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A Derby botanical shell-shaped dish, c.1815, finely painted with a large floral specimen, titled in red to the reverse with 'Large Flowered St John's Wort', and a small Spode botanical plate, 20th century, decorated with a tulip in the manner of a Regency service, 25.2cm max. (2) Provenance: from a private collection in London.

A pair of gouache studies of pheasant and ducks in landscape setting, a pair of gouache studies of desert landscapes with camels signed with initials JJ, a watercolour of a rural scene, 4 Victorian decorative greetings cards, 3 botanical watercolours and a 1917 £100 bank note from the Municpality of the City of Moscow (all framed) together with a collection of Ladybird books, Observers Guides, etc

Ceramics including Portmeirion botanical garden, Toby style jug, pair of vases etc

Qty. of Portmerion Botanical Garden pottery inc. Flower pot, Dinner plates, Bowls etc.

Five Large Framed and Glazed Botanical Prints

Pres packs - various with Guernsey (51) GB incl regionals 914) 1964 botanical, B of Britain, Jersey (9) & a few FDC's (90 items)

A group of seventeen colour botanical prints - mounted but not framed

A quantity of seven 19th century botanical watercolours and prints

Six botanical watercolours and prints (6)

Collection of pictures and prints to include Japanese botanical prints

A pair of botanical engravings in 18th century style, framed

An English porcelain botanical dessert service, mid-19th century, each painted with a named botanical specimen, between broad apple green and peach borders highlighted with gilded ribbons and flowers, comprising a large pedestal comport, three medium comports, a pair of low comports, two dishes, two tureens and covers and fourteen plates, titled but otherwise unmarked (26)

Garden Urn: A set of three Compton terracotta apple pots early 20th century with small circular manufacturer's stamp 41cm.; 16ins high by 53cm.; 21ins diameter The Compton Potters Art Guild was started by Mary Watts, the wife of G.F. Watts the Victorian allegorical painter. In 1895 work began on the Watts Mortuary Chapel. Designed by Mary Watts, it was to be built from local clay by the villagers of Compton, near Godalming, Surrey. Mr and Mrs Watts were dedicated supporters of the growing Home Arts and Industries Association, a voluntary movement launched by Earl Brownlow in 1885 to revive the dying art of handicraft among the working classes. The idea was that young uneducated artisans should have their eyes opened to the wonders of art. They would be rescued from idleness, gambling and drinking -so the notion ran- during long winter evenings. Uplifted and taught how to use their hands with skill they would acquire a hobby to be proud of and develop this hitherto unknown talent, where possible to professional standards. The Pottery Art Guild continued from strength to strength, winning medals at the Royal Botanical Society and the Home Arts' highest award, the gold cross. They received architectural commissions from Lutyens, Clough William-Ellis and Goodhart Rendel. Recommended by Jekyll, they made miniature versions of their pots for the garden of Queen Mary's dollshouse in the early 1920's. The Guild became a limited company run by George Aubertin and continued to produce works based on Mrs Watts' designs until after her death in 1938. These Apple pattern pots are illustrated in the Art Potters Guild catalogue page 11. Literature: The Watts Chapel, An Arts and Crafts Memorial by Veronica Franklin Gould, Arrow Press, Farnham, Surrey

Blue and White Ceramics - a set of three, Copeland Spode Tower plates, printed and impressed marks, 26cm diameter, mid 19th century; Victorian plates and bowls decorated in underglaze blue with botanical specimens

ALICIA ANNE THRING (1783-1862) AN ALBUM OF BOTANICAL STUDIES Fifty, the majority signed, inscribed and dated 1805-1820 verso, most on Richardson of Bristol paper, gummed onto support sheets, between marbled boards, contemporary half morocco, folio The majority of the leaves 27 x 23cm. approx. ++ Generally good for age; some foxing and time staining

•RAYMOND C. BOOTH (b.1929) BOTANICAL STUDY: LILIUM MARTAGON Signed and dated 1983, gouache over traces of pencil 125.5 x 71.5cm. Exhibited: London, The Fine Art Society, April 1991, `Raymond Booth: Painter and Plantsman` (cat. no.30) ++ Good condition

19th century English bone china botanical dessert dish, with gilt rococo scroll border and painted floral centre, titled on base Damlia Superlua

Bloor Derby floral decorated plate and two Derby Botanical plates and Staffordshire plate (4)

Collection of Portmeirion Botanical Garden table wares, spice rack, etc

A Wedgwood creamware boat shaped sauce tureen and cover with fixed stand , circa 1790, painted with four titled botanical studies, 20cm wide; a pair of Wedgwood creamware plates , circa 1790, printed in black and painted in colours with flowers, impressed marks, 20.5cm diameter ; and another creamware plate , painted with puce flowers, 25.5cm diameter

A pair of 18th Century style French large botanical prints, studies of palm trees, together with a similar print of an Egyptian tomb, framed with clear glass mounts. 66cm x 44cm.

