We found 15805 price guide item(s) matching your search

After Dora Ratman - Nine 20th century botanical prints, originally for features in the Amateur Gardening Magazine in the 1950s and 1960s. Examples including 'Hibiscus Woodbridge and Hydrangea Blue Wave', 'Lilium Auratum Crimson Queen', 'Hibiscus Rosa-Sinensis', 'Autumn Crocus', and more. All glazed and framed (AF). Measuring approx. 27cm x 21.5cm.

This antique Batalha Portuguese regulator shelf clock, produced by Fabrica Nacional de Relogios Reguladora, showcases a striking gothic wooden case with a pointed arch design, decorative finials, and a glass panel featuring gold-tone botanical motifs. The Roman numeral dial is marked "Made in Portugal" and bears the Reguladora insignia, with a pendulum movement visible through the open glass panel. Retaining its original maker’s label on the back, this clock is a fine representation of Portuguese craftsmanship, blending functional timekeeping with elegant architectural design.Issued: 19th centuryDimensions: 12"L x 5.25"W x 19.25"HCountry of Origin: Portugal Condition: Age related wear. Untested, functionality not guaranteed.

Captivating Vandermark art glass egg paperweight, dated 1983, featuring a masterfully executed etched bamboo motif. This exquisite piece showcases the studio’s renowned craftsmanship, with a frosted surface that accentuates the delicate cutwork and organic form. The transparent glass allows light to refract beautifully through its smooth, polished contours, while the intricate botanical design evokes a sense of tranquility. Signed and dated by the artist on the base. A stunning addition to any art glass collection.Issued: 1983Dimensions: 5.5"HCondition: Age related wear.

Beautifully crafted cameo glass vase in the style of Emile Galle, featuring an amber-hued background adorned with intricate acid-etched floral and foliate motifs in rich blue and brown tones. The multi-layered glasswork showcases exquisite detailing reminiscent of Galle’s Art Nouveau masterpieces. The frosted surface and flowing botanical design capture the elegance and organic movement characteristic of the period. Signed on the side, this striking decorative piece adds timeless charm to any collection.Issued: 20th centuryDimensions: 5"HCondition: Age related wear.

Large collection of English and continental pottery and porcelain, circa 1790 and later, various printed, painted and impressed marks, comprising a Newhall-type fluted tea bowl and saucer painted with famille rose flower sprays, a group of early 19th century English porcelain painted with scattered garden flowers including a gilt rimmed plate, two coffee cups and saucers, a green ground botanical plate, three miniature Crown Staffordshire porcelain wares, a Meissen-style group of a female musician and companion, a continental porcelain posy vase, a Staffordshire pottery figure of a witch riding a bird and other items (damages) Condition ReportPhoto of jug base uploaded

A group of circa 1970's light fittings and fixtures including circular ceiling light boss, together with a framed botanical print. (1 box)

A SET OF EIGHT BRITISH MUSEUM BOTANICAL PRINTSgilt frames and a flora print by Wyn Hooper (9)

19th CENTURY SCHOOL, A STUDY OF TROPICAL BIRDS: 'HESPERIPHONA LATERIOIDES'coloured lithograph, published by Hull Mandel, in a wood frame; and mixed other pictures of parrots, with botanical studies

Books. Two shelves of natural history, early 19th c and later, including The New Natural Library: two copies of Neal (Ernest), The Badger, first editions, 1948, original pictorial dustjackets over cloth, & Blunt (Wilfrid), The Art of Botanical Illustration, first edition, 1950, original pictorial dustjacket over cloth, mixed 8vo; Lowe (E.J.), A Natural History of British Grasses, with coloured illustrations, London: Groombridge and Sons, 1862, original publisher's cloth, uncut, 8vo; pomology: Phillips (Henry), Pomarium Britannicum: An Historical and Botanical Account of Fruits Known in Great Britain, second edition, London: T and J Allman, 1822, library stamps to verso of title and the 3 hand-coloured plates, contemporary marbled boards, rebacked in calf, 8vo; botany, flowers, ferns and grasses; ornithology, including volumes of Yarrell's British Birds; moths and lepidoptery; fishes; etc

