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A set of eight old botanical prints - framed and glazed

A large collection of 19th century photography of India (mostly), Burma, Egypt and Malta, 54 albumen prints in total, various photographers, Indian images to include Botanical Gardens Calcutta, Barshi, Ranikhet, Nainital, The Residency Lucknow, Delhi Gate, Rangoon, Moulmein Burma, Pachmani, Darjeeling, Darjeeling Railway, Fort William Calcutta, Marble Rocks Jabalpur, Malabar Coast, The Himalayas, Bombay. Hippolyte Arnoux (1860-1890) Port Said, Egypt (2) Langahi (fl.1890), HMS Jumna, Suez Canal (1). H.Agius (fl.1898), Malta (4), flush mounted on card mounts in a leather bound album,

Five framed botanical watercolours

A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include a limited edition William Russell Flint print 'The Looking Glass', 765/850 published 1991, approximate size 46cm x 54cm including margins, Douglas Haddow watercolour depicting ducks in flight at sunset, S.G. Jennings pastel depicting a figure beside a river, John R. Myers watercolour depicting wild plants, pen and ink drawings of botanical studies initialled MMR, together with two prints and two photographic prints

A selection of Portmeirion Botanical cutlery and table cloths

A selection of Portmeirion Botanical Garden dinner wares and ceramics

A modern Portmeirion botanical pattern bread bin or large biscuit jar

BOTANICAL PRINTS, a set of four, each 50cm high, 35cm wide, framed and glazed (4)

CHESTERFIELD SOFA, country house style, concave front with botanical print upholstery and turned front supports, 220cm W x 77cm H.

Elizabeth Cameron (1915-2008) - Pair of botanical prints, each signed and numbered in pencil from editions of 800, 53 x 35cm

C J Glazebrook - Botanical study, watercolour; and a modern limited edition print (3)

Two boxes of assorted pictures and prints to include sporting and botanical interest

Set of six Royal Albert ' Botanical Teas ' sandwich plates, with floral decoration on a white ground with lime green borders, 20cm across

Large selection of gardening books to includes botanical garden volume 1 and 2, a gardeners year, owning the earth etc

A quantity of china including Portmeirion Botanical Garden vase, 'Real Old Willow' plates, Poole 'Ophelia' vase, posies etc.

T Dixon after I Jenkinson: 'View of the Town and Harbour of Liverpool from Seacombe', engraving pub. 1820; John Charles Bromleyafter Sir Thomas Lawrence: 'Rural Amusement', mezzotint pub. 1831; together with two further prints, three botanical prints, and three early 20th century watercolours (10)

A 19th Century Chinese porcelain teapot of cylindrical shape. Hand painted decoration of botanical motifs and dragon on pink ground with bell finial cover lid and shaped handle. Measures approx; 13cm tall.

A large 19th Century Chinese Famille rose porcelain centerpiece bowl / fruit bowl. Intricate repeating Cantonese decoration with panels of figures, insects & birds among repeating botanical borders. Measures approx; 13cm x 29cm. 

A 19th Century Chinese blue and white porcelain vase. Shaped form with relief dragon surrounding the main body with hand painted blue & white botanical decoration. Measures approx; 36cm tall.

A 19th Century Chinese Cloisonné pen pot / brush pot of cylindrical form. Bronze rim with turquoise blue ground set with botanical sprays flanked by ochre borders. Raised on bronze stand with scrolled legs. Measures approx; 18cm tall.

An 18th Century Chinese Qianlong period blue and white porcelain plate. Canted circular form with hand painted central scene depicting figures in exterior landscape scene. The border decorated with repeating botanical and geometric bands. Measures approx; 23cm wide. Two chips to rim and one to base.

A 19th Century Chinese blue & white porcelain tea bowl. The interior decorated with central figure and repeating pattern border. The bowl exterior decorated with botanical band and raised on a small circular foot. Measures approx; 8.5cm.

A 19th Century Chinese export porcelain hand painted teacup / tea bowl having a shaped loop handle with hand painted scenes depicting figures on white cartouche with repeating botanical & geometric decoration. Measures approx; 5cm x 9cm.

An 18th Century Chinese blue & white porcelain plate of scalloped form having hand painted decoration depicting buildings & pagoda in landscape scene. Botanical motifs to edges with repeating borders. Measures approx; 23cm wide.

A pair of 19th Century Chinese blue & white porcelain vases of baluster shape. Both vases with covers set with Foo dog finials and having painted scrolling flowers and botanical motifs. One with painted character Reign mark to underside. Measures approx; 17cm tall.

A 19th Century Chinese Celadon ground porcelain snuff bottle / scent bottle of Meiping shape. Orange stone bead stopper to top with light green ground and painted green botanical decoration throughout. Measures approx; 8cm tall.

