A QIANJIANG PORCELAIN COMPARTMENTED BOWL The exterior painted with a figure peering out of a window with trees and bamboo, a passage of calligraphy to the reverse, the interior divided in yin yang form, base with iron red seal mark 6cm high; 15cm diameter Condition: Condition Report Some light rubbing to enamels, wear to the brown dressing on the rim and one or two minor glaze losses to the rim This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
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A GROUP OF FAMILLE ROSE AND OTHER PORCELAIN ITEMS Comprising: a shaped oval pedestal bowl decorated with figures and panels of calligraphy; a bowl decorated to the exterior with previous objects and medallions on a celadon ground; a teapot decorated with figures riding a mythical beast, with mi-matched cover; and a blue and white dish with central character and stylised foliate decoration The blue and white dish 28cm diameter Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CARVED JADE TWIN HANDLED VASE AND COVER Decorated with a continuous mountainous landscape with two scholars beside a fire to one side and a pair of cranes flying above a figure in a pagoda to the other, a band of calligraphy to the neck 28cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A FAMILLE ROSE PORCELAIN JAR AND COVER Late 19th/early 20th Century, decorated in polychrome enamels with a large potted plant to either side and panels of calligraphy between, within varying borders, the cover with conforming decoration 39cm high Condition: Condition Report Some chips to the glaze and wear to the finial on the cover, some further wear to enamels on cover, an old flat chip to the underside of the cover rim. Some general light wear, occasional stain and tape residue to jar This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
TWO PORCELAIN TEA BOWLS The first decorated with a continuous panel of script and two red seals between iron red key fret borders, Jiaqing iron red seal mark to base; the other example decorated with two figures and two panels of calligraphy within decorative reserves, gilt borders 6cm and 6.5cm diameter respectively Condition: Condition Report The calligraphy example has a small chip and hairline running down from the rim This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A mixed group of Japanese items including a blue and white porcelain sake set comprising two bottles (h- 10cm) and five cups (mark verso) with accompanying paulownia wood tomobako box (w- 25cm), a pair of Imperial presentation sake cups with kiku no mon chrysanthemum and ho-o bird with two other blue and white sake cups in paulownia wood box (marked 'Mr D C Symon', for David Cargill-Symon 1925-64, former British diplomat in Japan), and a lacquered calligraphy set/suzuribako with design of a smiling gentleman complete with inkstone and blue and white suiteki water dropper etc... (l- 25cm), and an item of Eastern embroidered textile
![An antique Chinese porcelain Ginger jar with hand painted bird scene foliage & Chinese calligraphy to the back [no lid]](https://cdn.globalauctionplatform.com/dfb59f5d-0bab-4e70-bf4a-b05a00dd1a61/5797fd6a-4ba7-45a8-b62e-b05a00e81e7b/468x382.jpg)
Handwriting and Calligraphy. The manuscript archive and working specimen collection of John Le F. Dumpleton, pedagogue and calligraphic artist, including the 30pp manuscript to his The Art of Handwriting, his synopsis for Teach Yourself Handwriting, his scrap/commonplace book of calligraphy and fonts, approx. [50]ff, bundle of correspondence from his fellow calligraphers, including Robin Tanner, Reginald 'Reg' Piggott, Wilfrid Blunt at Eton, etc., some of the letters are incomplete, some letters lithographed as specimens and numbered accordingly, a bundle of rough pencil sketches and working drawings, presumably intended as book illustrations some Typographical Society Christmas cards, other Curwen Press cards, etc
Poli, early-mid 20th c - Caricature of Sir Basil Richard Gilzean Tangye, Bart., signed, titled and inscribed, mixed media on paper, 42 x 26cm, an Indian Islamic manuscript leaf, late 19th c, inscribed with calligraphy and illuminated with ladies by a tree, 22 x 13.5cm, the Bucks' view of Belvoir Castle, 18th c engraving, further miscellaneous pictures and prints, etc., (21) The caricature with damaged losses, mostly marginal. Belvoir Castle browned and foxed. The manuscript leaf generally good condition. The remaining pictures and prints in mixed condition.
A SELECTION OF PENS AND PENCILS, to include a gold plated Waterman C/F, fitted with a 18k nib, a Conway Stewart 388 fitted with a 14k nib, a Parker Maxima Duo fold fitted with a 14k nib, The Conway Pen No.475, fitted with a 14ct nib, a New Bond Easiflow No.333, a New Bond Easiflow No.444, a red fountain pen and a green Calligraphy fountain pen, a boxed 'Eversharp' Square 4 propelling pencil, a container of pencil leads, a silver plated Eversharp propelling pencil, and a silver ball point pen hallmarked Birmingham (Condition report: some have wear to the nibs and may require some attention, general light wear)
A Chinese Scroll Calligraphy by Su Shi Song Dynasty. 50 3/4 x 25 7/8 in.(129cm x 66cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.
