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FOUR JAPANESE PAINTINGS AND A PRINT EDO AND MEIJI PERIODS The paintings depicting birds in flight or on perches in ink and colour on paper, two with calligraphy, and a woodblock print of a beauty fastening a mosquito net with a cat by her feet by Isoda Koryusai (1735-1790), all framed and glazed, 26.5cm x 11cm. (5)
Hengde Aisin Gioro (b.1933), Calligraphy, 2008, inscribed Tian Dao Chou Qin (God Helps Those Who Help Themselves), against a cream ground with printed gilt dragon and clouds, two red seals, signed and dated, framed and glazed, 60x76cm Hengde Aisin Gioro is the great-great grandson of the Daoguang Emperor's fifth son. The quotation is taken from Yi Jing, the Book of Changes and the scroll was a gift to the vendor by the artist. 爱新觉罗•恒德 天道酬勤 2008年 纸本 镜框
A rare and early item of Duncan Edwards memorabilia: an English Schools' F.A. 'Schools Internationals' certificate for The Victory Shield Competition in May 1952, completed in beautiful manuscript calligraphy, named to D. EDWARDS and certifying that he was selected LEFT HALF FOR ENGLAND v WALES, BIRMINGHAM, 3rd MAY 1952, signed by the Chairman and Secretary of the English Schools F.A., the crests of the four home nations schools' F.A.'s decorate each corner, 20 by 33cm., 8 by 13in. Duncan Edwards is the only England schoolboy international to have played over the course of three years, 1950, 1951 & 1952 at U-15 level His debut for England Boys was v. N. Ireland at Oldham 6 May 1950, at the age of 13. He made four further appearances in 1951 and was captain for the four appearances he made in 1952 including the 5-1 win over Wales at Birmingham City's St Andrews Ground for which the present certificate was issued. His ninth and final match was on 1st September 1952, precisely a calendar month before his 16th birthday.
A Chinese hardwood carving of a young laughing man, late 19th/20th century, modelled holding a bat, seated his hand resting on a basket, on a separate pierced root wood style stand, 17cm high in total, together with two Chinese bamboo brush pots, carved with calligraphy and landscape scenes(3) CONDITION REPORT: Minor wear and losses to figure, otherwise in good condition
A Chinese famille rose bowl with metal mounted rim and foot, mid 20th century, the exterior decorated with scenes of children playing around a peach tree heavy with fruit, with two lines of calligraphy to the reverse, the interior with a central design of a child carrying a large peach, the base with apocryphal six character Qianlong mark, 18.5cm diameter, 9.5cm high
Antique Chinese Carved Ivory Figure on Hardwood Stand. "Recumbent Ox With Figure. Signed on Bottom with Calligraphy Marks. Typical Light Age Cracks and Yellowing Consistent with Age or in Good Condition. Measures 5-1/2 Inches Tall including Stand. This item will only be shipped domestically and was legally imported into the United States. Shipping to California, New Jersey and New York is Not Available for this Lot. Shipping $38.00
Large Antique Chinese Carved Ivory Snuff Bottle. Carved in Relief with Interior Scene on one Side, Etched Wildlife Scene on the other side, also Calligraphy. Signed on Bottom. Good Condition. Measures 6 Inches Tall. This item will only be shipped domestically and was legally imported into the United States. Shipping to California, New Jersey and New York is Not Available for this Lot. Shipping $42.00
A Chinese porcelain tea service, comprising teapot, tea caddy and cover and six tea bowls, each piece decorated in colour enamel with flowering prunus and calligraphy, red seal mark, cased together with a yellow ground famille rose dish decorated with flowers and chasing dragons, 24cm diameter, boxed (2).
After Gilbert Poillerat, a pair of wrought iron fire dogs, each of entwined scroll work, unmarked 34 x 34cm (13 x 13in) Gilbert Poillerat (1902 -1988) trained at the famous Ecole Boulle. His style looked to calligraphy, although his influences were wide, taking from the Rococo, Louis XIV style to the Medieval. He is quoted as saying "The iron did not ask to be an accessory; it is an ornament". By the 1950s his designs, in keeping with changing tastes, became increasingly simple and rectilinear in style. He remained an important designer in France throughout his working life.

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14177 item(s)/page