A 19th Century Chinese Famille Verte porcelain centrepiece bowl. Repeating key decoration with botanical motifs and hand painted decoration depicting figures and landscapes in a Kangxi revival green palette. Measures approx; 8.5cm x 21cm wide.

A 19th Century Chinese porcelain tea bowl. The hand painted bowl having an elder / immortal figurine to the inside. Gilt painted border with polychrome botanical decoration to the body. Measures approx; 7cm tall.

A 19th Century Chinese porcelain centrepiece bowl. Hand painted polychrome decoration depicting botanical motifs to the body with ochre interior border and central floral medallion. The bowl raised on circular footed base. Measures approx; 9cm x 20cm.

A 19th Century Chinese porcelain pillow / brick. Traditional form with hand painted polychrome enamel decoration depicting figures in exterior scene with trees and furniture. Repeating botanical borders with precious / sacred items depicted to sides. Measures approx; 12cm x 14cm.

(BOOK) THE BRITISH HERBAL: AN HISTORY OF PLANTS AND TREES by John Hill (T. Osborne & J. Shipton et al, 1756) 1st edition, engraved vignette title, engraved allegorical frontispiece, and with 74 (?) engraved plates to the back, folio size (42.5 x 28cm), full calf gilt with oxblood morocco gilt title band to spine, together with VARIOUS BOOKS including 'Gynaecology' by Eden and Lockyer (2nd edition), 'Ecclesiastical Curiosities' (8 x volumes total, titles of each on request, or see images)Provenance: deceased estate CarmarthenshireAuctioneer's Note: an important work by the botanist and polymath Sir John Hill, being one of the first publications to appear after Carl Linnaeus' 'Species Plantarum' of 1753 which was the year internationally accepted as the beginning of modern botanical nomenclature.Condition Report:No plates are colour.There is some damage to the spine.All pages look attachedMost pages have foxing

FOUR VARIOUS 20TH CENTURY PICTURES, including fabric panel botanical study (framed and glazed), circa 1970s, 42 x 60cms, oil on board landscape, 43 x 43cms, large oil on canvas by JOHN HIND, entitled verso 'Beat (for Leicester Lions)', signed and dated 1978, 61 x 60cms and another (4)

A small group of English pottery and porcelain, 19th century, comprising four Ridgway green ground pierced rim botanical plates, diameter 23.5cm, a pair of blue ground candlesticks, height 25.5cm, a pair of Spode Felspar burgundy ground plates, gilt with chinoiserie figures, with a matching sauce tureen stand, and a blue printed tureen base (faults and restoration).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Samuel Woodforde (after): a Hogarth framed 19th Century large format coloured engraving with French text 'Adieux De Charles I A Sa Famille', depicting The Family of Charles I - sold with a framed botanical study print

19th century English schoolA botanical specimen, oil on canvas, 33 x 12.5cmThis has been lined. Several small scratches and marks to the surface. Not examined under Uv light.

19th century English schoolTortoise, engraving, hand-coloured, 28 x 21.5cm; two further similar; and three pairs of hand-coloured botanical engravings (9)

Still life oil on board, four botanical and landscape watercolours together with others (10)

A group of framed and glazed watercolours to include William Lyons Wilson (1892-1981) - Schon House, wintery village street scene with a man walking along a snowy road, signed and titled, 28.5cm x 34cm; Charles Arthur Hannaford (1887-1972) - landscape view of a distant coastal town, signed, 24cm x 36cm; Stephen J Bowers (19th century) - two Victorian river landscapes, signed one with monogram, 9.5cm x 14.5cm each; a botanical watercolour mounted in a glazed maple frame, unsigned; and an unsigned landscape depicting a fisherman, bridges, trees and fields 25cm x 32cm (6) Location:

Six English porcelain plates and two comports decorated with botanical specimens within pale blue and sepia borders (8)

Hill, John. The Vegetable System, parts 25 & 26, part 25 begins at p.4 with 61 copper-engraved plates & accompanying letterpress of 60pp. with index, part 26 with 35 plates but lacking all after, though this does have its title page, disbound, printed for the author, sold by S. Trueman, 1775, sold as a collection of botanical plates with all faults

Assorted 19th century porcelain teawares. Including: a blue-ground teacup and saucer painted with flowers, a Staffordshire footed lobed shaped rectangular botanical dish, a trio with apricot, blue and gilt borders, a Spode 'jewelled' Aesthetic Movement coffee-cup and saucer, a Royal Worcester teacup and saucer with flowers, a moustache cup and stand painted with pink roses, a Hammersley & Co trio and other items (some damages)

19th century English ceramics to include three botanical painted dishes, Regency tea wares, Booths 'Worcester' china service.Davenport Cup and saucer- saucer has been broken and reglued, cup in good order. Overall signs of wear to each piece only.

