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Four botanical watercolour and pencil studies, including Peter Pitcairn (20th Century) 'Study of Mushrooms', 13.5 cm x 27 cm; Emily Westwood (20th Century) 'Floral Study, 12 cm x 9 cm oval; and two others, all framed and glazed

A set of four Patricia Arnold botanical studies in watercolour (4)

After I.Edwards, Fifteen botanical prints 34 x 23cm.

Large Portmeirion Botanical Garden bowl, charger and set of four mugs

Agnes Fitzgibbon (Canadian, 1833-1913)Canadian Wild Flowers A collection of framed book plates illustrated by Fitzgibbon, with botanical descriptions by C.P. Traill Painted and published by John Lovell, Montreal, 1868 Each measuring approximately 23 x 31cm (11)

Bristol Savages a mixed group to include A Pace, J Collins, F G Cutter, together botanical prints, a Dutch style still life and a selection of prints

Tea & dinner wares - four Portmerion Botanical Gardens teacups & saucers; five Spode Royal Jasmine pattern teacups & saucers; two John Donald & Co of Edinburgh teacups & saucers; etc.

A COLLECTION OF VINTAGE STONEWARE TO INCLUDE G L TRICKETT BOTANICAL BREWERS OF WOLVERHAMPTON

* 4 Bottles of Tarquin's Cornish Dry Gin (4) An exotic, world spanning botanical basket makes Tarquin's Gin. Orris root from Morocco, green cardamom seeds from Guatemala, cinnamon from Madagascar and Devon violets from... Well, from the distiller's garden in Cornwall. (est £90-£160)

* A Bottle of Bols Genever, a Bottle of Beefeater 24 London Dry Gin and a Bottle of Gordon's Gin 35cl (3) The Bols is a beautiful, old fashioned Genever made by the great Dutch distillers, Bols. Loads of character, and very unique in flavour. The Beefeater 24 is a more recent addition to the Beefeater range. When creating Beefeater 24, Desmond Payne knew he had to come up with something totally different for his selection of botanicals. He used tea! The 12 ingredients used are Japanese Sencha Tea, Chinese green tea and then Seville orange peel, grapefruit peel, lemon peel, juniper, coriander seed, liquorice, angelica root, almond and orris root. It is called Beefeater 24 because the botanicals are steeped in the spirit for a full 24 hours. The result is a fragrant gin with good sweetness. Gordon's Gin is a triple-distilled gin flavoured with juniper berries, coriander, angelica, and one other botanical. The actual recipe is only known to a dozen people! (est £50-£90)

A FOLIO OF WATERCOLOURS, drawings and prints, to include classical and botanical studies

Worcester botanical cup decorated with floral decoration together with a Derby puce mark saucer and one other cup with an armorial design (3)

Assorted pictures and prints, framed portrait photographs, botanical prints (1 box) 

A set of four early 20th century Wedgwood plates by Louise Powell in the arts and crafts manner, with central painted botanical sprays including forget-me-nots, scarlet pimpernel, etc, within green leaf borders, with painted monograms to reverse and painted numbers 5434 and 5367, 23cm diameter approx

Two coloured botanical prints, one showing an Amaryllis, pair of further coloured prints of floral subjects, a pair of prints of female characters scantily clad, etc, various sizes, mostly framed

A collection of 19th century dessert wares with painted botanical sprays comprising a high comport and nine dessert plates

Porquier Beau 19th Century cake stand. Botanical decoration.

A 19th Century P B Pique Fleur vase botanical and scene Bretonne 21 x 11 cm diameter x 13cm high approx

Still Life of Flowers, two early 20th botanical watercolours unsigned, Girl Feeding Cow and Going to the Well, two colour prints after Myles Birket Foster (British 1825-1899) max 28cm x 18cm (4)

A box of miscellaneous china including; a large oriental vase, four botanical garden side plates, an oriental jug and bowl, etc.

