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Quantity of mid 19th century English pottery all decorated with a floral print, the reverse with "Botanical Beauties" comprising 6 dinner plates, 6 side plates and 4 large serving dishes (qty)

A quantity of china including Aynsley vase, Royal Botanical Kew Garden teapot, wren teapot, Wedgwood Jasperware biscuit barrel vase, trinket dish, Spode cake plate, fish plate, etc.

Arthur L Cox - half length portrait, mezzotint, signed in pencil to the margin, 38x28cm; one other mezzotint, and a pair of botanical prints (4)

SWANSEA CREAMWARE SUPPER DISH & COVER, painted by William Pardoe in brown, P.G White Collection label, a porcelain botanical dish painted in the style of William Pardoe, red cursive script verso 'Virgins - Bower', 21cms diameter (damage), and an oval porcelain dish with sea scrolled and moulded border painted with roses and wild flowers, 26.5cms wide (4)

STAFFORDSHIRE – CHETWYND FAMILY AND INGESTRECalligraphic richly illustrated volume on vellum tracing the deeds and architectural accomplishments of the Chetwynd family of Ingestre Hall, compiled for the antiquary and friend of Sir Christopher Wren, Walter Chetwynd, by his protege Gregory King (later map-engraver to John Ogilby and pioneering economist), with title-page: 'Chetwyndorum Stemma./ sive/ Chetwyndianæ Familiæ/ de Ingestre in Agro Staffordiensi/ Ac olim de Chetwynd in com. Salop./ Successio./ Ex ipsis Autographis/ penes Walter Chetwynd Arm./ deducta./ Et/ Insignis, Sigillis, aliisq., ejusdem Familiae Monumentis/ illustrata./ Ao. Dni. M.DC.LXXXX.', transcribing each deed, including petitions and wills (including, for example, that of Sir Thomas Littleton, 1481: 'Item I will that my wife have a Bason of Silver, in the middest whereof is her Armes and mine, and an Ewer of Silver; two great Salt sellers with a kever, a standinge playn gilt peece, vj bolls of Silver, a standinge peece with a Cover, a flatt low gilt peece with a cover, ij peeces of Silver, one coveringe another, a Powder Box of Silver, a Paxborde, ij Cruets and a Sacring bell of Silver. Item that William Littleton my sonne and heire shall have a deepe washing Bason of Silver...'), illustrated in the margins with nineteen watercolour drawings of seal impressions, and within the text four pen-and-ink studies of monumental effigies, tombs and the like (on pp.22, 64, 66 and 84); two leaves unpaginated, one of which has been left incomplete (between pp.36 and 37 and 82 and 83), a further four leaves unpaginated followed by three blank leaves following p.92 and before the beginning of the second section at p.93; the second half of the volume containing pen, ink and wash drawings of Ingestre and the family property at Grendon (Warwickshire), beginning at p.93 with 'A Prospect of the Front of the Manour house at Ingestre'; followed by 'A Prospect of the South Side of the Parish Church of Ingestre Erected Anno 1677' and 'A Prospect of the West end of the said Church' (p.95); followed by the mural monument 'On the North side of the Chancell of the Parish Church of Ingestre' (p.96), 'On the South side of the said Chancell' (p.97), the wording of the 'Memoriae sacrum Walteri Chetwynd' [then still living] left blank; the inscription repeated on p.98; eight armorial windows 'of the Chancell of the Parish Church of Ingestre', with a key to the families represented (p.99); the mural monument 'In the South Ile of the Parish Church of Grendon' (p.100); and another 'In the same South Ile' (p.101) and 'In the foresaid South Ile' (p.102) [these three erected by Sir Walter Chetwynd, see VCH Warwickshire, Grendon Parish], followed by two blank vellum sheets; bound at the end, on paper, are figures of forty-three seals in pen-and-ink (pp.105-6), with four paper leaves at the end left blank, 114 vellum leaves (102 paginated plus 12 unnumbered or with duplicate pagination), bookplate of Ingestre Hall (with the Talbot crest surrounded by the Garter and surmounted