We found 14383 price guide item(s) matching your search

A 19th Century porcelain cabinet plate, with painted floral panels and central armorial crest; five Minton fruit decorated plates, some AF; six botanical decorated plates and two others

Lego - x2 factory sealed Lego Botanical Collection sets comprising; 10281 Bonsai Tree and 10280 Flower Bouquet. 

Kensitas - A large collection of 1930s silk cigarette cards to include flags of the world botanical flowers. 

SCRAP ALBUMS; a collection of seventeen albums with various bindings, contents include botanical watercolours, engravings etc. Date circa 1900. (17).

BROWN, Robert, vol 1 & 2, The Miscellaneous Botanical Works, vol 3, Atlas of plates, original cloth backed boards, paper label, worn The Ray Society, 1868, folio, 38 plates. *ex library copy. (3)

Botanical watercolour. Aquilegia flower signed by Jane Murray and dated 1977. Signed H.58 W.44 cm.

Three framed botanical prints. Published 1851 in the Joseph Harrison's 'The Floricultural Cabinet and Florists' Magazine. Framed and glazed. H.37 W.29 cm. (each)

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Four framed botanical prints

[BOTANICAL] WITHERING, WILLIAM; An Arrangement of British Plants, according to the latest improvements of the Linnaean System, with an introduction to the study of botany - 1818, sixth edition, four vols, Vol I with numerous engravings, ex library

E J LOWE, a set of nine botanical prints, circa 1858, 30cm x 23cm each.

Robert Portland - Cut of Richmond, Yorkshire, colour mezzotint; 19th century English school - River landscape watercolour; monochrome print of Colchester castle; and a Marjorie Blaney botanical print etc (6)

Continental school - Coastal scene, oil on mill board; together with assorted lithographs, botanical prints etc (7)

A box of assorted prints, to include botanical examples

Stamps; A good collection of mainly Great British Presentation Packs, in fifteen albums with issues to 2020 including 1964 Forth Road Bridge, 1964 Geographical & Botanical, definitives with 1977 Pack-13, also with limited edition Post Office Covers, the edition limited to 100 (a lot)

BOTANICAL INTEREST: A COLLECTION OF GLASS PHOTOGRAPHIC PLATES DOCUMENTING SIR GEORGE TAYLOR'S 1939 HIMALAYAN EXPEDITION In 1939, Scottish botanist Sir George Taylor (15th Feb. 1904 - 13th November 1993) was invited by Major George (Geordie) Sherriff, whose family owned the Bowmore whisky distillery and was himself an enthusiastic plant collector with a particular interest in Himalayan species, to accompany him on an expedition to Sikkim, Nepal and Tibet. The plates here offered record many of the samples collected over the course of the expedition, the original film having been shot and pressed on the Tibetan plain prior to its dispatch to the Natural History Museum. Taylor went onto become Keeper of the Botany Department of the British Museum and was later appointed Director of Kew Gardens, receiving a knighthood for his services from Queen Elizabeth II in 1962. Six years later, he was elected a fellow of the Royal Society of London.Provenance: gifted by Taylor directly to the vendor.

A GERMAN GEM SET BROOCH & EARRINGS set with foiled back garnets and clear gems, with a botanical theme. dimensions of the brooch 4cm x 3cm, length of drop of earrings with hook 4cm, weight together 13.1gms Condition Report:"Brooch;- some issues to the left of the brooch, has been fixed with a lot of solder, they have done a good job, totally stable now. Right hand garnet has a chip. Earrings;- 1) looks glued to the bottom edge by the stone, and gold painted over, well done and not immediately noticeable. 2) all appears ok."

Zierteller mit botanischer Darstellung Runde Form, glatter Rand. Im leicht vertieften Spiegel Darstellung der Zwerg-Schwertlilie (Iris pumila) auf dunkelbraunem Fond. Polychrome Malerei, wohl später. Chamoisfarbener Fond. Goldrand. Manufakturmarke mit Jahresstempel (1)805. D. 23,5 cm. A Viennese porcelain plate with botanical depiction. Manufacturer's mark with date stamp 805.Österreich. Kaiserliche Manufaktur Wien. 1805.

