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6 parts folding screen with calligraphy on paper, Japan Meiji-periode (1868-1912), h. 170, br. 370 cm. (defects)6 slags kamerscherm met 6 kalligrafie (Shodo) papier voorstelling en zijde rand afgezet met messing hoekornamenten, gesigneerd met rood stempel, Japan Meiji-periode (1868-1912), h. 170, br. 370 cm. (defecten)
KAEMPFER, ENGELBERT (1651-1716) - THE HISTORY OF JAPAN The History of Japan, giving an account of the ancient and present state and government of that empire, of its temples, palaces, castles and other buildings ... ; together with a description of the Kingdom of Siam. Translated by Johann Caspar Scheuchzer, published for the translator and sold by Thomas Woodward and Charles Davis, under Hans Sloane, 1727-28, 2 volumes bound in 1, full leather binding with gilt title to spine, engraved title page in Latin dated 1727, further title pages to volumes printed in red and black, and dated 1728, with the complete 45 copper plate engravings, including folding maps, calligraphy, topographical views, botanical studies with hand colouring and acupuncture, large folding map (plate 8), with tear along lower fold, appendix and index to end of vol 2 Condition: Minor signs of wear commensurate with age and use,
Hereke "Özipek". Seide. Signiert. Extrem feine Knüpfung.83 cm x 57 cm. Türkei. Handgeknüpft. Seide auf Seide. Gebetsteppich. In der Nische mit Kalligraphie. Versand kann organisiert werden.Hereke "Özipek". Silk. Signed. Extremely fine weave. Hand knotted. Silk on silk. Prayer rug. In the niche with calligraphy. Shipping can be organized.
Vierkantvase. CHINA, Qing-Dynastie (1644-1911). Hochrechteckige Form mit eingezogener Schulter und weiter Mündung, mit zwei seitlichen Löwenkopfhenkeln, darunter Kalligraphie in Gedichtform, schauseitig dekoriert in den Farben der famille rose mit den acht Unsterblichen der chinesischen Mythologie, rückseitig bemalt mit einer felsigen Ideallandschaft, part. ziervergoldet, H: 57 cm. Alters- und Gebrauchsspuren.| Square vase. CHINA, Qing dynasty (1644-1911). High rectangular form, with two lion head handles on the sides, below calligraphy in poem form, on the front decorated in famille rose colors with the eight immortals of Chinese mythology, back painted with a rocky ideal landscape, part. ornamental gilding, h: 57 cm. Signs of age and use.
A Zombo knife Democratic Republic of the Congo with a double fullered leaf shape steel blade with a copper wire bound wood handle, 41.8cm long, a Congo knife with a carved head handle and a reptile skin mount, the blade with linear and dot decoration and with incised calligraphy, 35.2cm long, a Tanzanian axe, with linear decoration to the blade and the shaft, 59.5cm long, a barbed spear tip, 31.3cm long, a spear tip, 16cm long, and a Congo brass spear terminal, 48cm long. (6)
An 18th century Chinese famille rose punch bowl painted with large blossoming peonies in a fenced garden landscape with turquoise diaper banding inside the rim, Qianlong period, Qing dynasty, 26 cm diameter to/w a pair of Chinese bowls decorated with calligraphy and bamboo shoots reserved against a coral ground, the bases with Tongzhi mark but probably Guangxu period, late Qing dynasty, 10 cm diameter x 6 cm high and a 19th century Japanese Kutani bowl, the interior painted and gilded with Rakan/Arhats around a central phoenix roundel, Meiji period, 21 cm diameter (4)Famille rose punch bowl with large stapled repair, one coral bowl with hairline, all with areas or wear to enamels, gilding etc.
