We found 14383 price guide item(s) matching your search

* Botany. A collection of approximately 650 prints, 19th & early 20th century, engravings and lithographs of botanical specimens, including examples by or after Step, Pratt, Lowe, Schroter, Sowerby, Rhind, Good and Reichenback, various sizes, good conditionQTY: (approx.650)

A 19thC French faience moon vase, the Porquier Beau Botanical and scene Breton, with lizard handles, signed Masies De Ploare to underside, 26cm high, 25cm wide.

A set of five Porquier Beau Faience botanical cups and saucers, each with a shaped edge, handwritten mark to underside.

A 19thC French faience HB Quimper lidded vase, with potpourri top in the Bretonne and Botanical pattern, signed HB Quimper, 46cm high.

A 19thC Porquier Beau Faience botanical plate, 25.5cm diameter.

A 19thC Porquier Beau large planter, with botanical and gargoyle decoration, 22cm high.

A set of 3 vintage botanical prints. Reframed. 42x54cm

CURTIS, William: The Botanical Magazine, or flower-garden displayed, volumes: 1-28, bound in 14. Fry & Couchman, 1787-1808. With 1184 hand coloured plates. Later half leather & marbled boards (the binding matches Sowerby's English Botany). Very good and clean. (14)From the Paul Bentley collection of maps and atlases.

EDWARDS, Sydenham: The Botanical Register: Consisting of Coloured Figures of Exotic Plants, Cultivated in British Gardens; with their History and Mode of Treatment. Volume 1 only. J Ridgway, 1815, with 133 Hand coloured Plates (12 folding). PP: xi, (I)b, 9-291 leaves, i.e. 566 pages+ (iii) index. Half polished calf & new endpapers.From the Paul Bentley collection of maps and atlases.

A H & R.Daniel porcelain tea and coffee service in rococo style the teapot with rose finial and dragon handle, painted with botanical subjects reserved on gilt bordered apricot and apple green grounds, pattern no. 6683, circa 1840, forty three pieces including covers [damage to slop bowl and serving dish, minor damage to teapot and three cups].

Two early 20th Century Chinese blue and white porcelain platter tray plates of canted oval form having traditional hand painted blue and white decoration depicting botanical sprays, one with a farmstead scene. One marked 'Select Flowers / EJ - Opaque China / J. Jones, the other marked 'Mill Stream - Made In England by Johnson Brothers - All decoration under the glaze detergent & acid resisting colour'. Largest Measures 43cm x 35cm.

Edwardian Floral Postcard - A collection of approximately 252 Edwardian floral botanical postcards. All showing flowers (some fruit). Postally used with EVII stamps 1901-11 loose and in two albums.

An album of Edwardian circa 1900s and later greetings cards / postcards to include examples for Birthday, Easter, Christmas. With examples featuring early photographs of children and actresses, botanical studies and rural British scenes.

A Collection of Various Spode Blue Room Collection Tea Trios to include Georgian Series 'Botanical', 'Willow'. 'Rome'. 'Floral', 'Girl at Well' and 'Woodman' together with Spode Edwardian Childhood Plates, Bowls, Cups and Saucers Etc

A Collection of Various Stoneware to comprise Large Barrels, Brewers Bottles to include White Bros. Botanical Brewers, Chapel Street Wolverhampton and Jones's Herbal Beverages, Post for Frank Cooper's Marmalade, Jam Etc, Some Pieces with Condition Issues

A Portmerion botanical garden watering can, plated bottle coaster, Wade tortoise, Wedgwood Jasperware bowl

A French giltmetal mounted yellow ground porcelain dish, a similar plate and a 19th c English porcelain blue ground botanical comport, various sizes (3) Good condition