Botany.- Allen (John Fisk) Victoria Regia; or The Great Water Lily of America, Boston, 6 chromolithograph plates by William Sharp, some worming, affecting first 4 plates, at blank margin of gutter head but also within image, worst affected frontispiece and plate 1, with only small holes within image continuing through to 2nd and 3rd plates, same worm holes also affecting letterpress title, dedication leaf, first few text leaves, front endpaper and plate paper guards, but no text loss, all worming with paper repairs, otherwise light damp-staining from gutter head, including to plates but most noticeable in margins and on verso, original printed boards, ?early reback in cloth, neat repairs upper cover corners, toned, water and other stains, a little rubbed, [Nissen BBI 16; Great Flower Books (1990) p.69], folio, for the author by Dutton & Wentworth, 1854⁂ A masterpiece of colour lithography. Allen's work on the giant lilies of the Amazon river is brought to life by William Sharp's large-format chromolithographed plates; recognised as some of the finest botanical images ever produced in America, they are also some of the earliest to employ the multi-stone printing process.

Botany.- Curtis (William) The Botanical Magazine; or, Flower-Garden Displayed, 24 vol. in 12, vol. 1 later issue (1790), title pages vol. 1-3 (that of 2 and 3 misbound at front of vol. 3 and 5) and vol. 7-24 all present, 966 finely hand-coloured engraved plates, several folding, ink ownership stamp to front endpapers and bookplates to pastedowns, some plates lightly browned, scattered off-setting, overall bright and generally clean, handsomely bound in early nineteenth century green straight-grain morocco, spines lightly faded and minor scuffing to extremities, [Great Flower Books p. 156; Nissen BBI 2350], 8vo, by Couchman and Fry, for W. Curtis, 1788-1806

Priestley (Joseph, theologian and natural philosopher, isolated and identified seven gases including oxygen, 1733-1804) Autograph Letter signed to Dr [Benjamin Smith] Barton in Philadelphia, 3pp. with address panel, 4to, Northumberland, Pennsylvania, 16th June 1796, on the subject of the doctrine of phlogiston, botanical experiments, Barton's New Views of the Origins of the Tribes and Nations of America and glassware for chemical experiments, "I wrote to you some time ago... to request... you would be so good as to correct the press for a pamphlet I wished to publish on the subject of the doctrine of phlogiston. By this post I have sent the MS to Mr Dobson, with directions concerning it. I wish you would inform him that my name must be put in the title page as in my other publications, the running title should be The doctrine / of Phlogiston. In the MS I have used the following constructions d/d for dephlogisticated - p/d for phlogisticated - p/n for phlogiston. As you are a botanist, I wish you would get me... some seeds of the Epilobium hirsutum, as I wish to make some experiments upon it, and I cannot find it here. If I remember right, it flowers late in England. Is your ingenious paper on the Indian Antiquities printed and I ordered by Mr Russell some glass balls and tubes, to be made at Mr Nicholson's Manufactory, and to be joined by Mr Gatti the glass blower...", remains of red wax seal, Britannia watermark, split at central fold and professionally repaired, small hole where opened, folds, slightly browned.⁂ An important letter written from the town in Pennsylvania where Priestley and his wife Sarah lived after leaving England in 1794. The recipient, Benjamin Smith Barton (1766-1815) was one of the central figures in Philadelphia's scientific establishment and the author of several influential works including New Views of the Origin of the Tribes and Nations of America, 1798, to which Priestley alludes to in this letter. Priestley, a theologian and dissenting minister is generally credited with the discovery of oxygen, which he called 'dephlogisticated air'. There were, however, other claims to this discovery, notably that of Antoine Lavoisier. Priestley also discovered a number of other gases, but it was his determination to continue with the phlogiston theory or 'doctrine', namely that an element phlogiston was released during combustion, that left him somewhat isolated from the general scientific community. His political beliefs rather than his scientific standing had led to his self-imposed exile to America towards the end of his life.

