A Japanese gold lacquer tortoiseshell comb, Edo period. From the Miriam Slater Collection, with calligraphy panel, 2.9 x 9.6cm: another gold lacquer and tortoiseshell comb, Miriam Slater Collection, decorated with intricate geometric patterns, 2.8 x 7.5cm; four Japanese gold lacquer and tortoiseshell combs and three plain tortoiseshell combs. (9)From the collection of Pat Johnstone, a Cornish artist and sculptor, who also had a passion for collecting Asian antiques and especially Japanese combs, kogai and kanzashi. Her collection has been curated for over 40 years and includes items from the Miriam Slater collection.
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A Chinese boxwood pierced hanging lantern, early 20th century. With carved dragon masks above pierced panels with calligraphy, height 64cm, width 63cm, depth 58cm.Some damage and loss to detail on this lot, please see additional images of affected areas. please note we do have detatched pieces, they would need to be re attatched.
A Japanese tortoiseshell comb, Meiji period. Decorated with gold lacquer branches and flowers, 4 x 9cm; a Japanese gold lacquer comb, early 20th century, signed, decorated with mother of pearl flowerheads, 4.5 x 10cm; two similar Japanese combs, late 19th century, with gold lacquer leaf decoration, 2.5 x 13cm and 2.5 x 13.5cm; a Japanese tortoiseshell and gold lacquer comb, Meiji period, decorated with a seated figure and calligraphy, flanked by birds and clouds, 3.3 x 8cm; two Japanese ebonised and gold lacquer combs, one signed and the other with kogai, 4.5 x 9.5cm and 4 x 8.3cm; a Japanese brown lacquer comb, signed, decorated with arrows, 4.5 x 10cm; and a small Japanese faux tortoiseshell and gold lacquer comb, 2.5 x 7.7cm. (10) From the collection of Pat Johnstone, a Cornish artist and sculptor, who also had a passion for collecting Asian antiques and especially Japanese combs, kogai and kanzashi. Her collection has been curated for over 40 years and includes items from the Miriam Slater collection.
A Chinese porcelain and hardwood eight paneled screen, Qing Dynasty, early 20th century. Painted in famille rose enamels including figures in interiors, with calligraphy, each panel height 78.5cm, width 16cm.From a private West Cornwall collection, originating from the 1980s.We can see no hairline cracks, chips or restoration
A Chinese green jadeite and metal censer, early 20th century. Seal mark to base, the pierced cover with dragons and surmounted by Buddha, height 11cm, width 9cm, depth 9cm and a Chinese porcelain vase, Republic period, 20th century, decorated with a bird perched on a branch, rows of calligraphy, height 18.5cm, width 9.5cm. (2)
A Chinese alabaster and hardwood seven paneled screen, Qing Dynasty, late 19th century. Painted with interior and river scenes, with calligraphy, individual panel size; height 65cm, width 12.5cm.From a private West Cornwall collection, originating from the 1980s.We can see no restoration, there are breakages and a looseness to the framing.
A Chinese painted scroll depicting a hen and chicks, early 20th century. With calligraphy and red seals, 210 x 47cm, image size 94.5 x 33.5cm.There is evidence of water marks to the head of the scroll; spotting spread throughout to the verso, with possibly a small repair; a couple of fold marks as is expected; Generally in a very good condition. More photographs in natural light have been uploaded.Expert brush strokes with (still) vibrant colours.
A Chinese painted scroll depicting a warrior and tiger, early 20th century. 'Pretending to be a god of death', with calligraphy and seals, 163 x 58.5cm, image size 97.5 x 48.5cm.In very good condition, with no rips or tears to the scroll. Painting in good, crisp, clean condition. Please view extra images.
A Chinese Canton enamel lobed dish, Qing Dynasty, late 18th century. Depicting figures in a landscape, with rows of calligraphy, 8 x 9.5cm and a Chinese enamel cup, mid-late 18th century, depicting figures in a landscape, height 3cm, width 4.5cm, depth 4.5cm. (2)The vendor inherited the collection from his father in 2015. The vendors father inherited the collection in the late 1950's from his Aunt Blanche Gertrude Ealand who preferred to be known as Heather and was born in 1903. She was best friends with the famous artist Dame Laura Knight and there is a well known painting showing Blanche dressed in her hunting and fishing attire and holding a shotgun. She was also the Queen of the Chelsea Arts Ball in the 1920’s.
A CHINESE PORCELAIN LANDSCAPE BOWL AND COVER (3)Qing dynasty, probably 19th century painted in a famille-verte palette with buildings, rocks and trees on one side and lines of black calligraphy on the reverse, the bowl also featuring figures on a boat, underglaze-blue key pattern borders, old paper lot entry to the base of the bowl, 11.5cm high, wood standThe cover has a very haircrack to the rim, approx. 3cm length. Minor chip to the rim of the handle on the cover. Both bowl and cover with minor wear to the white enamel.