A pair of Mintons botanical dessert plates, c1868, painted with wild roses and cyclamen in a blue celeste border, 23.5cm diam, impressed mark and an English porcelain pot pourri basket and cover and basket, c1820-30, the basket painted with a rural scene (4) Plates - In good condition, some minor scratches Basket - glued damage Pot pourri - crack to one side of handle, minor hairline crack

An English porcelain botanical dessert service, second half 19th c, with claret and gilt border, pattern no 932 (18) Two with some mild staining, one with staple repair and staining, two comports with some very mild nibbles to foot rim but in otherwise good condition

An English porcelain botanical dessert service, c1870, with green and gilt border, 23.5cm diam (35) Eight bowls and six plates with chip

Botany. [Hey (Rebecca)], The Moral of Flowers, third edition, London: Printed for Longman, Rees, Orme, Brown, Green, & Longman, 1836, half-title, [xv], 193, [1]pp, illustrated with finely hand-coloured engraved botanical plates, contemporary, possibly original publisher's, green morocco gilt over cloth, some rubbed wear, yellow endpapers, top edge gilt, contemporary lady's ink MS ownership inscription, 8vo

A set of 5 vintage coloured botanical prints named for L. Reeve & Co of Covent Garden, also named for Frederick William Thomas Burbidge & Vincent Brooks Day & Son, each with simple black frame, 32cm x 24cm [5]

3 x Stone flagons, GPO and Markhams Botanical Brewers, Gainsborough.

This Roseville Pottery Freesia basket is a striking example of the company’s signature Art Deco-influenced floral designs. Crafted in the vibrant tangerine glaze, this basket features embossed freesia blossoms in creamy yellow with soft green foliage, set against a warm orange-to-brown gradient background. The sculpted flared panels and arched handle add to its distinct architectural form. The Freesia line was one of Roseville’s later releases and remains highly sought after by collectors for its rich color variations and stylized botanical motifs. The base is impressed with Roseville USA 392-10 for authenticity. A beautiful addition to any American art pottery collection.Issued: c. 1945Dimensions: 10.5"HCountry of Origin: United StatesCondition: Age related wear.

A stunning Roseville Pottery Laurel vase featuring an elegant Art Nouveau-inspired floral relief design. This handled vase is adorned with a rich green and orange glaze, accentuating its sculpted botanical elements and cascading vertical ridges. Part of the Laurel pattern, this piece embodies the timeless craftsmanship of Roseville Pottery. The base retains its original Roseville Pottery sticker, further verifying its authenticity. A fine example of early to mid-20th-century American art pottery, perfect for collectors and enthusiasts.Issued: c. 1934Dimensions: 7"HCountry of Origin: United StatesCondition: Age related wear.

Rare Moorcroft vase features the "Moon Shadows" pattern, designed by renowned artist Kerry Goodwin. The "Moon Shadows" pattern captures a striking botanical scene with bold, vibrant colors that showcase the artist's attention to detail. Art Nouveau-inspired designs with intricate hand-painted and tubelined details. Moorcroft stamped. Marked: Trial 15-1-16.Artist: Kerry GoodwinIssued: 2016Dimensions: 16"HCountry of Origin: EnglandCondition: Age related wear.

A distinguished trio of Royal Worcester blush ivory colored porcelain, consisting of two ewers and one vase, each showcasing the exceptional artistry of this historic English manufacturer. The set includes a twin-handled vase with intricate applied detailing, a delicately shaped ewer with ornate gilded handle and spout, and another ewer featuring beautifully hand-painted florals with soft pastel tones and rich gilded accents.Each piece is adorned with finely executed botanical motifs, enhanced by the warm, creamy hues characteristic of Royal Worcester’s famed blush ivory colored finish. The signature embellishments of raised gold and enamel accents highlight the refined craftsmanship. Marked on the base with the Royal Worcester backstamp. Largest measures 6"H.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.

Mexican folk art painting of a wedding party, gouache on paper, unsigned, framed and glazed, image size 58cm x 39cm, a still life of flowers in a vase, Oil on board, unsigned 48cm x 63cm and a botanical print of Pyrus Malus (3)

Collection of Portmeirion Botanical Garden

Collection of slides from Leeds University Biology and Botanical science department

Assorted prints to include topographical engraving, Mary E Taylor - botanical study, limited edition lithograph, pair Chinese character prints, etc (6)

An early 20th century pitch pine microscope slide case, contents to include various medical and botanical specimen slides, width 26cmCase is solid and useable.Drawers run well.Knocks/marks and losses to varnish throughout.