by an earl's coronet, for Charles Chetwynd-Talbot, 2nd Earl Talbot, 1777-1849, created KG in 1844), later endpapers, fine late seventeenth century morocco, elaborately gilt with floral and foliate devices and drawer-handle borders, with the arms of Sir Walter Chetwynd at centre, lightly rubbed, folio (360 x 275mm.), 1690Footnotes:A CONTEMPORARY RECORD OF THE ONLY WREN CHURCH OUTSIDE LONDON, the present volume having been compiled at the behest of Sir Walter Chetwynd FRS, who is thought to have commissioned the church from his friend Sir Christopher Wren; the volume itself compiled for Chetwynd by his protégé Gregory King, later renowned as map-engraver to John Ogilby and pioneer economist. (It will be noted that Chetwynd's own monument, on the south side of Ingestre chancel, has been left blank under the heading 'Memoriae sacrum Walteri Chetwynd': he was to die two years later, on 21 March 1692.)In the words of Sir Nikolaus Pevsner: 'For churches the locus classicus [in Staffordshire] is of course Ingestre, which can with full confidence be ascribed to Wren. It is dated 1676, and in it one breathes an air of harmony and calm not attained by any church in the county for well over a century after' ( The Buildings of England, Staffordshire, 1974, p.28). While the church and its monuments have happily survived, the hall itself was severely damaged by fire in 1882 and largely rebuilt.Although this book was compiled under the aegis of Chetwynd, the actual work was begun, and probably carried through, by Gregory King (1648-1712), who was later to become well-known as a herald, antiquary and map-engraver to John Ogilby. He is now chiefly remembered, however, for his work as the 'first great economic statistician' (Some British Empiricists in the Social Sciences 1650-1900, 1997, p.xxii ): 'King's political arithmetic was highly original and he had no peer until the flowering of the nineteenth-century statistical movement. In the first place he was distinguished by tying his calculations closely to detailed available evidence, often by imaginative use of tax records, though his earlier work as a herald and cartographer was also vital. If King's political arithmetic was more ambitious than that of any other contemporary it was also more securely based' (Julian Hoppit, 'Gregory King', ODNB).The present volume appears to have been, to a large degree at any rate, assembled by King at the start of his career: 'A manuscript compendium of Chetwynd deeds entitled 'Chetwyndorum stemma' and written on vellum is dated 1690. It also contains tricks of seals and drawings of Ingestre Hall, the new church and monuments there and in Grendon church. The first part, which concludes with the Chetwynd pedigree to 1671, is evidently the work for which Gregory King was brought to Ingestre in 1670. Its continuation, which includes further medieval deeds and documents relating to public offices held by Chetwynd from 1662 to 1689, is also probably by Gregory King. Finally in September 1692 the chaplain Charles King stated that Chetwynd had done all that he intended on the antiquities of Staffordshire' (M. W. Greenslade, 'Walter Chetwynd', ODNB). The quality of the work suggests also that Gregory King could well have been responsible for its execution; although his near namesake, Charles, the chaplain, did early antiquarian work for Chetwynd and was also, to boot, a fine botanical illustrator (see Greenslade, op.cit.). Quite how the volume was assembled is not clear. Not only are there several pages bearing duplicate pagination, and others bearing none at all, but one of the final unnumbered leaves bears the pencilled heading, in what appears to be a late seventeenth century hand, 'Before page 93'. While the binding is clearly contemporary, the marbled endpapers are more characteristic of the turn of the eighteenth and nineteenth centuries. This impressive volume has remained in the family to this day.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

