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A PAIR OF CHINESE REPUBLICAN STYLE PORCELAIN FRAMED PANELS, the panels depicting scenes of birds amongst native flora, both panels encapsulated within hardwood frames with a metal hanger at the top, both panels with chinese calligraphy to the lower let section, framed;70.5cm high x 35cm wide.(2)
A MIXED LOT OF JAPANESE MEIJI PERIOD UNIFORM / ROBES / GETA / , consisting of a black uniform gown with calligraphy to the front and a large mon to the verso, also another robe with checked design, a two piece uniform, with waist ties, two pairs of silk / fabric shoes and one odd one, and a pair of wooden Getas / clogs, ( 12)
AN UNUSUAL 19TH CENTURY CHINESE BLUE & WHITE UNDERGLAZED RED PORCELAIN SNUFF BOTTLE, the decoration depicting seven warriors within a landscape setting, one holding a scroll aloft that reads " the light of buddha ", the base with a mark of a seated figure and calligraphy that reads " very scared ", with a later stopper, 6.5cm x 3.5cm.
A 19TH CENTURY CHINESE RHINOCEROS HORN SNUFF BOTTLE, the front carved in relief to depict a figure and foliage, the verso with an artist signature that reads " lu zi shao " and further calligraphy that reads " always come to the parties with seven princes" the stopper with its ivory spoon, 6.7cm high x 3cm wide.
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded or painted decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FOUR 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (4)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded or pierced decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FIVE 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (5)
A MIXED LOT OF FOUR UNUSUAL 19TH / 20TH CENTURY CHINESE YIXING CLAY TEA POTS, consisting of five clay Yixing teapots with lids, all the pots bearing seal marks to the bases, some bearing Chinese calligraphy script to the side, some with moulded decoration to the body's or lids, from a private collection. (4)
[Woolley, Hannah]. The Compleat Servant-maid : or, the Young Maidens Tutor. Directing Them How They May Fit, and Qualifie Themselves for Any of These Employments...Whereunto is added A Suppliment containing the choicest Recipts and rarest Secrets in Physick and Chyrurgery... The Compleat Market-Man and Market-Woman, in Buying Fowl, Fish, Flesh, &c..., Seventh Edition with Additions, printed for E. Tracy, 1704, engraved frontispiece (laid down), two folding engraved plates of calligraphy, both laid down, the first with two small losses slightly affecting text, the second with somewhat larger losses at fold, first few leaves with pale dampstaining, final leaf of text with publisher's advertisement on verso and early ink inscription 'Elizabeth Leys her Book: 1718' on recto, tightly stitched with some letters obscured at gutter, a few leaves close-trimmed (sometimes clipping text), preliminary blank with embossed ownership stamp 'The Old Warps, Warrington', hinges cracked, late 19th century sheep, gilt lettering to spine, extremities rubbed, 12mo (Qty: 1)Cagle 1061 (5th edition); Maclean page 32. An unauthorized adaption of the advice books of Hannah Woolley (or Wolley),teaching young women "how to behave and carry yourself, and perform your duty in the several empoyments of a Waiting-Woman, House-Keeper, Chamber-Maid, Cook-Maid..." with "directions for Preserving, Conserving, and Candying, for Writing... for Arithmetick, as much as is necessary for your sex: Also the Art of Carving, and Distilling, with choice Receipts for... Washing and Starching... For making of Pies, Custards, Cheese-cakes and the like... and for dressing of Flesh, Fowl and Fish... for Preserving the Hair, Teeth, Face, and keeping the Hands white...".
A pair of Chinese rectangular planters, signed Pin Qing, decorated in Qianjiang enamels with birds perched on branches, with scholars in mountainous landscapes, and with calligraphy, 23.5cm wide/see illustration CONDITION REPORT: Pair of planters. They are in very good condition, but with a small firing flaw to gilt rim of one.
Ten various Chinese scrolls to include; a Chinese ink painting of a mountain landscape and small house in the foreground with calligraphy to the top middle and 'Le Ching Liang' written in Romanised script to the top back, the calligraphy stating 'thirty-six years of the Republic of China' (1948) and the name of the artist (Li Qingliang), two yellow silk black script panels with grey borders, originally from a three piece poetry set, gift for a person called Tao Jun who came to Chongqing City in Sichuan Province to govern the local people, a red fabric hanging scroll with gold writing, being an honorary scroll to compliment and welcome British Christian missionaries, referencing them travelling all over the world to bring teachings and culture, a black print of a boat on water, black silk scroll mount, top back bearing 'Number 109' and text with lines indecipherable but beginning 'West Garden God..', a long calligraphy scroll with a poem stating that 'poetry is my good field' referencing a love of poetry and text translating as 'student Huang Jia Liang study book', To Study is my Bright Field' in Romanised script at the back, and four landscape and figure scrolls, late Qing/Republic (10)
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13124 item(s)/page