A number of books to include: National Trust Properties, The Plantagenets, The Botanical Illustrations of George Ehret.

A small quantity of Denbyware including two lidded tureens, two section oven dish, hot water pot etc., and Portmeirion 'Botanical Garden' storage jar.

Three Early 20th Century Kent & Dawes London Original Framed Wallpaper Watercolour Designs on Paper, comprising a large floral piece in orange, white and purple, marked to the border 'A676' and stamped with 'Kent & Dawes Designers, 3 Freshford St, S.W. 18', in a black frame, 89cm x 78cm, together with a white and pink floral design on a green and blue ground, marked to the border 'A403' and stamped, within a card mount and a pink and gold-toned frame, 44cm x 54cm (71cm x 82cm inc. frame),and an abstract botanical design in red, yellow and green tones, marked to the border 'A627' and stamped, in a silver frame, 61cm x 81cm,(3)

A Collection of Early 20th Century Kent & Dawes Designers Original Wallpaper Design Watercolours on Paper, comprising ten scrolling abstract patterns and botanical inspired designs in various colourways including blue, pink, green and red, several stamped with 'Kent & Dawes Designers, 3 Freshford St, S.W. 18', 92cm by 58cm in size, all unframed, (10)

A Collection of Decorative Watercolours and Prints, including a set of comic ink drawings on tissue paper, 17cm by 23.5cm; a set of botanical and landscape studies by an amateur hand; printed ephemera; etc. (all unframed)

BOOKS, BOTANICAL/NAT. HISTORY (mainly). To inc. JEANSON, Marc, 'Botanical Observing Beauty', JBE publisher. Nine in total.

PRESSED FERNS. – [Mary ANN ARMSTRONG.] New Zealand Ferns. [Dunedin: n.p.: circa 1870’s.] Folio (304 x 252mm.) 56 botanical specimens mounted recto only on stiff card leaves, captioned in manuscript hand, maker’s label to front pastedown in the name ‘C.C. Armstrong’. (Some offsetting to verso, toning.) Contemporary black half morocco (extremities heavily rubbed, hinges weakened and lower cover detached). Note: Mary Ann Armstrong was a British-born botanical fern artist. Her work, while being an example of the 19th century decorative arts, was also exhibited at International and inter-colonial exhibitions in the 1880’s. The blending of the artistic and the scientific is shown in her use of mounted moss as a grounding for her specimens.

MANUSCRIPT. – William IVORY. [A manuscript catalogue for William Ivory’s library at St. Roque House, Edinburgh. N.p.: circa 1862.] 474pp., manuscript, 8vo (313 x 183mm.) 211 leaves listing book titles and authors in a single legible hand on pre-ruled paper, recto only, several leaves with annotations verso, 26 leaves blank. (Spotting to first and last leaves.) 18th century calf, t.e.g. (rebacked, extremities rubbed). Note: William Ivory was a lawyer and member of the Botanical Society of Edinburgh. He was known for organising plant-finding expeditions and the catalogue contains several pages devoted to botanical books.

A collection of approximately forty-three microscope specimen slides, mostly late Victorian, including entomological and botanical, many with labels, some detailed 'W. Watson & Sons', housed within a card case with twelve removable trays, 8cm high x 21cm wideIf there is no condition report shown, please request

A two-tone stoneware advertising flagon, J.H. Wright, Botanical Brewer, Lincoln, 26.5cm high; another, Ridgway Bros, Cardiff; two-tone stoneware storage jars; etc (13)

19th century English porcelain Botanical desert service, all individually painted with flowers and sprays, possibly Coalport. 18 items. (B.P. 21% + VAT) At least four plates are cracked, three comports have cracks to the stands and bases, generally discolouration and wear in places. Pattern No. 8126.

Two 19th century coloured engravings; one by H Garnier, a portrait of a woman after Andre, the other by H Fletcher, botanical image with flowers listed below, both framed and glazed.

A Gaymers Cyder barrel, Blake Bros Langport wine and spirits flagon, Saxon & Co Botanical Brewers flagon and one other.