Series of pictorial views of the River Thames from the drawings of William Havell, folio,published by Thomas McLean; two other folios to include botanical example (3)

A set of three Redoute botanical prints, each 35 x 25cm

Set of four framed botanical prints & framed maps of Hampshire, Isle of Wight Condition reports provided on request by email for this auction otherwise items purchased `as seen`

A 19th century part ceramic dessert service to include: two square plates and four further scallop-shell -shaped plates, each individually decorated with a varying botanical subject, (some named to reverse), the square plates with two scrolling gilded handles and the further four plates each with a similar single gilded scrolling handle, the square dishes 24cm (handle to handle) (6)

A lacquered brass Withering type botanical microscope, unsigned, 19th century With objective lens mounted via twin turned uprights above an up/down adjustable circular stage with threaded central aperture carrying a condenser lends and drilled to take specimen forceps to circumference, on conforming base with pivoted plano-concave mirror between and incorporating further screw thread aperture to centre, complete with specimen forceps and two additional objective lenses, 7.5 cm (3ins approx.) high; with original tan leather covered cylindrical case, 12.5cm (5ins) high overall. The basic form of relatively simple portable botanical microscope included in the current lot was developed by Dr. William Withering (1741-99). Originating from Birmingham and an active member of the Lunar Society, Dr. Withering first described this form of microscope in his 1776 work A Botanical Arrangement of all the Vegetables Naturally Growing in Great Britain.

Vintage glass to include a mid 20th century pale blue glass part dressing table set, together with three late 20th century collectors dolls, Coronation items to include a 1937 mug and a Bells Whisky decanter and a Nao figure, a Russian china model of a panda, various kitchenware to include Portmerion Botanical Garden storage jar and other items

Angela LeckA Series of seven Botanical Illustrations, Tulips and Iris,each signed, watercolours, the largest measuring 26cm x 17cm; another two botanical watercolours, Alison Cooper and J. Skinner (9)

Tom Davison (British, 20th century)Botanical Study, Oenothera Missouriensis (Missouri Evening Primrose)signed, dated 86, watercolour and coloured pencil on paper, 57cm x 39cmProvenance: exhibited, The Society of Botanical Artists, 1987, at the Mall Galleries, London, SW1Y 5AH, label to verso.

19th century Chinese School, 4 watercolours on paper, detailed botanical studies, 9" x 11", unframed

Botanical watercolour of pink blooms by Mary Barnard. Signed bottom right. Painting measures approx. 30 cm x 22.5cm

An English porcelain botanical plate c.1815, probably London-decorated Coalport, finely painted with a passion flower to the well, the moulded rim with sprigs of flowers and fruit within a gilt dentil rim, titled 'Passion Flower' in red to the underside, 22cm. The floral specimen appears to be taken from Sydenham Edwards' drawings in The New Botanic Garden, 1812, pl.43. It seems likely that the decoration was done in the atelier of J Bradley & Co, who are known to have decorated a similar Swansea dessert service using the same print source.

A Derby botanical tazza and a dish c.1790, boldly painted with floral specimens, titled in blue to the underside with 'Gorteria Rigens' and 'Lilium Bulbiforum', blue crowned crossed batons mark and pattern number 141, and a Derby dessert dish painted with a vignette of equestrian hunters, attributed to William Cotton, 30.5cm max. (3)

An English porcelain botanical part tea service c.1840, each piece painted with a botanical specimen, the cups to the interiors, within leaf scroll borders in grey and salmon pink, painted pattern number 9822. Comprising: a slop bowl, a milk jug, eleven tea cups, eleven coffee cups and twelve saucers. (36)

Two Chinese porcelain plates 18th century, one Dutch-decorated with a cockerel pecking at rockwork beside tall sprays of Oriental plants, the other made for the export market and painted with a botanical specimen of auricula, some rim nibbles, 23.4cm max. (2)

A pair of framed Oriental botanical watercolours.

Three large framed and glazed Botanical Prints, each approximately 30 x 23 inches with matching frames

19th century ink Stand with Pair of Brass Topped Cut Glass Inkwells and overall Botanical theme

Clarice Cliff Newport Pottery bowl with Leaf design, two Portmeirion Botanical Garden vases & a large Royal Doulton "Brangwyn Ware" vase depiction flowering Plants & approximately 12 inches high

A set of ten framed botanical engravings depicting various white flowers, paper labels for O'Shea gallery verso, 22cm by 15cm

19th-century scrapbook containing original pencil and watercolour sketches by George Austin and Frederick Austin, including botanical illustrations, church fonts, and a couple of foreign topographical views, in disbound half-leather binding

