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LIN SUYUAN (1890-1967)CalligraphyInk on paper, mounted as scrollsSigned Suyuan.The first: 40.5cm (16in) high x 54.5cm (21 1/2in) wide; the second: 62cm (24 3/8in) high x 130cm (51 3/16in) wide (2).Footnotes:林素園 書法兩幅 立軸 水墨紙本Provenance: Arthur Probsthain bookshopFor further information on this lot please visit Bonhams.com

ZHAO ZHECHENCalligraphyInk on paper, a pair and set of five hanging scrollsDated bingzi year (1936).Each work 161cm (63 3/8in) high x 40.5cm (16in) wide (7).Footnotes:肇哲塵 書法一對及五幅 水墨紙本 立軸 一九三六年〈一〉公有奇貨，壽同金石。子乘祖武，國之干城。貝子仁老先生補壁，丙子秋七月中旬北平肇哲塵寫於愛日草軒之南窗下，薛玉海敬贈鈐印：「潔華軒」、「臥游五嶽」、「蔡舫」〈二〉魯正叔之穸作槃其御子子孫孫永壽用之。魯正叔槃，右文十七子係魯正叔之穸作槃其御子子孫孫永壽用之。正叔二字雖不見於經傳，必魯之公族也，癡道人臨。鈐印：「自而祐之吉無不利」、「如月之恆」〈三〉仲斯大它鑄其寶鬲其萬年子子孫孫永寶。右仲斯鬲銘，為仲斯大它鑄其寶鬲其萬年子子孫孫永寶。感時生摹。鈐印：「翰墨怡情」〈四〉吾水道既平既止嘉日樹則天子永寧日隹丙申。右岐陽石鼓文十九字，周宣王太史籀所篆，歲月深遠，波泐殆盡，以其可辨者刻之於石，雖不成文，然典型尚在，劉與好事共之。哲塵。鈐印：「説到入情劍欲鳴」〈五〉右林左泉，後岡前道，萬世之寧，茲焉是寶。右比干墓銅盤，上鏤右林左泉，後岡前道，萬世之寧，茲焉是寶。十四字，誌于攷古錄中。哲塵摹。鈐印：「一聲高唱洞庭秋」〈六〉唯八月初吉庚午，邛仲之孫伯戔自作饋盫，其眉壽萬年無疆，子子孫孫永保用之。邛仲盫右銘邛仲之孫伯戔自作饋盫，説文云邛在濟陰，玉篇云邛在山陽，呂氏攷古云饋盫著，以捧運湯飯而加覆蓋耳。肇哲塵。鈐印：「恃酒文章益不佳」Provenance: Arthur Probsthain bookshopFor further information on this lot please visit Bonhams.com

