We found 14378 price guide item(s) matching your search

Jeremy Storr (Sheffield Artist), Botanical Gardens, Sheffield, Watercolour, 29.5 x 44.4cm, signed lower left.

A Collection of Over One Hundred and Fifty Reproduction Reprinted Photographs/Postcards of Old Sheffield, to include Abbeydale, Attercliife, Bolsterstone, Botanical Gardens, Bradfield, Bradway, Broomhill, Crookes, Crosspool, Dore, Ecclesfield, Firth Park, Fulwood, Graves park, Grenoside, etc.

A circa late 19th Century photograph album containing approximately 18 albumen print and other photographs of India, in the historical regions of Bengal/Jharkand/Bihar, images include Jubilee day at Berhampore (3); grand colonial house/villa captioned 'Surda' [Jharkand]; image captioned 'Darjeeling from Jellapahar Road', with houses amongst hills and trees visible in foreground and snow capped Himalaya in distance (approx 23 x 19cm), plus 4 others Darjeeling including from Botanical Gardens and 'Darjeeling, sunset on Kinchinjunga [Kangchenjunga]', these images all with neat contemporary m/s pen & ink captions beneath, all relatively large size (sunset Kangchenjunga aprox 18 x 30cm); others uncaptioned colonial mansion/estate scenes; plus 12 images of Venice; 3 of Tenby, Wales; 1 of Suez canal, these all captioned beneat, mainly 22 x 28cm, folio, old calf gilt album (slightly worn), all edges gilt

Jean Clarke/Jean Davey Winter (20th century)A Near Pair of Botanical Studies - Flag Irises,signed, watercolours, the largest 60cm x 50cm, (2).

Two botanical brewery stoneware flagons for Hey brothers Pontefract and Markham & Miller, Hughes family scale, two Georg Kreuzberg stoneware bottles, Dr Nelsons improved inhaler and two jars for Numol and Virol (qty)

T.W Parker, Botanical Brewer Lower Walton, Warrington, early C20th glazed stoneware flagon, H29cm, collection of Staffordshire style figures incl pair of sheep pen stands, pair of cats on blue cushions, larger cat on pink cushion, pair of pugs etc

A 17th Century Dutch Amsterdam silver cup / chalice having a tapered hexagonal shaped bowl engraved with botanical motifs with fret pieced scroll adorned stem over a fluted pedestal base. Measures approx; 5cm tall.

A 19th Century hand painted porcelain dessert service by Brown-Westhead Moore & Co comprising two large tazzas, two standard tazzas and ten dessert plates. Each with hand painted botanical decoration with turquoise ground and gilt detailing. Painted numerals to undersides. Condition; large chips to one plate and repair to one of the larger tazzas at base. Wear to decoration commensurate with age. Plates measures approx; 23cm wide.

An early 19th Century Regency gilt gesso plaster overmantel wall mirror of oval form. The central mirror plate housed within ornate frame set with botanical flower head medallions and beaded border within shaped edge. Measures approx; 73cm x 98cm.

A 19th Century Meissen German Continental porcelain chocolate cup and trembleuse saucer. The cup decorated with a cobalt ground and gilt highlights with white cartouche panels decorated with botanical detailing. The saucer further decorated with central lattice pierced section. Both with blue crossed swords marks in underglaze blue. Saucer having loss and repair to the centre. Cup in good condition. Measures approx; 15cm wide.

19th century school, following 17th century Flemish models."City View".Oil on canvas.The canvas has perforations and dirt. With patch on the back.Measurements: 46 x 55,5 cm.Although the dating of this canvas is fixed in the 19th century, the artist is clearly inspired by Flemish models of the 17th century. In it he gives priority to the landscape view of the last planes, in which the skyline of a typically Flemish city can be discerned. Like other genres that became very popular during the 17th and 18th centuries in Flanders, landscape painting has its roots in the Dutch pictorial tradition of the 15th century. The background landscapes in the religious works of Van Eyck, de Bouts and van der Goes occupy a much more important place as an artistic element in these works than landscape painting in Italian painting of the same period. With regard to the representation of the narrative, the landscape of the Flemish Primitives plays an essential role, not only as a natural setting for the characters but also to separate and set the various episodes of the story narrated in the work. With regard to the imitation of nature, 15th-century Flemish painters sought to depict the countryside and towns of their native country in their religious landscapes, detailing their flora with botanical precision and even giving an idea of the time of day and the season of the year in which the scene takes place. This special interest in depicting the landscape increased as the 16th century progressed, when a new type of landscape was developed and popularised for sacred scenes: the panoramic view. Very soon, however, it was the representation of the landscape itself that was to receive the attention of painters and, of course, of the public.