A Chamberlain’s Worcester botanical plate, a Spode sauce tureen and cover and other items

After J M W Turner Colour print Long ships lighthouse, Lands End, circa 1834, no.67/850 prints from the collection of Thomas Agnew & Sons, framed and glazed  After J R Cozens Print "Setara on the Gulf of Selono 1782", no.57/850 prints, framed and glazed  After David Cox Colour print Rhyl Sands, circa 1850, framed and glazed and one botanical print (4) 

Four framed botanical prints Coloured map of Cornwall After Sir David Wilkie Colour print After S Hooper  Engraving March 26th 1776, Christ Hospital, London Watercolour, all framed 

BOTANICAL PRINTS, a set of four, 70cm high, 50cm wide, framed and glazed (4)

TROWBRIDGE GALLERY BOTANICAL PRINTS, a set of three, 55cm x 42cm, together with three other botanical prints, 58cm x 48cm. (6)

TOINI MUONA (FINNISH 1904-1987) FOR ARABIAa botanical impression on painted and glazed earthenware, impressed with initials and maker's mark on verso with overglaze green maker's mark; dimensions: 31 x 32 cm (12 1/4 x 12 5/8 in.)PROVENANCEPrivate Collection, Harrison, New York

A BOTANICAL WATERCOLOR, LATE 19TH-EARLY 20TH CENTURYLycoris Aurea,watercolor on paper28 x 22 cm (11 x 8 5/8 in.)framed dimensions: 50 x 43 cm (19 3/4 x 16 3/4 in.)

3 Ornate Gesso Gilt framed Botanical watercolours

A set of four botanical prints, framed and glazed.

Various botanical and other prints.

Group of porcelain wares including a Paris porcelain botanical cup and saucer, small Berlin figure, Chinese porcelain saucers one with tobacco leaf design and others (quantity in the lot) (damages)

**PLEASE NOTE COLLECTION OF THIS LOT WILL BE FROM BISHTON HALL STAFFORDSHIRE**A set of four reproduction botanical prints including Paeonia, framed, 33cm x 23.5cm Cond: all good

An early 19th Century album, of botanical, topographical and portrait watercolours and drawings by William Taylor, Helen Taylor and others, variously inscribed, one with watermark ‘C. Wilmot 1821’, to include a study of a red, pink and yellow tulip and an oil on card of a plum

Dresden porcelain waterfall stationary rack decorated with bird of paradise and botanical sprays, blue backstamp and numbered '778' to the base, 17cm tall.   Clean condition, no obvious damage.

Trew,Ch.J.: Uitgezochte planten. [Plantae Selectae], beschreven door den wydvermaarden Christ. Jacob Trew. Na 't leven getekend door den beroemden. Georgius Dionysius EHRET. In 't koper gebracht en natuurlyk gekoleurd in 't licht gegeven door den konstryken schilder en plaatsnyder te Augsburg Joh. Jacob HAID. Uit her latyn vertaald en mer aantekeningen verrykt door Cornelius PEREBOOM. Amsterdam, Jan Christian Sepp, 1771. Folio. 56 x 38 cm. Mit 100 kolor. Kupfertafeln. 2 Portraits (von 3, ohne Portr. von Haid). 2 Bl., 72 S. Hldr. d. Zt. (Kap. etw. lädiert). Nissen BBI 1998. Pritzel 9499. Natur und Bild Nr. 140. Sitwell/Blunt, Great Flower Books S. 144. Hunt 539. Kat. Stiftung für Botanik Arpad Plesch 771. De Belder 363. - Eines der schönsten botanischen Werke des 18. Jahrhunderts. Die Kupfer in prachtvollem und detalliert ausgeführtem Altkolorit mit Darstellungen exotischer Pflanzen. "So sind den diese Plantae selectae zum schönsten deutschen Pflanzenwerk geworden; ja auch unter den Werken des Auslandes gibt es wohl nur wenige, die mit ihm überhaupt in Wettbewerb treten können" (Nissen). Es erschien von 1750 an Blatt für Blatt, die dann zu Decurien zusammengefaßt wurden und insgesamt eine Centurie ausmachen sollten. Trew erlebte jedoch die Vollendung nicht; 1764-66 wurde erst die 7. Decurie fertig, von der 73. Tafel an gab dann bis 1773, der Altdorfer Professor B. Chr. Vogel das Werk heraus." (Nissen) - Titelblatt in Rot und Schwarz. Auf den Pflanzentafeln sind die Pflanzenhauptnamen goldgehöht. - 12 Textbl. und 3 Tafeln etw. wasserfl. - With 100 col. Copper plates. 2 (of 3 portraits (the one of Haid is missing). Half leather of the time (chap. somewhat damaged). One of the most beautiful botanical works of the 18th century. - Title-page in red, black and gold. On the On the plant plates the main plant names are heightened in gold. - 12 Text leaves and 3 plates somewhat waterstained.