DONG GAO (1740-1818)Landscapes, 1763Album of eight leaves, three ink on paper, five ink and colour on paper, each leaf inscribed by the artist and signed Dong Gao or Zhelin, each leaf with one or two artist's seals reading Dong Gao and Zhelin, the final leaf dated Qianlong Guiwei (1763). Each leaf, 27.3cm (10 3/4in) x 35.8cm (14 1/8in).Footnotes:董誥 山水 設色紙本 册頁八開 一七六三年封面 款識：董文恭公山水畫寳。畫史載公於乾隆癸未傳臚，此幀乃於是年之手筆，計成八頁，悉書傑作，洵堪寶貴。濂志。鈴印：「竹解虛心是我師」〈一〉款識：石壁巖巖翠倚空，踈松謖謖灑清風。夕陽返照詩人杳，一杵鐘聲已斷虹。擬馬河中法。富陽董誥。鈴印：「董誥」「蔗林」〈二〉款識：從來愛竹是吾家，墨雨如烟染白麻。一片秋聲橫斷壑，半江殊雨是平沙。蔗林畫。鈴印：「董誥」「蔗林」〈三〉款識：南田老人惲壽平有此畫本，惟曲渚踈林層次分明，誠非學者所及，況皓月一輪，霧氣滿幅，尤難下筆乎。西京董誥。鈴印：「董誥」「蔗林」〈四〉款識：新波獵獵弄翠蓋，雨後雲山半有無。一段勝情誰領略，雖從畫裏喚方壺。西京仿文待詔法。鈴印：「董誥」「蔗林」〈五〉款識：平遠之法，惟倪雲林高士獨擅專長，余今變其筆法，用其畫意，而成此幀，殊未能免效顰之誚，已擲筆一粲。董誥。鈴印：「董誥」「蔗林」〈六〉款識：書樓高柳翠煙迷，樓外篁聲入水溪。風掩歌舞春不散，漁翁已到板橋西。仿元人畫作，蔗林。鈴印：「董誥」「蔗林」〈七〉款識：曾有名家畫山泉圖，有筆有墨，洵可愛也，惜未署名，殆隱君子流人焉。董誥。鈴印：「董誥」「蔗林」〈八〉款識：風壑晴泉清，山遲曉更明。夜來飛雪重，猿鶴凍無聲。乾隆癸未冬十月，蔗林董誥。鈴印：「董誥」「蔗林」Provenance: Bonhams New York, 16 March 2015, lot 8150Dong Gao 董誥 (1740-1818), courtesy name Yalun (雅倫) and Xijing (西京), style name Zhelin (蔗林), was born in Fuyang, Zhejiang Province, the eldest son of the court painter Dong Bangda (1699-1769). An accomplished scholar from an early age, Dong Gao received his Jinshi degree in 1764 (the 29th year of Qianlong reign), at the young age of 24 sui and a year after this album was painted. He served Emperors Qianlong and Jiaqing for more than four decades and held numerous illustrious posts and supervised the compilation of several Imperial histories and anthologies. The emperors also prized Dong Gao's calligraphy and paintings, many of which were included in the Palace Collection.See a set of four albums of West Lake by Dong Gao, which was sold at Christie's New York, 18 March 2009, lot 344.For further information on this lot please visit Bonhams.com

A LARGE BLUE AND WHITE 'PRINCE TENG'S PAVILLION' BALUSTER PORCELAIN JAR Probably 18th century, the body divided into four panels, two of calligraphy and two with extensive mountainous landscapes with pavilions and boats, the jar is inscribed with the poem 'Teng Wang Ge' or 'Prince Teng's Pavillion' by the Tang dynasty poet Wang Bo and with corresponding landscapes Notes: A comparable 'Teng Wang Ge' jar of a similar scale, sold at Christie's, London, Rooms. as Portraits: Micheal S. Smith, Eaton Sq., London, 12 Sep 2018, Lot 10; also for two vases of comparable type, both dated 1720, see Christie's Paris, Art d'Asie, 13 Dec 2017, Lot 32 and Sotheby's Paris, Art d'Asie, 18 Jun 2020 Lot 13 49cm high Provenance: Property from the collection of Yves Prunier Condition: Condition Report A section of visible restoration to the rim which continues vertically down the side of the jar until the foot. Scratches and general wear throughout to the glaze. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property of Pierre Prunier

A large Chinese meiping style vase with calligraphy decoration.

An Islamic Ottoman Metal-threaded Embroidered Textile,20th Century, with Islamic Calligraphy and Ceremonial Motifs.Approximately 238 x 133cmThe embroidery features prominently on a red fabric, with the vibrant contrast of gold and silver metal threads adding a luxurious and regal appearance to the work. The use of metallic threads was a hallmark of high-quality Ottoman textile art, symbolizing wealth, power, and religious devotion.At the centre, the inscription of the Shahada (the Islamic declaration of faith) is boldly displayed in vibrant red against the gold and green background. Surrounding the central panel are additional inscriptions in flowing Arabic script, likely praising Allah and Prophet Muhammad (PBUH), as well as other key Islamic figures. The corners and sides are embellished with ornate roundels containing calligraphic medallions that likely include further blessings or names of the Rashidun Caliphs.One notable feature in the centre is the depiction of a ceremonial vessel or lamp, symbolizing light and knowledge in Islamic tradition, surrounded by the names of the first caliphs, emphasizing the unity of religious and political authority in Ottoman culture.Provenance: Private UK collection.

