方氏書畫」VAT on the hammer priceCondition Report: Creasing to the painting and mount, minor foxing through out the painting. Wear to the back of the mount, fraying to the edges of the mount.

To Be Sold With No Reserve A Safavid portrait of a kneeling cleric, Persia, dated 1032AH/1620AD, gouache on paper heightened with gold, en grisaille, the bearded kneeling figure facing left, hands resting on his knees, within consecutive borders of gold tendrils and quatrefoils, laid on card within three further borders of gold calligraphy, four panels of black and gold nasta'liq script above, remains of a wider floral border below, the reverse with multiple inscriptions in pencil, 17.2 x 11.1cm.Provenance: Property from a Private London CollectionCondition Report: Formed of composite cut sections of text glued down around the central drawing; backed on card, numerous pencil inscriptions to reverse, paper fraying and nibbled, central drawing with staining