A collection of 17 Collins New Naturalists, including E. Neal: 'The Badger', 1948, 1st edition, New Nat. Monograph No.1, orig. cloth, dust wrapper, J.D. Summers-Smith: 'The House Sparrow', 1963, 1st edition, Monograph No.19, ownership inkstamp of Ted Ellis (1909-1986), Norfolk writer, broadcaster and naturalist, on FFEP, orig. cloth, d/w, F.A. Lowe: 'The Heron', 1954, 1st edition, Monograph No. 11, Ted Ellis ink stamp and ownership signature in pencil to FFEP, orig. cloth, d/w, 'The Rabbit', 1956, 1st edition, Monograph No. 13, orig. cloth, plus 1976 5th edition copy of 'The Badger' in d/w, plus Mellanby: 'Pesticides and Pollution', 1967, 1st edition, NN50, Newton: 'Finches', 1972, 1st edition, NN55, Hewer: 'British Seals', 1974, 1st edition, NN57, Brown: 'British Birds of Prey', 1976, 1st edition, NN60, Berry: 'Inheritance and Natural History', 1977, 1st edition, NN61, Simms: 'British Thrushes', 1978, 1st edition, NN63, 'Mammals in the British Isles', 1982, 1st edition, NN68, all original cloth, all in dust wrappers, all VGC in collectable condition, plus Blunt: 'The Art of Botanical Illustration', 1950, 1st edition, NN14, orig. cloth, dust wrapper (d/w with tape repair), plus Pollard et al: 'Hedges', 1974, 1st edition, NN58, ex library, orig. cloth, d/w, plus 3 soft cover editions and Desmond Nethersole-Thompson: 'The Dotterel', L, Collins, 1973, 1st edition, orig. cloth gilt, d/w (18)

Alexander McDonald: 'A Complete Dictionary of Practical Gardening', London, George Kearsley, 1807, volume 2 (of 2) only, 36 engraved plates (of which 31 botanical after Sydenham Edwards and engraved by F. Sansom, and 5 at end depicting greenhouses, ice house, garden implements etc, waterstaining affecting many leaves/plates, 4to, old half calf very worn, together with Arlette Davids (ill.): 'Flowers Rock Plants', London, Paris, New York, The Hyperion Press, 1939, 40 colour plates of various cacti, succulents, stonecrops, lilies, agave etc, folio, original cloth (worn) (2)

Scott's (Bolton) Botanical Brewers Ltd stoneware jug, 2 other stoneware jugs, carved wood figure of an owl, Estyma battery clock modelled as a large wristwatch, cast metal shoe last wheel, vintage witches broom, etc. (2 boxes)

(Botanic illustrations) George Cook. 'The Botanical Cabinet Consisting of Coloured Delineations of Plants, from all Countries, with a short Account of each, Directions for Management &c. &c. by Conrad Loddiges & Sons,' Four vols only (III, IV, V, VI), half polished calf with marbled boards, rubbed and bumped with loss to back strip for vol IV, ex libris for Folkestone Public Libraries with ink stamps and reference number to spine etc, a very good text block, some offsetting from approx 400 beautifully hand coloured plates, John & Arthur Arch, London, 1818. (4)

(Botany) Stella Ross-Craig and Curtis's Botanical Magazine. Sixteen Ross-Craig's in original card wraps by G. Bell & Sons, with four cloth bound; With a collection of 'Curtis's Botanical Magazine' new series. (30+)

(Botanical Sketchbook) Seventy-eight individual colour pen and watercolours, with corresponding descriptions between rectos and versos, with a preliminary of nineteen smaller vignette watercolours to identify the inflorescence of flowers on the stem, artist unknown although graphite inscription to pastedown reads 'The Property of Mrs D. L. Lamb', leaves numbered 0-55 with the work reaching to pp.39, this charming lot has been done with a very skilful hand, early 20th century.The larger illustrations measure (av) 12xm by 7cm, with the smaller illustrations measuring 4cm x 3cm.