DRAWING MANUAL - BOTANICALTESTOLINI (GAETANO) Rudiments of Drawing, Shadowing, and Colouring Flowers in Water Colors; Contained in Thirty-Six Instructive Lessons... Intended for Beginners and Students of this Delightful Art. With a Description of Colours Used & the Method of Mixing Them, FIRST EDITION, pictorial aquatint frontispiece, 29 engraved plates of flowers (18 hand-coloured), hand-colored table of colours, contemporary red half morocco over marbled boards, original red morocco title label on upper cover, rubbed, small loss to foot of spine [Dunthorne 300; Nissen BBI 1946; Prideaux 213], oblong folio (255 x 400mm.), H.K. Causton for G. Testolini, 1818Footnotes:Described by Dunthorne as 'perhaps the finest of all drawing books of the period', Rudiments is one of the few books in which aquatint is used to illustrate botanical subjects. Each flower is shown in three states (outline, aquatint, hand-coloured), although in this copy 3 of the 'aquatint' states have been additional hand-coloured.Provenance William Pike(?), Bolton, 1837, inscription on front pastedown.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Botanical studies - Honeysuckle Woodbine; Double Scarlet Anemone, Dwarf Iris and Wall Flower, Geranium 'Queen Eleanor' (two framed as one); Tulip, Viola Tricolor and Pansy (two framed as one) signed "W French" and inscribed with titles, one dated "May 1871" largest 18 x 14cm (3)

A gilt framed wall mirror, a selection of framed and glazed prints to include botanical prints

Botanical Prints and Reprints

Seven Gilt Framed Botanical Prints

Martyn (Thos.)ed. Letters on the Elements of Botany, addressed to a Lady by the Celebrated J.J. Rousseau. 8vo L. 1794. Fourth, fold. table, hf. mor; [Jackson (Maria Eliz.)] Botanical Dialogues between Hortansia and Her Four Children, Charles, Harriet, Juliette and Henry. Designed for the Use of Schools. By a Lady. 8vo L. 1797. 11 engd. plts. cont. hf. calf. Both good. (2)

Selection of original watercolours, botanical prints, etc., contained in three folders

A set of twenty Paris Nast porcelain botanical plates, c.1820, each painted with a variant floral spray, with a gilt border with bell-flower vines between gilt bands, two damaged, all with iron red or gilt 'Nast a Paris' marks, 21cm diameter, a pair of octagonal dishes, one restored , 22cm diameter, and a pair of dishes, with scrolled handles, 22.5cm diameter (24)

A Collection of Six Framed Botanical Studies by John Mill, Cyprus 1987

BOTANICAL PRINTS, a set of six, Flowers of the Endangered Rainforest, limited editions by the Royal Botanic Gardens, Kew, each with certificate of authenticity. (6)

19th century Botanical dessert service, probably Samuel Alcock, painted with specimen sprays within pierced cobalt blue borders and gilt dentil, comprising four low comports and twelve plates, printed retailers marks in puce for Richard Hawkins, Crystal Palace and Brighton, and pattern number 4/1277 Condition Report One plate stamped 6/1277 - Condition report on request. Click here for further images, condition, auction times & delivery costs

Peter Guild Ltd. Knole three piece suite, comprising: three seat sofa, W230cm, D90cm, H88cm, W144cm. D90cm, H88cm, two seat sofa, W144cm. D90cm, H88cm, wing back chair, W78cm,D80cm, H105cm and square lift top footstool, W60cm, D60cm, H44cm, upholstered in beige botanical fabric, (4) Condition Report Click here for further images, condition, auction times & delivery costs

An early 19th century English porcelain dessert service, circa 1810, each piece painted in detail with botanical specimens within gilt anthemion borders, comprising of twenty one plates, two sauce tureens, covers and stands (one cover cracked), four triangular shaped side dishes, three shell shaped serving dishes, two square serving dishes and a large oval dish with swept handles, all of the dishes with paw feet, the largest bowl 33 cm across Seeinside front cover colour illustrationReport by KBPlates - 21 cm diameterGenerally some pitting and factory blemishes and marks.One plate - scratches to gilt border.Three plates stained, crazing to underside.One plate - firing fault to foot rim.One plate - gilt border rubbed.Large serving dish - firing fault to scroll handle.Shell shape dishes - one pitted and edge rubbing to gilt.Tureens:First - underside of one lid, tiny glaze flake and quite rough pitting.Firing fault to internal flange, near handle.Naming of plants to underside illegible.Stand with one deep scratch.Second - lid cracked and riveted.

