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Four Joan Moorhead signed limited edition (650) botanical prints, each approximately 12.5 x 12.5cm

A VERY FINE ENGLISH PORCELAIN TEA SET, early 19th Century, probably Davenport, painted with botanical specimens on fluted salmon ground, with gilt highlights throughout and gilt medallion to the interior. Pattern No.5/4870. the 12 cups 9cm highProvenance: Rathescar House, Co. Louth

Nine framed and glazed assorted botanical watercolours and prints and others, mostly in maple frames

A group of eleven flower and botanical prints Various sizes (11) A group of eleven flower and botanical prints Various sizes (11)

A framed set of cigarette cards; a pair of Art Deco style prints; two botanical studies; and a landscape print

A large coloured portrait print; together with various other pictures and prints to include a framed text, botanical studies, picture frames etc.

A SET OF EIGHT BOTANICAL PRINTS, 48cm x 37cm each, framed and glazed.

A.M.Trechslin, botanical print, Gloire Des Rosannes, 18" x 13"

Set of twelve English tea cups, twelve saucers, two sandwich plates and a sugar bowl, each handpainted with botanical study. CONDITION REPORT: Some marks/scuffs to teaset. More marks on dishes/plates than teacups which are generally clean.

A GOOD SET OF THREE BOTANICAL PLATES with white, gilt strewn borders. 8.5ins diameter.

Four pictures: a print of a pineapple together with botanical prints, all framed and glazed

Qty UK botanical garden guides plus countryside & wildlife bklts/leaflets

A QUANTITY OF 19TH C HAND COLOURED BOTANICAL PRINTS, UNFRAMED

Ceramics - a pair of Victorian clock garniture vases painted with Lily's; a 19th century pearl ware plate, impressed Rogers to verso; a Wedgwood April Flowers pattern part tea service; blue and white ceramics; Portmeirion Botanical Garden pattern cream jug; etc qty

Curtis (William). The Botanical Magazine or Flower-Garden displayed, 3 volumes only, nos, 4 - 6 (only), 1791 - 1793, title to each volume, 108 engraved plates with contemporary hand colouring, the last ten plates in volume 5 have some rodent damage to the lower margin, some affecting image, contemporary half calf, frayed and worn with some boards detached, 8vo Sold as a collection of plates, not subject to return. (3)

*Curtis (William). A collection of approximately 120 engravings, mostly early 19th century, engravings with contemporary hand colouring, occasional duplicates, a few prints with slight toning and offsetting, each approximately 200 x 115 mm Originally published in 'The Botanical Magazine'. (approx.120)

*Botanical watercolour. A collection of eleven watercolours, circa 1900, watercolours of orchids, ferns, amarylli and agapanthus, titled in manuscript to mounts, each approximately 350 x 250 mm, mounted, framed and glazed in uniform gilt beaded frames The watercolours consist of :- Cattleya Labiata Insignis, Cattleya Autumnalis, Cattleya Trianae, Cattleya Mendelii, Amaryllis, Cypripedium Mastersianum Superbum, Madame Dalliere, Alsophylla Australis, Asplenium Marginatum, Agapanthus Insignis [and] Deutsche Perle. (11)

Turner (Captain Samuel). An Account of an Embassy to the Court of the Teshoo Lama, in Tibet; Containing a Narrative of a Journey Through Bootan, and Part of Tibet. To Which are Added, Views Taken on the Spot, By Lieutenant Samuel Davis; and Observations, Botanical, Mineralogical and Medical, by Mr. Robert Saunders, 1st edition, 1800, folding engraved map, 13 engraved plates, including one folding, occasional light offsetting and a few minor spots and thumbmarks, bookplate, contemporary sprinkled calf, spine label renewed, slightly rubbed, 4toYakushi T227. First eye-witness account in English of Tibet and Bhutan. (1)

Frank Galsworthy, still life studies of flowers in vases, two watercolours, signed, 35 x 48cm approx. together with another by the same artist, botanical study in watercolours, 49 x 35cm, framed. (3)(B.P. 24% incl. VAT)

