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A COLLECTION OF PRINTS AND PICTURES including an unframed etching by Jesse Leroy Smith, botanical prints, watercolours and others

Seven hand-coloured botanical lithographs by S. Holden, 8¾” x 5¾”, in matching glazed frames; together with two table lamps & various decorative ornaments.

Fifteen various botanical paintings & prints, framed & glazed.

A mid-Victorian scrap book of prints and drawings assembled by William Morton Philips, including botanical subjects cut from 18th c Chinese wallpaper, a lithograph of Mr Sarony's Photographic Establishment Scarborough and vignettes of costume and fashion, an advertisement for mourning flowers and droops, Victorian chromo Valentine cards, hunting scenes, historic houses, churches and monuments, birds and animals, children, paper puzzle, Peace Commemoration firework display Green Park and many other subjects, each leaf filled, recto and verso (35 x 25cm), signed W Morton Philips 1857, contemporary half calf over marbled boards, worn Provenance: William Morton Philips (1852-1940) of Heybridge, Staffordshire. The son of John William Philips (1827-1914) and his wife Adelaide Louisa Manningham-Fuller (1833-1860). He married in 1882, Caroline Anne Kate Stockford (1856-1955) Condition ReportSome leaves slightly browned but in generally very good condition

A Coalport campana shaped cobalt ground pot pourri vase and cover, c1820, painted with panels of flowers, 19cm h and two contemporary Hicks & Meigh cobalt ground dishes, painted with botanical flowers, pattern 914 (4) Condition ReportInterior of vase stained, cover cracked. Dishes both stapled

BOTANICAL STUDIES, a set of six offset lithographs in colours and one colour engraving, 62cm x 55cm each, framed and glazed. (7)

CURTIS, W: The Botanical Magazine; or, Flower-Garden Displayed, Volume 24, 1806. With 44 hand coloured plates (4 folding). Half leather, covers detachedCondition report: Front cover detached.

Two coloured botanical prints of caryophyllus hortensis, numbered 336 and 338, circa 33cm x 22cm, framed and glazed

Mixed pictures - Elizabeth Cameron - Ipomoea Heavenly Blue ltd ed and Primula Alpicola limited edition pencil signed prints, two other botanical prints, a print depicting Rosa Mundi, two bird plates - Wren and Great Headed Tody and two duck prints (9)

Set of seven botanical engravings depicting fruit, 34 x 25 cm (7)

A collection of twelve various botanical floral studies (12)

A 19th century Bohemian emerald green glass vase and cover painted with a portrait of a lady, together with a pair of early 19th century Masons ironstone China vases, commemorative Macintyre match strike, Royal Crown Derby Imari plates and various ceramic animals including Beswick and SzeilerCondition report: Glass vase - with loss to the tip of the finial, some gilt loss. Pair of Masons vases with glaze crazing, both with hair cracks to the rim. Match strike is crazed. Royal Crown Derby side plate - first quality and good condition. Davenport plate - in good condition. Botanical plate - gilt wear but good condition. Royal Doulton jug - crazed. Pair of figures - the man's hat with section re-glued to the brim. Both with slight losses to the applied work. Beswick faun - slight glaze chip to front-left hoof. Both Szeiler fauns in good condition. Beswick foal and cat in good condition.

Portmeirion The Botanical Garden pattern tea and dinner wares, to include teapot, milk jug, eight dinner plates, tea cups and saucers, coffee cans, bowls of various sizes etc (approx 85)

Two large coloured botanical prints in gallery quality mounts and frames

The Art of Botanical Illustration by Martyn Rix Hardback Book 1990 Second Edition published by Arch Cape Press some ageing good condition. Sold on behalf of the Michael Sobell Cancer Charity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

A collection of Spode Rochelle, Festival & Botanical Patterned Items including shallow bowls, jugs, lidded pots etc

A collection of Portmeirion Botanical & Similar items to include: rolling pin, butter dish, candlestick, bowls etc

TWO 19TH CENTURY ENGLISH PORCELAINS, comprising Coalport botanical cup and saucer; and a Swansea-style dessert dish, probably Newhall, painted with spray of summer flowers within relief moulded rose borders, gilt scrolled handles, 24cms wide (2)Provenance: dish - Harold Davies collection. Private collection Neath-Port TalbotComments: Dish with rubbed gilt rims, small scratched to painting, restored under one handle; saucer cracked.