(Botanical sketchbook) Fifty six studies in watercolour. Cloth bound, graphite descriptions to each plant, all to recto, slight toning to edges of leaves, early to mid 20th century.The illustrations measure between 19cm and 7cm in height, with most tending towards the taller end. With widths varying between 9cm and 2cm depending on the plant depicted.

Wedgwood: An early 19th century C 1852, in 'waterlily' botanical design blue & white design footbath. Impressed mark to base. Approx. 45cm wide x 23cm high. Condition: Crack running from top rim visible from inside, chip to base rim, hairline cracks to inside base and outside base.

Stamps, GB QEII presentation packs 1964 Geographical and Botanical complete with celophane covers. Cat £225

VICTORIAN BOTANICAL DESSERT SERVICE, mid 19th Century, floral reserve dessert service of 5 comports and 7 dessert plates, pattern no 1320.One plate with a hairline and shallow chip to underside of rim. One low comport with 2 chips to underside of rim, tall comport with rivet repair and section of base re-glued.Plates are 23cm diameter. Marked only with pattern number 1320.

Russia, three albums, collection of matchbox labels, mid 20th century, propaganda, war, military, sports, monuments, lifestyle, botanical, animals, dancing, Soviet Union, Olympics, space, approx. 91 pages, well presented and fixed with corner stickers, the majority illustrated.

Russia, two albums, mid 20th century, propaganda, sports, military, monuments, historical figures, animals, transports, botanical, approx. 178 pages, well presented and fixed with corner stickers, the majority sample illustrated only.

Japan, one album, extensive collection of Japanese matchbox labels, mid 20th century, mountains, landscapes, Tokaido Road, warriors, martial arts, geisha, insects, Tsuneyoshi, pottery, botanical, Harunodu, Custom of Japan, arts, dolls, Gosho Doll, Tobacco Match, masks, symbols, approx. 82 pages, well presented and fixed with corner stickers, full contents illustrated.

China, one album, extensive collection of matchbox labels and some fruit labels, early to mid 20th century, Bright Star, Red Triangle, Remembrance, WWI, WWII, animals, boats, objects, Kian Gwan, Chinese seal marks and characters, Yung Chong Match Co, Dah Hwa Match Works, Bridge Brand, How Ming Match Factory Canton, planes, animals, portraits, botanical, fruit, fish, sports, propaganda, cartoons, Chenyeh, Qingdao, transport, monuments, approx. 104 pages, well presented and fixed with corner stickers, majority of contents illustrated.

A set of framed and glazed botanical prints, labelled verso V&A to certify that the accompanying facsimile is a true likeness of the original held in the Victoria and Albert museum: FLORILEGIUM c 1654-1664 Johann Jakob Walther; some fading; and a quantity of other decorative prints of still lifes, pigs, etc

A quantity of framed and glazed prints, including Robin Armstrong Salmon Studies, dated 1984, largest 76 x 96cm incl frame; Signed Henry Robinson? shooting print, and a set of framed ang glazed botanical pictures, some fading; photographic studies of birds, framed and glazed, etc

A quantity of decorative framed and glazed pictures and prints, including botanical interest, as found, see images for details

Pictures - E M Chadwick, Still Life, Roses, signed with initials, dated 1903, 42cm x 32cm;  others,  Spring, a wood block print, 12/20, 20cm x 22cm;  After G.D. Ehret, Botanical plates (2);  etc

Lego sets x 4 includes Botanical Collection Orchid set 10311, Amelia Earhart Tribute set 40450, Lego Brand Store set 40305, Creative Personalities Hans Christian Andersen set 40291, all within Excellent to Near Mint sealed packaging. EX SHOP STOCK (4)

Large collection of cigarette cards, predominantly in albums, including an album of dogs, Wills 'Seashore', Aircraft of the Royal Air Force by Players, Air Raid Precautions, Wills 'Wild Flowers' series, cigarette pictures album mounted with Wills Naval Dress and Badges, Botanical Specimens, various albums of Typhoo tea cards including Swiss Family Robinson, Wonder Cities of the World, Famous Voyages, Wildflowers, Trees and others, and a tin containing miscellaneous cards, some cigarette, some tea and others 

Botanical print. Rose. 'Common Double Peony'. Signed. Framed and glazed. H.52 W.44 cm.

