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An Islamic glass seal with four rows of impressed calligraphy, 2.3cm high, an Egyptian glass ear stud, 1.9cm long, a Roman mosaic glass fragment, a Roman mosaic glass faceted bead, a glass 'eye' bead and a Roman blue glass pendant. (6) Provenance Bonhams & Brooks, 26th April 2001, lot 280, part.
INTERESTING EARLY NINETEENTH CENTURY OXEN HORN, WITH INTRICATE INSCRIPTION AND DETAIL with flowering calligraphy and upper case wording 'James Fannaway is my name England is my Nation - Worcester in Oxfordshire these lines my relations' with various emblems and images below including Cathedral, Prince of Wales feathers, Masonic emblems and dated Cartaxo, Portugal April 28, 1827, the wide end capped in etched plated metal, the other with turned horn spout or mouthpiece, approx 22" (56cm) long overall
Three 19th century Chinese mother-of-pearl inlaid wooden (possibly hongmu wood) panelsOne depicting a sage and a boy before a tree and with calligraphy, the other two inlaid with a figurally decorated flowering vase, each with small fixing hook hole. The former 60.5 cm high. (3) CONDITION REPORTS: Some scuffing and scratching, some mother-of-pearl raised, some small repairs, general wear.
A Scarce Ethiopian Menelik King's Guard Sword, Approx 80cm Curved Fullered Blade Profusely Etched With Scrolling Foliage And Stands Of Arms, Further Etched With The Lion Of Judah And A Panel Of Calligraphy Translating To Menelik, And To The Other Side With An Image Of St George And A Panel Of Calligraphy Translating To St George, Etched With The Initials GG And A Further Inscription At The Forte, Steel Stirrup Hilt With Traces Of Plated Finish, The Langets Decorated With An Image Of The Lion Of Judah And Two Initials, Ribbed Wooden Grip With Some Original Paint.
CHINESE CARVED STAINED AND GILDED WOODEN STATUE OF THE DEITY SHOU-LAO, holding a gilded skull with calligraphy and standing on a pierced and carved rockwork base, 36cm high approx. (Note: Shou-Lao is the god of longevity).(B.P. 24% incl. VAT) CONDITION REPORT: Very grubby, some wear to gilding in places. No obvious damage.
Chinese Large and Beautifully Grained 17th Century Ming Dynasty Huanghuali Brush pot. c.1670 - 1690, Meant For The Desk of a Scholar to Hold His Calligraphy and Paint Brushes - Grafted From a Single Large Section of Trunk - The Wood Features the Characteristic ' Hares Fur ' Markings, Wonderful Patina / Colour. Huanghuali ' Yellow Flowering Pear Wood ' Very Desirable - A Type of Exotic Rosewood. c. Late Ming Period 1670 - 1690's. Size 6.75 Inches - 16.85 cm High & 6.25 Inches - 15.75 cm Diameter. Please See Photos - Contact Gerrards For More Photos.
A 20th century Chinese checkers board game having stone counters gaming pieces having calligraphy lettering contained within a marble board. Board measures 37cm x 37cm. Together with a set of thirty two Chinese jade gaming counters / draught pieces complete in fitted case. Box measures 18 cm high and 18 cm wide.
Set of two Chinese propaganda posters: 1. Original vintage poster Rice fields Xiangyang canal - featuring a traditional painting of a Chinese country scene including rice field workers hills Xiangyang canal and a mountain range in the background. Published by Jiangsu province 'Five-Seven' school creative team. Fair condition, foxing, tears in margin, creasing, staining. Year: 1960s. Country: China Year: Size (cm) 77x54; 2. Original vintage propaganda poster Learn from Comrade Lei Feng - expressed through Chinese calligraphy on a white background with a red border. Lei Feng (1940 - 1962) was a soldier of the People´s Liberation Army in the People´s Republic of China was characterised as a selfless and modest person who was devoted to the Communist Party. In the posthumous "Learn from Comrade Lei Feng" campaign initiated by Mao in 1963 Lei became the symbol of nationwide propaganda. Fair condition, tears in margin, creasing in margin. Country: China Year:1960s Size (cm) 77x52
Calligraphic Manuscript.- Alexander (Margaret, calligrapher).- Hudson (W.H.) The Owl at Alfriston, excerpt from 'Nature in Downland Chapter XIV', calligraphic manuscript, on laid paper, title and 9pp., written in green and black ink with first line and decorations in gold, large first initial "O" illuminated with figure of owl in gold and watercolour, with another figure of an owl in a gold cage at end, other initials in black and gold, with 5-line "Scribe's Apology" of correction to one page on final leaf, J.R.Abbey's copy with his book-label on front pastedown and ink accession note at end, original cloth-backed marbled boards, small painted owl in green and black on gold background to upper cover, c.175 x 140mm., Transcribed and Illuminated by Margaret Alexander, 1957.⁂ Margaret Alexander (b.1902) studied at the Slade School of Fine Art and taught calligraphy and illuminating there from 1928-1957. She was also a calligrapher to the House of Lords 1926-1963 and worked for the Stanbrook Abbey Press.
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