We found 13121 price guide item(s) matching your search

THREE CHINESE SOAPSTONE CARVINGS, including a cylindrical seal carved with buddha and incised calligraphy, together with two figures of guanyin, (3).

A 19th century Islamic manuscript leaf, probably Ottoman, 17 lines of religious verse, hand-scrivened in Arabic calligraphy, the heading illuminated in gold and polychrome with foliage discusses Creation, the whole within ruled borders, 11.6cm x 7cm, mounted and framed, 25.5cm x 21cm. Generally good condition with just a couple of minor surface blemishes to the recto of the leaf; some light rippling.

A pair of large Middle Eastern Islamic brass mosque candlesticks, pierced and engraved with a field of lotus reserves and scrolling foliage, and chased in Arabic with bands of Quranic calligraphy, the girdles set with turquoise cabochons, 60.5cm high, early 19th century

Two camel bone and horn snuff bottles, decorated with figures and calligraphy Condition Report:Available upon request

Parker and others pens, a Sheaffer calligraphy set, Parker Falcon ball pen, Longbank biro, and others. (1 tray)

A CAIRO WARE SILVER AND COPPER INLAID BRASS QUR`AN STAND EGYPT OR SYRIA, LATE 19TH CENTURY in Mamluk revival style, of hexagonal section inlaid with calligraphy, scrolls and other decoration above an openwork base 33.2cm high, 25cm wide

A CHINESE WALLPAPER 'CAT AND RAT' PANELQING DYNASTY, 18TH CENTURYThe foreground with figures despatching rats, with three standing figures to the side one holding a cat and a cat below resting in a bamboo container, a cat recumbent in an open window above with a rat and to the side rats play on a table and chair, with calligraphy wishing for children for three generations, a large building and mountains beyond114cm x 50cm to inner edge of frame清18世纪 外销市井风情图墙纸Condition Report: some surface wear stains cracks and scratches but overall in quite presentable condition for the ageCondition Report Disclaimer

A pair of Chinese lacquered hat stands, 19th Century, of hexagonal form, carved and pierced with auspicious objects and calligraphy on latticework picked out in gilt on a red ground, 37cm high. Part of David Battie collection.

PAIR CHINESE PORCELAIN VASES (WITH CALLIGRAPHY TO BACK) 42CMS (H) APPROX

A Pair of Ironstone Alcove Vases, mid 19th century, of square section baluster form decorated with Chinese figures, objects and calligraphy in panels on a blue ground59cm high

A Cairoware Brass and Mixed Metal Vase, 19th century, of tapering cylindrical form with rolled rim over a band of calligraphy and scrollwork14cm highTop rim slightly misshapen. Some expected minor dents and general wear. No splits, holes or repair.

A Pair of Chinese Porcelain Cache Pots, in Kangxi style, of flared square form, painted in famille verte enamels with figures at various pursuits and with calligraphy, on hardwood stands12cm wideBoth drilled. Heavy glaze chips and fritting mainly to the edges. No restoration.902 grams combined (porcelain)

A Japanese Bronze Temple Gong, 19th century, of ovoid form, engraved with calligraphy47cm diameter, on a red lacquer standGong with the rim slightly misshapen. Some general wear and notable scratches. The stand with cracks, chips and some repairs.

A Pair of Chinese Porcelain Bowls, Yongzheng reign mark but not of the period, of ogee Form painted in famille rose enamels with tree peonies, the reverse with calligraphy, bear four character reign marks in blue enamel15cm diameterNo chips, cracks or restoration. Some glaze pitting.

A Chinese Bamboo Brush Pot, 19th century, carved with a boy on a buffalo and with calligraphy15.5cm high

Two Chinese scroll paintings Two Chinese scroll paintings, one framed on paper with pond illustration with ducks and flowers accompanied by calligraphy text and chop marks, the second unframed on canvas with poem and painted scenes separated by two block of calligraphy text with chop marks.framed scroll: 43cm x 147cm unframed: 175cm x 45cm

Two Chinese scroll paintings on silk Two Chinese scroll paintings on silk, one with lotus flower and tree illustration surrounded by calligraphy and chop marks, the second of a traditional rural landscape with figures.Lotus: 207cm x 48cm landscape: 190cm x 50cm

Group of Canton porcelainChinese, 19th Century, comprising a plate decorated with figures, 25cm across, two miniature teapots, a cup and saucer, 13cm across, together with a tea canister decorated with vases and other objects, 15.5cm high and a teapot decorated with deer and calligraphy, 14cm high (7)At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.

Silver inlay brass vaseIranian, decorated with figures and calligraphy, 34cm highAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.

