We found 14378 price guide item(s) matching your search

ASSORTED PICTURES, comprising, STANLEY J. COOKE (1913-1996) - 'The Last Catch', signed and titled to Watercolour Society of Wales label verso, 36 x 46cms; DAVID JOHN SWEETINGHAM (20th Century) - 'Scaup Duck', signed, 33 x 46cms; NEIL HOPKINS (20th Century) - 'Wind Blown Foam - Porth Neigwl', signed and dated 1982, titled on the mount, 32 x 25cms; EARLY 20TH CENTURY ENGLISH SCHOOL watercolour - botanical study of Gentiana Purpurea (Purple Gentian), unsigned, 27 x 19cms; 19TH CENTURY ENGLISH SCHOOL oil on board - two masted frigate in high seas, signed with initials R. P., 30 x 22cms (5)Provenance: contents of Machen House, Lower Machen in the County Borough of Caerphilly

A Pair of Wedgwood Creamware Named Botanical Dessert Plates, circa 1810, painted with Day Smelling Coronillo and Alpine Soldanello within brown line rims, titled in red and impressed marks21cm diameterBoth crazed and glaze slightly abraded, mainly on the rims. Alpine Soldanello with a small rim chip. No restoration.

NO RESERVE Botany.- Curtis (William) The Botanical Magazine; or, Flower-Garden Displayed, vol. 7 & 8 in 1, 62 engraved hand-coloured plates only (of 72), some light foxing, disbound, 1794; and a defective Lectures on Botany with 82 plates, 8vo; sold not subject to return (2)

Dioscorides (Pedanius) De medicinali materia libri sex, translated by Jean Ruel, title with woodcut printer's device, numerous woodcut illustrations, mostly botanical, with blank Dd4, title with contemporary ink inscription (causing small hole where partly erased) and old ink stamp at foot, reinforced at head and inner margin, lightly water-stained, some browning, later ink-mottled carta rustica with manuscript label to spine, rubbed and stained, joints worn and partly split, preserved in modern cloth folder and slip-case, [Nissen BBI 499; Wellcome I. 1791; cf.Mortimer, French 176; Not in Adams], 8vo, Lyons, Balthazar Arnoullet, 1552.⁂ Second Arnoullet edition of Ruel's Latin translation of this important work on pharmacology.

Two early 20th Century Chinese Damask pleated skirts Two early 20th Century Chinese Damask pleated skirts, one green with botanical embroidered decoration of flowers and butterflies with two beaded embroidery panels. The second skirt is multicoloured with a pink ribbon border, with two panels of mythological tableaus on a blue silk ground.Green dress has a few holes that have been repaired/darned (photographed). Embroidery on the whole is in good condition with a few loose threads. The multicoloured skirt is in better condition, a couple of small stains and some loose threads in the two decorative pictorial panels.

Persian tabriz sink rug Persian tabriz sink rug, red ground, central golden medallion with black and turquise paisley pattern, surrounded by scrolling botanical pattern border.197cm x 144cm (77.5" x 56.5")

Pair of botanical engravings after Johann Wilhelm Weinmann Pair of hand coloured botanical mezzotint engravings, after Johann Wilhelm Weinmann (German, 1683-1741), from Phytanthoza Iconographia, published c1740, no.581 'Horminum' and no.734 'Moly'. Framed and glazedframes measure48.5cm x 35cm

A pair of Worshipful Company of Salters blue printed coat of arms plates, probably Hicks, Meigh & Johnson, the rims with floral groups, John Du Croz blue printed retailer's mark to bases, diameter 25.7cm, together with a Royal Worcester porcelain botanical plate with unusual puce printed factory mark, diameter 23.7cm, and a Parian figure of Edward Prince of Wales, titled 'Our Prince', by Percy Bryant Baker, dated 1922, height 26cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A set of ten Mintons botanical plates, circa 1882, printed and painted in the manner of William Mussill with floral specimens tied with ribbon bows, painted pattern No. C2599, impressed factory marks, diameter 21.5cm (some faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

