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A collection of botanical chromolithographs (24). 19th century

A pair of watercolour botanical studies by Pamela McGraa and two other watercolour drawings

Three Albany Fine China studies, the first titled Blossom with a fairy with two flowers on a bronzed stand, the second a botanical study of two yellow iris and the last a wren perched on a thorny branch, all with impressed marks, tallest 19cm. (3)

A 19th Century Richardsons carafe circa 1870, the footed globe and shaft decorated with applied rigger work creating panels further detailed with acid etched stylised botanical studies over a vermicular patterned ground, fitted with a rope twist arched handle with split tail end, height 21cm.

A collection of five botanical prints, probably taken from a book, and a watercolour sketchbook of flowers. H.32 x W.25cm (largest).

A framed and glazed botanical print. COLLECT ONLY.

A SET OF FIFTEEN MODERN MOUSTIERS FAIENCE BOTANICAL PLATES AFTER AN ORIGINAL SCEAUX FAIENCE DESIGNScript marks verso, 24.5cm diameterFour modern Portuguese (VA) plates decorated in blue and yellow in the 18th century manner, 27cm diameter; and four modern Quimper plates in the late 18th century revolutionary style, script marks, 23.5cm diameter See The Metropolitan Museum of Art, Accession no. 17.190.1923 for a version of the Sceaux original gifted by J. Pierpont Morgan similar to the lead items in this group.Condition Report: No serious damage noted. Slight wear to the Quimper plates.Condition Report Disclaimer

Phillips (Roger & Martyn Rix). The Botanical Garden, 2 volumes, 1st edition, London: Macmillan, 2002, numerous colour illustrations, original uniform cloth in dust jackets & slipcase, spines lightly faded & rubbed to head & foot, large 4to, together with:Baker (H. A. & E. G. H. Oliver), Ericas in Southern Africa, 1st edition, Cape Town: Purnell, 1967, numerous colour plates, some minor marginal toning original cloth in dust jacket, covers slightly toned & rubbed, large 8vo, plus other modern horticulture & gardening reference, including The Rotal Horticulture Society Dictionary of Gardening, 5 volumes, edited by Fred J. Chittenden, 2nd edition, Oxford: Clarendon Press, 1956, original cloth in dust jackets, large 4to, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/4toQTY: (6 shelves & a carton)

* Botanical Prints. A selection of Botanical-themed prints produced by The Bindery Shop, Ludlow, including 6 modern duplicate prints entitled 'March 1732' after an engraving by H. Fletcher, printed on Barcham Green laid paper (watermarked with date 1980) and hand-coloured, 52 x 39 cm (2 framed and glazed); 5 modern duplicate prints entitled 'January' after a 1730 engraving by Fletcher, printed on wove and hand-coloured, 50.5 x 37.5 cm, framed and glazed; 8 modern duplicate prints from 'The Grete Herball [1526]', printed on wove paper and hand-coloured, 51 x 37.5 cm, framed and glazed; plus 4 modern duplicate prints entitled 'Cook the Murderer', printed on wove and hand-coloured, 37.5 x 50 cm, framed and glazedQTY: (23)NOTE:Provenance: Shop stock from The Bindery Shop, Ludlow.In excellent condition.

* Sowerby (James). A collection of approximately 600 engravings, circa 1860, 600 botanical engravings with contemporary hand-colouring, originally published in 'British Wild Flowers' occasional duplicates, each approximately 200 x 120 mmQTY: (approx.600)

AFTER BASILIUS BESLER (GERMAN 1561-1629) FROM HORTUS EYSTETTENSIS A group of 22 botanical prints (some with text verso), later impressions Each 49 x 41cm (22) Condition Report: All works framed under glass and unexamined out of frames. All works with varying degrees of staining, foxing and surface dirt. A number with creasing and folds to the sheets. One work with a large horizontal tear, another with a small hole, approx 1cm and a surface scratch. One work with cracked glass which will require replacing. One work with repair patch. Please refer to additional images for visual reference to condition.Condition Report Disclaimer

New and unopened Lego botanical collection bonsai tree. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

Ten coloured botanical prints, all framed.