ASSORTED ENGLISH BONE CHINA, including Aynsley 'Orchard Gold' plated, 3 Cauldon dessert plates, pair Spode botanical plates, pair Spode 'Lancaster Cobalt' plates, Stevenson & Hancock Derby bottle vases, Wedgwood 'Countryware' preserve jar & condiment jug, Royal Crown Derby 'Royal Antoinette' trinket box and cup & saucer etc.

GROUP OF SIX BOTANICAL AND BIRD COLOUR PRINTS,each framed, 31.5cm x 27cm overall

MARESCA,RIVER SCENE WITH BOATS WATERCOLOUR,WatercolourSigned, 398cm x 65cmMounted, framed and under glass,along with a selection of framed prints and paintings depicting classical figures and botanical studies

Lot of 24 botanical prints. 19th - 20th century. Dimensions: 9 - 23 cm. In good condition.

A LARGE COCO DE MER NUT (LODOICEA MALDIVICA) WITH KERNALS28cm wide,There is a long historical tradition of collecting Coco de Mer nuts and treasuring them as rare and unusual objects , as far back as the 16th century they were decorated with jewels and placed in 'cabinets of curiosities'. Their obvious resemblance to a woman's buttocks inspired their botanical name 'Lodoicea Callipyge"; "callipyge" meaning "beautiful rump" in Greek. Sailors would see them floating in the sea and supposedly mistook them for real women, others believed they grew on trees deep in the ocean and floated to the surface when ripe.

H & R DANIEL - LARGE 19THC BOTANICAL ENGLISH PORCELAIN DESSERT SERVICE each piece painted with a large central flower, and smaller panels of flowers on a grey and gilded ground. Comprising 16 plates (25cms diameter), 2 large lidded tureens, 2 pairs of side dishes, and 4 comports. With the Pattern No 6585, the service with extensive damages and repairs.

Alicia Henrietta Wedderburn, later Lady Hope (1823-1900) seventeen watercolour botanical studies of flowers including Clematis, Rhododendron, Yellow Jasmine, Wild Pomegranate, most with notes and dates, in a tooled leather binding marked W & J Milne, Edinburgh, overall size 38 x 28cm

Alicia Henrietta Wedderburn, later Lady Hope (1823-1900) late 1870's album of botanical studies including Alpine flowers, many annotated and dated, including locations in Italy and Malta, thirty eight sides of studies in total, overall size 23 x 34cm

Susan Wedderburn (1785-1840) album of watercolour botanical studies of flowers, twenty nine pages in total, overall size 26.5 x 37.5cm

Alicia Henrietta Wedderburn, later Lady Hope (1823-1900) late 1860's album of watercolour botanical studies of Alpine flowers and butterflies, pen and ink landscapes and photographs, all executed whilst travelling, the album also includes photographs of places visited and annotations, including the Alps, Italy, Florence, Como, Florence and Switzerland, thirty two pages in total, overall size of album 23.5 x 29cm

Pair of 17th/18thC Dutch Delft polychrome decorated botanical tiles with Wanli corners, W13cm

PortMeirion boxed placemats and coasters in Botanical Garden round

AFTER J GOULD and H C RICHTER "Eriocnemis Godini", a botanical study, with hummingbirds, colour lithograph, 50 cm x 35 cm, together with two further botanical studies of birds on branches "Pine Grosbeak" and "Kentucky Warbler", two chromolithographs by J Bien New York 1859, 53 cm x 37 cm (3)

