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* EILEEN LAWRENCE RSA (SCOTTISH 1946-) THE SACRED DANCE Watercolour, signed, titled and dated `75 61cm x 45.5cm Note ; Eileen Lawrence was born in Leith and studied at Edinburgh College of Art from 1963 to 1968. Following her first solo exhibition in 1969, Lawrence lived in London for three years and also in Germany, before returning to Edinburgh in 1973. Using a precise and detailed technique like a botanical illustrator, Lawrence produces drawings and watercolours of natural objects, such as feathers and twigs. These items are collected by the artist on visits to the countryside. Lawrence`s intensely detailed studies are a way of meditating on man`s spiritual relationship to nature. Her work is included in numerous public and private collections including The Tate and The Scottish National Gallery of Modern Art.
19th CENTURY ENGLISH SCHOOL-a collection of eighteen botanical studies to include lilies of the valley, violets, wild rose, cyclamen, etc, watercolours, a similar study of the Cowarne red apple and a set of three insect, butterfly and feather studies, watercolours, all unframed, contained within a Morocco leather and gilt tooled folio (21) (PART ILLUSTRATED)
An English porcelain tea service comprising teapot, cover and stand, sucrier and cover, milk jug, waste bowl, twelve breakfast cups, seven tea cups, thirteen saucers and two bread and butter plates each enamelled with panels of botanical specimens on a green and gold ground, red painted 114, circa. 1830-40, some damage.
A Grainger’s (Worcester) porcelain part dessert service comprising a tall two handled comport, six shorter comports, a pair of circular two handled dishes and seventeen plates each enamelled with botanical specimens within dark blue and gilt scrolling borders, gilt fractional 1807/x to underside, circa. 1840-1845, chip to one plate. (28)
Scrap Album.- a neatly presented album of original illustrations pen and ink drawings, a watercolour initialled L.F?, title-page inscribed `Marian Hanley, Oxford, 1890`, some leaves blank, 4to; with 5 loose hand-coloured botanical engravings, 19th century, and a hand-coloured lithograph by P Feuchère, `Encore des Ridicules, N. 1025`, all unframed (Qty.)
Benjamin Green Phaeton mezzotint, after George Stubbs, 1776, published by R.Sayer & J.Bennett, London, 450 x 560mm (17 3/4 x 22 in) § William Ward. The Fruits of Early Industry & Oeconomy, mezzotint, after George Morland, 1789 or later, published by T. Simpson, 550 x 400mm (21 3/4 x 15 3/4 in); with 2 other mezzotints, including Miss Kitty Dressing, by Watson, after Wright, The Strawberry Girl, after Reynolds, with 2 engravings and 2 botanical lithographs, all unframed (8). Condition report: The Phaeton mezzotint is tipped onto paper support with several handling creases, repaired tears and surface abrasion.
Dr. Robert John Thornton (publisher) American Bog Plants aquatint, printed in colour, finished by hand, engraved by Sutherland, after Reinagle, c.1806, 440 x 360mm (17 1/4 x 14 in); with a mixed group of botanical prints, v.s., (19), all unframed. Condition report: Even browning, with colours slightly faded and washed out.
Nicholas de Launay, French 1739-1792- `La Bonne Mére` After Jean Honoré Fragonard 1732-1806, Published in Paris 1779; engraving and etching on paper, 58x45cm: Jean Mathieu, French 1749-1815- `Le Serment D`Amour` After Jean Honoré Fragonard 1732-1806, Published in Paris 1764-1815; etching and engraving on paper, 58x45cm: `Citus Laurifolius` `Hypericum Arborescens` `Alcea Vesicaria Æthiopica` `Rubus Non Spinosus Major Odoratus`; hand-coloured botanical engravings, re-strikes, in matching frames, 31x20.5cm (each) (4): Ferdiando Ruggieri, Italian 1831-? `Secondo ordine dell antecendente Palazzo posto al num: 71 segnato colla letteria A` together with three other architectural plates; engraving, with later hand-colouring, in matching frames, 41x29cm (each) (4): (10 in the lot)
Five John Ridgway cream ground pierced dessert dishes, circa 1830, each painted with a central botanical arrangement within the gilt overlaid foliate decorated and moulded pierced rims, comprising three circular, an oval and a rectangular example, puce printed factory mark to each base with pattern No. `5583`.
A set of eighteen Doulton Burslem cabinet plates, late 19th Century, each painted with a titled botanical study of a different orchid by D. Dewsberry, signed, within a gilt wavy rim, brown printed factory marks, some with red printed `Phillips` retailers stamps, painted titles and pattern numbers to each reverse, diameter approx 23cm, together with a gilt edged oval shaped footed dish.
A COLLECTION OF MISC. BLUE AND WHITE PORCELAIN INCL. TWO MEAT PLATTERS , ONE STAMPED INDIAN ORNAMENT T.C F. B, THE OTHER BOTANICAL BEAUTIES, MISC, WILLOW PATTERN INCL. A 8025, SEVEN TEACUPS, EIGHT SAUCERS, SANDWICH PLATE, SEVEN TEA PLATES, A FENTON ORIENTAL PLATE, SIX VICTORIAN DINNER PLATES AND A COPELAND SPODE SHALLOW BOWL AND TWO IRONSTONE MUGS
A Coalport botanical part dessert service circa 1820, each piece finely painted with a botanical specimen, within cobalt ground and gilt borders, comprising a circular pedestal bowl 25cm diameter, two shell shaped dessert dishes 22cm wide, an oval dessert dish 28cm wide, two circular two handled tureens and covers 13cm diameter and twelve dessert plates 23.5cm diameter, incised `2` (at fault) (18)
A PAIR OF ROYAL COPENHAGEN FLORA DANICA BASKETS AND A PAIR OF DISHES EN SUITE the baskets of flared oval shape with crabstock handles, pierced and encrusted with flowers, painted with botanical specimens and gilt, dishes 26.5cm l, printed and painted marks in green and blue, Linnaean titles in black script, c mid 20th c ++Dishes in fine condition. One basket with rim chip and the odd small nick here and there, the other basket with chipping to one or two of the encrusted flowers but unrestored
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14383 item(s)/page