An Islamic Ottoman Green Silk Kiswa Decorated with Islamic Calligraphy. Approximately 118 x 90cmProvenance: Private NW London collection

A Rare Large Islamic Ghaznavid Tin Bronze Engraved Tray, 11th Century or Later, Depicting Islamic Calligraphy & Animals.D: Approximately 45cmH: Approximately 5cm

An Islamic Persian Coco Kashkul Beggar's Bowl, Engraved with Islamic Calligraphy & Floral Motifs. L: Approximately 25.5cmProvenance: Private SW London collection.

An Islamic Persian Coco Kashkul Beggar's Bowl, Engraved with Islamic Calligraphy & Floral Motifs. L: Approximately 25.5cmProvenance: Private SW London collection.

An Islamic Iron Kashkul Bowl, Inscribed with Islamic Calligraphy, Possibly Qajar.L: Approximately 29.5cm

An Islamic Persian Iron Engraved Inkwell Qalamdan, with Islamic Calligraphy & Floral Motifs.Approximately 25.5 x 9.8 x 7.5cm

**NO RESERVE**An Islamic Calligraphy Painting of a Horse Approximately 30 x 19.8cmProvenance: Private UK collection.

A Rare Pair of Chinese Cloisonné Square Vases Decorated with Islamic Calligraphy and Floral Patterns with 4 Character Marks to the Base, Made for the Islamic MarketH: Approximately 32cmPrivate collection from Denmark, obtained in the 1970's.

18th century | height: 14 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello comes from Liguria, Italy and dates back to the 18th century. Made of earthenware, it was used to store pharmaceutical mixtures. The inscription on the front "Pil: de Feru" indicates that the jar contained iron-based pills, which were used at the time to treat anemia and other health problems associated with iron deficiency. The jar is decorated with blue geometric patterns, which are emphasized at both ends by arch motifs, typical of ceramics of this period. Gothic calligraphy completes the decoration, with the dark lettering contrasting with the soft white background and blue decorative elements. This albarello not only fulfilled its function in pharmacies, but also provides insight into artistic traditions and pharmaceutical practices in northern Italy during the 18th century. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

18th century | height: 18 cm | region: Liguria | country: Italy | provenance: private pharmacy museum | Albarello faience pottery | This albarello comes from Liguria, Italy and dates back to the 18th century. It is a traditional pharmacy jar used to store herbs, ointments or dry medicines. Made of earthenware, this artifact is characterized by its white background with blue floral decorations, typical of northern Italian ceramics of this period. The jar is marked "Absinth" in black, indicating that it was used to store wormwood (Artemisia absinthium), an herb known for its medicinal properties and use in medicine and herbal medicine. This species of albarella was commonly used in pharmacies to store dried herbs. Elegant calligraphy together with a decorative blue motif on a white background reflect the aesthetic demands of a time when even utilitarian objects had an artistic dimension. This artefact is not only evidence of pharmaceutical practice, but also a representative of Baroque ceramics from Liguria. | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

Napoleon Bonaparte by William Milligan Sloan (1850-1928) New York: The Century Co. A monumental work in 12 volumes, and lavishly bound in red Morocco leather with gilt detail to the front and back boards, and the spine, and green silk inner leaf. With the exception of volume IV, each is complete with a red slip case. Comprising of up to 1000 plates, many hand coloured, plus maps, portraits, and battle plans. Calligraphy index pages, and a memorial book plate to Lt Frank Wilks Brooks USNR, and presented to the Sheldon Library. Important Note: The calligraphy index makes reference to many original autographed documents, from the Bonaparte family, French Royalty and nobility, and other notable Europeans of the era, but the autographed page have now been removed from each volume. Approximately 35.5cm x 28.5cm. Condition generally good. Some of the volumes slightly rubbed to the edges in places. Green silk flyleaf partially detached in volume I, and slip case missing to volume IV.

A Chinese republic famille rose tea bowl decorated with male and female in traditional dress and calligraphy, height 5cm.Condition Report: Light wear to the decoration and gilding.

An early 20th century Cantonese bamboo calligraphy brush tray, as a cargo boat carrying silks and scholars, 23cm long, Qing Dynasty, c. 1910

A Waterman Paris fountain pen, boxed; an Osmiriod Italic Broad calligraphy fountain pen; a Sheaffer fountain pen; a Platignum fountain pen; etc

Stationary & Writing Equipment - a Parker 45 fountain pen, press close cap, 14cm long overall; a Sheaffer's fountain pen, press close cap, 13.5cm long overall; a Swan calligraphy fountain pen, 14ct gold nib, screw close cap, 12.5cm long overall (3)

A large quantity of coloured inks, mainly Japanese calligraphy, etc.