Henderson (George & Hume, Allan O.). Lahore to Yarkand. Incidents of the Route and Natural History of the Countries Traversed by the Expedition of 1870, under T.D. Forsyth, 1st edition, L. Reeve, 1873, folding map, 16 heliotype plates, 32 ornithological and 6 botanical hand-coloured lithographed plates, ex library with blind stamps to title and most plates, plate 24 with small closed tear repair to verso, ink name stamp to half-title, bookplate and markings to front pastedown, original cloth gilt, rebacked with original spine relaid, some edge and corner wear, white ink library classification number with sticky paper label remains to spine, large 8voQty: (1)

Scott (R. F.). Scott's Last Expedition, 2 volumes, London: Smith, Elder & Co., monochrome illustrations, some light toning & spotting, later uniform brown cloth, boards & spine slightly rubbed, 8vo, together with;Henry (Blanche), British Botanical and Horticultural Literature before 1800, 3 volumes, 1st edition, Oxford: University Press, 1975, colour & monochrome illustrations, publishers original uniform cloth in slipcase, large 8vo, plus other early 20th-century & modern miscellaneous literature, includingKindler's Neues Literatur Lexicon, 21 volumes, München: Kindler Verlag, 1988, publishers original wrappers in slipcases, 8vo, mostly original cloth, overall condition is generally fair/good, 8vo Qty: (6 shelves )

Two late 19th/early 20th century pottery spirit decanters of large size, one 'Rum' with brass tap, the other 'Gin' with corked hole, both decorated with a hand coloured and printed scene depicting swan and ducks on pond, with grapes, flowers gilt decoration, both with pottery lids, height of each 32cm, width approx 28cm, together with a stoneware beer flagon marked '1954 Scotts (Bolton) Ltd Botanical Brewers, Daub Hill Bolton', height approx 29cm and a 'Charles Kinloch Rich Cream Sherry' pottery decanter with brass tap and cork stopper, height to top of handle approx 30cm (4).

A set of 3 contemporary botanical prints, in painted frames, overall 71cm x 59cm

Nine 19th century framed botanical and bird pictures, some in maple frames Comprising: a hand coloured lithograph Trogon Ambiguus (Doubtful Trogon) by J & E Gould, from the 'Family of Trogons', in a rosewood frame, 34cm x 26cm, a watercolour by Barbara Everard, 33cm x 26cm, the others, 26cm x 20cm, 22cm x 17cm, 26cm x 29cm, 27cm x 22cm, 28cm x 22cm, and a pair in mahogany frames, 30cm x 22cm, 27cm x 22cm. (9) Provenance: The Estate of the Late Cherry Barker N.B: This lot is subject to CITES regulations

Worcester Rosemary herb 26cm vase, a pair of similar 26cm plates and 4 Portmeirion Botanical Garden storage jars.

Photograph album and contents of black and white vintage photographs to include figures on horseback, staff at Mud Fort, a zoo in Calcutta, Botanical Garden in Calcutta, a photo marked 'Kapra Camp, India 1917', figures with bicycles and various further shots of India, taken by C Simpson RFA India 1917 and assorted postcards to include Munier, photograph examples, etc 

A collection of fifteen 19th century blue and white printed plates, from the Botanical Beauties series (2 sizes 26cm diameter max approx) (15)

A collection of five early 19th century and later coloured botanical engravings subjects including lilies, two examples published by T Curtis, dated 1808, 21 x 23.5cm approx, all in black and gilt moulded frames, together with a further pair of botanical studies of oval form in black and gilt glass mounts and gilt frames, 29 x 23cm max (7)

GLASS & CERAMIC BOTTLES to include approximately forty clear and brown glass bottles and two ceramic vessels, a flagon from J.T. Morris and Sons, Botanical Brewers, Wolverhampton and a Doulton's 'Thermette' Bed Warmer together with one box of comics and football programmes to include special editions of 'Tiger' and 'The Eagle'