3 botanical prints & box of frames

Botanical Interest: Nelson (Charles) Shamrock, 4to, Kilkenny (Boethius Press) 1991, illus., cloth, d.j.; An Irish Flower Garden Replanted, 4to D. (Castlebourke) 1997, Second Edn., illus. by Wendy Walsh, ptd. wrappers; The Brightest Jewel, a History of the National Botanic Gardens, Glasnevin, Dublin, folio Kilkenny (Boethnus Press) 1987, First, ilus. by Wendy Walsh, cloh 7 d.j.; A Heritage of Beauty, folio, D. 2000, illus, logh & d.j. a a lot; (8)

A set of four 19th Century Royal Worcester botanical and insect cabinet plates, with gilded floral studies interspersed with bees and butterflies, having a beaded and gilt rim, impressed factory mark to underside, 22.5 cm diameter

Twelve early19th century Curtis botanical hand coloured plates, in modern silver frames, sight size 12.5 x 21 cm (12)

A botanical and animal skull display.

A Jeannie Foord Glaswegian Art Nouveau Botanical Pochoir Print, dated 1899

A Portmeirion Hen on Nest, Royal Worcester footed rose Bowl, Victorian Candlestick with botanical decoration and Victorian part dessert service comprising comport and four plate with dog rose decoration

Sophie Dickinson, botanical study, mixed media, framed

Three items of Royal Copenhagen Flora Danica porcelain, each hand enamelled and gilded with botanical specimens, including an oval dish, a boat shaped dish and a soap dish, decorated with Solanum Dulcamara L, Campanula uniflora L and Azalea Capponica L respectively, painted and printed marks verso, 22 cm, 18 cm and 11 cm respectively

A box containing various china wares, two framed and glazed watercolour botanical studies, two tennis rackets, a collection of Beatrix Potter books, red plastic telephone, lampshades, bed table of basket form, etc

A pair of English porcelain dessert plates, each with a botanical specimen to the centre, within an ogee moulded, foliate scroll gilt border, 22cm diameter (2)

A late-Georgian manuscript album of verse, sketches, watercolours. An intriguing work, dated 1822-1829, including some nice poems, botanical drawings, silhouettes, topographical scenes etc. Quarto, handsome oxblood morocco binding with gilt lettering/decoration, a.e.g.

A collection of 19th century botanical watercolours with annotations, all unsigned, 6" x 4", framed, (11).

Chinese School,folder of 19th century paintings on rice paper, court scenes, botanical studies and exotic birds, (6).

Curtis (William) On Tuesday the 13th of May, 1788, W. Curtis... Will Begin his Annual Course of Botanical Lectures, at his Botanic Garden, Lambeth-Marsh. And On Friday the 16th of May, His Herbarizing Excursions will Commence, 4pp., slightly browned, disbound, 8vo, 1788. ⁂ An advertisement for Curtis's annual botanical lectures.

Manuscript Herbal.- Herbal, manuscript, 125pp., 124 pen and ink watercolours of botanical specimens, slightly browned, contemporary calf, gilt, rebacked, gilt, 8vo, [c. 1800]. ⁂ Descriptions of the plants and their medicinal uses.

Knight (Joseph) On the cultivation of the plants belonging to the natural order of Proteeae, fine hand-coloured engraved frontispiece, wood-engraved printer's device to title and verso of final text f., scattered spotting to text, bookplate, contemporary half calf, 4to, 1809. ⁂ An important and rare early work on the proteas, we know of only the Quentin Keynes copy previously at auction. Joseph Knight (1778-1855) worked as George Hibbert's gardener, during which time he became one of the first people in England to successfully propagate Proteaceae. The book itself contains only 13 pages on the cultivation of the plants, with the remaining 100 anonymously authored by George Salisbury and dedicated to taxonomic revision of the family. As later transpired, George Salisbury had plagiarised a number of the names from Robert Brown whose paper On the Proteaceae of Jussieu had been read at the Linnean Society earlier in the year with Salisbury in attendance but had yet to be printed. By beating Brown to print therefore Salisbury was able to claim priority for the names. In the ensuing scandal, Salisbury was dubbed a plagiarist and shunned by the botanical community, with his subsequent works ignored during his lifetime. Letters from the time indicate that some even went so far as disposing of their copies of Knight's work likely explaining the current rarity.