Large carved wooden jade seal, formed by three pieces of wood joined together. With a square base, it is crowned by the image of a large dragon with two heads joined by an elongated rectangular body. The beast shows a ferocious expression, with open jaws showing large fangs, bulging eyes, and large nostrils under which hang long whiskers. The body, covered with a lattice of incised scales, rests crouched with forelegs flexed, showing the sharp claws, on a sea of curled clouds done in great detail. In the center of the image, under the belly, there is a hole threaded by a yellow cord. At the base, inscribed in a quadrangular frame, are in relief the characters “?????????”. The wood shows dark tonality, with slight reddish tones. It shows patina produced by the passage of time.  Catalog note: Empress Dowager Cixi (1835 - 1908), was a key figure during the later periods of the Qing dynasty. She was known for her interest in calligraphy, among other arts; that is why, in her last years of regency, the empress had multiple seals made on a large scale, made of wood for better handling because, being made of hard stones such as jade, the weight would be extreme. Few copies of the Empress Dowager Cixi's stamp collection are still available today.  Size: 17 x 25.2 x 25 cm; Weight: 3857 g. Provenance:French private collection.References: The Palace Museum Beijing. Object 00165802. ?????? “?????????

A mid 19th century Victorian album of definitive postage stamps. The album with manuscript calligraphy & stamps pasted in, appearing to be lacking maj. of original collection but still with two Penny Red stamps, Penny Lilacs & Edwardian GB issues; as well as issues from Belgium, Bavaria, Holland, France, German Empire, India, Australia, Russia, Spain, Switzerland and the USA. Along with 1863 A Hand Catalogue of Postage Stamps for the Use of Collectors by John Edward Gray, Second Edition publ. Robert Hardwicke (front board loose but present). Album with spine loose but present.

Wu Guanzhong (Chinese, 1919-2010)Boats on a lake 湖上帆景Oil on canvasSigned and datedFramed油畫畫布 鏡框款識：吳冠中 八八 於左下方 Wu Guanzhong was a contemporary Chinese painter widely recognized as a founder of modern Chinese painting. He is considered to be one of the greatest contemporary Chinese painters. Wu's artworks had both Western and Eastern influences, such as the Western style of Fauvism and the Eastern style of Chinese calligraphy. Wu had painted various aspects of China, including much of its architecture, plants, animals, people, as well as many of its landscapes and waterscapes in a style reminiscent of the impressionist painters of the early 1900s. He was also a writer on contemporary Chinese art.Measures approx. 34cm x 34cm (13.5" x 13.5")Acquired by current owner in Hong Kong.

A BOLD GOLDEN OTTOMAN THULUTH CALLIGRAPHIC PANEL Ottoman Turkey, dated 1318 AH (1900 - 1901 AD)Arabic printed calligraphy, ink, and gold on black-dyed card, the horizontal-format composition presenting a single straight line of bold gold-printed thuluth script reading 'My Success is due to God', with full diacritics and markers, encased in a rectangular cartouche embellished with clusters of Westernised acanthus leaf triumphs on the outer edges, dated 1318 AH, set against a solid black ground, mounted, glazed and framed, 48.5cm x 76cm including the frame. 48.5cm x 76cm including the frame Qty: 1

λ AN HISPANO-MORESQUE ALMORAVID-STYLE BONE AND IVORY-INLAID HARDWOOD LIDDED BOX Southern Spain, ca. 1920 - 1940Of rectangular shape, resting on four compressed rounded feet, the full exterior and interior of the lid decorated with typical Hispano-Moresque taracea (micro-mosaic marquetry) designs inlaid in bone, ivory and stained wood tesserae, the decoration consisting of traditional Andalusian art motifs like octagonal roundels in-filled with eight-pointed stars (khatim sulayman), strapwork, cusped cartouches with arabesque scrolls and Arabic calligraphy reading the Nasrid motto La Ghaliba Illa Allah, and geometric fretwork bands, the interior lined in later-added green velvet.11.5cm x 27.5cm x 19.5cm This item may require Export or CITES licences in order to leave the UK. It is the buyer's responsibility to find out and conform to the specific export requirements of their country and ensure that lots have the relevant licences before shipping. 11.5cm x 27.5cm x 19.5cm Qty: 1