JAMES SKERRET "Iris" a botanical study, oil on porcelain panel, signed lower right, inscribed verso "James Skerett, Worcester factory, Sept 2005" 25 cm x 20 cm together with a collection of various other paintings and prints (39)

A collection of ceramics mainly French to include: Continental porcelain tureen on stand, the cover painted Arcadian lake scene, the body with mouse on top of its nest, unmarked probably French together with a French cobalt and gilt large brush pot, signed to underside; 19th Century urn shaped large jug, gilt leaf and floral decoration; Blanc de Chine Holy Water font with cherub playing violin, gilt heightened; novelty box and cover with Geese and Strawberries; mottled earthenware jug; three various 19th Century transfer printed small plates (political and military interest - La Politique des Femmes etc) and a selection of serving dishes including Royal Doulton D5461 & French Botanical oval serving dish etc  (2 boxes) 

Portmeirion 'Botanical Garden' dinner wares and a Portmeirion coffee service

A Georgian style armchair, ball and claw feet, botanical upholstery 

A group of six framed antiquarian botanical prints in black painted frames decorated with gold painted startsLocation:

Graham Rust (b.1942), 4 botanical print, 2 pencil signed, 57cm x 41cm

FOUR GLAZED PRINTS Architectural, botanical and cartographic subjects, largest 55 cms high

AFTER TROUEIL, PORTRAIT OF SIR FRANCIS OTTLEY AND FAMILY OF PITCHFORD HALL, SHROPSHIRE coloured engraving after the painting of 1636, c1810, 46 x 42cm, with The Lily, a late Victorian botanical watercolour, artist unknown, 39 x 53cm

Paul Winby (20th/21st Century), a collection of mounted watercolour landscapes within a portfolio. Including West Bay NZ, Portuguese, Corsican landscapes and two botanical studies, most signed, mounted and unframed Condition Report: Approximately 14 works of art

An assortment of early 20th century postcards to include hand coloured Edwardian birthday and greetings cards, Happy New Years cards. Large collection of illustrated botanical examples. Alongside early location postcards. Henbury, Buckingham, Chillington, London, Portsmouth, Bristol, Yatton. WWI WW1 World War One postcards including an Active Service troop photograph postcard, a Royal Mail pop up postcard, hand drawn postcards and watercolour sketches, 

Three pencil signed limited edition prints, street scenes; a large coloured print depicting a country pub and a botanical print

A box containing botanical prints; two coloured prints after George Morland etc.

Six gilt framed botanical prints

COLLECTION OF RARE AND UNUSUAL GINS comprising 1 X 50CL BOTTLE ‘GIN MARE’ MEDITERRANEAN GIN ‘COLECCION DE AUTOR' IN LIGHTHOUSE PRESENTATION CONTAINER ABV 42.7%; 1 X 50CL BOTTLE BOTANICAL PROJECT ‘LIMITED RELEASE’ BLUEBERRY AND VANILLA ABV 43%; 1 X 50CL BOTTLE ‘UNICORN TEARS’ LONDON GIN LIQUEUR ABV 43%; 1 X 50CL BOTTLE DRUMSHANBO ‘GUNPOWDER’ IRISH GIN WITH ‘GUNPOWDER TEA’ ABV 43%; 1 X BOTTLE PENNINGTSONS 'LAKELAND MOON' LONDON DRY GIN KENDAL ABV 40% and 1 X 50CL BOTTLE MCQUEEN SUPER PREMIUM SCOTTISH GIN, PERSONALLY HANDCRAFTED BY DALE MCQUEEN IN THE TROSSACHS ABV 42%. (6 x 50cl bottles)

