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Full title: Chinese school: The calligraphy lesson, ink and colours on silk, 19th C.Description: Work: ca. 85 x 20,5 cmÊ Frame: 101,2 x 34,5 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A Chinese famille rose vase with calligraphy and a tiger, Jingdezhen mark, 20th C.Description: H 35,2 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Scotland - Burns (Robert, Limner), Scots Ballads, printed on Japanese vellum, number 225 from a limited edition of 320, London: Seeley Service & Co Limited, 1939, printed in Gothic calligraphy, title-page in red and black, illustrated with full-page linocuts, contemporary ochre cloth over black papered boards, top-edge gilt, folio (40cm x 27cm), [1]
A late Victorian gentleman-gaoler's collection of ALS, addressed to Lieutenant-Colonel Everard Stepney Milman, FRGS, JP (1832-1912), former Governor of Holloway and Newgate Prisons, the contents compiled and annotated with a ink manuscripts letters from the great and the good of the Victorian Establishment, including Frederic Thesiger, 2nd Baron Chelmsford (1827-1905), Commander of the British forces in the Anglo-Zulu War, 2pp on Tower of London writing-paper; General Sir John Miller Adye GCB (1819-1900), of the War Office, 1pp on their writing-paper; further military figures, as to be expected; Henry Somerset, 8th Duke of Beaufort KG, PC, DL (1824-1899), 1pp on Badminton writing-paper; further members of the Somerset family and other aristocrats, including titled ladies; some gentleman-amateur watercolourists; editor of Punch; civil servants; etc., bound-in and loosely inserted ephemera, including a Royal Form of Prayer for Prince Albert Victor, Duke of Clarence, 20th January, 1892, 11pp, & 2pp of late 19th century Chinese calligraphy, The Untearable Scrap Book cloth binding (tired), large 4to, [1]
Architecture - Professor John Nelson Tarn OBE, DL, FRIBA, FRHistS, FSA, FRSA (1934-2020), a portfolio of his works while a student at the School of Architecture, King's College, University of Durham, including a separate folio entitled ' Portico/The Mausoleum/Gibside/County ~ Durham', comprising five pencil elevations after James Paine's Palladian designs, prefixed by a calligraphy ink MS title-page dated Sept. 1954 - April 1955, (1); further studies of earlier architecture, as well as original mid-20th century designs for homes, grammar schools, etc., mixed media but principally watercolour or pen-and-ink on paper; etc., [large portfolio]
ÆŸ MCGARVA, JAMESOLD CLOCKS, THORNLEIGH, VICARS CROSS 1951 AND 1952Two albums of photographs recording James McGarva's collection of clocks, the first compiled in 1950 containing bracket, mantel and lantern clocks including a Lantern and a table clock by Tompion, and a spring night clock by Johannes Fromanteel, the second dated 1952 containing longcase clocks including Tompion and Banger no. 352, each image annotated in white Gothic calligraphy and both volumes hard-bound in blue cloth with gilt titles to boards. The present lot is believed to be one of only two pairs of albums compiled by James McGarva to record his clock collection and was used by Ernest Edwardes to assist in his work 'The Grandfather Clock'. The presentation of photographs pasted along with scripted annotations in white ink very much follows (but in a much simplified manner) that used by Walter Iden in the compilation of his albums, an example of which was sold in these rooms in our sale of THE HOROLOGICAL WORKING LIBRARY OF CHARLES ALLIX Wednesday 22nd February 2012 (lot 58) for £5,500 hammer.
Delicately potted with a conical spout and loop handle supported on a body of cylinder form above a line of calligraphic inscription, "FU QI LIAN MIAN" meaning Blessing or lucky lot. H:3 3/8in(8.5cm) W:4 3/4in(12cm) Clay Yixing Teapot, the side and lid with calligraphy H:2 3/4in(6.9cm) W:6in(15.2cm)A yixing clay pot of plum blossom branch form, bearing a blue band in the center of the body and low relief molded decorations. H:3 3/4in(9.5cm) W:6in(15.2cm)
SHUOSHI MIZUHARA, (1892-1981), Kalligraphie eines Gedichtes, Tinte auf goldfarbenem Papier, in Stoffpassepartout montiert und hinter Glas gerahmt, gesamt 46x43 cm. AUS DEM NACHLASS VON ALFRED UND GISELA DIENST| SHUOSHI MIZUHARA, (1892-1981), Calligraphy of a poem, ink on gold colored paper, mounted in cloth mount and framed behind glass, total 46x43 cm. FROM THE ESTATE OF ALFRED AND GISELA DIENST
Porzellan-Malset 2-tlg.: Pinselablage und Pinselwaschgefäß. CHINA, 20. Jh.: Die Pinselablage für zwei Pinsel hat die Form einer Gebirgskette mit 3 Bergen und ist bemalt mit einer Landschaft mit Gewässer und einem Boot, H. 7 cm. Das quadratische, dreigeteilte Wassergefäß zum Auswaschen von drei Pinseln zeigt auf zwei Seiten ebenfalls Landschaftsmalerei und auf zwei Seiten poetische Kalligraphie. Unterseitig mit rotem Shanghai-Siegel, HxBxT: 6x11x11 cm. Oben mit Resten einer Goldkante.| Porcelain painting set 2-piece: brush tray and brush washing vessel. CHINA, 20th c.: The brush tray for two brushes has the shape of a mountain range with 3 mountains and is painted with a landscape with water and a boat, h. 7 cm. The square, tripartite water vessel for washing out three brushes also shows landscape painting on two sides and poetic calligraphy on two sides. Bottom with red Shanghai seal, 6x11x11 cm. Top with remnants of a gold edge.
Kalligraphie/Urkunde, JAPAN 20. Jh., Tusche/chamoisfarbenes Papier, roter Signaturstempel, HxB: Passepartoutausschnitt ca. 36x48 cm, Außenmaße Rahmen ca. 50x62 cm. Im Passepartout hinter Glas gerahmt. Leichte Altersspuren. AUS DEM NACHLASS DER EHELEUTE ALFRED UND GISELA DIENST| Calligraphy/certificate, JAPAN 20th century, ink/chamois-colored paper, red signature stamp, HxW: passepartout cut-out approx. 36x48 cm, outer dimensions of frame approx. 50x62 cm. Framed behind glass in a passe-partout. Slight signs of age.FROM THE ESTATE OF THE HUSBANDS ALFRED AND GISELA DIENST
Chinese School: A Fan Painting, depicting two ducks amongst bamboo and with calligraphy, seal mark in red, 55cm by 26cm, framed and glazed; and A Similar Fan Painting, depicting pine trees, 47cm by 23cm, framed and glazed (2)Condition report: Both removed from original sticks, with marks at the edges showing the previous bonding. Both with wear and staining to the creases, most evident in the first fan. Wear and discoloration. The second fan with some loss to the top-left edge.
Two reference books on Chinese art to include: 1. China-Trade Porcelain by John G. Phillips, with 175 illustrations, distributed by The Phaidon Press Ltd, London, 2. Chinese Calligraphy, It's History and Aesthetic Motiviation by William Willetts, published 1981 Oxford University Press, Hong Kong (2)
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13121 item(s)/page