AN ISLAMIC-STYLE POLYCHROME-PAINTED FRENCH FAIENCE POTTERY BOWL J. Vieillard & Cie, Bordeaux, France, second half 19th centuryOf compressed globular shape, resting on a flat and unglazed circular base, rising to wide sloping shoulders and a short everted neck with reinforced rim, the body exterior and the neck interior painted in bright over-glaze polychrome enamels including cobalt blue, turquoise, red, yellow, green and white, outlined in black similarly to Islamic cuerda seca pottery creations, the overall design and decorative patterns of the bowl an ode to the 19th-century Islamic art revival in Europe, featuring on the shoulders thuluth Arabic calligraphy, cusped arabesque cartouches, rosette sprays, stylised lotus meanders with saz leaves, and rosette blossoms, cusped arches and geometric strapwork on the base, the interior splashed in cobalt blue against white, the base stamped with the maker's mark J. Vieillard & Cie from Bordeaux, in use from 1845 until 1895, and inventory and serial production numbers, D.65, 323, and 47.14cm diam. and 8cm high 14cm diam. and 8cm high Qty: 1

A POLYCHROME-PAINTED POTTERY VASE WITH THULUTH CALLIGRAPHY Possibly Palestine or Syria, late 19th - early 20th centuryOf ovoid shape with a tapering base and wide, rounded shoulders, resting on a short circular foot and rising to a tall cylindrical neck, the red earthenware body covered in white slip and underglaze-painted in cobalt and light blue, red, and green with black outlines, the central band in the middle of the body featuring a continuous thuluth inscription bearing honorific titles, reminiscent of Mamluk wares and metal artworks.28cm high 28cm high Qty: 1

AN ENGRAVED BRASS DIVINATION BOWL WITH ZODIAC SIGNS Safavid Iran, 17th centuryOf typical shallow rounded shape, resting on a short straight foot and rising to a narrow, everted rim, the centre marked with a dome-shaped boss pierced in the middle, possibly once encrusted, the interior engraved with auspicious and talismanic inscriptions invoking the Prophet Muhammad, Ali and other Shi'a Imams, prayers and wishes, arranged in a spiralling pattern on the boss, cusped cartouches around the base of the boss, interlocking roundels to the cavetto, and further cartouches and free-flowing calligraphy around the rim, the exterior heavily engraved as well with further inscriptions, including the bismillah next to the foot, the central band with octagonal star-like cartouches in-filled with the twelve Zodiac signs, the Leo surmounted by the royal symbol of the Shir o Khorshid (Lion and Sun), the foot with a later-added ownerhsip inscription Saheb-e Shaham Aqa Beyt Ali Beig.18.7cm diam. and 5.7cm high 18.7cm diam. and 5.7cm high Qty: 1

° ° Kingsford, Florence [Lady Cockerell] (1871-1949), (illustrator), Graily Hewitt (1864-1952), (calligrapher) - Hymn of Saint Francis, with an finely executed illuminated title, the borders worked with Saint Francis and seven muses, walking in a garden amongst formal flowering shrubs, with 6 pages of poetry in opposing English/Latin text, in black ink calligraphy, the Latin pages with initial capital letters in gold, the final leaf with an inner margin, illuminated with trailing fruiting pear trees, adorned with squirrels and pigeons, all on vellum, 8vo, (223 x 150mm), blue morocco, with a gilt lettered upper board and spine, by Katherine Adams (1862-1952), the 2nd president of the Women’s Guild of Art.?? Note: This work was exhibited in January, 1906 by Sydney Cockerell, in the case of illuminated books, number 239 (d), in the Large Gallery, at the eighth exhibition of the Arts and Crafts Exhibition Society, in the Grafton Gallery.The Hymn of Saint Francis, also known as the Canticle of the Sun, or Laudes Creaturarum, was translated from the Latin of the Franciscan friar, Jacopone da Tori (died 1306), into English by Matthew Arnold in the mid-19th century. However, Dante Gabriel Rossetti also translated it in 1869, as in the present work Please refer to updated pictures at www.gorringes.co.uk now showing the cypher of Katherine Adams. No condition issues noted.

