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A Victorian Rockingham part tea/coffee service, painted with a grey and gilt stripe and botanical specimen centres, puce printed Griffin mark to base of saucers including inscription 'Manufacturers to the Queen, c. 1840, comprising: A bowl, two cake plates, eight teacups (3 with hairlines), seven coffee cups (2 with hairlines) and nine saucers to/w a near matched Staffordshire teapot and cover (spout repaired, hairline and internally crazed, finial re-glued), sucrier and cover (handle repaired and damaged, finial repaired), milk jug and plateThe number 1461 appears on base of bowl
NO RESERVE Sweet (Robert) The Hot-House and Greenhouse Manual, or Botanical Cultivator, second edition, previous owner's ink signature to title, 2pp. publisher's advertisements at end, cracked hinges, later half calf, lightly browned spine, rubbed, small loss to lower board, 1825 § Skuse's Complete Confectioner, a Practical Guide to the Art of Sugar Boiling in all its Branches, advertisements, cracked upper hinge, original cloth, rubbed and worn, W.J. Bush & Co., n.d. § Riviére (M.) Guide Pratique du Vétérniaire et du Parfait Bouvier, engraved illustrations, spotting, contemporary half calf, rubbed and worn, Paris, Laplace, n.d.; and 14 others, mainly incomplete sets, 8vo & 12mo (17)
A 19th Century framed stocking top with Queen Victoria's monogram; a mid 19th Century cross stitch panel of Neptune in a Chariot, a 19th Century cream and black lace cap, a beaded collar, two 1920s chocolate boxes, a pair of pleated paper surrounds composed of botanical bookplates and a quantity of small prints within modern frames
Curtis (William). Botanical Magazine, or the Flower Garden Displayed, 3 volumes, circa 1800-1820's, 374 hand-coloured engraved plates, several folding, one volume with each plate with Latin name in manuscript and renumbered at top margin, lacking all text, one without title, a little minor offsetting, one volume all edges gilt in contemporary green morocco (spine faded), two volumes in half calf with two covers detached, one spine defective, together with The Botanic Garden, by Benjamin Maund, volume IV only, 1831-2, 24 hand-coloured engraved plates, some light spotting and soiling, contemporary half calf gilt, small 4to, with three others including Samuel Curtis's General Indexes of the Plants contained in the first fifty-three volumes of the Botanical Magazine, 1828 and two others by Maund (Qty: 7)
Labram (Johan David). Sammlung von Zierpflanzen nach der Natur gezeichnet und colorirt von J.D. Labram, Basel, lithographie von Eml. Hindermann, circa 1835, 100 hand-coloured lithographed botanical plates, erratically numbered to top right corner (but complete), contemporary quarter calf, a little rubbed and outer corners showing, old paper label to spine rubbed away, small 4to, together with Roth (Albrecht Wilhelm). Botanische Abhandlungen und Beobachtungen, mit XII. illuminirten kupfertafeln, Nuremberg, Johann Jacob Winterschmidt, 1787, 68 pages of text, including title, 12 fine hand-coloured engraved botanical plates, tipped-onto blank leaves, in order to fold outwards, final two plates with some waterstaining, 19th century bookplate of Robert James Shuttleworth to front pastedown, near-contemporary plain boards, rubbed and some soiling, 4to (Qty: 2)Nissen BBI 1118 for the first work. The author of the second work, Albrecht Wilhelm Roth (1757-1834), was a doctor of herbal medicine and member of the Halle Natural History Society who also published Botanische Bemerkungen und Berichtigungen in 1807.
Sweet (Robert), Geraniaceae. The Natural of Gerania, illustrated by coloured figures and descriptions; comprising the numerous and beautiful mule-varieties cultivated in the gardens of Great Britain, with directions for their treatment, volumes 1 & 2 only, printed for James Ridgway, 1820-22 & 1822-24, 200 hand-coloured engraved botanical plates by J. Watts after E.D. Smith, together with part of volume 3 bound in at the end of the second volume, without title page, but containing 36 hand-coloured engraved botanical plates, the engravings numbered 1-236, light oval inkstamp of the Botanic Garden Cambridge dated 15 March 1945 to upper outer corner of several plates and to endpapers of both volumes, bookplate removed from front pastedown, contemporary half calf, gilt decorated spines, a little rubbed, 8vo (Qty: 2)Nissen BBI 1926. Sweet published five volumes in total of his Geraniaceae between 1820 and 1830, containing a total of 501 coloured plates.