Botany. Withering (William). A Botanical Arrangement of all the Vegetables Naturally Growing in Great Britain, Birmingham, M. Swinney, 1776. Full leather binding. H.22 W.14cm. (each)

WENDY WALSH (1915-2014) Pinus coulteri Chinese ink on paper, 360 x 310mm Signed and dated 1994 Literature: Published as frontispiece in E. Charles Nelson & A. Probert, A man who can speak of plants, 1995, E. C. Nelson, Dublin Provenance: Gifted by the artist to present ownerWendy Walsh was Ireland’s most prominent 20th century botanical artist. Born in Cumbria in 1915, she had an early affinity for art and while not permitted to attend an art school she studied privately with animal painters Cecil Aldin and Arminell Morshead. She remained an amateur artist until the mid-1970s when at the age of sixty she was commissioned to design floral stamps. The Gilbert Island stamps led to further projects for Irish stamps based on flora and fauna, which eventually led to the production of infamous book on horticulture. The Irish Florilegium – Wild and Garden Plants of Ireland was published in 1983, in which many of these watercolours were included. Botanical painting is a highly specialised practice and Walsh managed to instil both scientific accuracy as well immense beauty in her floral studies.

WENDY WALSH (1915-2014) Epilobium canum 'Glasnevin' Watercolour, 395 x 285mm Signed, signed and inscribed to boarder 'Zauschneria californica Dublin, Coll Nat. Botanical Gdns Glasnevin 8 Sept 1987'Literature: Published in E. Charles Nelson & W. F. Walsh, An Irish flower garden replanted (1997) E. de Burca, CastlebourkeProvenance: Gifted by the artist to present owner

A collection of paperweights including Caithness, Daum, Whitefriars limited edition, Spring Botanical, and a C.R. Albret paperweight inset with bust of Mark Twain

A ROYAL COPENHAGEN BOTANICAL SHALLOW BOWL PAINTED WITH AN ORCHID WITHIN THE GILT SERRATED RIM. Dia. 21cms.

A quantity of mounted botanical prints ( unframed )( 1 bag)

Large quantity framed botanical prints , many in burr maple, various sizes and other framed picturesCondition Report Request: Number of maple frames and sizes. Nine maple framed, nine further frames. Approx. dimesions as follows; 50cm x 41.5cm, 27cm x 21.5cm, 32cm x 25cm, 24.5cm x 19.5cm, 28cm x 24cm, 36.5cm x 31cm (x2), 33.5cm x 28.5cm (x2)

Collection of Chinese carved Mother of Pearl tokens of various designs inc. Pagoda, Botanical etc

Bronze, gilded chandelier with Art Nouveau elements. With the botanical mobility of gilded fittings, the life-loving impulse of flowers-lamps, garlands of flowers on chains that gather around a spherical bowl of opal glass. Period 1900 Height: 95 cm; Width: 77 cm. Restoration, electrification. Width: 77cm, Height: 95cm, Depth: 77cm, Weight: 35kg, Condition: Good, Material: Glass

Three XIX Century Prints of Sheffield, Kenwood, Botanical Gardens, and Sheffield, together with two other XIX Century prints (5).