Five Victorian and later floral botanical prints and engravings. Including a hand painted engraving of wildflowers, 26cm x 19.5cm, all framed and glazed

Seven Dutch botanical school charts, early 20th century, each labelled verso: 'De Korenbloem', De Wortel', 'De Rogge', 'De Hazelaar', 'De Witte Dovenetel', 'De Erwt' and 'De Tulp', gouache on black paper, 106 x 70 cm each (7)

BOTANICAL PRINTS: MRS LOWDEN, ALONG WITH ANOTHER REDOUTEEach framed and glazed.

A 19TH CENTURY BOTANICAL WATERCOLOUR PAINTING ON PAPER ALONG WITH AN ORNITHOLOGICAL LITHOGRAPH BY BOWENWatercolour 35cm x 25cmEach framed and glazed.

A PAIR OF 19TH CENTURY BOTANICAL ENGRAVINGS, HAND COLOUREDFramed and glazed.

A BOTANICAL DRAWING OR PRINT DATED 152629cm x 15cmProvenance: Private collection, South West London.

ONE BOX OF CURTAINS, to include two unopened packs of Dunelm eyelet 'Harriet' pattern blackout curtains, width 168cm x drop 137cm each pack, an unopened pack of Dunelm blackout eyelet 'Solar' duck egg coloured curtains, width 228cm x drop 182cm, a pair of unopened Dunelm blackout eyelet curtains 'Whimsical Botanical' pattern, width 168cm x drop 137cm, an unused pair of Dunelm Luxury Collection eyelet curtains 'Evander Navy' pattern, width 168cm x drop 137cm and a pair of Dunelm lined curtains, cream with red acorn design (used but in good condition), together with two cream coloured cushions (original prices displayed on packaging) (1 box)

A rare Moorcroft pottery vase featuring an intricately hand-decorated marine landscape with a pair of fish swimming among stylized aquatic plants. This salt-glazed vase showcases the masterful craftsmanship of William Moorcroft, with its softly blended shades of blue and earth tones creating a naturalistic underwater scene. The design is enhanced by the raised slip-trailing technique, giving the fish and botanical elements a striking effect. The body of the vase is elegantly tapered, flaring slightly at the rim, while the base is adorned with delicate floral motifs, complementing the aquatic theme. The rich color variation, achieved through Moorcroft's signature glaze techniques, lends a luminous quality to the artwork. The vase is signed on the underside with "Moorcroft Potter To HM The Queen," denoting its association with the British Royal Warrant, a mark of the brand's esteemed reputation. Additionally, the base is stamped "Made in England," confirming its authenticity and period origin.Artist: William MoorcroftIssued: c. 1928 - 1953Dimensions: 12.75"HCountry of Origin: EnglandCondition: Age related wear.

Nausharo Period ID, Ca. 2700 - 2500 BC. A terracotta jar with an ovoid body that narrows towards a slightly concave base. The wide neck gently flares outward, forming a prominent rim. The shoulder is encircled by a decorative band with a continuous pattern of stylised floral motifs, each composed of four elongated petals surrounding a central circular element. The main register features stylised depictions of two peacocks, each in profile with a long, curved neck and an elaborate crest. Each body is filled with closely spaced parallel lines. Stylised botanical elements, including elongated leaves and curvilinear forms, surround the birds. A series of parallel horizontal lines runs around the lower portion, framing the composition.For similar see: Ceramics and Terracotta figurine from Balochistan of the Katolec Collection, f. 57 (shape), f. 62 (decorations).Size: 210mm x 160mm; Weight: 1.25kgProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

BASILIUS BESLER. After. TWO BOTANICAL HAND COLOURED ENGRAVINGS (2). from Hortus Eystettensis, 69cm x 62cm. Purchased from Stephanie Hoppen.

Botanical watercolours and other original works to include June Everett, pair mezzotints, hunting prints etc

British 18th Century A pair of botanical hand coloured engravings of Narcissus flowers Watercolour and ink on coloured copperplate  With Latin inscription 'nam flomo flano Narcissus sulphurei Colo breui calice, nar tot, alb latifol'   From the Fane Collection To be sold without reserve Dimensions: (Frame) 19.5 in. (H) x 14 in. (W) (Copperplate) 14 in. (H) x 10 in. (W)

A 19th Century, gilt brass Botanical Microscope, containing two objectives, adjustable specimen slide, three wooden slides, all within the original mahogany travel case, 13cm wide.