A group of brassware, comprising a vase of oval form, bearing Oriental calligraphy, 20cm high, an Eastern vase of baluster form, with a elongated trumpet stem bearing Arabic lettering, 14.5cm high, and a brass bell, on an ornate decorative support, depicting a female figure with outswept wings, etc., 33cm high.

A Chinese porcelain prunus pattern lamp base, 20th century, the cong shaped vase later converted to a lamp base, and decorated with white prunus branches, against a brown ground, raised on a wooden base, with twin light fitting, 65cm high overall, with a further Chinese porcelain rouleau shaped lamp base, decorated with extensive calligraphy to the exterior, 66cm high (2)  Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A Chinese carved soapstone scholars calligraphy weight decorated in relief with cranes in flight amongst the boulder out crops and flowering prunus with immortals drinking tea

AN EARLY 20TH CENTURY NEAR EASTERN STAINED WOOD OCTAGONAL OCCASIONAL TABLE inlaid throughout in mother of pearl, the top relief carved with calligraphy, the sides with musharabeyeh panels, 63cm high x 53cm square

A BOX OF ASSORTED FOUNTAIN PENS AND WRITING EQUIPMENT, to include various wooden handled calligraphy pens, bottles of ink, boxes of nibs, box of cartridges, watch parts, clock springs, watch glass fronts, prolling pencils, etc

Lin Wanxun (Chinese, 20th century), Tiger, watercolour and ink calligraphy on rice paper, 25x25ins approx, framed and glazed.

Two large Japanese hand painted gilded fans with landscape design along with a bone, horsehair and dyed pink agate handled calligraphy brush. H.56 W.87cm.

Calligraphy on paper by Lu Xun from China L：129cmW：28.5cm

Yu Youren's Calligraphy L：65.5cmW：34cm

Ancient Chinese painting and calligraphy L：51cmW：19cm

CAI Xiang silk calligraphy L：30cmW：29cm

Zhang Boju's calligraphy in modern China L：97cmW：48cm

Chinese blue and white vase with figure and calligraphy decoration, together with pair of Chinese blue and white dragon plates (3)

19th century Chinese famille rose teapot with figures and calligraphy, two 18th century Japanese dishes, a Canton enamel box and a Wang Binrong style ginger jar and cover

Pair of Chinese brass bookends decorated with calligraphy and figures

A LARGE 19TH CENTURY CHINESE QING PORCELAIN VASE WITH FIGURAL & CALLIGRAPHY DESIGN, HEIGHT 43CM

A large Eastern painted panel, a 20th century still life, signed K. Mason, mid 20th century print 'Tina' after Joseph Henry Lynch and an Oriental framed calligraphy.

A very pretty, ornate, hand painted antique Austrian porcelain,  12” high vase from the Robert Hanke Porcelain factory in Ladowitz, Bohemia, Austria.  The vase has a cream background and blue chrysanthemum type flowers. It has a gold leaf rim, arms and other decoration. Mark on base is calligraphy type RH inside a hexagonal shape. MADE IN AUSTRIA 3430

A yellow metal mounted Middle Eastern pendant decorated calligraphy, on a fine 9ct gold chain. chain weight 2.7g

A Chinese Republic style dish decorated with fisherman and calligraphy, single character mark to base, 24cms diameter.Condition ReportThe dish is in good condition with no chips or cracks.

A Chinese circular watercolour painting depicting a mountainous river scene and calligraphy, framed & glazed, 30cms diameter.

A pair of Chinese famille rose ginger jars and overs decorated with panels of calligraphy on a pink ground, each approx 20cms high (2).

A Chinese blue & white porcelain teapot and cover decorated with panels of calligraphy, 13cms wide.

A Chinese republic style baluster vase decorated with figures in a landscape and with calligraphy, 42cms high.

A late19th century Chinese hardwood box and cover inlaid with mixed metals and mother of pearl depicting birds and flowering foliage with calligraphy, 21cms wide.

A Chinese Republic style vase decorated with landscapes and calligraphy within panels, on a celadon ground, blue seal mark to the underside, 31cms high.

A Chinese lacquered wooden tray decorated with birds and flowers and painted calligraphy to verso, 54cms wide.

A Japanese book of prints depicting figures in a landscape with calligraphy.

A group of three Chinese watercolours depicting mountainous scenes and calligraphy, framed & glazed, 30cms diameter (3).

A Chinese silver two-part belt buckle with cast relief decoration, calligraphy and mythical beasts, signed, 81g.

A Chinese famille rose plate decorated with flowers and calligraphy in roundels, single character mark to base, 17.5cms diameter; together with a Chinese shallow footed dish decorated with a mythical beast within a border of foliage and flowers, six character mark to base, 16cms diameter (2).

