We found 13124 price guide item(s) matching your search
There are 13124 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
13124 item(s)/page
Lot 314
Three Monochromes, 19th century, a double-gourd vase under a crackled-yellow glaze, a vase with panels of iron-red bamboo, a landscape or calligraphy on turquoise stippled ground, and a sang-de-boeuf baluster vase, 7.8 to 9.8cm, stoppers and stands (3) ????? ????? ???? , Stippled ground vase with tiny chip to rim. Sang de boeuf vase with hairline cracks to the neck. Double gourd vase with a collectors label in ink inscribed `Hancock 5243, 772/-/-``.
Lot 314
Three Monochromes, 19th century, a double-gourd vase under a crackled-yellow glaze, a vase with panels of iron-red bamboo, a landscape or calligraphy on turquoise stippled ground, and a sang-de-boeuf baluster vase, 7.8 to 9.8cm, stoppers and stands (3) ????? ????? ???? , Stippled ground vase with tiny chip to rim. Sang de boeuf vase with hairline cracks to the neck. Double gourd vase with a collectors label in ink inscribed `Hancock 5243, 772/-/-``.
Lot 53
MOHAMED BEN ALI R’BATI (1861-1939) AUDIENCE CHEZ LE CAÏD HEARING AT THE CAÏD’S Aquarelle sur papier, signé en bas à droite en arabe. 47,5 x 63,5 cm (18 11/16 x 25 IN.) Provenance : Collection particulière, Belgique. Rien ne destinait R’bati à la peinture. Très jeune, il quitta Rabat sa ville natale et s’installa à Tanger. Il fit des études à l’école coranique avant d’entrer au service du peintre John Lavery en tant que cuisinier en 1903. Lavery était installé à Tanger et très vite il perçut le talent de son jeune serviteur. Cette rencontre fut décisive pour la carrière de R’bati que Lavery encouragea. Lavery l’emmena à Londres où R’bati exposera en 1916. À partir de ce moment, il se consacrera définitivement à son art. La peinture de R’bati, naïve et colorée s’inspire de la vie marocaine dans les cours de mosquée, lors des réceptions chez le pacha ou dans les harems. Il aime les couleurs pastel, roses et bleus sont souvent présents dans ses œuvres. R’bati se plaît à décrire les réunions et ses aquarelles sont animées de nombreux personnages, vêtus à la marocaine. Notre tableau est typique de l’œuvre de ce peintre qui rompit avec la tradition millénaire de la miniature et de la calligraphie. Nothing had intended R’bati to become a painter. Very young, he left his hometown, Rabat, and settled in Tangiers. He studied at the Koranic school before joining the painter John Lavery as a cook in 1903. Lavery had settled in Tangiers and soon noticed the talent of his young servant. Meeting Lavery has been the starting point for R’bati. Lavery supported him. Lavery took him to London where R’bati exhibited his works in 1916. From that time on, he devoted himself to his art. R’bati’s naive and colorful works are inspired by Moroccan life depicting people in a mosque, at a Pasha’s hearing or in a harem. R’bati painted in light colors, like blue and pink which can be found in many of his works. R’bati liked to paint large groups and his watercolors are full of many characters dressed in Moroccan style. Our painting is typical of the work of this painter who broke with the Oriental tradition of miniature and calligraphy. Bibliographie : Un peintre à Tanger en 1900, Mohammed Ben Ali R’bati, Édition MALIKA, 2000.
Lot 235
1921 'Inner Area MAP of the Electric Railways of London', a pocket-sized card issue designed by MacDonald Gill using his own personalised style of calligraphy for the station names and key box text. Light wear to the covers but a firm and crisp example in good condition. [1] See lot 331 for the paper, full-sized version of this map.
Lot 331
London Underground 1921 "MAP of the Electric Railways of London - What to see and How to travel". Edition dated 9-3-21. Designed by MaDonald Gill, this attractive map uses his own calligraphy for the station names and key box and features a decorative border. Apart from a trace of adhesive on the spine on the reverse, this example is excellent, almost as new. [1] See lot 235 for the card 'Inner Area' version of this map.
Lot 363
London Underground 1922 MAP OF THE ELECTRIC RAILWAYS OF LONDON - WHAT TO SEE AND HOW TO TRAVEL. Edition dated 1-3-22. Designed by MaDonald Gill, this attractive map uses calligraphy for the station names and features a decorative border. Year written on the front, the odd small stain and crease but generally a good example. [1]
Lot 169
Large Chinese Ink and Color Wash on Paper Laid on Panel ""Hawks Perched on a Mountain Ledge"". Read Seal Marks and Calligraphy to Right Side. Good Condition or Better. Measures 72-3/8 Inches Tall and 37-3/8 Inches Wide, Frame Measures 91-1/2 Inches Tall and 45 Inches Wide. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.
Lot 568
A late 18th/early 19th century camphorwood travelling trunk, with metal mounts, 94 cm wide See illustration Condition report Report by RB In a lovely original condition, nicely worn in all the right places, with a really dark green painted decoration and black line border, a couple of the stud heads are missing, the ring handle looks original, with Chinese calligraphy to the inside of the lid, the back is plain and the leather is lifting a little and splitting across the hinge as you would expect.
Lot 568
A late 18th/early 19th century camphorwood travelling trunk, with metal mounts, 94 cm wide See illustration Condition report Report by RB In a lovely original condition, nicely worn in all the right places, with a really dark green painted decoration and black line border, a couple of the stud heads are missing, the ring handle looks original, with Chinese calligraphy to the inside of the lid, the back is plain and the leather is lifting a little and splitting across the hinge as you would expect.
Loading...-
13124 item(s)/page