DECORATIVE CERAMICS ETC, comprising a blue Moorcroft hot water jug and open sugar bowl, S Clement faience water jug, approximate hight 27cm, unmarked vase in a botanical form, Beswick 1064 pattern vase, vase in the form of grape and vine, pair of art nouveau vases with relief moulded Iris's and handles, indistinct backstamps, Clarice Cliff covered sugar bowl, registered No 84007, Clarice Cliff for Royal Staffordshire 'Harvest' Bowl, Chelsea Works sugar shaker and Tony Potter cardboard and paper storage container in the form of a teapot with gift cards and envelopes

A mixed lot including a quantity of scientific glass slides, apparently of botanical interest, a boxed set of paints, postcards etc. (a lot)

A pair of French 18th century copperplate botanical engravings, from Plantae per Galliam, Hispaniamet, Italian by Barreliero, published Paris 1714 with Latin names below, 26 by 17cm, glazed and framed, 42 by 32cm.

A pair of 18th century French botanical prints, copperplate on woven paper, from Plantae per Galliam, Hispanianet Italian by Barreliero published Paris 1714 with Latin text below, 26 by 17cm, glazed and framed, 42 by 32cm.

Anne Bewsey (British) watercolour, botanical still life of pot plants & another of a floral still life on a table

Botanical interest: After Horto van Houtteano (Belgian mid 19th century) 2 lithographs of tropical plants with a good early 19th century botanical watercolour and a further hand coloured print of hydrangeas.

A good quantity of Portmeirion plates including Pomona dinner and dessert plates and two botanical garden bowls and plates (some a/f).

A large collection of 19th & 20th Century plates / cabinet plates to include: Davenport, pattern no: 1514, blue underglaze markDavenport, the reserve painted with seascape comprising boat, figures and cliffs beyond, green and gilt borders, underglaze blue markModern Limoges pattern D32, painted with 18th Century style figuresA pair of Ashworth botanical platesRoyal Worcester Meissen style plate, central peacock, the border with vignettes painted with birds or butterflies, black factory markDerby Neo-Classical style plate with central bouquet of pink roses, gilt gadroon borders, circa 1820s (restored and further damages - AF)Derby Osmaston Road, circa 1877-1890, pattern 276 soup plateBloor Derby pink and gilt pattern floral and foliage plate and further Imari side and dinner plates etc and a Mandalay pattern shaped rectangular cake plate (1 box - Q)

A watercolour of a gent fishing, a set of three botanical prints, an oleograph after Carot of a gent on boat, a handpainted Oriental silk work and an oil of an autumnal landscape, framed (7)

Tournefort (Joseph Pitton de) A Voyage into the Levant..., 2 vol., first English edition, folding engraved map by Senex (not present in the French edition) and 152 engraved plates & maps, 6 folding, folding map and one or two folding plates laid down on linen, a little browned, vol.1 with title creased and map of Thermia stained in lower margin, vol.2 lightly water-stained towards end, later half tan morocco, by Zaehnsdorf, spines ruled in gilt with raised bands and green morocco labels, t.e.g., a little rubbed at edges and corners, light staining to vol.2, [Nissen ZBI 4156; cf.Atabey 959-961 & Blackmer 1318, other editions], 4to, D.Browne, A.Bell [etc.], 1718.⁂ Tournefort's botanical expedition to the Levant, covering Crete, Constantinople, Turkey, the Black Sea, Armenia, Persia, Georgia and Smyrna, published a year after the original French edition.

Botany.- Redouté (Pierre-Joseph).- [Candolle (Augustin Pyramus de)] [Plantarum succulentarum historia, ou Histoire naturelle des plantes grasses], 2 vol., large paper copy, without titles, 169 stipple-engraved plates, printed in colours and finished by hand, tissue-guards, corresponding text, scattered spotting, faint marginal water-staining to vol. 2, index in manuscript pasted to final pastedown in both vol., contemporary half-morocco, rebacked retaining original backstrip, gilt, rubbed, bumping to corners and extremities, [Nissen BB 321], folio, [Paris], [1799-1805].⁂ This is the first work where Redouté was named on the title page, and also the first work utilising his then new technique of printing in colour from stipple engraved copper plates. This technique had been taught to him by Francesco Bartolozzi, whilst Redouté was in England. Stafleu described this work as "one of the nightmares of botanical bibliography." It was begun in 1799 and issued in fascicules, and also being abandoned and restarted twice, with several parts never published in folio format. As a result of this complicated history, complete copies are incredibly scarce, as well as most copies having varying plate counts.