A pair of H & R David Shrewsbury Shape plates, painted in coloured enamels with ruins, the border moulded with vines and flowerheads, picked out in green, yellow and gilt, 21.5 cm diam, pattern number 4359 in gilt, c.1835; other, early - mid 19th century decorative plates; a botanical dessert stand; an early 19th century Imari comport, c.1815; etc

William Curtis - The Botanical Magazine or Flower Garden Displayed, volumes IV, V, VI only, 1793, good handcoloured contents, presented in contemporary marbled boards

Rosetta Roberts, Botanical Gardens Oxford Signed lower right dated 1956 mixed media 41 cm x 35 cm

A large blue Sevres vase with sectioned botanical decor, 67cm tall Condition: Neckrim with two large chips, each of which has a crack downward, approx. 15cm and 8cm, not visible at exterior; blue enamel body considerably worn to one side; wear to gilding; long crack across base, as shown, rising up the body, approx. 10cm.

Henry George Moon (British,19th century) Orchids - botanical watercolour, signed in pencil, framed and glazed.

Henry George Moon (British,19th century), Iris Reticulata-botanical watercolour, signed in pencil, framed and glazed.

A collection of framed botanical prints and a monotoned photographic print (5)

Edith Payne, 2 watercolours, botanical studies, 14cm x 9cm, framedA few fox marks at the edge

A stoneware flagon marked with black ink stamp for Lancaster & Ward, 1908, Botanical Brewers, Staveley & Chesterfield - sold with a similar marked for Mackintosh Bros. Ltd Brewed Ginger Beer, Plumstead, Kingsway Mineral Water Works and a Price Bristol stoneware hot water bottle

A vintage stoneware flagon with black stamp mark for Horricks & Sons, Botanical Brewers, Turner Street, Newport - sold with an unmarked similar Bristol glaze flagon

Set of vintage Salter scales, Olympia typewriter, Portmeirion Botanical Garden dishes, silver plated cutlery etc

Seven late 19th Century Royal Worcester blush ivory cabinet or wall plates, each decorated with botanical studies with a gilt rim edge, puce marks partially obscured by glued disc wall hangers, diameter 20.5cm, together with a late 19th Century Royal Worcester blush ivory pedestal ewer decorated with sprays of flowers, the neck and pedestal in matt gilding with a mask head to the handle terminal, puce mark with date code for 1888, height 27.5cm, S/D. (8)

Books, Antique Reference - Ceramics, British Porcelain and Pottery - 20th century reference, auction, dealer's and single-owner collection catalogues, including Derby, Pinxton, Worcester, Chelsea - including Hans Sloane Botanical, Wedgwood, Neale, Bow, Albert Amor, Simon Spero, Christie's, Sotheby's and Bonhams, English Ceramic Circle, The Mackenna Collection, The Untermyer Collection, The Glaisher Collection, 1914 Burlington Fine Arts Club Exhibition of Early English Earthenware, Chaffers, etc., mostly hardback, various sizes, [approx. 60]

NAPOLEON: 1- Sainsbury, John A: Catalogue of the Napoleon Museum Or, Illustrated History of Europe, From Louis XIV To the End of the Reign and Death of the Emperor Napoleon. 1843, 1st. edn. With a folding frontis plate. 100pp, Original printed wrappers, VG; 2- Extract from a Diary of Rear-Admiral Sir George Cockburn. 1888; 3- Two watercolours on rice paper by Chinese artists depicting St Helena/Napoleon scenes, 1820s-40s. To reverse of sheet, a fine botanical study. (3)

A mixed collection of natural history, gardening and botanical books (34 approx)

A Jaycee reproduction oak cottage dresser, the base enclosed by a pair of twin panelled doors beneath two frieze drawers with carved detail and recessed domed plate rack with fixed open shelves, 122 cm wide x 43 cm deep together with two Dutch delft blue and white decorative wall plates/chargers and a selection of unframed botanical and bird prints

A collection of seventeen 19thC blue and white printed plates from the Elking & Newbon Botanical Beauties series . Various sizes : 2 x 26.5cm, 5 x 25cm,  3 x 18cm, 5 x 15cm and an oblong plate  27 x 22cm. (17)Condition ReportFive with adhesive plate hanger discs, all 5 in good condition, 2 x 25cm with chips to rim, 2 x 18cm plates with extensive damage and glue repair.

A selection of ceramics to include: Portmeirion Botanical Garden jug 21.5cm h, a pair of Royal Doulton Ling Charles dogs 8.5cm h, a recumbent cat, 3 x Wade tortoises, 5 x Shudehill frogs.Condition ReportScratches to cat, otherwise good condition.