Buchanan (Francis). A Journey from Madras through the Countries of Mysore, Canara, and Malabar, performed under the Orders of the Marquis of Wellesley, 3 volumes, 1st edition, for T. Cadell and W. Davies, 1807, half-title, 38 engraved plates including frontispiece, folding hand-coloured engraved map, 5 folding tables, spotting, browning and offsetting, folding map partially split along one fold and and worn away at central intersection, corner of volume 2 signature 2T2 excised, contemporary marbled boards, rebacked, vellum tips, 4to (26.4 x 19.5 cm) (Qty: 3)Cox I p. 310. 'In 1800 Lord Wellesley appointed [Buchanan] to survey the newly conquered kingdom of Mysore, a posting which enabled him to collect a vast number of new botanical specimens. At the same time his survey, in both its portrayal of Tipu Sultan as a rapacious tyrant and its inventory of Mysore's natural wealth, vindicated Wellesley's controversial conquest, thereby earning Buchanan the governor-general's continued affection' (ODNB). Provenance: Library of Colin and Joan Deacon.
* Curtis (William & others). A collection of approximately 300 prints and engravings, all originally published in Curtis's Botanical Magazine, mostly early to mid 19th century, engravings and lithographs with contemporary hand colouring, all with pages of descriptive text, several folding, each approximately 220 x 130 mm, (Qty: approx. 300)
* Curtis (William). A collection of approximately 200 botanical engravings, 1789 - 1824, engravings with contemporary hand colouring, nearly all with a page of descriptive text, occasional duplicates, occasional folding plates, each approximately 200 x 120 mm (Qty: approx. 200)Originally published in Curtis's Botanical Magazine or Flower-Garden Displayed
Paterson (William). A Narrative of Four Journeys into the Country of the Hottentots, and Caffraria, 1st edition, for J. Johnson, 1789, 17 engraved plates, folding map, toning, plates offset and marginally damp-stained, a few spotted in image, folding map spotted, ink-stamps of Inner Temple Library to title-page, text, and versos of map and a few plates, bookplate, 19th-century red half morocco, rubbed and marked, 4to (29.2 x 22.8 cm) (Qty: 1)Cox I p. 390; ESTC T89158; Mendelssohn II p. 143. 'Although the principal feature of the work is a description of the botanical specimens ... there are many interesting notes respecting the natives, with a few remarks on the Dutch colonists' (Mendelssohn). Paterson was later appointed governor of New South Wales but 'historians have rightly judged him more important as a natural scientist than as an administrator' (ODNB). A second edition of his work appeared the following year. Provenance: Inner Temple Library (deaccession stamp to title-page verso); Library of Colin and Joan Deacon.
Five English porcelain coffee cans early 19th century, comprising a Spode botanical coffee can painted with floral sprigs, reserved within pale-blue borders moulded in relief with white floral sprays and enamel specimen sprigs, within gilt borders, painted pattern no. 2004; an imari can attributed to New Hall decorated with figures and buildings within landscape; an early Minton porcelain decorated with gilded birds, two further coffee cans a late 18th century Worcester blue and white coffee cup, unmarked (6)
A LATE 19TH CENTURY DIAMOND AND SAPPHIRE PENDANTThe four-clover leaf openwork plaque, set throughout with rose-cut diamonds and cushion-shaped sapphire accents, to an old cushion-cut diamond bale, mounted in silver and gold, length 3cm (suspending from a later 15CT gold chain, length 40cm).The clover leaf was a popular motif in Victorian jewellery. The collection of Princess Mathilde of France, niece of Napoleon I, contained an impressive array of botanical and floral jewels, including nasturtiums, pansies, violets and clover leaves. The collection was sold after her death in 1904.