RARE INTERNATIONAL GINS FROM JAPAN, S. AFRICA, CANADA, SPAIN, USA, NETHERLANDS, AND FRANCE comprising 1 BOTTLE SUNTORY ‘SELECT EDITION’ JAPANESE CRAFT ROKU GIN ABV 43%; 1 BOTTLE KWV SOUTH AFRICAN ‘CRUXLAND’ GIN INFUSED WITH KALAHARI TRUFFLES ABV 43%; 1 BOTTLE ‘UNGAVA’ CANADIAN PREMIUM GIN MADE WITH RARE BOTANICALS FROM NORTHERN CANADA ABV 43.1%; 1 BOTTLE ‘TANNS’ PREMIUM SPANISH GIN ABV 40%; 1 BOTTLE ‘BROOKLYN’ HANDCRAFTED SMALL BATCH USA GIN ABV 40%; 1 BOTTLE ‘VICTORIOUS BERRY’ NETHERLANDS GIN ABV 40%;and 1 BOTTLE ‘ALEMBIC CRAFT’ “ZING 72” BOTANICAL FRENCH GIN 40% ABV. (7 bottles)

BOTANICAL PRINTS, a set of four, framed and 50cm x 35cm, framed and glazed. (4)

Collection of over 110 botanical colour prints, mainly late 19th / early 20th century, featuring signed and ltd edn examples, largest approx 60cm x 44cm overall size

Collection of Portmeirion Botanical Garden

An Abergavenny stoneware jar for Bath and Bowkett botanical brewery and one other, both 11" approx., one with chip to rim.

XIX Century Stoneware Storage Jars, stoneware bottle Harry Holgate, Botanical Brewer, XIX Century bottles; together with a large glass bottle. (2)

Sara Kenyon (British, contemporary), a pair of botanical watercolours, signed, framed and glazed (2)

Pair of contemporary square form table lamps, each decorated with botanical studies on claw feet, complete with square shades, H72cm

An early 19th century album of very fine watercolours and text including botanical studies, landscapes, pencil drawings - relating to the Beddows family of Clapham, dated 1824 to 1829, leather bound

Pair of botanical prints in grey frames, another pair of botanical prints in silver frames, and another print, 90cm x 69cm (5)

Four botanical prints in gilt frames, three in walnut frames, another print and a watercolour (9)

Four botanical prints in grey frames 63 x 49cm

Eight Redoute botanical prints ( restrikes) in gilt frames, 50 x 41cm

19th century English school. A folder containing 11 botanical studies, watercolour on paper. Unsigned. Image size typically 19 x 14cm.Condition Report: Generally good condition overall, with some foxing and creasing. Colours still vivid for their age.

1930's Botanical study of Lillies, together with other pictures and prints.

19th century English ceramics to include three botanical painted dishes, Regency tea wares, Booths 'Worcester' china service.Davenport Cup and saucer- saucer has been broken and reglued, cup in good order. Overall signs of wear to each piece only.

After Gay Corran, pair of limited edition coloured prints, botanical studies, daffodils and yellow flag iris. Signed in pencil by the artist numbers 179 of 400. 38x30cm approx. Framed and glazed. (2) (B.P. 21% + VAT)

Large collection of assorted furnishing pictures, topographical, 'Cries of London', botanical etc. (B.P. 21% + VAT)

Pair of reproduction botanical prints in glazed maple frames. (2) (B.P. 21% + VAT)

