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A FINE QUALITY CHINESE BLUE GROUND FAMILLE ROSE PORCELAIN CANDLESTICK, or joss stick holder, the drip pan decorated with calligraphy and formal scrolling foliage reserved on a sgraffito ground, the stand similarly decorated, the base with a four-character Qianlong mark, 4.3in diameter & 6.3in high.
Eugenia Okoshi (New York, Washington / Japan, 1921-2008) "Equinox" Large Painting. Oil on canvas. Sight size: 38.75 x 38.75 in. Signed lower right. Okoshi was born in Seattle, WA in 1921 during a family business trip to the U.S. She was raised and educated outside of Tokyo, Japan where she attended the prestigious Rikkyo Jogakuin, Futaba-kojo-Futaba-kai school. She began working, studying, and making art with Fay Chang and Nicholas Damascus at Seattle University and Henry Frye at the Modern Art Museum of Seattle. Okoshi also found inspiration in the work of Mark Toby, another popular Seattle-based artist who incorporated Japanese sumi painting, brush gesture and calligraphy into his Abstract Expressionist paintings.
This group of boxes includes some cloisonne, paktong, and enameled silver. Most intended for export. The large one with incised calligraphy is made of paktong or a very similar substance. The two enameled boxes are particularly fine early examples. Dimensions: Heights range from 1/4 in to 1 in. Widths range from 3/4 in to 3 1/4 in. Depths range from 3/4 in to 2 in.Condition: Good condition; some tarnish.
Composed of a teapot with calligraphy and two low cups. A fantastic example of Chinese Republic era porcelains and enamels, these items are decorated with flowering branches and calligraphy. Each signed / marked on the bottom in 4 character over glaze iron red. The tea pot has 4 characters on the back. This item is from the collection of William Jennings. This collection was assembled by Jennings’ parents, who lived in Tianjin, China (then known as Tientsin) in the 1930s. Jennings’ father, Harold Jennings, was a British naval engineer who had originally come to China in the late 1920s and ran a shipyard in Tianjin. His mother, Mary Bayley Jennings, was a nurse from Ohio who originally traveled to Tianjin in 1938. The Jennings were active in the expatriate community in China and throughout Asia, and traveled within Asia, to places such as Hong Kong and Kyoto, collecting art pieces while they went. William Jennings was born in 1939, and the family moved to the United States in 1941 to escape growing conflict in the region, taking their collection with them. Dimensions: Cups; height: 1 in x diameter: 3 1/4 in. Teapot; height: 3 in x width: 5 1/4 in x depth: 3 in.Condition: Extremely good condition.
Chinese Large and Beautifully Grained 17th Century Ming Dynasty Huanghuali Brush pot. c.1670 - 1690, Meant For The Desk of a Scholar to Hold His Calligraphy and Paint Brushes - Grafted From a Single Large Section of Trunk - The Wood Features the Characteristic ' Hares Fur ' Markings, Wonderful Patina / Colour. Huanghuali ' Yellow Flowering Pear Wood ' Very Desirable - A Type of Exotic Rosewood. c. Late Ming Period 1670 - 1690's. Size 6.75 Inches - 16.85 cm High & 6.25 Inches - 15.75 cm Diameter. Please See Photos - Contact Gerrards For More Photos.
A MIXED LOT:- A card case, crested, Birmingham 1899, a Victorian mother of pearl card case (lacking cover), a pair of Middle Eastern eye baths, a French inlaid tortoiseshell case, an enamelled vesta case (lacking cover), a pocket lighter, initialled, a pair of mounted tortoiseshell lorgnettes, a Swedish "Ballograph" ball-point pen (cased), a small carved hardstone figure, an engine-turned cigarette case & a Middle Eastern pendant clasp with reticule and engraved calligraphy; the latter 4" (10 cms) long; 9.5 oz weighable silver (12)
A Chinese White Metal Mounted Bamboo Opium Pipe, Qing Dynasty, set with jade mouth and end pieces and with ruby glass cabochons, the Yxing stoneware hexagonal bowl incised with a landscape and calligraphy, impressed marks, 63.5cm long; with A Metal Opium Pipe Cleaner, the metal scabbard hung with white metal, carnelian and Peking blue glass drops, 56cm long (2)Bamboo with several large splits. Both terminals are loose. Some typical surface wear, staining and scratching throughout.
An Islamic Brass Ewer and Basin. The ewer of ovoid design on spreading foot with hinged cover, the body profusely engraved with a foliate medallions interspersed by geometric designs signature to the neck, approx 31 cms together with an antique brass Islamic hand wash bowl, with pierced center well, profusely decorated with arabesque and Islamic calligraphy. (2)
Islamic Art. A late Mamluk tinned brass bowl Mamluk domains, late 15th century . Round shaped resting on a flat base, decorated with band containing interlaced arabesques intersparsed with thuluth calligraphy within thinner chain bands. Provenance: ex Jonathan Broido Collection.. Cm 16,00 x 10,50.
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13121 item(s)/page