Two botanical prints: 'Groseiller à grappes' and 'La Galissonnière', each 32x24cm

A good collection of 4 postcard albums with cards from the early 20th century. To include humour, Mortlake, Richmond Bridge, Malden, Dunmow, Sidmouth, Exmouth, Australian, Maritime, Liverpool, people, royalty, Architectural, World War One, Botanical, Middle East, Animals, Still Life etc. 

Prints - The Village Cricket Match; a set of eight botanical studies; others

An English Botanical part dressing table set, brightly decorated with tulips, c.1860

James Andrews (1801-1876) Ten floral studies Some inscribed with titles and annotations Watercolour and pencil Largest 33.3 x 25.6cm; 13 x 10in; Smallest 22.3 x 13.7cm; 8¾ x 5½in Unframed Together with five unframed botanical prints after James Andrews (15)

Hooker (William Jackson). Exotic Flora, Containing Figures and Descriptions of New, Rare or otherwise interesting Exotic Plants, especially of such as are deserving of being cultivated in our gardens, 3 volumes, 1st edition, Edinburgh: William Blackwood, 1823-27, half title for volume II only, 228 hand-coloured engraved plates only (of 233, lacking 4 plates, i.e. numbers 178-181, 2 plates numbered 163), occasional light offsetting and minor spotting, bookplates of Robert Harry Inglis Palgrave (1827-1919, economist and grandson of Dawson Turner), contemporary boards, modern green morocco rebacks, some light edge wear, 8vo (Qty: 3)NOTESDunthorne 140; Great Flower Books p. 103; Nissen BBI 920; Stafleu & Cowan 2993. Author's presentation copy, inscribed at head of volume I title 'Elizabeth Palgrave, from her affectionate brother the author'. William Jackson Hooker (1785-1865), botanist and editor of Curtis's Botanical Magazine became the first full-time director of Kew Gardens in 1841 married Maria Dawson Turner (1797-1872), eldest daughter of Dawson Turner in 1815; Lady Elizabeth Palgrave (1799-1852) was the second eldest daughter of Dawson Turner and married Sir Francis Palgrave in 1823.

Allcott (John). John Allcott, Marine Artist, 1st edition, Sydney: Copperfield Publishing Company, 1978, colour plates, original purple leatherette, slipcase, folio, number 407 of 500 copies only, signed by Rodney Allcott, together with: Jowett (Jenny, & others), Canary Wharf. New Squares for London [cover-title], London: Olympia and York, c,1990, porfolio of 4 botanical prints each signed by the artist and numbered 351 of 500, laid-in publisher's booklet, 4to, Goethe ( Johann Wolfgang von), Faust, Berlin: Th. Knaur, 1929, contemporary Oundle prize-binding of red full calf gilt, 8vo, and others, including art reference from the library of botanical watercolourist Jenny Jowett, and antiquarian literature (Qty: 3 shelves & a carton)

* Continental School. Two botanical watercolours, possibly Italy, late 16th/early 17th century watercolour and bodycolour on laid paper, each separately mounted on a larger sheet, modern pencil captions 'Iberis amara' and 'Ranunculus' to mounts, respectively hand-numbered 10 and 49 in ink at foot, Iberis amara with fleur-de-lis watermark (mount with watermark of two crossed arrows surmounted by a star), Iberis amara with a few marks, Ranunculus somewhat spotted and stained, 41.5 x 25.5 cm (Qty: 2)NOTESThese watercolours recall the botanical studies commissioned by 17th-century Roman antiquarian and collector Cassiano dal Pozzo (1588-1657) for his renowned 'Paper Museum', which was acquired en bloc by George III in 1762.