A Chinese Porcelain Mounted Hardwood Eight-Fold Screen, late Qing Dynasty, painted in famille rose enamels with figures in interiors and above waves with calligraphy and with panels painted in underglaze blue with scrolling foliage132cm by 80cm overallThe top border, fifth panel from the left, cracked bottom left corner, all other panels intact, the screen is mounted to the top and bottom with a strip of timber to make the screen ridged for hanging
A Chinese Porcelain Snuff Bottle, Qing Dynasty, painted in underglaze blue and red with figures in a garden before buildings8cm highA Similar Bottle, painted in famille rose enamels with figures in a garden and with calligraphy8cm high (2)Blue and red snuff bottle, free from restoration, no chips or cracks, some slight glaze fritting to the shoulder, some glaze scratches and patches of staining.Polychrome snuff bottle, no chips, cracks or restoration, some glaze fritting to the shoulder and foot, glaze pitting and heavy glaze wear, some wear to the enamels
BLUE AND WHITE BALUSTER VASE 青花文人雅集圖觀音瓶 elegantly potted, painted in a continuous scene with learned figures engaging in various scholarly activities, including playing qin musical instrument, admiring scroll painting, playing chess, and calligraphy, in an outdoor setting with large rockwork and floor screensDimensions:48cm highProvenance:Provenance: Private London collection
COLLECTION OF SEVEN PRINTS BY VARIOUS ARTISTS EDO PERIOD TO 20TH CENTURY comprising six oban tate-e and one yoko-e prints; including three by Utagawa Kunisada (1786-1865), comprising one of the diptych titled 'The Capping of Kaidōmaru' (Kaidōmaru genpuku no zu), Edo period, and a diptych 'Actors Iwai Shijaku I as Shigenoi (R), Ôtani Mansaku as Honda Yasadayû, and Iwai Kumesaburô III as Jinenjo no Sankichi (L), in a Great Hit Memorial Performance In Honor of the Late Iwai Hanshirô VI' (Rokudaime Iwai Hanshirô tsuizen kyôgen ôatari ôatari), signed Gototei Kunisada ga on each sheet; two by Utagawa Toyokuni (1769-1825), from the triptych 'Calligraphy, series of Fashionable Amusements of Spring' (Fûryû haru no kyô), both signed Kôchôrô Toyokuni ga; one by Utagawa Hiroshige (1797-1858), titled 'Kawasaki: The Rokugô Ferry' (Kawasaki, Rokugô watashibune) from the series Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi), signed Hiroshige ga; and one by Kitagawa Utamaro, titled 'Reflective Love' (Mono omou koi), from the series Anthology of Poems: The Love Section (Kasen koi no bu), signed Utamaro hitsuDimensions:largest: 33cm x 47cm
A small Chinese cast bronze bottle vase made for the Islamic marketQing Dynastybaluster form, decorated with two shaped reserves containing Islamic calligraphy, scrolling foliate band to neck rim, on a slightly flared footheight 15.4 cm.Condition: Good dark rich colour. Surface marks, scratches and variation in patina. In some places rich and gloss others more matte. Rubbing on foot rim. Some areas of rust in the scrollwork panels.
Persische Malerei Schlachtszenerie, persian battle scenery,Buchmalerei, Persien/Iran, Schlachtszene zweier gegenüber stehender Armeen, Text in Naschi-Kalligraphie, Blattmass H 25 cm x B 14,5 cm, Rahmen 36,5 cm x 25 cm, Glas am oberen Rand gesprungenBook illustration, Persian/Iran, battle scene of two opposing armies, text in nashi calligraphy, sheet size H 25 cm x W 14.5 cm, frame 36.5 cm x 25 cm, glass cracked at the top
A Chinese Famille Rose Potpourri - A Republic period potpourri vase, decorated with female figures in a garden pavilion with a female attendant, with poetic calligraphy and red seal marks, the tapering ovoid body with pierced rim and cover, brightly enamelled in pink and tones of green with complex black enamel borders, the rim and cover with iron red and black enamel detail, four character seal mark within double square to base, height 18.5cm, diameter 11cm.
A Chinese Yixing pottery teapot decorated with bamboo and calligraphy, impressed four character seal mark and calligraphy to the underside and impressed mark to cover, 10cm high, 15.5cms wide.Condition ReportGood condition with no damage or repair. Has seven holes to beginning of spout and measures 15.5cms wide.
A Chinese Republic style cup and cover decorated with figures and calligraphy, red seal mark to the underside, 12cms high.Condition ReportThe cover has two very small chips to the rim and the gilt on the finial has rubbed. The cup has some small chips to the upper rim and a very small crack, the foot rim has some very small chips and there are small hairline cracks to the body where it joins the foot rim.
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13121 item(s)/page