A Chinese Scroll Calligraphy by Su Shi Song Dynasty. 51 1/8 x 19 5/8 in.(130cm x 50cm) Prince Qingmi Yikuang (1838-1917) was the great-grandson of Emperor Qianlong and the Prince Gong. On the lunar new year of the 20th Guangxu era (February 6, 1894), Empress Dowager Cixi bestowed the title of Prince Qing upon him to celebrate his sixtieth birthday. He served as the leader of the military and political affairs, and after the abolition of the Grand Council and the Grand Secretariat, he became the first Prime Minister of the Cabinet. In the 26th year of Guangxu (1900), during the invasion of China by the Eight-Nation Alliance (The Siege of the International Legations), he was appointed, along with Li Hongzhang, to represent the Qing government in signing the "Boxer Protocol" the following year. After the Wuchang Uprising, he invited Yuan Shikai to serve as Prime Minister in his place and assumed the position of President of the Beiyang Government. Later, he worked with Yuan Shikai to persuade Empress Dowager Longyu to agree to Emperor Puyi's abdication. As the last hereditary Prince and a favorite of Empress Dowager Cixi, Yikuang received a large number of royal treasures from her as rewards. During his lifetime, he held a high position and had a significant influence. He also collected and received numerous valuable royal artworks. In the 6th year of the Republic of China (1917), Yikuang passed away due to illness, and his eldest son inherited his title and a substantial amount of family wealth. Yizhen (1876-1947), the eldest son of Yikuang, succeeded his father's title and became the last Prince Qing. In 1924, when Puyi was expelled from the palace, Yizhuan feared for his own safety and moved to the Tianjin British Concession. He invested 300,000 yuan and formed a partnership with Gaoxingqiao to build three buildings in the French Concession: the Quanyechang Market, the Transportation Hotel, and the Bohai Building. He engaged in business and investment activities, distancing himself from politics. The name of the Tianjin Quanyechang Market was derived from a poetic verse composed by Zaizhen, and the golden signboard of "Tianjin Quanyechang Market" was calligraphed by Hua Shikui, the calligrapher who wrote the edict of Emperor Puyi's abdication. Relying on bank interest and the sale of inherited assets, Yizhuan lived a luxurious life in Tianjin. A large number of artworks from the family collection were sold in Tianjin. Damien de Martel, the French Minister to China (Count Martel) (1878-1940), lived in China and other Asian countries for a long time. From 1933 to 1939, he served as the Plenipotentiary Minister to China, Latvia, and Japan, and he was an avid collector of Asian art. During his time in Tianjin, Damien de Martel acquired a large number of Chinese artworks that were sold from the Prince Qing's residence. After his death in his hometown in France in 1940, many of the artworks he collected were inherited by his family and are still preserved to this day. Most of these artworks purchased from the Prince Qing's residence are marked with the words Prince Qing's Residence in paint and labeled with the logo of the Tianjin Quanyechang Market.
Cy Twombly was an American artist known for his distinctive and influential body of work that blurred the boundaries between painting, drawing, and writing. He was born on April 25, 1928, in Lexington, Virginia, and passed away on July 5, 2011.Here are some key aspects about Cy Twombly and his artistic career:1. Artistic Style: Twombly's style is characterized by its expressive and gestural nature, combining elements of abstraction, graffiti, and calligraphy. He often used large canvases, incorporating spontaneous brushwork, scribbles, and scrawled text, creating a sense of emotional energy and poetic ambiguity in his artworks.2. Influence of Classical Mythology: Classical mythology was a significant source of inspiration for Twombly. He frequently referenced ancient Greek and Roman literature, incorporating mythological figures, symbols, and references in his works. These references added layers of meaning and allowed him to explore themes of love, loss, beauty, and history.3. Use of Materials and Techniques: Twombly experimented with various materials and techniques throughout his career. He employed mediums like oil paint, wax, crayon, pencil, and graphite, often applying them in a loose and improvisational manner. His works often featured overlapping layers, drips, and smudges that added to their raw and spontaneous quality.4. Series and Cycles: Twombly frequently worked in series and cycles, creating groups of artworks that were thematically linked. Some of his notable series include "Nine Discourses on Commodus," "Lepanto," "Bacchus," and "The Rose." These series often explored recurring motifs and ideas, allowing for a deeper exploration of his chosen themes.5. International Recognition: Twombly's work gained international recognition and critical acclaim throughout his career. He exhibited extensively in major galleries and museums worldwide and was the recipient of numerous awards and honors. His works are held in prestigious collections, including the Museum of Modern Art (MoMA) in New York, the Tate Modern in London, and the Centre Pompidou in Paris.6. Legacy: Twombly's unique approach to painting and his fusion of artistic disciplines have had a significant impact on contemporary art. His works continue to be celebrated for their poetic and evocative qualities, and he is regarded as one of the most important and influential artists of the late 20th and early 21st centuries.Cy Twombly's art is characterized by its distinctive visual language and emotional depth, inviting viewers to engage with his work on an intellectual and visceral level. His ability to merge painting, drawing, and writing in a deeply personal and expressive manner has left an indelible mark on the art world.Measures 18 x 16.5.