A LATE 19TH CENTURY EBONISED AND CROSS BANDED TABLE TOP STEREOSCOPIC SLIDE VIEWER, stamped Mark de Fabrik and a star together with a handheld stereoscopic slide viewer manufactured by Underwood & Underwood; and a large quantity of stereoscopic slides to include a set of botanical specimens; part set of The Great War official series; a quantity of further miscellaneous slides

A collection gardening and botanical books, including DYKES (W), A HANDBOOK OF GARDEN IRISES (1 box)

J. North Botanical Brewer Morley stoneware bottle, other stoneware, cast iron kettle, two vintage wash boards and Willow Pattern china in one box

A quantity of coloured engravings, prints of a classical scenes and unframed botanical studies (qty)

A 19thC English porcelain oval comport, with pierced gilt scroll and oak leaf border, painted with botanical specimens, 31cm.

C.M Lewis, 'Caerfai Bay' oils on board, signed and inscribed verso, together with Laura Webb, 'Botanical study of Rosa Rugosa', oils on board, and a coloured print after Mary Ilchester. Framed. (3)

After Edward Gilbert Hester (c.1843-1903): 'A Day with the Harriers', coloured engraving; together with four 19th century coaching engravings; together with two botanical & three military coloured engravings (10)

A box to include Ordnance Survey maps, botanical album and press, music boxes etc (a lot)

'J.W.Sinkinson' Botanical Brewers York Stoneware flagon and 1 other

A pair of hand coloured botanical prints of exotic birds and a snake, hand coloured aquatints, late 18th or early 19th century, 49 x 65cm (19 x 25in)

Five botanical themed prints and a mezzotint after Stubbs, Vue du Jardin de Plaisance de l'Axarienne, coloured engraving, 26 x 40cm (closed tear); with J.Sherwin after N.Dance, Portrait of Lancelot Brown Esq., 33 x 22cm; and three coloured engraved plates of Cacti, 19th century; with another Henry Birche after Stubbs, Gamekeepers, mezzotint 1790, 44 x 67cm (surface stained) (6)

Botanical specimens. A stained pine cabinet, containing paper folders of pressed and tied botanical specimens, circa 1910, each labelled

CULPEPER (N) English Physician and Complete Herbal, London: for the author [no date] circa 1800, 4to, in two parts, first title and frontispiece torn and repaired, 26 hand coloured botanical plates, others anatomical, some signs of use and toning, rebacked calf

A pair of botanical engravings in 18th century style, framed

Ceramics - a set of four Portmerion Greek Key pattern cylindrical storage jars and covers, conforming cups, Botanical gardens, etc , a Biltons ironstone part dinner service etc (2 boxes)

AN ENGLISH PORCELAIN BOTANICAL SUCRIER AND COVER WITH GILT EAGLE'S HEADED HANDLES, C1820 COVER DAMAGED, A SEVRES STYLE CABINET CUP AND SAUCER, LATE 19TH/EARLY 20TH CENTURY, CUP BROKEN AND RESTUCK AND A FRENCH PORCELAIN COFFEE CAN, EARLY 19TH CENTURY

A Limited Edition Botanical Plate after Elizabeth Cameron, Signed.

SOLE, William:Menthae Britannicae: Being a New Botanical Arrangement of all the British Mints Hitherto Discovered,Bath, R Crutwell, 1798, 1st. edn. Folio, viii + 55 pp. + [1] pp. corrigenda. Illustrated with 24 engraved plates. Leather binding. CONDITION: Small stain to half title; one plate with small tear (without loss); o/w VG+

THE BOTANICAL CABINET by CONRAD LODDIGES & SONS, Vol. 1, Plates by GEORGE COOKE, 1818.