PIERRE VALLETLe Jardin du Roy tres chrestien Henry IV, Roy de France et de Navare, dedie a la Royne. (Paris): 1608.Gesamte Kupferstichfolge (ohne die 4 Bll.Text) mit gest. Titel, 2 gest. Porträts und 73 Kupfertafeln. Tafeln ca. 30,5 x 16,5 cm.(Sämtliche Blätter vollständig auf dünnem Bütten montiert. Titelkupfer mit kleinem Einschnitt und etwas Verlust am linken Rand. Stellenweise alters- bzw. gebrauchsfleckig. Kupfer variieren teilweise leicht im Druck, womöglich Mischauflage.)Blunt, The Art of Botanical Illustration S. 88-91. Hunt 187. Nissen BBI 2039. – Erste Ausgabe. - „Das erste wichtige Florilegium … ein Werk von großartiger Schönheit“ (Blunt). Vallet fertigte das Buch in Zusammenarbeit mit Jean Robin, dem Leiter der königlichen Gärten des Louvre, der auch einen kleinen Garten mit seltenen Pflanzen am westlichen Ende der Île de la Cité unterhielt. Ursprünglich als Vorlagewerk für Stickereien und andere Dekorationen angelegt, überzeugen die Tafeln durch einen überraschenden Naturalismus und botanische Genauigkeit. 1623 erschien eine zweite, erweiterte Ausgabe unter dem Titel: Le Jardin du Roy Tres Chrestien Loys XIII.

Curtis, William, The Botanical Magazine vol.IV, dated both 1787 and 1793 with 42 hand-tinted plates, within quarter calf and marbled boards. 24 cm x 16 cm.

Mr Anderson as Macbeth, a hand coloured print with collage, 21.5 x 15cm, along with a further three hand coloured prints with collage, and 'A Masonic Anecdote' after James Gillray a later hand coloured print 53 x 46cm, and four 19th Century hand coloured botanical prints, 22 x 14cm, (9).

George Harley (British 1791-1871), a pair of pencil sketches of figures in rural landscapes, each signed and dated 1839, 22 x 28cm, along with nine mid-19th Century sketch books of mostly landscapes with some botanical studies (11).

Konvolut bestehend aus 10 BändenWilliam Curtis, The Botanical Magazine, Stephan Couchman Verlag, Vol. 1 bis 20, London 1793.(14303861) (10))

Camille Jean-Baptiste Corot, 1796 Paris – 1875 ebendaCOUBRON, UM 1870-73Öl auf Leinwand.55 x 40 cm.Rechts unten signiert.Gerahmt.Zertifikat von Lebeau & Dieterle.Die Figuren, die auf dem Allee-Weg wandeln, scheinen sich fast in einem architektonischen Gebilde zu bewegen, so sehr ist die Landschaft hier konstruiert. Die Wahl des Hochformats verstärkt den sehr geschlossenen Eindruck. Die Stämme der Bäume, die den Weg säumen, gleichen Säulen, die die Wölbung einer pflanzlichen Kathedrale bilden. Die Äste bilden die Kreuzgrate. Der einzelne Baum auf der linken Seite des Weges scheint der tragende Pfeiler der Konstruktion zu sein. Leicht dezentral nach links versetzt konkurriert der Weg mit der Baumreihe um die Aufmerksamkeit des Betrachters. Die fast anekdotisch positionierten Personen dienen als Maßstab. Der durch die Äste aufblitzende Himmel ist auch am Ende des „Gewölbes“ zu sehen – als winziger Punkt, aber dennoch wichtig, um dem Bild einen Fluchtpunkt zu geben.Das vorliegende Werk gehört in das Spätwerk des Künstlers. Dieser zog sich, vermögend geworden, 1874 nach Coubron zurück, wo auch das vorliegende Werk entstand.Corot zählt zu den bedeutendsten Landschaftsmalern des 19. Jahrhunderts. Obwohl ihm zunächst eine Kaufmannskarriere angedacht war, trat er mit 26 Jahren in das Atelier von Achille Etna Michallon (1796-1822) ein. Von ihm lernte er die Prinzipien der klassizistischen Landschaftsmalerei und wurde in der Pleinair-Malerei bestärkt. Aus seinen zahlreichen Reisen durch Italien brachte er Ansichten von Florenz, Rom und Tivoli zurück und bereiste anschließend Frankreich.Literatur:Abgebildet in André Schoeller, Jean Dieterle, L‘oeuvre de Corot par A. Robaut et Moreau-Nélaton, 1. Supplement, Paris 1948, Nr. 89. (1431803) (10) (†)Jean-Baptiste Camille Corot,1796 Paris – 1875, ibid.COUBRON, ca. 1870-73Oil on canvas.55 x 40 cm.Signed lower right.Certificate of Lebeau & Dieterle.The figures strolling on the boulevard almost seem to be walking inside an architectural edifice as the landscape appears to be constructed as such. The portrait format reinforces this very closed impression. The tree trunks lining the road are like columns forming the vault for a botanical cathedral.Corot is one of the most important landscape painters of the 19th century. He brought back vistas from Florence, Rome and Tivoli from his numerous travels through Italy and then went on to travel through France. The painting on offer for sale in this lot is a late work by Corot. In 1874, after having acquired some wealth he retired to the country, to Coubron where the present work was created.Literature:Illustrated of André Schoeller, Jean Dieterle, L’oeuvre de Corot par A. Robaut et Moreau-Nélaton, 1st Supplement, Paris 1948, no. 89.