A silver calligraphy dip pen, hallmarked London 1990, length 16.5cm Good condition

A box of calligraphy inks, over 50 bottles various colours, Diamine and other marks

A box of calligraphy equipment, including pen set, coloured inks, stencils, ink blotters etc All unused

A collection of drawing and calligraphy bottled inks, various colours, inks by Diamine, WES, over 50 bottles All unopened

Chinese wooden tea caddy of hexagonal form, carved with landscape scene panels and calligraphy, 10.5cm high together with a Japanese wooden model of a cottage, inlaid with landscape scenes, 10cm high

Pair of 1920s/30s London Underground POCKET MAPS comprising Summer 1928 'Electric Railways of London, What to see and how to travel', designed by E G Perman with elaborate calligraphy of station names and border etc (lightly-used with short fold-partings) and March 1933 'Guide to the new...through service, Hounslow and West End' with card cover and fold-out map of Central London with travel information on the reverse side (excellent condition). [2]

1921 London Underground 'Inner Area MAP of the Electric Railways of London', a pocket-sized, linen-card issue designed by MacDonald Gill using his own personalised style of calligraphy for the station names and key box text. An excellent example of this uncommon map, crisp and firm and barely used. [1]

1921 London Underground 'Inner Area MAP of the Electric Railways of London', a pocket-sized, linen-card issue designed by MacDonald Gill using his own personalised style of calligraphy for the station names and key box text. A very good example of this uncommon map, just lightly used. [1]

1928 London Underground MAP of the Electric Railways of London "What to see and how to travel". December (12/1928) edition designed by E G Perman with elaborate calligraphy of station names and border etc. An excellent example with no obvious blemishes. [1]

An Oriental silk Embroidery of birds of paradise with calligraphy,18 1/2" x 14 1/2", plus a late 20th century Crewel work style embroidery of woodland mushrooms.

Prachtvolle Kalligraphie und Branntwein - Handschrift mit 21 großformatigen Kalligraphien mit zahlreichen figürlichen und zoologischen Originalzeichnungen des Louis Hartmann d'Andlau im Elsass. 21 Bll. (mit Zeichnungen), 37 Bll. (mit handschriftlichem Text). - Um 1765. Hldr. d. Zt. (Bezug am Rücken fehlt, Bindung gelockert, 2 Seiten lose). I. Zu den Zeichnungen. - Enthält 21 seitenfüllende Kalligraphien mit reichem floralen Blattschmuck und barockierenden Knoten mit zahlreichen figürlichen und zoologischen Originalzeichnungen angereichert mit Bibelzitaten u.a. aus dem Hebraer und dem Thimoteus. Die Zeichnungen zeigen Blumen, Blüten, Vögel, Hirsche, Jagdszenen, Soldaten etc. II. Zur Handschrift: Das Manuskript beschreibt in einem Verzeichnis das Handeln des Gutsbesitzers im Branntweinverkauf und der Abfüllung. Hierbei berichtet der Gutsherr sorgsam die Mengen, Daten und die Art, sowie die Käufer notiert. Darüber hinaus listet der Gutsherr den Verleih von Geld an einen Offizier der Légion de Conflans. - Interessante Handschrift mit hervorragenden Zeichnungen des ausgehenden Barock'. Gorgeous calligraphy and brandy - manuscript with 21 large-format calligraphies with numerous figurative and zoological original drawings by Louis Hartmann d'Andlau in Alsace. 21 vols. (with drawings), 37 vols. (with handwritten text). - Circa 1765. hardcover (spine cover missing, binding loosened but still strong, 2 pages loose). To the drawings. - Contains 21 page-filling calligraphies with rich floral leaf decoration and baroque knots with numerous original figurative and zoological drawings enriched with biblical quotations from the Hebrews and Thimoteus, among others. The drawings show flowers, blossoms, birds, deer, hunting scenes, soldiers, etc. II. about the manuscript: The manuscript describes the estate owner's activities in the sale of spirits and bottling in a list. The lord of the manor carefully records the quantities, dates and types, as well as the buyers. In addition, the lord of the manor lists the lending of money to an officer of the Légion de Conflans. - Interesting manuscript with outstanding drawings from the late Baroque period.