THREE CHINESE SEALS (3)Each of square section with a carved character marks, comprising an agate seal with three incised characters to one side, 9.5cm high; a marble seal incised with two lines of calligraphy to one side, 4cm high and a soapstone seal with two incised characters to one side, 4.25cm high. Provenance: Property from a deceased estateThe marble seal with a minor chip to two of the bottom cornersThe soapstone seal with some chips and nicks around the edges and corners
Pat Hui (Chinese, b. 1943). Group of three abstract watercolor paintings with ink calligraphy. Two of the works consisting of two sheets framed together.(Sight) Height ranges from 12 in to 16 3/4 in; width ranges from 11 3/4 in to 16 3/4 in. (Framed) Height ranges from 19 in to 24 in; width ranges from 18 in to 25 in; depth: 1 in.Condition:There are no visible tears, losses, or restorations. Undulation to the sheets throughout. Some unevenness to the edges, likely original to the artistic process. The blue and green painting with several spots of foxing. All paintings are floated in frame. Not inspected out of frame. The two blue and green work and the rainbow work are framed under glass; the remaining work is framed under plexiglass. Light wear to the frame.
A Middle Eastern copper scent bottle, late 19th century. Decorated with a mythical beast in relief and islamic calligraphy to verso, height 4cm, width 3cm, depth 1.5cm; and an Indian silver and polychrome enamel chess piece, early-mid 20th century, depicting figures riding an elephant, height 8.5cm, width 4.5cm, depth 5.5cm. (2)
of characteristic Arabian peninsula form, 70.5cm fullered blade decorated with a panel of scrolling foliage to one side and a panel of calligraphy on virtually all of the opposing side, characteristic white metal geometric hilt, the borders decorated with geometric designs and the crossguard with central foliate motif, chain guard, contained in its white metal mounted leather wrapped wooden scabbard decorated to match.
A CHINESE BALUSTER VASE Painted with birds amongst flowering plants issuing from rockwork, blue reign mark, 20cm high, and a quatrefoil shaped dish painted with ladies and calligraphy, 18.5cm wide (2) Condition Report:Vase is fine, a few iron spots. Dish has gilt loss to the edges / irregular silver colour /fingerprint. Iron spots. Some glaze spotting. No chips
George Chann (Chinese/American, 1913-1995). Mixed media on canvas abstract painting in blue, yellow, and red. Signed along the lower right.Provenance: Private Texas Collection, 2023; Private Minnesota Collection.Lot Essay:George Chann was a Chinese-American artist known for his significant contributions to modern art in the mid-20th century. Born in Canton, China, Chann immigrated to the United States in 1933, where he later became a prominent figure in the American art scene. His work is characterized by a fusion of Eastern and Western artistic traditions, blending traditional Chinese calligraphy with modern abstract expressionism. Chann's unique style and innovative approach garnered attention, leading to numerous exhibitions and accolades throughout his career.In the 1950s and 1960s, Chann played a key role in the California art scene, particularly in the San Francisco Bay Area. His paintings often featured bold brushstrokes, vibrant colors, and a sense of spontaneity that reflected his deep understanding of both Chinese and Western artistic philosophies. Chann's artistry transcended cultural boundaries, offering viewers a bridge between two worlds. His legacy continues to influence contemporary artists, highlighting the rich tapestry of cultural exchange in the realm of modern art.Unframed; height: 16 3/4 in x width: 21 1/4 in. Framed; height: 20 3/4 in x width: 25 in.
A fine Turkish silk Hereke rug, second quarter 20th century, the mihrab field with vase, bird and floral motifs, on a blue and ivory ground, contained by stylised floral border with Arabic calligraphy, 198 x 129cm Condition Report: was used as a wall hanging most of its life so minimal wear, no rips or visible repairs, very minor stains, all fringe looks to be intact.
Studio of Robert Jobling (1841-1923) An archive of family drawings, watercolours and memorabilia to include: an unframed seascape in oils, photographs by Joseph Jobling; glass negatives, an oil painting of Bates Island, a watercolour "Old Sheild's" by A.W. Liddell, signed and dated 1893, a calligraphy homage to Robert Jobling by fellow artist Aaron Watson (1850-1926), two electroplated serving spoons, and other ephemera. All unframed.
Selection of mainly antique silver and costume jewellery, including a green hardstone bangle, a painted portrait brooch, a bangle, a matching ring and cufflinks, pendant, bracelets a calligraphy pen and a scent bottle, all in silver, together with antique costume jewellery including bracelets, cameos and othersCondition Report: Silver gross weight 298.2g
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