FRANCISCO BORES LÓPEZ (Madrid, 1898- Paris, 1972)."Nature morte au compotier", 1951.Oil on canvas.Signed in the lower right corner.Provenance: Work acquired at the Art Curial gallery in Paris in June 1982.Work published in "Francisco Borés. Catalogue Raisonné. Pintura, Tomo II, 1945-1972", Hélène Dechanet, MNCARS and Fundación Telefónica, Madrid, 2003.Work exhibited in "Bores, Retrospective 1923-1972". Peintures, gouaches, dessins" 1982, Artcurial Paris, pg 28.Size: 59 x 71 cm; 63 x 76 cm (frame).This painting belongs to an extremely fertile creative period for Bores. Even though he was already an internationally recognised artist in the fifties, his work, far from stagnating, continued to expand the limits between figuration and abstraction. Here we see a return to the object through the still life but without renouncing the two-dimensionality, the intellectual synthesis and the force of colour applied in planes that defined his painting.Francisco Bores trained at Cecilio Pla's painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz and Joaquín Peinado, among others. During this period he made engravings for a large number of magazines, such as "Horizonte" and "Revista de Occidente", and attended the Julio Moisés Free Academy, where he coincided with Dalí and Benjamín Palencia. In 1922 he took part for the first time in the National Exhibition of Fine Arts, and three years later he showed his work at the first Exhibition of the Society of Iberian Artists. He travelled to Paris, where he came into contact with Picasso and Juan Gris, and made his individual debut in 1927, contracted by the Percier gallery. In 1929 he took part in the exhibition "Pintores y escultores españoles residentes en París" (Spanish Painters and Sculptors Resident in Paris), held at the Botanical Gardens in Madrid. In 1931 he had a solo exhibition at the Georges Bernheim gallery in Paris, and at the same time he signed a contract with the Swiss gallery owner Max Esiherberger. In 1932 and 1933 he exhibited at the Vavin-Raspail gallery in Paris, coinciding with the appearance of the first monograph on his painting. In the mid-1930s he was contracted by the Zwemmer gallery in London. In 1947 the French state acquired a work by Bores for the first time. In 1949 the Museum of Modern Art in New York bought his paintings. In the 1950s he continued to exhibit his works in many European galleries. In 1969 he exhibited at the Galería Theo in Madrid. In 1971 he exhibited again at the same Galería Theo, and died in Paris in 1972. Francisco Bores is represented in the most important museums all over the world, including the Centre Georges Pompidou in Paris, the Fine Arts Museums of Bilbao, Buenos Aires, Jerusalem, Gotemborg and Baltimore, the MOMA in New York, the Museo Nacional Centro de Arte Reina Sofía, the National Galleries of Athens, Brno and Edinburgh, the Museo Patio Herreriano in Valladolid, the Museo de Arte Reina Sofía in Madrid, the National Museum of Fine Arts in Madrid and the National Gallery of Madrid.

Three Victorian leather bound artist's sketch books, initialled 'JFM', containing over 100 watercolours of botanical subjects, approx 116 illustrations (3).Condition ReportAll single sided, 116 illustrations

Stuart Armfield (1916-2000) three botanical watercolour studies - Orchid, Cyprepedium, 19 by 40cms; Orchid Cattleya, 23 by 33cms and Orchid Cattleya, 23 by 33cms, all titled and signed in pencil, all framed & glazed (3).

A Collection of Various Glazed Stoneware Bottles to include Examples for JH Jones and Sons, Beverage Brewers of Leicester, Birmingham, Nottingham, Killingley and Company Ltd Wine and Spirit Merchant of Nottingham, Dakin Bros Botanical Brewers of Beeston, Ilkeston, Etc (Condition Issues)

A box containing botanical prints, picture frames, a box of plastic children's toys

A set of four humorous prints, various botanical prints, and a Rowland Green print depicting ducks in flight

SANSOM, FRANCIS (18./19. Jh.), 9 kolorierte Blumenstiche NACH Sydenham EDWARDS, aus Curtis' Botanical Magazine 1802/03 und 1813, kolorierte Kupferstiche/Bütten, je in der Platte bezeichnet, verso Texte, HxB: Blätter je ca. 23x14,5 cm. Altersspuren, perforierte Ränder, tlw. minim. beschädigt. Je im Passepartout (Außenmaße ca. 35x26 cm und 37x28 cm). | SANSOM, FRANCIS (18th/19th century), 9 colored flower engravings ACCORDING to Sydenham EDWARDS, from Curtis' Botanical Magazine 1802/03 and 1813, colored copper engravings/laid paper, each inscribed on the plate, texts on the reverse, HxW: leaves each approx .23x14.5cm. Signs of age, perforated edges, partly minimal. damaged. Each in a passe-partout (external dimensions approx. 35x26 cm and 37x28 cm).