Montacchini (France & Forneris, Giuliana). Flora Ornamentale, dall'Iconographia Taurinensis, Italy, 1982, 282 colour plates, original cloth in dust jacket, spine and rear cover slightly faded, folio, together with Gould (John), Hummingbirds, 1990, Birds of Great Britain, 1986, both with numerous colour illustrations, both original cloth in dust jackets, folio, and Redout‚ (P.J.), Lilies and Related Flowers, 1982, 238 colour plates, original cloth in dust jacket, large 8vo, plus other modern botanical, horticultural and natural history reference and related, including Dictionary of Gardening, 4 volumes, 2nd edition, edited by Fred J. Chittenden, 1956, mostly original cloth, many in dust jackets, G/VG, 8vo/folio Many volumes with Pla[i]sh Hall bookplate. (5 shelves)

Gerard (John). [The Herball or Generall Historie of Plantes, very much enlarged and amended by Thomas Johnson, citizen and apothecarie of London, London: Printed by Adam Islip, Joice Norton, and Richard Whitakers, 1636], without title, first and last blank leaves also lacking, numerous botanical woodcut illustrations throughout, dedication leaf lined to verso, final leaf of table creased and with repairs to fore-edge, occasional spotting and few marks (slight ink stain to final leaves of tables), dust-soiling mostly to first & last few leaves, 19th century blind panelled calf, joints partly split, extremities worn, folio Henrey 156; STC 11752. The third edition, in which D1r last line begins "of"; 7B5v has editor's "An Aduertisement to the Readers". (1)

Mathew (Brian, editor). Genus Cyclamen..., 1st edition, 2013, numerous colour illustrations, original cloth in dust jacket, large 4to, together with Redout‚ (Pierre-Joseph), The Lilies, 2000, numerous colour illustrations, original cloth in dust jacket, covers lightly rubbed to head, large 4to, and Pavard (Anna), The Tulip, 1st edition, 1999, signed by the author to the half title, numerous colour and black and white illustrations, original cloth in dust jacket, spine lightly faded, 4to, plus other modern botanical and gardening reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (6 shelves)

Goldblatt (Peter & Manning, John). Gladiolus in Southern Africa, 1st edition, Fernwood Press, South Africa, 1998, numerous colour illustrations, original cloth in dust jacket, large 4to, together with Debreczy (Zsolt & R icz, Istv n), Conifers Around the World, 2 volumes, 1st edition, Dendro Press, Budapest, 2011, numerous colour illustrations, original boards, large 8vo, and Aeschimann (David, et al), Flora Alpina, 3 volumes, Paris, 2004, numerous colour illustrations, all original boards in slipcase, 4to, plus other modern botanical and horticultural reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (6 shelves)

Collectables, a large quantity of garden related collectable items to include 8 metal plant markers showing Latin names, vintage seed packets (20+) seed packet fronts (100+), first day covers with garden related stamps, pictures, posters, cards and leaflets, Wymondham Parish Council 1917 Allotment poster, 'Botanical Magazine or Flower-Garden Displayed' No. 140, 1950 Guide to Wisley Gardens, 1933 Carter's Blue Book of Gardening, Beeton's All About Gardening, Kelway's Manual 1909/10, an incomplete set of cast iron clock golf numbers (fair/gd) (150+)

SWANSEA LOZENGE SHAPED BOTANICAL DISH 'bladder hisbiscus', together with another Swansea circular botanical bowl with gilt frilled rim, 'alpine soldanella', probably by Thomas Pardoe. Impressed marks to base. Lozenge dish 26 x 22cm approx, diameter of bowl 18.5cm approx. (2)(B.P. 24% incl. VAT) CONDITION REPORT: The lozenge dish has a rather dull tone when tapped, some noticeable scratches on top of the dish, general wear to some of the paintwork. The bowl - wear to gilding around the edges, some staining and crazing in places and a noticeable hairline crack to the rim area. Some paint loss to the foliage.