A 19TH CENTURY SPODE PLATE painted with a botanical specimen of a Mountain Primula, titled in red verson.

18th and 19th Century Tokens plus other Advertising, Royalty, Tokens and Medallions, etc.Comprising 2 x 1794 tokens: 1. Braintree and Bocking and 2. Chichester; a 1/- token of "JR Tile Farnborough Kent", a Rosherville Botanical Gardens token; an 1857 Holloways Pills and Ointments; an uncirculated 1904 Earls Court Gigantic Wheel token; a Holdrons of Peckham Thursday Morning 1d bonus check; an August Roterberg Magicians token coin featuring a jester; a bag containing 7 commemorative royalty medallions/gaming tokens plus various other sundry tokens/medallions.

Malayan States 1950's/1960's era, Early 1960's Great Britain First Day Covers plus G.B, West African and World Stamps.Lot comprises:Malayan States mint 1950's first issue recess printed sets of definitives from 1 cent to $2 as follows:Kedah: 1 set UM, 1 set LMM; Kelantan: 1 set UM, 1 set LMM; Malacca: 1 set 1c to 50c plus $2 UM, 1 set LMM; Negri Sembilan: 1 set UM, 1 set LMM; Perlis: 1 set 1c to $1, plus $2 damage to corner UM, 1 set LMM; Penang: 1 set 1c to $2 UM, 1 set LMM; Perak: 1 set 1c to $2 plus additional $1 UM, 1 set to $2 LMM; Selangor: 1 set 1c to $2 UM, 1 set LMM; Trengganu: 1c to 2c, plus 5c to $2 UM, 1 set to $2 LMMplus Kelantan 1c to $5 LMM and first issue Malayan Federation values U.M. High catalogue value.Plus: Great Britain illustrated First Day Covers include:CEPT, FFH , Paris Conference, NN Week, Lifeboat, NPY, Geographical, Botanical, FRB, Churchill, S. Army, Lister, Arts, P.O. Tower, UN, ITU plus various other later covers.Also included is an album of G.B. Mint, Nigeria, Malaya, etc and a box file of whole world stamps.

Jean-Baptiste Camille Corot, 1796 Paris – 1875 ebendaCOUBRON, UM 1870 – 73 Öl auf Leinwand. 55 x 40 cm. Rechts unten signiert.Zertifikat von Lebeau & Dieterle. Die Personen, die auf dem Allee-Weg wandeln, scheinen sich fast in einem architektonischen Gebilde zu bewegen, so sehr ist die Landschaft hier konstruiert. Die Wahl des Hochformats verstärkt den sehr geschlossenen Eindruck. Die Stämme der Bäume, die den Weg säumen, gleichen Säulen, die die Wölbung einer pflanzlichen Kathedrale bilden. Die Äste bilden die Kreuzgrate. Der einzelne Baum auf der linken Seite des Weges scheint der tragende Pfeiler der Konstruktion zu sein. Leicht dezentral nach links versetzt konkurriert der Weg mit der Baumreihe um die Aufmerksamkeit des Betrachters. Die fast anekdotisch positionierten Personen dienen als Maßstab. Der durch die Äste aufblitzende Himmel ist auch am Ende des „Gewölbes“ zu sehen – als winziger Punkt, aber dennoch wichtig, um dem Bild einen Fluchtpunkt zu geben. Corot zählt zu den bedeutendsten Landschaftsmalern des 19. Jahrhunderts. Obwohl ihm zunächst eine Kaufmannskarriere angedacht war, trat er mit 26 Jahren in das Atelier von Achille Etna Michallon (1796-1822) ein. Von ihm lernte er die Prinzipien der klassizistischen Landschaftsmalerei und wurde in der Pleinair-Malerei bestärkt. Aus seinen zahlreichen Reisen durch Italien brachte er Ansichten von Florenz, Rom und Tivoli zurück und bereiste anschließend Frankreich. Das vorliegende Werk gehört in das Spätwerk des Künstlers. Dieser zog sich, vermögend geworden, 1874 nach Coubron zurück, wo auch das vorliegende Werk entstand. (†)Literatur: Abgebildet in André Schoeller, Jean Dieterle, L’oeuvre de Corot, 2. Supplement. (1301339) (10)Jean-Baptiste Camille Corot,1796 Paris – 1875, ibid.COUBRON, ca. 1870 – 73Oil on canvas.55 x 40 cm.Signed lower right.Certificate of Lebeau & Dieterle.The figures strolling on the boulevard almost seem to be walking inside an architectural edifice as the landscape appears to be constructed as such. The portrait format reinforces this very closed impression. The tree trunks lining the road are like columns forming the vault for a botanical cathedral. Corot is one of the most important landscape painters of the 19th century. He brought back vistas from Florence, Rome and Tivoli from his numerous travels through Italy and then went on to travel through France. The painting on offer for sale in this lot is a late work by Corot. In 1874, after having acquired some wealth he retired to the country, to Coubron where the present work was created. (†)Literature:Illustrated of André Schoeller, Jean Dieterle, L’oeuvre de Corot, 2nd Supplement.