Louis Edouart Maubert, 1806 Calais – 1879 ParisSAMMLUNG VON 14 BOTANISCHEN DARSTELLUNGENBleistift und Aquarell auf Papier und Karton.45,5 x 33 cm.Einzeln beschriftet und signiert „Maubert pinx“.Drei Aquarelle sind gerahmt, elf sind in einer Mappe.Edouard Maubert illustrierte mehrere botanische Werke. Er arbeitete dabei zusammen mit Botanikern und war mehrere Jahrzehnte lang beteiligt an allen Arten von Lexika und Gartenschriften, sowohl für Amateure als auch für Fachleute. Die großformatigen Aquarelle wurden teilweise als handkolorierte Lithografien in dem Werk des belgischen Herausgebers Jean Jules Linden „Pescatorea – Iconographie des Orchidées“, 1855 – 1860 in Brüssel publiziert.Literatur:Vgl. Elisabeth Hardouin-Fugier, French Flower painters of the 19th Century, London 1989.Jean Linden, Pescatorea, Orchideenikonographie, Neuausgabe Turriers 1994, mit Abbildungen der Lithographien, Farbtafeln S. 67, S. 48 und S. 129. (1401097) (19)Louis Edouart Maubert,1806 Calais – 1879 ParisCOLLECTION OF 14 BOTANICAL DEPICTIONS Pencil, watercolour on paper and card. 45.5 x 33 cm.Each inscribed and signed “Maubert pinx”. Three watercolours are framed, eleven are held in a folder.

A large collection of 20th century original oil on canvas, watercolours, engravings, etchings and prints. The lot to include originals with signatures, unsigned pieces and replicas. To include landscapes, botanical subjects, still life, calligraphy subjects, animals and much more. Majority framed and glazed.

Royal Copenhagen, Denmark. Porcelain "Flora Danica" custard cup with matching cover and undertray, mid 20th century. Of triangular form with a loop handle and applied floral forms to the lid; the body finely painted with botanical specimens which are identified in Latin along the underside of the cup vessel. With gilt embellished rims. Each piece with Royal Copenhagen maker's marks and blue wave-form stamps; the tray is numbered 260 and the lidded vessel is numbered 259.(Tray) Height: 1 in x width: 4 in x depth: 4 in. (Cup w/ Lid) Height: 3 1/2 in x width: 2 3/4 in x depth: 2 3/4 in.Condition: All pieces are in good condition with no chips, cracks, losses, or signs of wear.

Copeland turquoise and gold botanical comport/tazza, number 799, H 12.5cm; together with a Royal Copenhagen comport/tazza in the Blue Onion pattern, number 513, monogramed BJ, H15cm.