Box: Mixed including Natural History with Roger Phillips and Martyn Rix: The Botanical Garden, 2 vols

Gerard, John. Herbal. [The Herball or Generall Historie of Plantes, enlarged & Amended by Thomas Johnson, London: Norton & Whitakers, 1633]. Expertly rebound, illustrated with numerous botanical woodcuts, contents largely good & bright but with unusual/inconsistent pagination & signatures, partially incomplete, some wear/repairs in places, the allegorical title supplied in facsimile, sold with all faults

Botanik - - N. J. v. Jacquin. Selectarum stirpium Americanarum historia, in qua sistuntur plantae illae, quas in insulis Martinica, Jamaica, Domingo aliisque, et in vicinae continentis parte, observavit rariores. Mit gest. Frontispiz, Titelvignette., 2 gest. Vign. u. 184 (6 doppelblattgr. bzw. gefalt.) Kupfertafeln. Text u. Tafeln in 1 Bd. Wien, Kraus, 1763. Folio. 5 Bll., VII S., 284 S., 7 Bll. Ldr. d. Zt. mit reicher RVergoldung und braunen RSchild (Bezug am Rücken teils restauriert). Erste Ausgabe. Das erste grosse Illustrationswerk von Nikolaus Joseph von Jacquin welcher von 1754 bis 1759 Westindien, bereiste um dort neue Pflanzen für die kaiserlichen Gärten zu Wien und Schloss Schönbrunn zu sammeln. Die prachtvollen nach Zeichnungen des Autors gestochen "are excellent for the period" (Zimmer). Der Kupfertitel zeigt die ankommenden Kolonisten in der Karibik bei stürmischer See, das Frontispiz mit amerikanischen Ureinwohnern umgeben von karibischer Botanik und Tieren. "In 1754, at the age of 27, a botanist born in Leiden, Nikolaus Joseph von Jacquin, made his first expedition to Central America. He was collecting seeds and plants for the Imperial gardens at Schonbrunn in Vienna. He took with him his Dutch head gardener and two Italian zoologists, and initially they concentrated on Grenada, Martinique, and Domingo, then under the control of the French. Von Jacquin sent the others home, in succession, laden with plants, but was himself captured by the British and kept prisoner for over a year. On his release, he remained in America, visiting Cuba and Jamaica to collect more plants before returning to Vienna in 1759. His books are among the finest of the period: 'Selectarum stirpium Americanarum historia' was first published in 1763" as here (Martyn Rix, "The Golden Age of Botanical Art," p. 114). Wenige Tafeln vor allem am Rand mit Wurmspuren. A3 vor A2 vorgebunden. Gutes Exemplar. Caribbean - Botany. - With engraved frontispiece, title vignette, 2 engraved vignettes and 184 engraved plates. First edition. The first large illustration work by Nikolaus Joseph von Jacquin, who traveled from 1754 to 1759 in the West Indies, to collect new plants for the imperial gardens at Vienna and Schönbrunn Palace. The magnificent ones engraved according to drawings by the author "are excellent for the period" (room). The copper title shows the arriving colonists in the Caribbean in a stormy sea, the frontispiece with Native Americans surrounded by Caribbean botany and animals. "In 1754, at the age of 27, a botanist born in Leiden, Nikolaus Joseph von Jacquin, made his first expedition to Central America. He was collecting seeds and plants for the Imperial gardens at Schonbrunn in Vienna. He took with him his Dutch head gardener and two Italian zoologists, and initially they concentrated on Grenada, Martinique, and Domingo, then under the control of the French. Von Jacquin sent the others home, in succession, laden with plants, but was himself captured by the British and kept prisoner for over a year. On his release, he remained in America, visiting Cuba and Jamaica to collect more plants before returning to Vienna in 1759. His books are among the finest of the period: 'Selectarum stirpium Americanarum historia' was first published in 1763 "as here (Martyn Rix," The Golden Age of Botanical Art, "p. 114). Few panels, especially on the edge with traces of worms. A3 bound before A2. Good copy.