A collection of Pillivuyt botanical dinner service, to include dinner plates, coffee service, etc, together with a Palomino Beswick horse, and a quantity of jasperware, etc

Four 20th Century floral watercolours and prints, Roger Banks watercolour, 'Mullein, Chicory and Ox-eye Daisies from the down land wheat field', signed & dated (lower right) 'Roger Banks 9/87', two Paul Jones (1921-1997) coloured prints of 'Camellia japonica', 42cm x 29cm and a botanical print, 24.5cm x 14.5cm, all framed and glazed (4)

L. Kieffer, a portfolio containing 15 cactus family botanical watercolours.

A set of eight Victorian Jones magic lantern slides, 'A warning tale of gin drinking, leading to crime and death', Two Newton botanical slides and two others, Battle of Balaklava, Crimea

Zeng Xiaolian (B. 1939) "Rhododendron Molle" Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the China 15fen Rhododendron stamp issued June 25, 1991. Born in 1939 in Yunnan Province, Zeng Xiao Lian is a talented Chinese artist. He worked as a senior engineer of the Botanical Research Institute of Chinese Academy of Sciences. In addition, Zeng Xiao Lian received artistic training in Beijing. The artist has painted a series of beautiful botanical images of flowers and birds. These accurate detailed images have been published in more than fifty books, including ? ?Flora of China?, ?Flora and Rhododendrons Yunnan? and others. Paintings by Zeng Xiao Lian participated in numerous national exhibitions in China, as well as in the United States, Canada and Australia. Native to the plateaus and highlands of Asia the R. molle has flourished in eastern North America for centuries. In 1794 the renowned French botanist Andr? Michaux, trekking across the Great Smoky Mountains, described Rhododendron thickets so thick that he was "obliged to use an axe to clear the way." Such bounty prompts many who see these flowers in the mountains to make a beeline for the nearest nursery to purchase lush, vibrant Rhododendrons for their own gardens. Image Size: 8.25 x 10.25 in. Overall Size: 12 x 13.75 in. Unframed. (B13057)

Zhan Jianjun (Chinese, B. 1931) "A Lake in the Stone Forest" Oil on Canvas painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.This painting is an original unsigned oil on canvas by Zhan Jianjun that was commissioned directly by Unicover. Helmuth Stone Gallery and Wind River Studios both guarantee the authenticity of this piece.This painting commissioned by James A. Helzer, originally appeared on the Fleetwood First Day Cover for the China 8fen Lake in the Stone Forest stamp issue of September 18, 1981.Only 120 kilometers southeast of the city of Kunming in China's remote Yunnan Province, the Stone Forest is surrounded by one of the most enchanting landscapes in all of China. Here in Yunnan, where the winter is never bitterly cold, nor the summer unbearably hot, a patchwork of sub-tropical valleys and basins spreads across the high plateau. Home to the rare golden monkey and the delicately beautiful camellia tree, Yunnan is a paradise of magnificent flora and fauna. Botanical gardens, zoos, primeval forests, and rare birds and animals cover the province like an ornate painted screen. Bordered on the south by the treacherous Indo-China border and on the west by the mighty mountains of Burma, this intoxicating, picturesque province is almost entirely mountainous. For centuries, far-away Yunnan served as a penal colony where enemies of political despots and war lords were easily banished. Distant and inaccessible, Yunnan's capital city of Kunming was the unofficial capital of Free China during wartime. Here Marco Polo was awed by the 2000 year-old "City of Spring," abundant with flowers and sprinkled with scores of ornate temples and lavishly decorated pagodas. The medley of sights and sounds in Kunming, along with the enchanting landscape of Yunnan Province, are a fitting prelude to the strange and breathtaking sights of the Stone Forest. This beauty and wonder are reflected in a serene, limpid pool in the Stone Forest, portrayed in this artwork.Image Size: 27.5 x 23.5 in. Overall Size: 28.25 x 24 in. (B07310)