A Chinese republic shallow footed dish, decorated cats and calligraphy with red character mark to the underside, 28cm diameter Condition ReportGood condition with no damage or repair

A Chinese blue & white ink stone decorated with calligraphy, 15cms diameter.

A Chinese Wucai porcelain calligraphy brush handle decorated with a dragon amongst clouds chasing a flaming pearl, six character blue mark to the upper rim, 14cms high.

A Chinese white metal mounted bone water pipe decorated with figures and calligraphy, 19.5cms high.

A set of four Sino-Tibetan soapstone panels engraved with gilt calligraphy, each 7 by 15cms; together with a Chinese soapstone figure of a robed woman holding a melon, 8cms high (5).

A 20th Century Chinese Meiping Vase Decorated in the Famille Rose Palette with Maidens in Garden Setting with Calligraphy Verse and Floral Band Trim, Red Seal Mark to Base, 18.5cm high

A Chinese Gourd Cricket Cage Decorated with Painted Boy on Buffalo and Calligraphy Scene, 17cm high

MASAAKI HASEGAWA (Tokyo, Japan, 1987)."Virginity of colour", 2022.Pastel and oil on canvas.Attached certificate issued by the artist.Signed and dated on the back.Measurements: 90 x 90 cm.Linked to the world of sport, after winning the Inter High School Taekwondo Championship in Japan, Masaaki Hasegawa began his career as a professional MMA fighter in Japan, while studying finance and obtaining a degree in International Business. He then began his career as an investment strategist at Daiwa Capital Markets. However, he changed his life to devote himself fully to art, focusing especially on conceptual art. In his artistic work he founded Creatvida in 2014, which is a platform that hosts different creative profiles worldwide. In 2015 he published his first book "Yes, you are creative" and, in 2016, the second book, "New paradigm of creativity", in addition he also leads the project "Connect People Thru Art Beyond Borders" and is an advisor to the Contemporary Museum of Calligraphy in Moscow. His work has been exhibited at the Bauhaus Center in Tel-Aviv, Paper Pavilion in Madrid, Urvanity Art and We Crave, and he has intervened in Google installations. Masaaki Hasegawa has also created the largest calligraphy work in Europe on the roof of the Zapadores Museum in Madrid.

LLUIS CLARAMUNT (Barcelona, 1951 - Zarautz, Gipuzkoa, 2000)."Landscape of Madrid", 1981.Oil on canvas.With an information label on the back from the Galería Dau al Set (Barcelona).Work exhibited in "Luis Claramunt XI-82".Signed and dated in the upper right-hand corner.Dated in the lower right-hand corner.Measurements: 130 x 162 cm; 131 x 163 cm (frame).During this decade, the artist painted mainly urban spaces. Streets, squares, harbours, all those places where a truly spontaneous activity takes place, spaces in which he finds real situations and scenes, linked to a life without filters, and which bring him closer to an instinctive and immediate world, not in keeping with the family background of his childhood and youth. Lluis Claramunt left his family environment in Barcelona's Ensanche to go and live in the more humble areas of the city, around the Plaza Real and the Ramblas, where he found the necessary experiences that would become the subjects of his paintings. But Barcelona is not the only setting for his work. Madrid, Seville and Marrakech. A self-taught painter, draughtsman, photographer and engraver, Lluís Claramunt spent his life between Barcelona, Madrid, Seville, Bilbao and Marrakesh, and developed an oeuvre influenced by Isidre Nonell and marked by an expressionism in its beginnings, which gradually disappeared until it became a minimal calligraphy. From the 1970s onwards he held solo exhibitions in leading galleries such as Dau al Set in Barcelona, Quatre Gats in Palma de Mallorca, Juana de Aizpuru in Seville and Buades in Madrid, and he also took part in Arco (1984, 1988). He has also had solo exhibitions in New York, Amsterdam, Graz (Austria) and Lisbon. In 2012 his work was also shown in the solo exhibition "El viatge vertical", held at the MACBA in Barcelona. He is currently represented at the MACBA, the Fundació Vila Casas, the La Caixa Collection, the Museo de Bellas Artes de Álava, the Asociación Colección de Arte Contemporáneo de Madrid, the Consejo Superior de Deportes and the Ministerio de Cultura in the same city and the Caja Madrid Collection. Claramunt has recently exhibited at the prestigious Marc Domenech gallery in Barcelona, who dedicated his exhibition "Luis Claramunt. Años 80" entirely dedicated to the artist's work. The exhibition, held in May 2016, featured more than seventy works which demonstrated the artist's predilection for urban spaces, represented through a totally expressionistic palette in which a dynamic and vibrant palette predominates.

A FINE LARGE 17TH CENTURY PERSIAN SAFAVID COPPER BOWL, engraved with a band of calligraphy and foliate motifs, 26cm diameter.