Miguel Jerónimo de Zendejas (Puebla de los Ángeles, Mexico, 1724 - 1816)"Portrait of José Antonio de Zalvide Goitia"Oil on canvas. Signed: "Migl Zendejas fec."; entitled: "Dn. José Ant.o de Zalvide Goitia". Mid-18th century.188 x 120 cm.Miguel Jerónimo de Zendejas was a prominent and prolific artist from Puebla in the 18th century. Having worked as an apprentice for artists such as Gregorio Lara or José Joaquín Magón, he established his own workshop, which had ecclesiastical sponsorship.He was known for his confident and imaginative way of painting, with skilled and harmonious use of chiaroscuro.The Church of San Juan Evangelista in Iglesias, near Angelopolis, houses four of his canvases from 1775 depicting moments of the Passion, which are considered to be some of his best paintings, which also include "El Almacén" (The Warehouse) which is now in the National Museum of History at Chapultepec Castle, an allegory of the founding of the Puebla Botanical Garden, paying homage to its founder, Antonio de la Cal y Bracho; and his last oil painting, "The Prayer in the Garden," kept in the Calvary Chapel of the Parish of San José, Puebla.José Antonio Zalvide Goytia, the subject of this painting, was an important landowner of the 18th century, owner, along with his brothers, of the Santa Ana Tenango estate, among others.

