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A 19TH CENTURY CHINESE BLUE & WHITE FLUTED PORCELAIN CUP, the base with a four-character Kangxi mark, 3.5in diameter & 2.75in high; together with a pair of famille rose beakers decorated with calligraphy and with legendary figures, each base with a Daoguang seal mark, 3.4in diameter & 3.1in high. (3)
A large collection of Chinese style watercolour scroll paintings 20th century, watercolour on silk and paper scrolls, believed to be by a master tutored amateur hand, including classical subjects such as black horses, trees in mountainous landscapes, Oriental birds, boughs of tree blossom etc., all signed with calligraphy and red seal mark. (approx. 60)
Calligraphy.- Reid Cross (Helen, calligrapher, of Wells, Somerset, fl. 1924-46) [The Beatitudes], calligraphic manuscript, 8pp., 8 gold initials, in red, black and blue, slight browning around gold initials, original paper wrappers, [c. 1924]; and c. 30 other calligraphic manuscript pieces by Helen Reid Cross, v.s., [c. 1924-46] (c. 30 pieces).
A monumental illuminated miniature with fine calligraphy, in Arabic, illuminated manuscript on paper [Near East (probably Ottoman Turkey), last quarter of nineteenth century] Single vast sheet, depicting two songbirds perching on a rosebush, two other flower varieties in the foreground, six beautifully illustrated open roses, each with its own thuluth calligraphy over-written in gold and outlined in black for added definition, whole image framed within blue and gold polychrome border, panels above and to each side of the image with “Bism'Allah al-Rahman al'Rahim” in gold, a few faint spots or stains overall in excellent condition, 570 by 390mm.; framed This visually splendid painting names Allah, Prophet Muhammad and each of the four Caliphs (Abu Bakr, Umar, Ali and Uthman) in each of the open roses here. The painting would have been commissioned for a wealthy patron for its talismanic properties (in naming the above) and probably used as a wall hanging in a private residence.
A Fine Calligraphic Prayer Scroll, in Arabic, illuminated manuscript on paper [Northern India (probably Kashmir), mid-nineteenth century] Single scroll formed of two membranes, complete, comprising five calligraphic panels, each using a different form of calligraphy, including thuluth and form of kulfic scripts, with prayers written in gold forming a frame around each of the panels, all decorated in white, red and blue and heightened in gold, some small chips and tears to edges (without loss to text), a few folds and creases causing slight fading to text, overall clean and bright condition, protective leather wrap-around pasted to right-hand edge of scroll, in total 2660 by 150mm.; in contemporary silk covered and linen-lined fitted cylindrical carrying case, that decorated with orange and green fabrics This object would have been used as a talisman, probably during travels, and is complete with its original decorative silk carrying case. A truly beautiful ornamental piece, perfectly demonstrating the beauty in the art of calligraphy and the written word with it's highly decorative and visually appealing qualities. Such an object would have been used for talismanic purposes, probably for use during travels, with it's contemporary carrying-case.
Calligraphy Initials from Documents Removed from Hermann Goring’s Home at Berchetsgaden in 1945, finely detailed letters “M” and “H” stuck to larger pages with ink stamp from the collection of items removed by the French 2nd Armoured division. Housed in larger files. (2 items) The French 2nd Armoured Division were one of the first to reach the Bavarian town of Berchetsgaden and liberated many items from the summer homes of many of the high ranking Third Reich officials including Hermann Goring.
A fine early 19th century Persian Qajar (Jambya) dagger, probably Iranian, with waisted walrus ivory handle, ornately carved with a seated woman surrounded by a pierced floral ground, between two borders of calligraphy, the reverse with a central shaped medallion, bordered by geometric patterns, curved steel blade with central, raised rib and floral raised, overlaid gold designs, in a shagreen, mounted, carved wood sheath with brass end and green cord attachment, 9 1/2" l, approx, total length
XU Zhen (1841-1915) painter, and Chen Hangwang (1879-1957) calligrapher - a Chinese fan painting on paper mounted on pictorial woven backing, two alternating panels of calligraphy verse and two pictorial panels depicting two birds in a blossoming branch and two squirrels on a leafy branch, artist and calligrapher's red seals and title to each panel, 12" x 22 2/8", mounted and glazed in a Hong Kong ebonized, wood export frame
A Chinese porcelain famille-rose baluster vase, 20th century, painted with three young women walking in a landscape, the reverse with calligraphy, iron-red seal mark, 30.5cm high, also an 18th century Chinese plate, painted with flowers and bamboo, a Chinese Export porcelain bowl, and a pair of small models of cockerels (5).
1924 London Underground MAP of the Electric Railways of London "What to see and how to travel". Designed by MacDonald Gill with his distinctive style of calligraphy and map border, this is the issue dated 5/4/24 and has the British Empire Exhibition stations overprinting. An excellent copy with only the most minor of blemishes. [1]
1928 London Underground MAP of the Electric Railways of London "What to see and how to travel". December (12/1928) edition designed by E G Perman with elaborate calligraphy of station names and border etc. In very good condition apart from foxing marks on the rear cover which show through on that panel of the map. [1]
1923 London Underground MAP of the Electric Railways of London "What to see and how to travel". Designed by MacDonald Gill with his distinctive style of calligraphy and map border, this is the issue dated 1/1/23 and the less-common version thereof without the British Empire Exhibition overprinting. An excellent copy with only the most minor of blemishes. [1]
of hemispherical form, the brim hammer welded to the bowl, fitted at its apex with a moulded base for a spike (now missing), at the front with a sliding nasal bar secured by a thumb-screw and with a plume-holder on each side, decorated throughout with a framework of gold cartouches filled with mounted warriors and calligraphy, the brim encircled by a calligraphic panel framed by gold lines, and mail neck-defence of butted links
of characteristic gutter-shaped form, retaining a small number of butted mail links and four buckles for attachment (wrist-plate missing), the interior with red fabric lining, and the outer surface etched with stylised calligraphy enclosing panels of seated figures in traditional garb within a framework of scrolling foliage and animals, all enriched with gold
with tapering barrel profusely decorated with gold scrollwork and stylised calligraphy over its entire upper surface, retained by a white metal muzzle band cast with flowers and foliage and incorporating the fore-sight, stepped lock en suite with the barrel (small losses), full white metal stock cast with flowers and foliage in low relief, including a trophy-of-arms ahead on the trigger-guard (screws replaced), spirally moulded pommel, and imitation ramrod
A Large Bronze Celestial Globe: Indian and in the manner of "Al-Iskanderani", of spherical form and supported in a "X" frame, the globe engraved with the twelve astrological symbols and calligraphy, height approx 90cm. Note: For a much smaller and similar example seeChristie's South Kensington, 29th Sept, 2011, Lot 99 and Sotheby's "Arts of the Islamic World", 26th April 2017, Lot 172.

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14177 item(s)/page