Cy Twombly was an American artist known for his distinctive and influential body of work that blurred the boundaries between painting, drawing, and writing. He was born on April 25, 1928, in Lexington, Virginia, and passed away on July 5, 2011.Here are some key aspects about Cy Twombly and his artistic career:1. Artistic Style: Twombly's style is characterized by its expressive and gestural nature, combining elements of abstraction, graffiti, and calligraphy. He often used large canvases, incorporating spontaneous brushwork, scribbles, and scrawled text, creating a sense of emotional energy and poetic ambiguity in his artworks.2. Influence of Classical Mythology: Classical mythology was a significant source of inspiration for Twombly. He frequently referenced ancient Greek and Roman literature, incorporating mythological figures, symbols, and references in his works. These references added layers of meaning and allowed him to explore themes of love, loss, beauty, and history.3. Use of Materials and Techniques: Twombly experimented with various materials and techniques throughout his career. He employed mediums like oil paint, wax, crayon, pencil, and graphite, often applying them in a loose and improvisational manner. His works often featured overlapping layers, drips, and smudges that added to their raw and spontaneous quality.4. Series and Cycles: Twombly frequently worked in series and cycles, creating groups of artworks that were thematically linked. Some of his notable series include "Nine Discourses on Commodus," "Lepanto," "Bacchus," and "The Rose." These series often explored recurring motifs and ideas, allowing for a deeper exploration of his chosen themes.5. International Recognition: Twombly's work gained international recognition and critical acclaim throughout his career. He exhibited extensively in major galleries and museums worldwide and was the recipient of numerous awards and honors. His works are held in prestigious collections, including the Museum of Modern Art (MoMA) in New York, the Tate Modern in London, and the Centre Pompidou in Paris.6. Legacy: Twombly's unique approach to painting and his fusion of artistic disciplines have had a significant impact on contemporary art. His works continue to be celebrated for their poetic and evocative qualities, and he is regarded as one of the most important and influential artists of the late 20th and early 21st centuries.Cy Twombly's art is characterized by its distinctive visual language and emotional depth, inviting viewers to engage with his work on an intellectual and visceral level. His ability to merge painting, drawing, and writing in a deeply personal and expressive manner has left an indelible mark on the art world.Measures 24 x 36.
A pair of Chinese blue and white baluster form lidded vases, with Dogs of Fo knops to lids, painted with figures practising calligraphy, within a garden landscape, four-character marks to bases, height of each 32cm (2).Condition Report: - Both lids with nibbles to the Dogs of Fo and to the inner rims. One vase with chips to the rim and various firing dints/bubbles.
TWO WESTERN INDIAN CARVED HARDWOOD ARCHITECTURAL SUPPORTS OR BRACKETS, TOGETHER WITH A RELIEF CARVED ARCHITECTURAL PANEL WITH CALLIGRAPHY (4)19th Century, depicting various zoomorphic forms, probably Hindu deities, 68cm high, the architectural panel Probably Ottoman, 18th century, 28cm high; together with a hardwood printing block detailing geometric patterns and birds, 14.5cm square
A very good early Chinese carved bamboo Brush Pot, of cylindrical form depicting a large man seated on a rug, 15cms (6"); a Chinese bamboo Brush Pot, carved in deep relief with four figures by a pavilion and two lines of calligraphy and a single oval panel with a phoenix, 13cms (5 1/4"); and a very fine early bamboo Brush Pot, depicting a man with rolling horse in low relief and three lines of calligraphy, 15cms (6"). (3)
'Festung Guernsey (Fortress Guernsey)' FIRST EDITION, 2007, bound as four volumes in two half calf leather. This comprehensive work was produced as a Limited Edition of 135 copies, this one is numbered 106 consequently a Very Rare work.This work was compiled at the suggestion of the commanding officer of the 319th Infantry Division and Commander-in-Chief of the Channel Islands Lieutant-General Graf von Schmettow under the guidance of Chief Officer of the General Staff Lieutant Colonel Hubner, who with his team, drawn from the Divisionskartenstelle (Division Cartographic Section) of the 319th Division, with some 14 non-commissioned officers working across drawing, cartography, photography, printing, calligraphy development and craftwork.This team recorded the defences which were set in a relatively undeveloped countryside, dominated by small dairy farms and tomato vineries, with almost no civilian traffic. This work was drawn from a remarkable collection of plans and photographs, with full details of German armaments and fortifications. So that by 1944, Guernsey was probably the most fortified place in the world. It was realised that the Festung volumes were very fragile and would suffer damage if made available for general inspection. Since 1947 these volumes have remained in the custody of the Royal Court. A local resident came forward with the first chapter of section 2 ‘’WAFFEN’’ (Weapon). This is the only complete copy traceable, without his generosity this work would be considerably diminished. The result is a stunning and comprehensive picture of Guernsey in 1944.
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