Christopher James Wren, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by AOAP About Christopher James is a painter, he studied art in Hull and he has a Scottie dog called Carlos Tevez. Chris and Carlos enjoy walking along the south coast looking for birds. Chris is a member of the Rye Society of Artists and has exhibited his work at The Royal Academy Summer Exhibition; The Towner Gallery Eastbourne; Society of Botanical Artists, Mall Galleries, London; Royal West of England Academy Bristol; Orleans House London; Aberdeen Art Gallery; Arts Club Mayfair, London; Rye Society of Artists Rye; Rye Bank Gallery Rye; Paisley Art Institute Annual Exhibition, Scotland; Hastings Arts Forum Hastings. 'I am a painter of flora and fauna. My aim is to extol and celebrate the beauty of nature.' - Chris Education BA (hons) Fine Art from Hull College of Art, BTEC Art and Design from Kent Institute of Art and Design-Maidstone Select Exhibitions/Awards Royal Academy of Art Summer Exhibition, 2023 Royal Academy of Art Summer Exhibition, 2019 Royal West of England Academy Open exhibition 2023, 2021, 2018 Society of Botanical Artists, Mall Galleries, 2023 (awarded Exhibiting Excellence Award) British Art Prize, Oxo Gallery, London 2022 (shortlisted 2022,2021) Member of Rye Society of Artists, annual exhibitions Rye Art Gallery, East Sussex Sussex Open, Towner Art Gallery 2017, 2016 Solo show- Towner Art Gallery, Eastbourne 2018 Solo show- Rye Bank Gallery, Rye East Sussex 2022 Statement about AOAP Submitted Artwork I saw this little wren springing in and out of the bushes in my garden. The wren is a very small bird, with a loud song. I have painted it life size, which I felt was appropriate for a small, postcard painting.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Sophie Coe Coverack (Cornwall) Charcoal on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I find inspiration almost anywhere but particularly in nature. Whether it's the power of the sea, wind through a grove of bamboo, sunlight through a canopy, the detail and structure of a leaf. There's so much beauty around us, both the big views and the details, I'm in awe of it. I try to capture the mood, the wonder, the feeling of being there, the elements perhaps less visible with a passing glance. I have always loved design and creating things, and sometimes work collaboratively to solve a design brief for artwork specific to a project. Mostly though I work alone inspired by the beauty in nature, often with my own creative enquires: How to express the rain? Or the wind as it blows sand along a sea drenched beach... as it makes botanical shadows dance on a wall. How to express the movement of a wave or the still timeless eternity of a mountain... there's inspiration everywhere. Sophie Coe was born in the UK in 1971. She studied fine art and architecture and worked in the UK, Asia and Australia, before settling in London in 2009. Fine art was always a passion which over the years grew to take over as a full-time occupation. Sophie studied fine art at the Slade in London but is largely self-taught. She works with charcoal, paint and various printmaking techniques to create images mostly inspired by nature. The freedom in her mark making gives immediacy and energy to her work, which itself exudes the simple calmness and beauty of the environment that inspired it. Having a background in architecture gives her an in-depth understanding of buildings, interiors, client/designer relationships and collaborative design. Commissioned pieces have ranged in scale from 60cm to 6.5m wide. Her work sells worldwide for both private collections and commercial interiors. She lives and works in Twickenham. Education 2007 The Slade, Summer Foundation in Fine Art 1995 Oxford Brookes University, Postgraduate Diploma in Architecture 1992 Oxford Brookes University, Bachelor of Arts (Architecture) Select Exhibitions 2023 The Summer Exhibition, Royal Academy. London ING Discerning Eye, Mall Galleries. London Royal Society of Marine Artists annual exhibition. Mall Galleries London Summer Exhibition, The Gallery at Green and Stone, London Untitled. Gallery on the Green, London The Old Courthouse Gallery, Ambleside. Lake District. 2019 Memories, shadows, reflections... Gallery on the Green, London 2018 Tricks of the Light, Riverside Gallery, London 2017 A Personal Portrait, Riverside Gallery, London 2015 Reflections, The Chapel, London 2015 Untitled, Staffords Gallery, London 2012 Memory, The Chapel, London 2009 Made (2009), Morley Gallery, London 2006-07 Andrew Crawford Gallery, Sydney. Australia 2005-07 Waywood Gallery, Byron Bay. Australia 2007 XO Gallery, Kingscliff. Australia Gallery Representation Old Courthouse Gallery, Ambleside Statement about AOAP Submitted Artwork These are pieces about the sea, about light and memories.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Cathy Tabbakh Cobalt Monstera, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Cathy Tabbakh is a French painter working in the UK, with a passion for the mesmerising power of colour. She has exhibited in various galleries in Europe, the UK, USA and Australia and soon in Seoul, Korea. She holds degrees in Fashion Textile, Design and Fine Art (2011) and Art History and Archaeology (2017) both in Lyon. Cathy's work can be found in private collections worldwide and since 2021 as part of the Soho House Collection, with 2 paintings commissioned a displayed in Soho House Paris (2021), a commissioned floral ceramic sculpture displayed in Brighton Beach House (2022) and several works soon to be in High Road London in Chiswick, coming September 2023. Cathy's work collides imaginary forms with existing landscapes through the use of both architectural and botanical elements. Her compositions incorporate a hint of surrealism, as to alter presumed proportion, and a saturated colour palette to punctuate the contrast between shadow and light. Tabbakh's still-lifes show her desire to surround herself with green spaces combined with her love for architecture and interior design. She recently introduced ceramics into her practise, reflecting the colourful and bold style of her still-lifes. Select Exhibitions/Awards SOLO SHOWS Rhodes Gallery - solo show "La Vie en Couleurs" - 13 - 30th of September - 2023 - London, UK Court Tree Collective - solo online exhibition "Hello!" on Artsy - 2022 - Brooklyn, NYC Rhodes Gallery - solo presentation - 2022 - London, UK Oever Gallery - duo show "Warm Regards" - 2022 - Ostend, Belgium Galerie Dessers - solo presentation - 2022 - Hasselt, Belgium Delphian Gallery - duo show "Fatal Shadow and Narcissus" -2021 - London, UK SELECTED GROUP SHOWS Everyday Mooonday - Record of Possession - coming October 2023 - Seoul, Korea Delphian Gallery - Papier - 23rd of September 2023 - Charente, France Marie Jose Gallery - Floradise - 2023 - South Kensington, London, UK Court Tree Collective - Summer Lounge - 2022 - Brooklyn, NYC 19 Karen Contemporary - 2022 - Gold Coast, Australia Blue Shop Cottage - part of Works on Paper 4 online exhibition - 2022 - London, UK Tinimini Room - online group exhibition - 2022 - Dordrecht, The Netherlands   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.