Miscellaneous Ephemera. Ten folios &/or albums, 19th c and later, including an Edwardian scrap album, mostly polychrome, including the 1902 Coronation, cigar bands and advertising, some postcards and humour, etc., original red cloth, defective binding, another, Victorian, colour botanical scraps, flags of the world, food, some printed kitchenalia advertisements, a modern album of 19th c steel engravings of the Holy Land, some of which are after Turner, album of snapshots, etc., (10)

12 BOTTLES GINGinaro (50cl); Vinter Sol (50cl); Fjäre Rare Distilled (50cl); Lottenlund Distillery Botanical (50cl); Stjärnklar Starry Dry (50cl) and Magnificant (50cl); 78° Desert Gin; OP Anderson Distillery Organic Dry; Kis KI Spirits 48 (50cl); Dasher + Fisher Meadow Gin (50cl); Never Never Distilling Co Triple Juniper (50cl); Norrbottens Distillery Forest Dry (50cl)

12 BOTTLES NON-ALCOHOLIC SPIRITSEnnis Distillery Ennis (50cl); Clean Co Clean T Oaky Agave, 2 x Clean G Rhubarb Crisp Dry Botanical, Clean G Pink Crisp Fruity Botanical; 2 x Clean R Golden Spiced, Clean G Crisp Dry Botanical and Clean V Spiced Apple; Spirits of Virtue 2 x Sobour Rye Style; 2 x 7 Giants Respesado

12 BOTTLES LIQUEURSBrookie's Mac; Liqueur de Monaco Carruba (50cl) and L'Orangerie (50cl); Tesco Amaretto (50cl); Jagdstolz Goodshot; Kurai Premium (50cl); Moose The Botanical Spirit; Roner Holler Sambo; Alperitif; Rossi Teranino and Epulon; Bruadar Whisky Liqueur

H Fogarty, group of three watercolours together with a further coloured botanical print (4)

A box containing various books to include "The Botanical Garden", "Flora and Sylva Vol.1" etc.

° ° Curtis, William - A Botanical Magazine; or, Flower-Garden Displayed ... vols. IV, XI and XII (bound together), XIII and XV; New Series vol. VIII; Third Series vols. XII, XIV, XVI and XXIII. (10 vols). 538 hand coloured plates (of which 42 folded); contemp. red half morocco and marbled boards, gilt spines, marbled e/ps., uncut (original series) and sometime rebound half calf and marbled boards, gilt decorated spines and marbled e/ps (remainder). 1795-1867

BOTANICAL DESIGN CHOBI CARPET, 370cm x 267cm

JOHN NASH (brother of Paul Nash), a set of twelve English Garden Flowers botanical lithographs 1948, printed by W. S. Cowell, 28cm x 21cm.

RW Bachelor, a pair of A/P botanical prints, pencil signed and framed under glass, 95 x 79cm (2)

Circa 20th century botanical watercolour, snowdrop to lower right, 23x16ins, framed and glazed.

NO RESERVE Bibliography & Reference.- Magnificent Collection of Botanical Books (A), colour illustrations, original cloth, Sotheby's, 1987 § The Evelyn Library, 4 vol., plates, original boards, slight bumping to corners and extremities, Christie's, 1977-78 § Catalogue of Printed Books from the Broxborne Library illustrated the Spread of Printing, 2 vol., plates, original boards, fractional bumping to corners and extremities, Sotheby's, 1977-78; and others, bibliography and reference, v.s. (c.170)

NO RESERVE Botany.- A group of botanical plates, British wild flowers and grasses, all engraved with hand-colouring, many by botanical artists James Sowerby and William Kilburn, perhaps from Curtis' Flora Londinensis, some with library stamps in ink and or blind, some with light spots or browned, some small tears to margins, platemarks of various dimensions (c.156 x 100mm to c.397 x 240mm.) but all on similar sized sheets, folio, [late 18th century] (40)

A 19th century Minton porcelain cup and saucer, each painted with oval panels with Castle, Farm Buildings, Sailing Boats, Bridges and river scenes, gilt boarders, impressed marls, pattern G939, 13cm diameter; Royal Worcester botanical trio, cup, saucer and side plate, turquoise and gilt ground, printed and impressed marks, date code for 1877 (2)

A 20th century German Lorenz Hutschenreuther porcelain vase, designed by Kark Tutter, lattice panelled with botanical studies within turquoise and gilt ribbon ground, 37.cm high, signed, printed marks to base.