The Botanical Magazine or Flower-Garden displayed: in which the most ornamental foreign plants cultivated in the open ground, the green-house, and the stove will be accurately represented in their natural colours ... Continued by John Sims. Bände 17, 33-35, 41 und 42 der Reihe. Mit zusammen 269 kolorierten, teils gefalteten Kupfertafeln. 23 x 14 cm. Halbleder d. Z. (teils beschabt, bestoßen, teils mit kleinen Fehlstellen am Rücken sowie VDeckel Lose bei Band 17 und 41). London, Stephen Couchman, 1803-1815.Nissen 2350. Henrey 472. Vgl. Pritzel 2007. - Der Botaniker, Apotheker und Entomologe William Curtis (1746-1799) begründete 1787 das "Botanical Magazine", vermutlich eine der schönsten Blumenzeitschriften aller Zeiten, und blieb bis zu seinem Tod dessen Herausgeber. Danach wurde die Reihe von John Sims fortgeführt. Die Veröffentlichung richtet sich an "ladies, gentlemen and gardeners, as wish to become scientifically acquainted with the plants they cultivate" (Untertitel). Jede besprochene Pflanze wird abgebildet und in Anlehnung an die von Linné begründeten Kriterien wie die Ordnung, die Gattung und die spezifischen Eigenschaften erklärt. Zusätzlich folgt jeweils ein kurzer Abschnitt über die Zucht und Standorte sowie deren Bedingungen. Die in leuchtenden Farben kolorierten Kupfertafeln stammen von Künstlern wie James Sowerby, Sydenham Edwards, und William Kilburn. - Vorsätze leicht leimschattig, Innenstege teils angeplatzt oder verstärkt sowie teils leicht stock- und fingerfleckig (Darstellungen minimal betroffen). Band 35 Titel mit Einriss am Innensteg.

A set of three botanical prints. Copper engravings and chromolithographs. Framed and glazed. H.35 W.25 cm.

A portfolio of prints including eight botanical illustrations: two framed early 19th century hand-coloured engravings and six vintage prints in colours after Elizabeth Cameron; together with other prints

19th century French porcelain mantle clock in a flamboyant blue and gilt case and stand with further painted botanical scene with eight day drum movement - FL Hauseberg of Paris, set beneath a glass dome, (af dome cracked) 40cm high

Botanical Interest - Familiar Garden Flowers, by Hulme and Hibbard, four volumes, further books on different plant types

Botanical Interest - Dictionary of Fungi, Manual of Soil Fungi, Manual of Bacteriology, 1890, etc

Botanical interest - Maps etc, principally on trees, wetlands, British plants, several copies of The Mammal Review together with a number of ordnance survey maps

A large framed botanical pressing, frame 121x49cm

A SMALL QUANTITY OF CERAMICS ETC, comprising three Stone China platters, largest approximately 49cm x 37cm, an unbranded flow blue pedestal fruit bowl, seven Wedgwood tiles depicting birds, butterflies and botanical specimens, together with a James Dixon pewter warming dish, approximate size 57cm x 40cm including handles

Raymond Booth (1929-2015) “Orchid” (1994) Signed and dated 1994, pencil and oil on paper, 57cm by 92.5cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 59“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “Rhododendron” Signed and dated 1997, pencil and oil on paper, 42.5cm by 64.5cm Exhibited: “The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London In a broadly very good state of preservation. Possibly very slight time staining to the sheet and a small amount of transferred materials evident in the unworked areas. Odd tiny foxing spot. No evidence of cockelling. Not examined out of the frame.

Raymond Booth (1929-2015) “Oncidium” Signed, oil on paper, 37.5cm by 27cm Exhibited: “The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “Paeonia Mlokosewitschii” Signed and dated (19)93, oil on paper, 68.5cm by 59cm Exhibited: “The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “A Branch of Apples” Pencil and oil on paper, 59.5cm by 46.5cm Exhibited: “The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) "Mahonia Japonica and Squirrel" (2000) Signed and dated 2000, pencil and oil on paper, 65cm by 99cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 58"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 21“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “Calanthe Tricarinata” Signed, oil on paper, 52.5cm by 33.5cm Exhibited: "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 70“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “Orchids and Roots” (1996) Signed and dated 1996, pencil and oil on paper, 51.5cm by 59.5cm Exhibited: "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 60"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 43“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) Iris Ensata Signed, oil on paper, 74cm by 39.5cm Exhibited: “The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London In an overall very good state of preservation. Slight diagonal crease to lower right hand corner. Odd very tiny foxing spot and a minimal amount of transferred marerials to the unworked areas. Some possible very light time staining to sheet. Not examined out of the frame.

Raymond Booth (1929-2015) “Fritallaria Pallidiflora” Signed and dated 1993, pencil and oil on paper, 86cm by 43cm Exhibited : "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, No. 56"Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 72“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “Rhododendron Dauricum” Signed, oil on paper, 44.5cm by 31.5cm Exhibited: "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 112"The Botanical World of Raymond Booth", 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “The Orchid Paphiopedilum” Oil on paper, 37.5cm by 45.5cm Exhibited: “The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “Camellias Jurys Yellow and Wood Nymph" Signed and dated 1987, oil on board, 50cm by 72cm Exhibited: "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 50“The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Raymond Booth (1929-2015) “Paphiopedilum x Maudiae” Signed, pencil and oil on paper, 48.5cm by 30cm Exhibited: “The Botanical World of Raymond Booth”, 1 December 2021- 6 February 2022, Garden Museum, London