Rare set of four mid-18th century Chelsea silver-shape botanical dishes with moulded borders and polychrome painted with pomegranates and exotic fruits and leaves, reddish-brown line borders and anchor marks, circa 1755, 25.5 x 19.5cm CONDITION REPORT Dish 1 - has multiple cracks, glued and stapled, (blue and green leaves)Dish 2 - has old small restored chip to border - bright enamels with minor losses to 1 leaf (red pomegranates)Dish 3 - has a chip and couple of old small restored chips to borders - bright enamels (red and green fruit)Dish 4 - has a small border hairline, a firing crack to border and border to glaze cracks which only show the front. Two small old restored chips, underside border (turquoise and red fruit)

A collection of 19th century and later ceramics, including German figures, pair Staffordshire sheep, Wedgwood dragon lustre bowl (restored), pair Staffordshire botanical plates (8)

BOTANICAL DIDACTIC MODELS,late 19th/early 20th century, a good group of five German botanical teaching aids, Brendel botanical models,largest 53cm (5)

Curtis, William - The Botanical Magazine; or, Flower Garden Displayed, vols 2, 4, 7, 9 and 11, with 356 hand coloured plates, plates 385-387 badly stained, 8vo, calf, spines brittle and cracked, London 1778-1797

Sinkinson & Feather Botanical Brewers, York stoneware flagon, Art Deco globular glass shade, Monitor no.26 blow paraffin blow torch, Edwardian leather tie box, Victorian rosewood work box etc

A Royal Copenhagen faience vase, No.181/2878, designed by Kari Christensen, 19cm high with a Royal Copenhagen botanical oval salt cellar,11cm long and a Danish pottery squat vase, 7cm high (3) CONDITION REPORT: Faience vase- No obvious chips, cracks or restoration with only some fine crazing. Danish squat vase also crazed.

Box of mixed 19th Century ceramic plates etc with hand painted Botanical images

Louisa Lady Arlesford, botanical study, watercolour, Abbott & Holder label verso, 25cm x 19cm

Tray containing Portmerion Botanical dinner ware - 8 x large plates, 4 x med plates, 2 large & 2 medium bowls, 6 x small dishes.

Edwardian stoneware bottle, inscribed "MINISTER BROS. BOTANICAL BREWERS IPSWICH 1936", with matching stopper, 28cm high

18th Century botanical print, of the parts of a Melastome, together with another print dated 1774 Jacobs Antinuis Stefanonius, (2)

Architectural Telford Bridge Blueprint Black Wood Frame The Art Line Collection Comprises A Meticulous Selection Of Art Images Sourced From The Best Archives Around The World. The Sourcing Team Is An Experienced Group Of Experts Hailing From Top Art Houses, Who Have Worked Tirelessly To Bring Together A Unique Collection Of Rare And Beautiful Images. Printed With Some Of The Best, Most Traditional Printing Machines, Each Image Is Painstakingly Produced And Treated, With A Vintage Quality That Resembles A Painting. The Collection Is Varied And Includes Images Of Landscapes, Celestial And Botanical Images, Portraits Of Sports Teams, And Architectural Drawings, Among Others. RRP £1300

ENGLISH SCHOOL, 19TH C A ROSE BOUQUET watercolour, 20 x 17.5, rosewood frame, a 19th c Chinese rice paper botanical painting and a Victorian lithograph of fruit, printed in colour (3)++Chinese watercolour typically stained

A RARE HIGHLY NATURALISTIC FRENCH LIMEWOOD TROMPE L'OEIL CARVING OF A DEAD BIRD BY TO JEAN DEMONTREUIL, C1780-1790 backed on silk in glazed oval walnut frame, 37 x 28cmFew superlatives can adequately describe the great delicacy and astonishing realism of Demontreuil's carvings. He seems to have specialised in birds and exhibited at the Paris Salons between 1791 and 1798. The little serin, swallow and nightingale are known. Even the string or cord from which his life size birds hang is part of the carving. Lifelike works of art appealed to exactly those connoisseurs in whose libraries might be found the great botanical and natural history books of the period. Objects such as the finest carvings or miniature bronzes would be a focus of the boudoir or cabinet (study), that 18th century version of the kunstkammer of the 16th and 17th centuries. Other closely comparable bird carvings by Demontreuil are at Burghley House, Lincolnshire, the V & A, the Louvre and the Historisches Museum, Basel.++In unrestored condition, the silk backing threadbare and worn, glass of frame loose, shrinkage cracks around moulded rim of frame, the carving in apparently very good condition