19TH CENTURY ENGLISH SCHOOL "Three toed quails" study of male and female three toed quail, watercolour, unsigned 21 cm x 28.5 cm together with EARLY 19TH CENTURY INDIAN SCHOOL "Botanical study of pink buds" pencil, bears David Ker Fine Art label verso, 14 cm x 11 cm, JOHN SAUNDERS "Bramble and honeysuckle" watercolour, signed and dated '83 bottom right, bears David Ker Fine Art label verso, 7.5 cm x 11 cm and three further pictures (6)

British School - Botanical Study with Insects, 19th century watercolour, 23cm x 18cm, within a maple frame, together with nine other 19th century botanical watercolours, all within frames. Provenance: the property of Donald Church.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Indian Company School, Madras - Botanical Study, early 19th century ink with watercolour, paginated 'no. 58' in brown ink, 27cm x 19cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A late 19th century Royal Crown Derby Botanical gilt porcelain plate. Circa 1893. 22cm

A pair of late 19th century Royal Worcester Botanical porcelain dessert plates, with hand painted heather flowers, gilt and jewelled beading rims. Number 8115. 23cm.

Portmeirion - The Botanical Garden - A ceramic part tea service set comprising of a large lidded bread bin, cups / mugs, saucers and side plates. (trios). Bread bin measures 37cm tall. 

A large collection of franked and unfranked UK and foreign stamps presented in 9 folders and other booklets. From countries including Italy, Greece, Ghana, Hungary, New Zealand, Romania, Portugal and many more. Unfranked UK stamps to include botanical, cats, Princess Diana, Sherlock Holmes and many more. 

Three good quality Regency porcelain plates decorated with botanical specimens, and a Victorian Derby plateOne with a small rim chip. Some minor enamel wear and few nicks to rims.

SET OF TWELVE JOHN PINCHES SILVER BOTANICAL SPOONS for the Royal Horticultural Society, Sheffield, 1973, in original teak fitted display case, 12.75cms lengths, 9.9otz gross, no certificate

A 1923 photograph of Ipswich Dock; a watercolour of the Orwell Bridge and a botanical print

A Portmeirion Botanical Garden pattern soup tureen and cover, ladle and six soup bowls.

A collection of Portmeirion Botanical Garden pattern jugs, vase, jardinière , and oval bowl.

A collection of Portmeiron Botanical Garden pattern stock pots, saucepans and lids, kettle and casserole pot and cover.

A collection of Portmeirion Botanical Garden pattern cheese dish and cover, tazza, a pair of candlesticks, dip bowls and tray, together with flatwares.

A 19th Century creamware and feather edged plate, plus two other 19th century porcelain plates with puce borders, decorated with flowers, diameter of the latter 20cm The green decorated marine life plate with hairlines, edge fritting and some glaze pitting. The botanical plates with chips and wear.