A set of four botanical prints.

Pollyanna Pickering Black and White Print of a Pug, botanical prints, others, framed and unframed:- One Box plus a further print 'Phoebus'. (2)

A 19th century Spode botanical part dessert service, to include comports, together with a small collection of Staffordshire cabinet plates

A pair of Victorian botanical watercolours, one of a stem of blackberries, dated 1883 lower-right and the other fresias, monogrammed VC, each 27cm x 20cm, framed and glazed

A Collection of Approximately Fifty Mainly Early XX Century Picture Postcards of Sheffield and Surrounding Areas, to include; Bradwell, Rivelin, Pinstone Street, Botanical Gardens, etc.

A Collection of Over One Hundred and Fifty Reproduction Reprinted Photographs/Postcards of Old Sheffield, to include Abbeydale, Attercliife, Bolsterstone, Botanical Gardens, Bradfield, Bradway, Broomhill, Crookes, Crosspool, Dore, Ecclesfield, Firth Park, Fulwood, Graves park, Grenoside, etc.

Binding.- [Stillingfleet (Edward)] Several conferences between a Romish priest, a fanatick chaplain, and a divine of the Church of England, initial imprimatur f., errata f., woodcut head-pieces, lacking final advertisement f., ink library stamp to verso of imprimatur f., some spotting and staining, lightly browned, later marbled endpapers, later attractive black panelled morocco, richly gilt, spine in compartments, richly decorated with various botanical tools, including acorns and floral sprays, covers central panel with semi-circular floral device to each of 4 sides and floral and grape corner-pieces, rubbed, g.e., [Wing S5667], 8vo (binding 180 x 120mm.), Printed by M[argaret]. W[hite]. for H. Mortlock at the Phoenix in St. Paul's Church-yard, 1679.

A large salt glazed stoneware flagon, 39cm high; others, inscribed Wheatley & Bates Ltd, Sheffield, John Lancaster, 1907, Botanical Brewer; storage jars; hot water bottle; etc

Stamps & Postcards. A mixed collection of modern stamps, including an album of 20th century American stamps, various 1st day covers including landscapes, dogs, an album of WWI postcards, sweetheart postcards mostly allied flags and botanical but one Royal Engineers example, WWI battlefields, cigarette cards and other related itemsQTY: (2 cartons )

Botanical prints. 19th century, including Edwards and Sheldrake, depicting Burnet, Urtica Urens, Helmet Flower and Potamogeton Crispum, mount aperture from 35.4 x 21 cm (14 x 8 1/4 cm) framed and glazed from (52.5 x 36.8 cm) together with a botanical watercolour by Mary Giles dated 1868, plus five other prints including one by Henry Wilkinson depicting two English bullterriersQTY: (10)

Turpin (Pierre Jean Francois, 1775-1840). Cyperus Dives, grisaille watercolour on Whatman 1804 paper, depicting a robust perennial with numerous stems coming from a short woody rhizome, signature to lower left, title written in ink on lower middle, old staple marks on left hand margin, small closed tear to lower left, 42.1 x 28cm (16 5/8 X 11ins), mounted (52.5 x 38cm), 'Bon à etre gravé vu en commission le 2 mai 1808. Berthollet' in ink on versoQTY: (1)NOTE:French botanical artist and botanist Turpin was born in Vire, the son of a poor artisan. He received little formal education but was trained in the elements of drawing by a local artist. He joined the battalion of Calvados and was posted to Cap-Haitien where he was befriended by the self-taught botanist and botanical artist Pierre Antoine Poiteau, who had been sent to the colony as a plant collector by the Jardin des Plantes. Poiteau taught him botany and the two friends collected and painted the tropical flora of the island together. Their collaboration resulted in hundreds of illustrated plates and a herbarium of several thousand specimens representing about 1200 different species.

T. E. J. Brooker. St James' from Westgate Louth, mixed media, signed, 14cm x 9cm, various other prints, pictures, frames, botanical prints, Malta, watercolour, gondola, pineapple still life, etc. (a quantity)

Bryan Poole (b. 1953), three limited-edition botanical lithographs, signed in pencil to margins, framed and glazed, frame size typically 69 x 93cm. (3)

GB. 22 Presentation packs from the 1960's, including Botanical, Shakespeare etc

Collection of prints and pictures, including After Sir Gerald Kelly, The Yellow Tamien, 64x50cm;Chinese School, Female in an interior with a Phoenix in flight; gouache, 73x49cm;two contemporary floral studies, watercolours; and a botanical print.Qty: 5

A group of pictures to include Romy Elliott, a dog, pastel, framed and glazed, 32cm x 51cm together with J Cooper, a cockerel, framed and glazed, 20cm x 26.5cm; Ken Howard, ships in a harbour, watercolour, framed and glazed, 18cm x 12.5cm; an antique book plate of a botanical study, framed and glazed; three empty frames and further decorative pictures and prints (11)Frames with some chips and scratches to the edges, pictures in good condition, book plate with foxing

Two Chinese pictures depicting Goldfish, Lily Pads and Bulrushes; and a coloured botanical print

4 ceramic plates, 2x Botanical Gardens, 1 plate with picture of Ranger sailing boat, plus 1 other. No reserve.