Manfred Prochotta. Gegenwart von Johann Wolfgang Goethe. Unikatäres Künstlerbuch mit zahlreichen Original-Zeichnungen und Kalligraphie. Frankfurt, 1986-1987. 16 Bll. Gr.-8°. Handbemalter Pp. mit gezeichnetem Deckeltitel. Eines von 5 unikatären Exemplaren, auf dem letzten Blatt nummeriert. - Die meist erotischen Zeichnungen auf edlem Japanbütten in Aquarell und Tusche ausgeführt. - Sehr gut und überaus farbleuchtend erhalten. Unique artist's book with numerous original drawings and calligraphy. Hand-painted hardcover with illustrated cover title. - One of 5 unique copies, numbered on the last sheet. - The mostly erotic drawings on fine Japan laid paper in watercolour and ink. - Very good and extremely colourful condition.

A pair of modern Chinese blue and white porcelain wine cups each typically decorated with floral blossoms and calligraphy poem (six character apocryphal 'da qing kangxi nian zhi' mark verso, h- 6cm, w- 9cm )

AN 18TH CENTURY INDIAN DECCANI MINIATURE PAINTING, depicting imam Ali and his two sons Hassan and Hussein, finely signed calligraphy to the verso, unframed, 25.5cm x 18.5cm.

A CHINESE BLUE AND WHITE PORCELAIN PEDESTAL DISH, with longevity symbol and calligraphy, (af), together with a square form dragon dish, (2).

A VERY FINE AND UNUSUAL PERSIAN SAFAVID WHITE AND GREEN GLAZED POTTERY TILE, with raised Kufic calligraphy, 21cm x 21.5cm.

A FINE AND UNUSUAL 19TH CENTURY NORTH INDIAN MULTAN GLAZED POTTERY TILE, depicting stylised Arabic calligraphy, 28cm x 26cm.

A CHINESE SOAPSTONE TWIN HANDLE VASE, with carved calligraphy, 15cm high.

AN ISLAMIC OPENWORK STEEL PEN BOX, the top with silvered calligraphy inscription, 23cm long.

A CHINESE YIXING TEAPOT, with incised calligraphy, impressed marks to inner lid and base.

A CHINESE CARVED JADE SCENT BOTTLE, with calligraphy in the form of poem, 6.5cm high.

A FINE EARLY ISLAMIC POSSIBLY PERSIAN UNGLAZED POTTERY TILE FRAGMENT, with Kufic calligraphy, 12cm x 8.5cm, 3.5cm thick.

A SUPERB EXTENSIVELY CARVED COCO DE MER, with Islamic calligraphy, 30cm long, 14cm wide, 11cm deep.

A PAIR OF 19TH CENTURY CHINESE GILT BRONZE TRIPOD CENSERS, with lion-form handles and calligraphy panels, the base with roundel depicting dragons - character mark to centre, 17cm wide handle to handle.

A CHINESE CARVED JADE SCENE BOTTLE, with calligraphy, 6.5cm high.

Two Persian Iznik blue and white calligraphy arched top tiles, 28cm x 21cm, together with shards of a similar tile

*JESSIE BAYES (1890-1970): AN ARTS AND CRAFTS ILLUMINATED TRIPTYCH, the central panel showing St Francis with animals, the left wing entitled `Sister Moon`, the right wing entitled `Brother Wind`, with prayers written in illuminated calligraphy, signed to the central panel lower right, housed in the original carved oak frame with gilded decoration and gilt metal furniture, 46cm high x 30cm wide (44cm wide opened), Literature: 'Jessie Bayes Painter and Craftswoman', The Studio 1914, shows a comparable triptych of gilded mahogany painted in tempera by Jessie Bayes, illustrated page 265.

Decorative Turkish curved sword, single edge fullered blade, decorative scabbard, heightened with coloured beads and Arabic calligraphy, approx 86 cms. 

VINTAGE ROC TAIWANESE VASEThe body with song bird on branch with flora and fauna and calligraphy, stamped to base 'TAIWAN ROC', 42cm high