A Wedgwood Whitehall pattern coffee service, for six ; four Coalport Revelry coffee cans and saucers; a set of six Royal Worcester botanical coffee cups and saucers; etc

A RARE GEORGE III BOTANICAL FAN PUBLISHED BY SARAH ASHTON LONDON, C.1792 'The Botanick Fan', hand-coloured engraving on paper, depicting the sexual anatomy of plants, arranged according to the Swedish botanist, Carl Linneaus's classification specimens, with eight lines of a lettered verse from Darwin's 'Botanic Garden', with boxwood guards and sticks, later mounted in a glazed gilt faux bamboo frame 46cm wide Catalogue Note The name of the fan comes from lines of the poem printed on the leaf, 'The Botanic Garden' by Erasmus Darwin, grandfather of Charles Darwin. The Botanic Garden was intended to pique the readers' interest in science whilst educating them at the same time. Whereas Linneaus' classification focused on male plants, Darwin gave female plants a central role. It has been argued that the poem encouraged women to engage in scientific pursuits. Sarah Ashton was a prominent publisher of fan leaves in the late 18th century from her business in Little Britain, near St. Martin's Court, Covent Garden. She was admitted in 1770 into The Worshipful Company of Fan Makers and carried on the printing business after her husband's death. For an identical fan, see the V & A Museum, accession number E. 3191-1938.

An interesting collection of decorated early 20th century artist worked pottery, all by tile artist John Miffin, a tile designer from West Smethwick Birmingham, his career was interrupted by the out break of War in Europe 1914, he joined the Royal Engineers and survived the war including a gas attack in which he decorated one of the plates in the lot while he was recovering, the lot comprising six floral plates all botanical, earliest dating from 1911 to 1958, an ovoid Art Nouveau vase, a closed ovoid vase, a ginger jar and cover, his pre-war study book and Porcelain by William Burton with notes by Miffin, largest vase 33 cm high, largest plate 31.5 cm diameter all with hand under glaze inscriptions to base

Nicola Currie, "Summer Fruits Tart", oil on gesso board, 25 x 20cm, c. 2018. Summer Fruits Tart is a celebration of summer. It is painted using classical oil painting methods and uses thin layers of transparent paint to create a luminous painting. It is framed in a double off white and muted yellow (to echo the custard) wooden frame. The tart is long eaten but I hope you enjoy the painting. UK shipping £15. Nicola Currie is a contemporary still life and botanical painter. Her oil paintings are inspired by the beauty of the natural world. She is currently Artist in Residence at Spetchley Park Gardens near Worcester. Her work has been widely exhibited nationally.