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An Oriental bronze baluster vase late 19th / early 20th century, with elephant mask loose ring handles, everted rim and integral pierced stand, inlaid in various metals with scenes of figures on a terrace and on horseback beside a lake within shaped reserves on an engraved diaper ground, a band of inlaid lingxhi fungi to the shoulder and calligraphy and figures beneath a key fret band to the neck, the foot inlaid with fruiting vines and engraved with insects, 10in. (25.5cm.) high.
An unusual Chinese two-part miniature lead seal early 20th century, the tortoise form handle on a flared square plinth with calligraphy seal to the underside, the head and front of the tortoise sliding out to reveal a smaller nested duck form seal, 2.7cm. high overall. * This is believed to be have been made for a married couple, enabling both of them to sign documents when travelling. See Illustration
Utagawa Kunisada (Toyokuni III) (1786-1865) Half-Length Portrait of an Actor Portraying a Warrior Woodblock print 19th Century The background decorated with calligraphy. Kunisada signing as Toyokuni III after 1844. Dimensions: h: 14 1/2 x w: 10 in. Note condition: 3/8 x 1/2 inch closed tear to actor`s cheek and 1/8 inch loss to actors ear, margins cut and mounting tape on upper corners visible on verso.
MANUSCRIPT BOOK : ` The Grange,` with pen and wash sketches in the manner of Rex Whistler, leather binding, 4to, c1955. With two other examples of calligraphy * an appeal to save the The Grange, North End, Fulham. The former home of Samuel Richardson, which was eventually demolished in 1957. (3)
ILLUMINATED CALLIGRAPHY. "Florilegium Selectissimarum Precum Illulstrissime Domine Domino Comiti Basilio Brescia..." good gilt ruled calligraphy, 113pp with three leaves prelim comp, illuminated title and initials, 10 engr plts by J. Sadeler and others, (text on vellum) cont morocco gilt, aeg, 24mo, 12 x 7cm, Martino Lorber, 10 Augusti, 1694 vg.
A Chinese porcelain scholars brush pot, mark of Qianlong but probably late 19th Century, of conjoined double cube form, each of the six facets filled with a combination of landscapes and calligraphy within raised rouge-de-fer frames embellished in gilt with lotus flowers and scrolling tendrils, turquoise glazed interior and underside, four character seal mark in iron red to base, height approx 9cm (some wear to gilt and enamels).
Mercator/Hondius, 1595 Anglia Regnum This attractive map of Elizabethan England is filled with names taken from Saxton`s map of 1579. County boundaries and the Latinized names of counties are shown. The map is beautifully engraved in Mercator`s characteristic style featuring a stipple engraved sea with a sailing ship, bold calligraphy and a handsome title cartouche. Latin text on verso, published between 1595-1602. 18.1"" W x 13.8"" H An early impression on watermarked paper with a few small spots and a centerfold separation that enters 3"" into map at top and has been repaired with old paper on verso.
Commonplace books/albums. Two 19th.C. items, one 8vo bound in maroon straight grained morroco aeg, with a label indicating that it was kept by Miss Ann Irving ( Mrs. Ann Swift ) from the year 1826. This album features beautifully executed calligraphy ( copied poetry and prose), some fine pencil sketches and silhouette work and one accomplished pen and ink sketch of Leamington Church. The second album is qto, gilt, aeg and features mainly skilful calligraphy. CONDITION REPORT: The binding and contents of the smaller album are well preserved; the binding of the larger needs repair and restoration, contents vg.
Timlin, William Mitcheson (author, calligrapher and artist) The Ship that Sailed to Mars ([1923]) 315 x 145 x 40; weight 1.8 kg Quarter-bound in vellum, with gilt lettering and design to the spine, and grey boards, with embossed black lettering to the upper panel. In addition to the plain grey card endpapers, the book has 96 grey card leaves - 48 colour illustrations and 48 text panels - pasted to the right-hand faces. Timlin, who was born and had his early art training in England, came to South Africa in 1908 at the age 20. He spent most of the remaining 31 years of his life in Kimberley, working as an architect (Kimberley Boys` High School and other notable buildings) and artist, turning out, according to Wikipedia, a large number of watercolour fantasies in addition to oils, pastels, etchings and illustrations for periodicals - as well as at least one other illustrated book. In 1921 Timlin began his work on `The Ship` as an educational amusement for his young son. Two years later he submitted the pages to a London publisher, who, instead of typesetting the text, published it with the artist`s own calligraphy. In his book on 20th century children`s books, Alan Horne described `The Ship` as `a masterpiece. the most original and beautiful children`s book of the 1920s`. CONDITION NOTES. Internally this 90-year-old copy is much better than average - all panels are bright and clean, there are no ownership or other marks, and only three leaves have small tears - the longest 3 cm. The page-edge gilding has browned. The binding, as is the case with most other copies that have not been rebound, has loosened, but not markedly. There is a crack at the back endpaper, but the hinges are unsplit. The boards are worn at all edges and corners. The vellum covers are rubbed and flaked and the spine is sunned, with the top crushed and the foot having a triangular 2 x 2 x 2 cm loss of material. The images concentrate on the first part - `The Building of the Ship`. This is a complete and internally excellent copy of a book by a South African artist recognised as among the finest children`s writers and book illustrators of his day - in any genre. Near Very Good London George G Harrap No date [1923] Reserve: $600 Click here to view further details and to bid
HAND SCROLL BY QIAO BING ZHEN (CHINA, QING DYNASTY). Signed with artist name Qiao Bing Zhen Jin Hui on the painting end and on three sections of calligraphy each by well-known signed name. Ink and color on xuan paper. Visiting friend in Spring. 198"l. 11"w. From a private California collection. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by our Conditions of Sale.
THREE SCROLLS. China,19th-early 20th century, watercolor or gouache with brocade borders. Cranes with calligraphy on paper, 67"h. 15.5"w. and a grouping of exotic birds on silk, 110"h. 40"w. Together with a gathering of women in a garden on silk, 98"h. 28"w. Imperfections. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by our Conditions of Sale.
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13121 item(s)/page