A collection of seventeen George Maw and Co. Stoneware botanical markers marked ‘R.G KEW MAW & CO BENTHILL BROSELEY’

A set of six Copeland Garrett Late Spode dessert dishes, painted with botanical specimens, together with a pair of Victorian two handled cake dishes (8)

A group of assorted prints comprising set of four Victorian botanical studies, 23 x 16cm, a set of six chromolithographs of chickens, a set of four Henry Rushbury colour prints and a shooting scrap

Don Balke (North Carolina, B. 1933) "Purple Finch and Lilac" Signed lower left. Original Watercolor on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood commemorative cover for Balke's Birds and Flowers of the 50 States, cancelled June 21, 1985. Not purple at all, the male Purple Finch looks like a large-billed sparrow with a glowing red head. The brownish female is boldly streaked and wears white facial stripes. These small, conical-billed birds are usually most abundant at New England feeding stations in spring, when the red maples are in bloom. Thoreau, who scattered crumbs for these birds at Walden Pond, loved to hear the Purple Finch's rich strains of music and their sharp call note. 'The hearing of this note," he wrote, "implies great improvement in the acoustics of the air." A hardy bird, the Purple Finch has been observed bathing in icy streams in below-freezing temperatures, and singing after a blizzard. If sentiment alone determined the most popular flowering shrub, it might well be the Lilac. There is hardly a person whose memory is not stirred by it, and its scent is one of the most familiar of all perfumes associated with flowers. Lilac flowers grow in panicles, the botanical name for their pyramid-shaped clusters. The panicles grow at the end of the small branches of a shrub or small tree which may reach twenty feet in height. In the spring, Lilac bushes are laden with fragrant clusters of flowers which vary in size. Lilacs have also become runaways and grow along roads and on uncared-for land. They prefer a rich soil but are strong enough to survive almost anywhere. Image Size: 11 x 12.5 in. Overall Size: 19.25 x 21 in. Unframed. (B09608)

PAIR OF SWANSEA PORCELAIN PLATES & PAIR OF SIMILAR UNKNOWN, comprises first pair with scattered enamel flowers within a solid gilt border, 20cms diam, one plate having impressed Swansea trident mark, the other pair probably not Swansea with titled botanical studies to the underside 'White Lily' and 'Wild Rose' ('Wild Rose' has faintly impressed Roman numerals to the base), 20.5cms diam. (4)Provenance: private collection Vale of GlamorganComments: the 'White Lily' plate which has a spurious Swansea scriptmark is extensively restored

SWANSEA PEARLWARE BOTANICAL PLATE, decorated by Thomas Pardoe botanical study of 'Two Leaved Ladies Slipper' and annotated verso in his script, 21cms diam.Provenance: private collection SwanseaComments: without damage or restoration

BOTANICAL PALM TREE PRINTS, a pair, 56cm H x 41cm W, contemporary school. (2)

Quantity of Portmeirion Botanical and bird patterned table wares (a lot)

Three framed Botanical prints dated 1795, 1799 and 1802.

Two framed Botanical prints, empty frames etc.

Three pieces of Portmeirion 'Cyclamen Repandum', Botanical Garden series to include lidded jar, pin tray and bud vase.

Botany – Hogg (Thomas, Florist), A Concise and Practical Treatise on the Growth and Culture of the Carnation, Pink, Auricula, Polyanthus, Ranunculus, Tulip, Hyacinth, Rose, and other Flowers […], third edition, London: G. and W.B. Whittaker, 1824, illustrated with 6 hand-coloured botanical plates, later papered boards, 12mo, (1); Barker (Nicolas), Hortus Eystettensis: The Bishop’s Garden and Besler’s Magnificent Book, London: The British Library, 1994, pictorial dustjacket over black cloth, crown folio, (1); Erasmus Darwin facsimiles, 4to, (2); etc., [9]

Japan, Botany - early 20th century woodblock-printed books, two volumes (?set), [viii], 1-50; [iv], 51-100, [i], coloured botanical illustrations of flowers throughout, original wrappers, titled paper labels to upper-covers, 8vo (24.5cm x 16.1cm), [2]