Zeng Xiaolian (B. 1939) "Rhododendron Simsii" Watercolor. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the China 20fen Rhododendron stamp issued June 25, 1991. Born in 1939 in Yunnan Province, Zeng Xiao Lian is a talented Chinese artist. He worked as a senior engineer of the Botanical Research Institute of Chinese Academy of Sciences. In addition, Zeng Xiao Lian received artistic training in Beijing. The artist has painted a series of beautiful botanical images of flowers and birds. These accurate detailed images have been published in more than fifty books, including ? ?Flora of China?, ?Flora and Rhododendrons Yunnan? and others. Paintings by Zeng Xiao Lian participated in numerous national exhibitions in China, as well as in the United States, Canada and Australia. Growing up to ten feet tall and possessing narrow oval-shaped leaves covered in bristly hairs, the R. simsii prefers mild climates and the greenhouse's controlled environment. Its broad funnel-shaped blossoms range in color from rose to dark red, and form clusters containing two to six flowers. Originally from China and Taiwan, the R. simsii is a parent plant of a hardy Indian Azalea hybrid. Although the Azalea is considered to be a subspecies of Rhododendron, many determined botanists still maintain the two plants are of entirely different classifications. Image Size: 8.75 x 12.25 in. Overall Size: 12 x 14 in.. Unframed (B13052)

FINE CAUCASION SOUMAK CARPET, 360cm x 275cm, stylised botanical midnight blue field within corresponding borders.

Darren Yeadon (b.1970) ''Weird Fish'' Signed, carrara marble, together with a companion, 21cm high and 19cm high respectively (2) Darren Yeadon began his work as a quarryman and stonemason in Whitby. Suffering a life-threatening road accident in his mid-twenties caused him to readdress his approach to life and kindled his intense fascination and appreciation of nature and the beauty of our time on earth. He began carving rocks and off-cuts from the quarry developing a strong personal style and dedication. He soon began to receive commissions and was sent to Italy to find a marble for a client. Seeking to develop a further understanding of the material he went to live in Carrara preferring the quarries of Michelangelo. Now established in both Pembrokeshire and Whitby, he continues to work from his studio in many types of stone and regularly goes over to Italy to buy Carrara marble. He has held exhibitions at the Staithes Gallery Whitby, Tenby Museum, the Houses of Parliament and the Pembrokeshire Botanical Gardens currently hold a number of his works.

Queen's Royal Horticultural Society botanical pattern wares together with Royal Worcester Evesham ramekins etc

A Royal Doulton character jug, Portmerion Botanical jug and a Royal Winton planter

Quantity of boxed and other Portmeirion Botanical Gardens ceramics to include plate, bowl, tumblers etc together with Wedgwood

Pair of large 19th c. botanical watercolours in maple frames

Botanical prints x 21366

Anne Chambers, Pinus Wallichiana, botanical watercolour and pencil study, a Rhododendron coloured print and a signed lithograph of poppies by Anna Lorimer no. 113/850 (3)

Three botanical prints (3) 24.5 by 22cm

A large quantity of Portmerion 'Botanical Garden' table ware

COMPANY SCHOOL - INDIAA botanical study of large fruit on a branch, with cross-section and pip detail, watercolour, heightened by gum Arabic, on paper (watermarked 'S. Wise & Patch 1807'), ink numbered '43' in one corner, window-mounted, framed and glazed, image approximately 485 x 375mm., [c.1807]For further information on this lot please visit Bonhams.com

Thakur Ganga Singh (Indian, 1895-1970)Three botanical studies two signed and dated 'Ganga Singh/1945' (one lower left, the other lower right); one signed and dated 'Ganga Singh/1946' (lower left)watercolour and gouachetwo measure 45.1 x 35cm (17 3/4 x 13 3/4in); the third measures 38.1 x 30.1cm (15 x 11 7/8in). (3)mounted but unframedFootnotes:Thakur Ganga Singh began his career as an artist in the Forest Research Institute in Dehra Dun, travelling to England in 1931 to train at the Slade in London. These botanical watercolours continue a tradition of flower painting combining elegant decoration with botanical accuracy. The watercolour studies were commissioned by Maharajah Yadhavindra Singh of Patiala, a keen botanist who from the 1920s began to collect the flora of the Simla Hills with the intention of writing a book on the subject. Ganga Singh was engaged by the Maharajah in 1942 and painted over four hundred watercolours over a twenty year period. Later in life Singh was awarded the title of 'Rai Sahib' for his contributions in the field of arts.For further information on this lot please visit Bonhams.com