Sammlung: von 217 Taf. Gr.8°-4°. ╔Enthält:╗ Winkler,E. Der autodidactische Botaniker... Lpz., Schäfer 1854. 88 kolor. Lithogr. (Tafeln kompl., ohne den Text). - 40 kolor. Kupfertaf. aus Curtis Botanical Magazine, London 19. Jh., meist mit Textbl. - 37 farb. lithogr. Taf. aus Unsere besten deutschen Obstsorten (5. Aufl.) bei Bechtold, Wiesbaden (ca. 1920). - 52 farb. lithogr. Taf. aus Köhler's Medizinal-Pflanzen (Gera um 1890). - Etw. Gebrauchsspuren, nicht eingehend kollat. D

Owl-otments by Cathy Simpson. Sponsored by Scrutton Bland.Artist:Cathy SimpsonCathy is a very experienced illustrator and cartoonist now based in Dewsbury. She has illustrated many children’s books and greetings cards. She is a member of the Association of Illustrators, and one of the few female members of the Professional Cartoonists’ Organisation. Cathy has also exhibited widely, with art societies including the Royal Institute of Painters in Watercolour, the Society of Botanical Artists and the Society of Wildlife Artists.https://www.cathysimpson.co.ukSponsor:         Scrutton BlandThis sculpture is sponsored by Scrutton Bland. "At Scrutton Bland we provide forward-thinking, friendly, personal and impartial advice. We like to build long term relationships with our clients and invest time getting to know them. Whether you run your own business, or are an individual looking for advice and expertise, our team of accountants, auditors, tax advisers and insurance brokers are here to support you."https://www.scruttonbland.co.uk/

EDWARD ARTHUR WALTON RSA PRSW (SCOTTISH 1860 - 1922),EDWARDIAN LADYoil on board, signedimage size 60cm x 45cm (oval), overall size 67cm x 52cm (oval) Framed. Note: Edward was one of twelve children of Jackson Walton, a Manchester commission agent and a competent painter and photographer. Some of Edward's siblings were well known in their time - his brother George Henry Walton (1867-1933) was a noted architect, furniture designer and stained glass designer, Constance Walton was an acclaimed botanical painter, while Helen Walton, born 1850, was a decorative artist who studied at the Glasgow Government School of Design and was artistic mentor to the family. Walton enjoyed his art training at the Kunstakademie Düsseldorf and then at the Glasgow School of Art. He was a close friend of Joseph Crawhall (Walton's brother Richard having married Judith Crawhall in 1878) George Henry and James Guthrie and lived in Glasgow until 1894 where he became part of the Glasgow School or Glasgow Boys, all of whom were great admirers of Whistler. Their favourite painting haunts were in the Trossachs and at Crowland in Lincolnshire. In 1883 Walton joined Guthrie, who had taken a house in the Berwickshire village of Cockburnspath. He also produced a remarkable set of watercolours in Helensburgh in 1883, showing the affluent suburb and its decorous people. These images are regarded as some of the finest of the Glasgow School and praised for their clarity, colour and strong decorative sense. Carrying out portrait commissions became Walton's main source of income. In the 1880s and 1890s he painted murals in the main building of the Glasgow International Exhibition of 1888 and other buildings in the city. Walton also attended painting classes at the Glasgow studio of W. Y. Macgregor, one of the central figures of the Glasgow School. Walton exhibited from 1880 in both Glasgow, at the Royal Glasgow Institute of Fine Arts, and Edinburgh, at the Royal Scottish Academy, being elected an associate of the Academy in 1889 and a full member in 1905. He was in London from 1894 until 1904, living in Cheyne Walk in Chelsea, and a neighbour of Whistler and John Lavery. While in London, Walton often painted in Suffolk, spending summers at the Old Vicarage in Wenhaston. Here he painted pastoral scenes in oil and watercolour, the latter often on buff paper with creative interplay between paper and paint. He used extensive underpainting in his oils, thereby creating subtle effects. In 1907 he accompanied Guthrie on a painting trip to Algiers and Spain and in 1913 worked in Belgium. The World War I years led to his discovering Galloway and he became a frequent visitor to the area. From 1915 he served as President of the Royal Scottish Water Colour Society. Walton married the artist Helen Law (née Henderson) after becoming engaged on 29 November 1889. Helen gave up her painting career in order to tend to their family. Their son John (1895-1971), became Regius Professor of Botany at the University of Glasgow. Their daughter Cecile (1891-1956), was a successful painter, sculptor and illustrator in Edinburgh. Their youngest daughter Margery married William Oliphant Hutchison in 1918. Sixty eight of his paintings are held in UK public collections including Glasgow Museums & Galleries.