Montecito is a community in Santa Barbara County, California, known for its affluent residential areas, stunning landscapes, and beautiful beaches. Miramar Beach is one of the popular beaches in Montecito. Here is a description of Miramar Beach in Montecito:Miramar Beach is a picturesque coastal retreat nestled in the affluent community of Montecito, California. It is renowned for its pristine sandy shores, gentle waves, and breathtaking ocean views. The beach stretches along the Pacific Ocean, offering visitors a tranquil and scenic setting to relax and enjoy the coastal beauty.The sandy beach of Miramar is ideal for sunbathing, picnicking, and leisurely strolls along the shoreline. The calm waters make it a popular spot for swimming, paddleboarding, and other water activities. The beach is also known for its tide pools, where visitors can explore and discover fascinating marine life.Scenic walking paths and trails surround Miramar Beach, providing opportunities for nature enthusiasts to enjoy the coastal scenery. The adjacent Butterfly Beach, with its palm-fringed promenade, is a favorite spot for watching spectacular sunsets and enjoying romantic walks.Montecito itself is a charming community with a reputation for its beautiful estates, lush gardens, and a serene atmosphere. It is home to renowned celebrities, entrepreneurs, and prominent individuals. The nearby Montecito Village offers upscale shopping, gourmet dining, and art galleries, making it a delightful place to explore after a day at the beach.Visitors to Miramar Beach can also take advantage of nearby attractions in Montecito. The Lotusland botanical gardens showcase an impressive collection of rare and exotic plants, while the historic Casa del Herrero offers a glimpse into the Spanish Colonial Revival architecture.Montecito's proximity to the Santa Ynez Mountains allows outdoor enthusiasts to explore hiking and biking trails with scenic vistas of the ocean and surrounding landscapes. The nearby Channel Islands National Park offers opportunities for boating, kayaking, and wildlife viewing.Whether you're seeking a serene beach getaway or a chance to explore the natural beauty of the region, Miramar Beach in Montecito provides a charming coastal retreat. Its idyllic setting, combined with the upscale amenities of Montecito, creates a perfect destination for relaxation, leisure, and enjoying the coastal California lifestyle.

Karl Blossfeldt (1865-1932) was a German photographer, sculptor, and teacher who is renowned for his striking close-up photographs of plants and botanical specimens. He is considered one of the pioneers of botanical photography and his work had a significant impact on the fields of photography and botanical studies. Born on June 13, 1865, in Germany, Blossfeldt originally trained as a sculptor and spent many years working as a modeling teacher. His interest in the intricate structures and forms found in nature led him to start capturing close-up photographs of plant specimens in the late 19th and early 20th centuries. Blossfeldt's photographs emphasized the details and textures of plants, revealing their intricate patterns, shapes, and structures. He meticulously composed his images, often using a neutral background and natural lighting to highlight the botanical subjects. By isolating the plants from their natural context, Blossfeldt brought attention to their intrinsic beauty and artistic qualities. In 1928, Blossfeldt published a collection of his photographs in a book titled "Urformen der Kunst" (Art Forms in Nature). The book quickly gained recognition for its exceptional images and artistic vision. Blossfeldt's photographs were not only appreciated for their aesthetic appeal but also for their scientific and educational value. His work revealed the complexity and diversity of plant forms, and it contributed to the understanding of botany and plant morphology. Blossfeldt's photographs had a significant influence on the art and design movements of his time. His images were admired for their abstract qualities and became a source of inspiration for artists, architects, and designers. His precise attention to detail and the organic beauty he captured in his photographs resonated with the emerging modernist movements of the early 20th century. Today, Karl Blossfeldt's botanical photographs continue to be celebrated for their artistic and scientific value. His legacy as a photographer and educator remains influential, and his work continues to inspire photographers and artists interested in exploring the intricate beauty of the natural world.Measures 18 x 24.

