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A fine early 19th century Persian Qajar (Jambya) dagger, probably Iranian, with waisted walrus ivory handle, ornately carved with a seated woman surrounded by a pierced floral ground, between two borders of calligraphy, the reverse with a central shaped medallion, bordered by geometric patterns, curved steel blade with central, raised rib and floral raised, overlaid gold designs, in a shagreen, mounted, carved wood sheath with brass end and green cord attachment, 9 1/2" l, approx, total length
XU Zhen (1841-1915) painter, and Chen Hangwang (1879-1957) calligrapher - a Chinese fan painting on paper mounted on pictorial woven backing, two alternating panels of calligraphy verse and two pictorial panels depicting two birds in a blossoming branch and two squirrels on a leafy branch, artist and calligrapher's red seals and title to each panel, 12" x 22 2/8", mounted and glazed in a Hong Kong ebonized, wood export frame
A Chinese porcelain famille-rose baluster vase, 20th century, painted with three young women walking in a landscape, the reverse with calligraphy, iron-red seal mark, 30.5cm high, also an 18th century Chinese plate, painted with flowers and bamboo, a Chinese Export porcelain bowl, and a pair of small models of cockerels (5).
1924 London Underground MAP of the Electric Railways of London "What to see and how to travel". Designed by MacDonald Gill with his distinctive style of calligraphy and map border, this is the issue dated 5/4/24 and has the British Empire Exhibition stations overprinting. An excellent copy with only the most minor of blemishes. [1]
1928 London Underground MAP of the Electric Railways of London "What to see and how to travel". December (12/1928) edition designed by E G Perman with elaborate calligraphy of station names and border etc. In very good condition apart from foxing marks on the rear cover which show through on that panel of the map. [1]
1923 London Underground MAP of the Electric Railways of London "What to see and how to travel". Designed by MacDonald Gill with his distinctive style of calligraphy and map border, this is the issue dated 1/1/23 and the less-common version thereof without the British Empire Exhibition overprinting. An excellent copy with only the most minor of blemishes. [1]
of hemispherical form, the brim hammer welded to the bowl, fitted at its apex with a moulded base for a spike (now missing), at the front with a sliding nasal bar secured by a thumb-screw and with a plume-holder on each side, decorated throughout with a framework of gold cartouches filled with mounted warriors and calligraphy, the brim encircled by a calligraphic panel framed by gold lines, and mail neck-defence of butted links
of characteristic gutter-shaped form, retaining a small number of butted mail links and four buckles for attachment (wrist-plate missing), the interior with red fabric lining, and the outer surface etched with stylised calligraphy enclosing panels of seated figures in traditional garb within a framework of scrolling foliage and animals, all enriched with gold
with tapering barrel profusely decorated with gold scrollwork and stylised calligraphy over its entire upper surface, retained by a white metal muzzle band cast with flowers and foliage and incorporating the fore-sight, stepped lock en suite with the barrel (small losses), full white metal stock cast with flowers and foliage in low relief, including a trophy-of-arms ahead on the trigger-guard (screws replaced), spirally moulded pommel, and imitation ramrod
A Large Bronze Celestial Globe: Indian and in the manner of "Al-Iskanderani", of spherical form and supported in a "X" frame, the globe engraved with the twelve astrological symbols and calligraphy, height approx 90cm. Note: For a much smaller and similar example seeChristie's South Kensington, 29th Sept, 2011, Lot 99 and Sotheby's "Arts of the Islamic World", 26th April 2017, Lot 172.
A 19th / early 20th century Chinese watercolour scroll painting on paper, depicting a sage standing in bare feet in pale red and blue robes, inscribed with calligraphy upper left and signed with single red seal mark, further signed with four character calligraphy mark to pasted fragment of board lower right, within gold silk borders, the painting 37 x 13¾in. (94 x 35cm.), glazed in simple black painted frame.* Condition: Painting has some evidence of old creasing from being rolled, but no splits, tears or other damage. Paper has moderate time staining. Colours are subtle but do not appear to be faded. Silk border also shows some old creasing. The silk border has one large tear at centre right (which does not extend into the main paper painting) and a smaller 1in. tear beneath that to the edge of the silk border. Not examined out of frame.
A Middle Eastern mixed metal and iron shield, 18th / 19th century, possibly earlier, circular convex form with four bosses, with applied calligraphy and star design, remnants of inset gold highlights, four inset loops on back for rope holds, 11¾in. (29.8cm.) diameter, many losses. * Accompanied by a quantity of original brass and mixed metal fittings/fixings for restoration.
Le Cain (Errol, illustrator). The Rime of the Ancient Mariner, by Samuel Taylor Coleridge, Arcadia Press, 1972, 10 colour plates, calligraphy by David Howells on hand-made 'Seaweed' paper, top edge gilt, original vellum-backed boards, slipcase, folio Limited edition 22/110, signed by artist, calligrapher and paper maker. (1)
Three Chinese snuff bottles, 20th century, comprising; a jade bottle, carved on one side with a figure beside a tree, the reverse with calligraphy, 5.5cm. high; a red overlay glass bottle, each side with two figures, 6cm high; and a porcelain example, painted in underglaze-blue and red with an official and attendants, 7.75cm. high, (3).
A Chinese export tankard painted with a mirror framed panel of figures before a pavilion surrounded by foliage and diaper pattern (rim chips and crack to base), 15cm high, a pair of Canton famille rose reticulated spill vases moulded with figures and foliage, gilt rims, 10cm high and a tea-bowl and cover, gilt with calligraphy (rubbing to gilt), 11cm diameter (4)
A Chinese white metal belt buckle cast with calligraphy, 2oz, 8cm x 4.5cm, a silver oval brooch decorated with figures stamped Wang Hing, 4.8cm wide, 1oz, a silver buckle cast with a dragon, stamped 84, 6.2cm wide, 1oz, a white metal lily pad teaspoon, 11.2cm long, a cloisonne belt buckle decorated with a dragon, 7.5cm wide and a white metal hexagonal box and cover decorated with animals, 5cm high (6)
A Japanese hardwood shodhana on stand, 19th century, with an arrangement of shelves, each with a pierced foliate decorated gallery, the pair of gilt lacquered and mother of pearl decorated bow front sliding doors each with a bone carved figure, the drawer similarly decorated with a bird and flowers, the stand with a foliate carved frieze, with black painted calligraphy signature in the top left corner, height 186.5cm, width 104cm, depth 33.5cm. (See illustration) Condition report: The base appears to be original to the piece. Good condition with some small signs of use and minor chips to wood.
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13121 item(s)/page