A late 18th century book of engraved plates to artist students, lacking title and page one, with plates running from No's 2-71, includes head studies, fashion plates, vignettes, oval and rectangular landscapes, ships, botanical and animal studies, printed by Robert Sayer London, one dated 1787, with a collection of ten 19th century chromolithographic design plates printed by Firmin Didot Freres, Paris c1884, 40.5cm x 28.5cm (Qty) (binding defective)
NO RESERVE Darwin (Erasmus) The Botanic Garden. A Poem in Two Parts, 2 parts in 1, third edition of Part II, with general title to both parts, engraved frontispieces and 18 plates including 5 by William Blake (one after Fuseli and 4 of the Portland Vase) and several botanical, 2 hand-coloured, 3 folding, vol.2 with half-title, directions to binder/errata leaf at end of each part, contemporary ink signature to head of titles, frontispieces offset onto titles, occasional spotting but generally clean, contemporary calf, worn and defective, endpapers damp-stained, J.Johnson, 1791; and a damp-stained first edition of Darwin's Phytologia, 4to; sold not subject to return (2)
A Japanese short sword (wakizashi), blade 20 in., shobu-zukuri, midare hamon, nakago appears suriage with two mekugi-ana, indistinct signature mei (ari...ju mori...?); gilt habaki interrupted by a shallow groove and with parallel file marks, partial tsuka (lacks tsuba and tsukamaki largely removed) with matching fuchi and kashira of shakudo overlaid with gold dragons to a nanako ground, detached menuki of botanical form with gilt highlights; ribbed lacquered saya, kogatana with elaborate horimono and a shakudo kozuka embellished with gilt dogs and foliage.
A quantity of edged weapons, including: a Japanese spear head (yari), stout blade of flattened triangular section, the broad face with a shallow fuller and engraved with two characters, fitted to an iron mounted hilt with ribbed leather grip, the small tsuba with botanical decoration in relief, lacquered saya; a Sinhalese knife (piha-kaetta), of characteristic form, blade 8 in., silver koftgari decoration, flamboyant scrolling silver collar, silver mounted and fluted wooden scabbard with vacant pocket for a bodkin; a 19th Century horn and copper (once silvered) mounted hilt; various jambiya, and other items. [qty]
A Derby Botanical navette shaped dessert dish, painted by Quaker Pegg, Mexican Periwinkle, within a gilt and lilac banded border, 30cm wide, titled in Latin, crown, crossed baton and D mark in blue, pattern 212, 1795John Twitchett, during his curatorship of the Royal Crown Derby Museum, judged the painting to have been executed by the hand of Pegg himself. Condition Report: In fairly good condition - there is a chipped loss to the footrim to the dish but standing well, its lower point with a smaller chip but displaying well from above. Some light wear to gilding and very minor surface wear.
A Derby shaped circular botanical plate, painted by Quaker Pegg, with a Nasturtium, gilt pendulous lily of the valley and leaf border, 23cm diam, titled in Latin, crown, crossed baton and D mark in blue, pattern 115, 1795 - 1805Ref: Twitchett (John), William Pegg, The Quaker: His sketch-book discovered, Antique Collector, June 1983. Condition Report: In general good condition,bit of rubbing to the guilding and a couple of blemishes,see images attached thankyou
A pair of Wedgwood plates, c.1810, painted in sepia with the Waterlily pattern, coloured in pink and green, an octagonal creamware Whieldon type plate sponged in manganese, and a creamware soup plate printed in black with 'Come Box the Compass', the rim with flower sprigs, some faults, 24.5cm max. (4) The Wedgwood Waterlily pattern derives from prints in the Botanist's Repository and the Botanical Magazine, from 1803-6. The design was probably inspired by the interests of Josiah Wedgwood's eldest son John, who was a founder member of the Royal Horticultural Society.
Four Chelsea oval dishes, c.1758-60, three painted with large fancy birds perched on rockwork and low branches, the last with a botanical flower specimen and smaller sprigs, all within feather moulded borders picked out in turquoise and brown, brown anchor marks, some wear, a restuck section to one, 26.5cm. (4)
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14383 item(s)/page