Karl Blossfeldt (1865-1932) was a German photographer, sculptor, and teacher who is renowned for his striking close-up photographs of plants and botanical specimens. He is considered one of the pioneers of botanical photography and his work had a significant impact on the fields of photography and botanical studies. Born on June 13, 1865, in Germany, Blossfeldt originally trained as a sculptor and spent many years working as a modeling teacher. His interest in the intricate structures and forms found in nature led him to start capturing close-up photographs of plant specimens in the late 19th and early 20th centuries. Blossfeldt's photographs emphasized the details and textures of plants, revealing their intricate patterns, shapes, and structures. He meticulously composed his images, often using a neutral background and natural lighting to highlight the botanical subjects. By isolating the plants from their natural context, Blossfeldt brought attention to their intrinsic beauty and artistic qualities. In 1928, Blossfeldt published a collection of his photographs in a book titled "Urformen der Kunst" (Art Forms in Nature). The book quickly gained recognition for its exceptional images and artistic vision. Blossfeldt's photographs were not only appreciated for their aesthetic appeal but also for their scientific and educational value. His work revealed the complexity and diversity of plant forms, and it contributed to the understanding of botany and plant morphology. Blossfeldt's photographs had a significant influence on the art and design movements of his time. His images were admired for their abstract qualities and became a source of inspiration for artists, architects, and designers. His precise attention to detail and the organic beauty he captured in his photographs resonated with the emerging modernist movements of the early 20th century. Today, Karl Blossfeldt's botanical photographs continue to be celebrated for their artistic and scientific value. His legacy as a photographer and educator remains influential, and his work continues to inspire photographers and artists interested in exploring the intricate beauty of the natural world.Measures 18 x 24.

Karl Blossfeldt (1865-1932) was a German photographer, sculptor, and teacher who is renowned for his striking close-up photographs of plants and botanical specimens. He is considered one of the pioneers of botanical photography and his work had a significant impact on the fields of photography and botanical studies. Born on June 13, 1865, in Germany, Blossfeldt originally trained as a sculptor and spent many years working as a modeling teacher. His interest in the intricate structures and forms found in nature led him to start capturing close-up photographs of plant specimens in the late 19th and early 20th centuries. Blossfeldt's photographs emphasized the details and textures of plants, revealing their intricate patterns, shapes, and structures. He meticulously composed his images, often using a neutral background and natural lighting to highlight the botanical subjects. By isolating the plants from their natural context, Blossfeldt brought attention to their intrinsic beauty and artistic qualities. In 1928, Blossfeldt published a collection of his photographs in a book titled "Urformen der Kunst" (Art Forms in Nature). The book quickly gained recognition for its exceptional images and artistic vision. Blossfeldt's photographs were not only appreciated for their aesthetic appeal but also for their scientific and educational value. His work revealed the complexity and diversity of plant forms, and it contributed to the understanding of botany and plant morphology. Blossfeldt's photographs had a significant influence on the art and design movements of his time. His images were admired for their abstract qualities and became a source of inspiration for artists, architects, and designers. His precise attention to detail and the organic beauty he captured in his photographs resonated with the emerging modernist movements of the early 20th century. Today, Karl Blossfeldt's botanical photographs continue to be celebrated for their artistic and scientific value. His legacy as a photographer and educator remains influential, and his work continues to inspire photographers and artists interested in exploring the intricate beauty of the natural world.Measures 18 x 24.

Karl Blossfeldt (1865-1932) was a German photographer, sculptor, and teacher who is renowned for his striking close-up photographs of plants and botanical specimens. He is considered one of the pioneers of botanical photography and his work had a significant impact on the fields of photography and botanical studies. Born on June 13, 1865, in Germany, Blossfeldt originally trained as a sculptor and spent many years working as a modeling teacher. His interest in the intricate structures and forms found in nature led him to start capturing close-up photographs of plant specimens in the late 19th and early 20th centuries. Blossfeldt's photographs emphasized the details and textures of plants, revealing their intricate patterns, shapes, and structures. He meticulously composed his images, often using a neutral background and natural lighting to highlight the botanical subjects. By isolating the plants from their natural context, Blossfeldt brought attention to their intrinsic beauty and artistic qualities. In 1928, Blossfeldt published a collection of his photographs in a book titled "Urformen der Kunst" (Art Forms in Nature). The book quickly gained recognition for its exceptional images and artistic vision. Blossfeldt's photographs were not only appreciated for their aesthetic appeal but also for their scientific and educational value. His work revealed the complexity and diversity of plant forms, and it contributed to the understanding of botany and plant morphology. Blossfeldt's photographs had a significant influence on the art and design movements of his time. His images were admired for their abstract qualities and became a source of inspiration for artists, architects, and designers. His precise attention to detail and the organic beauty he captured in his photographs resonated with the emerging modernist movements of the early 20th century. Today, Karl Blossfeldt's botanical photographs continue to be celebrated for their artistic and scientific value. His legacy as a photographer and educator remains influential, and his work continues to inspire photographers and artists interested in exploring the intricate beauty of the natural world.Measures 18 x 24.