Japan - Ornithologie - Maeda - - Ornithologisches Manuskript mit 58 meist farbigen Vogelgouachen und 5 botanischen Illustrationen. Japan, Meiji 13 (um 1880). 19 Bll. Je ca. 24,5 x 34 cm. Mod. Pp. mit Japan bezogen, in Japanbindung. Schönes großformatiges Tafelmanuskript mit einer umfangreichen Auswahl japanischer Vögel und fünf ganzseitigen Aquarellen japanischer Flora. Jeder Vogel bzw. jede Vogelgruppe im Manuskript in Grasschrift beschriftet. Hier finden sich Mandschuren, Bussard, Habicht, Meisen, Sperlingsvögel, Zaunkönig, Meisen, Finken, Sperlinge, Nachtigall, Eisvogel, Japanische Mövchen, Kiebitz u.a. - Am Rand etwas wasserrandig. Sehr schönes attraktives Manuskript japanischer Vögel. Ornithology. - Ornithological manuscript with 58 mostly coloured bird gouaches and 5 botanical illustrations. Modern paperback covered with Japan. - Beautiful large format plate manuscript with an extensive selection of Japanese birds and five full-page watercolours of Japanese flora. Each bird or group of birds in the manuscript labeled in grass script. Here you can find Manchurians, buzzard, hawk, tits, passerine birds, wren, tits, finches, sparrows, nightingale, kingfisher, Japanese gulls, lapwing, etc. - A bit waterstained at margins. Very nice attractive manuscript with gouaches of Japanese birds.

NO RESERVE Gardens.- Henrey (Blanche) British Botanical and Horticultural Literature before 1800, 3 vol., original cloth, together in slip-case, 1975 § Rohde (E.S.) The Old English Gardening Books, original cloth-backed boards, uncut, browned, 1924 § Cecil (Hon. Mrs Evelyn) A History of Gardening in England, original pictorial cloth, gilt, 1910 § Ward (F.Kingdon) Plant Hunter's Paradise, first edition, original cloth, 1937, illustrations, a little rubbed, and c.25 others on gardens and gardeners, 4to & 8vo (c.25)

Photographs. West Indies. Half dark morocco oblong folio album cont. 53 fine plate size sepia & other late Victorian topographical photographs, approx. 25cms x 19cms plus others, smaller (over 90 in all), views, buildings, botanical/jungle, a few genre etc. Some captioned. Incl. 5 images of trees by Norton Bros & Co., & Indian woman & orchard workers by Felix Morin. Views in Jamaica, Trinidad, Barbados, Grenada & Domenica; also 5 of Venezeula. Sir Henry Blake, governor of Jamaica at the time so 1888-1898.

CURTIS'S BOTANICAL MAGAZINE OR FLOWER - GARDEN DISPLAY ...: 1818-19, 1825-28, 1831, 1833-38,1841-42, 1272 hand coloured plates including many folding + 1828 general index to the first 53 vols + 1951 Vol 168, 43 colour printed plates, uniform modern green cloth, spines gilt lettered and numbered, (17)

A COLLECTION OF CHINESE SILK PICTURES together with a collection of botanical prints (a lot, all unframed)

Nigel Wykes (1906-1991) botanical watercolour and gouache paintings entitled 'Pine Hawk-moth on Scots Pine', approx 14 x 17 cms and 'Elephant Hawk-moth on Honeysuckle' approx 20 x 23 cms, framed and glazed. 

A quantity of assorted small format unframed pictures including a Japanese painting depicting a perching bird, various engravings, a folio of botanical study prints, etc. - sold with a quantity of ephemera

An 18th Century Chinese blue & white porcelain plate of scalloped form having hand painted decoration depicting buildings & pagoda in landscape scene. Botanical motifs to edges with repeating borders. Measures approx; 23cm wide.