COMPANY SCHOOL - INDIATwo botanical studies of large fruit (Bread fruit; Jack fruit) on a branch, with cross-section and pip detail, watercolour, heightened by gum Arabic, on paper (one watermarked 'S. Wise & Patch'), ink numbered '36' and '42' in one corner (cropped), window-mounted, framed and glazed, each image approximately 485 x 375mm., [c.1810] (2)For further information on this lot please visit Bonhams.com

JAPANESE SCHOOL 'O-Torige', 'Kagaribi' and 'Waka-Murasaki', botanical studies, a group of three, each numbered and titled, woodblocks, hand-coloured, 36 x 20.5cm (3)

A MIXED LOT OF PRINTS AND ENGRAVINGS, principally 19th Century to include Yorkshire interest, maritime interest, fashion plates and botanical, unframed in three green folios

DUTCH SCHOOL (17TH/18TH CENTURY) Botanical studies, a pair, watercolours on watermarked laid paper, 39 x 24cm, unframed (2)

Pictures and Prints - W. George, early 20th century, 'A Country Girl', An Illustration for a Music Sheet, signed, titled, dated 1902 to verso, watercolour, 34.5cm x 24.5cm; a collection of 18th, 19th and 20th century pictures and prints, including Thomas Bowles III (c.1712-1767), after Canaletto (1697-1768), A View of Northumberland House, Charing Crofs [..., Re-Publifhed 12th May 1794, by Laurie & Whittle [...], London, hand-coloured engraving, 33.5cm x 45cm; Joseph John Skelton (1783-1871), after Thomas Stothard RA (1755-1834), [Mary Magdalene] dedicatory tablet within the platemark addressed to The Magdalene Hospital, St. George's Fields, [London], Publifhed 1st Feb:y 1808 [...], engraving, 41cm x 52cm; further 18th century engravings, classical and religious; botanical prints; others, [folio collection]

A QUANTITY OF ASSORTED PICTURES AND PRINTS TO INCLUDE BOTANICAL INTEREST

A good quality 19th century dessert service, probably Coalport, with painted botanical sprays including roses, pansies, poppies and lilies, within a turquoise and gilt border, with pierced and scrolling detail, comprising a high two handled comport, a pair of low comports and eight plates, some pieces with painted numbers to base A3019 (11)

PORT MEIRON 'BOTANICAL GARDEN' PART DINNER SERVICE (31)

A collection of botanical prints, some possibly 19th century.

A quantity of Portmeirion botanical dinner and teaware

19th CENTURY HAND COLOURED BOTANICAL POMOLOGY ENGRAVINGS, a set of nine, 33cm x 25cm, framed and glazed. (9)

A botanical painting on a milk glass panel, framed.

A quantity of prints and engravings, including Batevia's Palace in the East Indies; Vue de la Riviere D'Endeavour; Baie de la Praya; Port du Roi Georges; Chinese merchants; Edinburgh; A bull tossing a dog; Cricket; Six chromolithographs of native scenes; A print after Redoute; A watercolour botanical study; A map dans la mer pacifique, all unframed, various sizes. (qty) CAB

A folio of assorted botanical prints and engravings with hand colouring.(folio) CAB

THREE SWANSEA PORCELAIN ITEMS comprising (1) circular cruciform dish, painted with a centred spray of flowers and a series of twelve border sprigs (hairline cracks and small rim chip), 23cms diam (2) oval Swansea Trident mark platter decorated with flowers, (chip to foot), 36cms long, (3) moulded cruciform oval dish having a border with six panels of botanical studies (rim chip), 27cms long