Spode bone china botanical twenty five piece tea service.

A Copeland & Garrett Late Spode Union Wreath pattern blue printed meat dish or platter, circa 1840, impressed and blue printed marks to base, length 52cm, together with a Spode Imperial blue printed tree and well meat dish (extensively restored), a Botanical Beauties example and a group of other ceramics, including a Coalport Dulong moulded part service, circa 1820, painted in Meissen style with floral sprays, a large Coalport meat dish with blind moulded flowerhead rim, painted in purple and yellow with floral sprays, length 52cm, a Derby purple floral painted part service, a similar Flight, Barr & Barr plate and a small group of other 19th century pottery and porcelain (faults). Provenance: the property of Donald Church.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A mixed group of mostly Ridgway porcelain cabinet plates and dessert wares, 19th century, including a pink ground single-handled dish, painted with an upturned basket of flowers, pattern No. 1678, length 24.5cm, a similar green ground dish, painted with a red poppy, a botanical plate with named specimen and floral moulded rim, diameter 22.7cm, a dark green ground two-handled plate, painted with flowers and shells, a similar pink ground example, painted with a building, and a lilac ground saucer dish, relief moulded in white with a river view, the rim gilt with shells, pattern No. 2/177, diameter 19.5cm. Provenance: from the collection of the late Graham and Rhiannon Berridge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A New Hall porcelain botanical cabinet plate, circa 1830, painted with a tulip and rose against a shaded grey ground within a cobalt blue rim, gilt with foliate scrollwork and moulded with shells and scrolls, painted pattern No. 855, diameter 23.8cm. Provenance: from the collection of the late Graham and Rhiannon Berridge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

C19th Stourbridge type decanter, blown stopper, wheel cut botanical decoration on four scroll feet with H30cm

Joyce Watkins - Officer's Quarters, Old Chatham Dockyard, C20th watercolour, signed and dated 1985, 24cm x 33cm and Harold Croucher - two Thames Barges moored in The Thames Estuary, C20th watercolour, signed 37cm x 27cm and a pair of botanical prints (4)

Burleigh Ware "Old Feeding Time" jug H24cm, Beswick Pecksniff character jug no.1117 H8.5cm, Shorter Beefeater character jug no.829 H16cm, six other character jugs, pair of Wedgwood Botanical Collection wall plates, other collectors plates and decorative ceramics (2 boxes)

Zarina Stewart-Clark, pair of signed botanical prints 2002. Framed and glazed 35.5x25cm (2)

A*** WOODWARD (3)A Yorkshire Terrier signed and dated watercolour together with A botanical study by Louisa Grainger; and A study of dock leaves by another hand (all unframed) (3)

LLOYD LOZES GOFF (AMERICAN, 1908-1982) (3)Listening signed 'Lloyd Lozes Goff' (lower right) pen and ink 15 x 10.5cm together with an abstract sketch by J*** C*** Burton; and Rhododendron Volubile, a botanical print (3)

A collection of stoneware flagon and smaller bottles, to include 1 gallon flagon; H Whiteley Botanical Brewer Fleet Lane Queensbury; R Goward Wine & Spirit Merchant Market Harborough; Cooke's (W'Boro) Ltd Wellingboro'; Smith & Co Oundle; others flagons and bottles; Crease's Carbalite Filter; and Rutherford's 12 Years Old Scotch Whisky 'Gamebirds' Jug Decanter, 70% proof.Qty: 1 box

Pair of framed Chinese paintings on silk, pair of framed hand coloured Botanical prints, Oriental style embroidery & pair of hand painted  / printed bird pictures in bamboo effect frames