A Minton dessert service painted with specimen botanical plants within blue and gilt borders comprising; two tall tazza, two low tazza and twelve plates, impressed marks and pattern no. 460 (16)

A late 19th Century Stourbridge crystal glass goblet, possibly Thomas Webb & Sons, large ovoid bowl finely engraved with botanical studies above a knopped hollow blown stem with circular spread and folded foot, height 18cm.

Sixteen 19th century Chinese botanical paintings of flowers including, chrysanthemum, magnolia, prunus, rose, peony, etc, each 38cm x 28cm, framed and glazed, some with Chinese descriptions including Zi Ju Hua (purple chrysanthemum) (16) CONDITION REPORT: All paintings paper is laid paper, very slightly buckled, very slightly cream/brown 1) Pale purple chrysanthemum, crease to left hand edge of paper under frame, tiny areas of marking to paper, paper slightly buckled, Chinese description 2) Pink blossom, tiny browning to edge, slight foxing to paper 3) Orange trumpet flower, slight marks to paper, one slightly larger 'grease' spot 5mm x 7mm, Chinese description 4) Pink peony, slight edge browning to paper, few dark spotting areas 2 larger, 2mm sq areas below flower, Chinese description 5) Dog rose, pink, brown staining at edges, grease spot/brown spot top left, some slight foxing at centre of flower painting 6) Browning to edges, Chinese description 7) Small orange flowers, browning on three edges moderate foxing in central area 8) Orange flower, broad leaves, browning at edges, spotting at left hand side and more general browning/motting of paper, foxing at centre crease on left hand side diaginally, showing on leaf 9) Yellow flower, five branch leaves, Chinese description, Browing to paper edge, mainly on left 10) Orchia, Chinese description, slight browning to edges, slightly more creasing to surface, slight discolouration bottom left corner 11) Narcissus bulb, staining to edges, foxing on left, three or four slightly larger, very light fixing to central area 12) White flowers, one larger 'grease;/brown stain top left c1cm square slight fixing to beside top flower and lower leaf 13) White peony, browning to edges, four larger fox spots, slight creasing across centre, few very slight losses of paint to crease, overall slight more brown 14) Maroon and pink flowers, magnolia, small spots near flower and stems areas, browning to edges 15) Yellow Chrysanthemum, slight browning to edges 16) White magnolia, Chinese description, two slight larger fox spots on left, slight browning at edges

Harlequin set of 19th century glasses, one with inscription Auld Lang Syne within a floral field another 'Forget Me Not' and two others with botanical ferns

18th or 19th century etched glass flute of trumpet form, the body etched with botanical study raised on a cane and latticino twist stem terminating in a cup foot, 19cm tall, and another 18th century ale glass, 12.5cm tall CONDITION REPORT: Glass 1, smaller, unfinished, pontel No apparent chips or restoration. Some small bubbles to foot rim More to glass some scratches to bowl and also to stem Glass 2, engraved Some surface scratches to bowl, rough areas, some bubbles some small chip. Flat chip to underneath of foot rim. c shaped c8mm x 5mm max No obvious repairs Two or three small areas of gript spark at top of stem

CONRAD LODDIGES & SON: THE BOTANICAL CABINET CONSISTING OF COLOURED DELINEATIONS OF PLANTS,,,, ill George Cooke, April 1824, part 84, 10 col'd plts, orig printed wraps, + B MAUND: THE BOTANIC GARDEN; CONSISTING OF HIGHLY FINISHED REPRESENTATIONS OF HARDY ORNAMENTAL FLOWERING PLANTS,,,, L, 1825 -6, vol 1 only, engrd ttle pge, 24 col'd plts, old vell, worn, (2)

A Box Of Mixed 19th Century And Early 20th Century Books Mainly Of Botanical And Biology Subjects