Selection of early C20th glass magic lantern slides, predominately botanical (approx 60)

A Meissen onion pattern tureen and stand G & C tureen with cover and stand and a botanical tureen (3)

David Dewsberry for Royal Doulton, a pair of floral painted dessert dishes, oval form, decorated with titled botanical studies, Cattleya mossiae and oncidium papilio, on pastel ground with stylised foliage within tooled gilt scrolling foliate border, 28cm wide, together with a similar example, lobed form deocrated with titled botanicla study Oneidium Speciosium, 23cm wide, all signed (3)

A late 18th century creamware oval dish, painted with a botanical study of Large Flower'd Monsonia, twin handled with blue foliate border, 29cm long

Reginald Austin for Royal Worcester, an Australian botanical painted teapot, globular form, circa 1917, decorated with flowering sprays of Erica Plukeneteii, painted domed cover and foliate moulded loop handle, signed with monogram RA, puce printed mark, 11cm high

Robin Armstrong (British, 1947), a bird on a branch, signed l.r., pencil, 18 by 18cm, framed, with Isobel Bartholomew (British, 20th Century), botanical study, signed l.r., watercolour, 26 by 32cm, framed (2)

A small mixed lot of ceramics, to include two Adams series ware plates, 'The Old Curiosity Shop' and 'The First Appearance of Mr Samuel Weller from The Pickwick Papers', two Adams gilt-heightened cabinet plates, five 'Botanical Beauties' blue and white plates, a Japanese Imari palette plate, two Sophie Conran for Portmeirion pieces, a Rosenthal serving bowl, three Royal Doulton Bunnykins plates and a Lladró puppy.

A MINTON PORCELAIN BOTANICAL PART DESSERT SERVICELATE 19TH CENTURYpainted with a variety of floral specimens on a celadon green ground, some titled verso, comprising: a pair of tazze and five plates, iron red A7024, impressed marks, together with a set of six French porcelain dessert plates painted with fruit and nuts inside a mauve and gilt ground (13)24.2cm diameterProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

Set of 8 bamboo gilt style frames and glazed botanical prints, all faded, 35 x 45cm; and a framed and glazed print of two goats, signed in pencil , Denise Brown 4/75, and letter verso from artist, and a quantity of architectural digest magazines and Oxford Book of Trees and other ephemera

Two earthenware bowls with transfer decor 'Botanical Beauties + Willow', England 19th century. Marked among others: Elkin & Newton, l 40 x 30 and 36 x 45 cm, tot. 2x.

12 BOTTLES GINFjäre Organic Dry (50cl) and London Dry; Glendalough Wild Botanical; Prohibition Gin Small Batch Premium; Seven Seasons Green Ant Gin; Mountain Creek London Dry; Favignana Wild Botanicals; Anaiak Fraternel; Rhapsody Premium Dry; Black Crowned Gin Hibiscus Botanical; Valle d'Aosta Glacialis Dry; Skrea Backe Dry (50cl)

12 BOTTLES DARK SPICED RUMMaison Peyrat Selection Moko Spiced; Ti Spicy de Ced'; Rockfall Botanical; Proof Drinks Cut To The Spice; Hawksbill Caribbean; 2 Guineas; Toll House Spirits; Admiral's Old J Dark; Captain Cook's Black; Black Collar Small Batch; Norman Collins Sailor Jerry; Takamaka Seychelles Series

A botanical poster

Box of various framed prints to include horse racing, botanical, Jason Partner and others

18th century botanical coloured copper-plate engraving, “Chironia Centaurium”. From the volume “Flora Londinensis”, c.1770-90, by William Curtis. Framed and mounted. Overall including frame 49.5x33cm

Pair of 18th century botanical coloured engraving, “Brunella” and “Blattaria”. R Lancake Delin / JJ Miller Sculp. Published according to the act of Parliament by P Miller 1756. From the book “The Gardeners Dictionary”, by Phillip Miller. Each framed. 33.5x22cm

Botanical watercolour study “Amarylls”. Mounted and framed. Overall including frame 72x52cm

Collection of unframed botanical and entomological coloured lithographs on heavy wove paper, including proof printings. After drawings by Maria Sibylla Merian, 1701-1705. c.49.5x36cm

E J LOWE, Grasses, a set of twelve botanical prints, each 30cm x 23cm each, circa 1858.

JOHN NASH (brother of Paul Nash), a set of twelve English Flowers, botanical lithographs 1948, printed by W.S Cowell, 28cm x 21cm each. (12) (Subject to ARR - see Buyers Conditions)