Chinese School (c.1790-1810) - A group of four Chinese botanical studies A rare collection of Chinese watercolours of flowers and fruit Circa 1790-1810 The largest: 34 x 27 cm. (13 1/4 x 10 5/8 in); the smallest: 30 x 20 cm. (12 x 8 in) Provenance: Formerly in the collection of the Right Honourable Sir Joseph Banks (1743-1820) Bt, KCB, FRS, President of the Royal Society ; Private collection, US; from whom purchased by Mallett, 2007. The four watercolours available in the present lot were obtained through the connections that Sir Joseph Banks made in China between 1790 and 1800. They were painted by skilled but unidentified Cantonese artists around that time, the depictions of birds in trees being the earliest in date and the fish being slightly later. Sir Joseph Banks was a British explorer and naturalist who, as long-time President of the Royal Society, London, became known for his support of the advancements of science. Banks studied at Oxford from 1760 to 1763, during which time he inherited a considerable fortune. After graduating, he travelled to Newfoundland and Labrador in 1766, collecting plant and other specimens. In 1768, he led the Royal Society delegation on a voyage around the world with Captain James Cook, during which time they landed in New Zealand, at Poverty Bay, in 1769. While there, Banks described a great number of plants found in the area and wrote detailed descriptions of the Maori people who lived there. His scientific account of the voyage and its discoveries sparked considerable interest in Europe, encouraging European settlement near the Pacific Islands. In 1781, Banks was made a baronet and in 1795 a Knight Commander of the Bath. In 1793, his name was given to the Banks Islands, near Vanuatu in the Pacific, by Captain Bligh (of 'Mutiny on the Bounty' fame) who first explored them.

Set of four 19th century English porcelain cabinet plates, painted with botanical studies within blue and gilt pierced borders, 9.25" diameter; J & M Bell comport and two matching plates depicting Highland landscapes titled 'Colzean Castle', 'The Boat House Loch Katrine' and 'Loch Leven' (7)

A Coalport botanical part dessert service, decorated floral sprays within cobalt blue borders and gilt rim, comprising two oval dishes, two square dishes and eleven plates Condition Report: Square dish - two hair cracks to centre. Five plates have crazing. One plate has crazing and is badly damaged which has a glued repair.

A Coalport botanical dessert service, circa 1840, each piece centred by a hand painted botanical study within a pink border, comprising eleven plates, two dessert dishes and a large comport Condition Report: The top and base of the tazza are separate, it is a clean break between the two pieces which would have been made separately and joined together. The base has crazing, particularly noticeable to underside. One plate has very faint hair crack (not from rim). One or two have tiny brown spots of staining. Three have wear to decoration of petals. Otherwise the set is in tidy condition with just a few scratches and light wear to gilding in line with age and usage.

A quantity of modern prints including botanical subjects

Martin Podd/House at Blockley/dated 1997/watercolour, 33cm x 22.5cm/and a quantity of Victorian and later watercolours, including botanical subjects

Two Brendel botanical specimen models, of Pisum Sativum and Anthemis Cotula, each on an ebonized wood base with green printed labels inscribed 'PHYWE Original Brendel Modell', second half 20th century, 39.9cm high, 20cm wide, max. (2)

S. J. Scurlock, 'Botanical Study', signed. Oils on canvas dated 1909. Framed.

Artist: Sarah Jane Richards Design: English Herbaceous Border About the design Inspired by the luscious beauty of British herbaceous boarders, this design features plants that have been used in formal garden planting since the Victorian era. Chosen for their form and colour, Peonie, Phlox, Schizostyliss and Coreopsis are the plants used to adorn each side of the bus. Artist Sarah Jane Richards has drawn inspiration from traditional botanical illustrations with the design celebrating some of the wonderful aspects to be found in formal British gardening. About the artist During the ten years since she graduated with a fine art degree, Sarah Jane Richards has enjoyed a wide and varied output as an artist. This includes public art and public consultation projects, public, corporate and private painting commissions, art and studio management and building design/regeneration projects. She has designed and facilitated art workshops for community groups and for schools, within the mental health sector, in hospitals and for events and festivals. Location: North of the Park Trail: Around Queen Elizabeth Olympic Park   Dimensions: Length- 2.4m Width 0.5m Height- 0.95m

Two pairs of botanical prints, in black and gilt frames and other pictures

Set of 6 Gilt Framed Modern botanical prints

Mary Sturrock (1892 - 1985) Madeira - Floral Study Pencil and Watercolour on paper Signed bottom right, in gilded and glazed frame, 43 x 29cm Mary Sturrock was daughter of the celebrated director of Glasgow School of Art, Fra Newbury, and wife of the artist Alick Riddell Sturrock. Along with Cecil Walton, she was a founding member of the Edinburgh Group after WWI. She is best known for her botanical watercolours.

J W Day Hull Botanical Brewer flagon and a jam pan