Thornton (Robert John) Picturesque Botanical Plates of the New Illustration of the Sexual System of Linnaeus, engraved title and dedication by Vincent after Tomkins, 20 only mezzotint and/or aquatint plates printed in colours and hand-coloured by Ward, Earlom, Dunkarton and others, after Abraham Pether, Philip Reinagle, Sydenham Edward and others, some heightened with gum arabic, comprising: (1) "Tulips"; (2) "The Superb Lily"; (3) "The Aloe"; (4) "The Night Blowing Cereus"; (5) "The White Lily"; (6) "The Oblique-Leaved Begonia"; (7) "The American Cowslip"; (8) "Hyacinths"; (9) "The Dragon Arum"; (10) "The Winged Passion-Flower"; (11) "The Quadrangular Passion-Flower"; (12) "The Blue Passion-Flower"; (13) "The Pontic Rhododendron"; (14) "The Maggot-Bearing Stapelia"; (15) "Large Flowering Sensitive Plant"; (16) "The Nodding Renealmia"; (17) "The China Limodoron"; (18) "A Group of Auriculas"; (19) "A Group of Carnations"; (20) "Pitcher Plant", lacks frontispiece, contents leaf and "Select Plants" leaf, and some letterpress, some foxing, browning and offsetting, new endpapers, contemporary half calf, gilt, slightly rubbed, corners bumped, morocco label on spine, [cf.: Cleveland Collections 722; Dunthorne 301; Great Flower Books p.143; Nissen BBI 1955; Stafleu and Cowan 14283], folio, 1799; sold not subject to return. ⁂ Part only of what was to become known as "The Temple of Flora".

A Derby Botanical navette shaped comport, painted by Quaker Pegg, with Coxscomb Amaranthus, gilt line rim, 30cm wide, titled, crown, crossed batons and D mark in blue, pattern 197, c.1795

A Pinxton small dessert plate, decorated in colours with a botanical border of Irises, 16.5cm diam, c.1800See Gent The Patterns and Shapes of the Pinxton China Factory, 1796 - 1813, p.104

A Derby Warwick Vase Trotter service type ice pail, liner and cover, decorated with a spray of colourful summer flowers, below further botanical specimens divided by panels of green, domed cover conforming, gilt bud finial, divided entwined gilt fruiting vine handles, square plinth, 36cm high, red crown, crossed batons and D mark, c.1820-25 Condition Report: loss to edge of cover. crack to liner. some typical crazing, staining and pitting. some wear to gilding, otherwise ok

A Spode Union Wreath pattern shaped circular dish, with handle, printed with rose, thistle and shamrock, the border with daffodils, flowers and foliage, 24cm wide, printed mark; a similar plate; a Copeland & Garrett Late Spode Floral pattern shaped circular plate, 24.5cm diam, c.1830; a Spode Imperial Blue Rose pattern plate, 25cm diam, c.1825; a Trophies pattern bowl, 24cm diam, c.1810; a Botanical pattern bowl, 25cm diam, c.1825 (6)

Ellen Clacy, (fl. 1879-1916) Lady Fowler, sketchingsigned, dated 1883, watercolour, 9cm x 8.5cm; others, botanical studies; Our Toey, etc

A pair of Spode Botanical shell shaped dishes, painted with colourful convolvolus, within in gilt husk cartouche, the border with flowerheads and gilt scrolls on a cobalt blue ground, 23cm diam, Spode 2789 in red, c. 1825

Ceramics - a set of five 19th century English Porcelain botanical dessert plates; other cabinet plates; a Hammersley cabinet cup and saucer; another, hand painted with topographical scenes; etc

SET OF SIX FRAMED BOTANICAL PRINTS MODERN after 17th century engravings by Abraham Bosse, Nicholas Robert, and Denis Dodart, embossed 'Musee du Louvre Chalcographie' marks, double matts and framed (6) 45cm x 33cm sight size Provenance: Contents of a Belgravia Apartment   

Edward Millington - Drake (1932-1994) Pair of watercolour and charcoal sketches of botanical still life subjects - pelargonium and spider orchid, signed and dated 1980.

THREE TRAYS OF PORTMERRION TEA AND DINNERWARE TO INCLUDE BOTANICAL GARDEN, POMONA, ETC

THREE BOXES OF NATURAL HISTORY AND BOTANICAL INTEREST BOOKS

A SMALL FRAMED AND GLAZED STILL LIFE TOGETHER WITH A BOTANICAL PRINT

A good 18th century hand coloured botanical engraving, subject of fruit beautifully engraved and coloured with full listings below detailing the various types of fruit, dated September 1732, H 65cm x W 53cm

Two Prints including a botanical print and a caricature of an elderly gentleman, H 34cm x W 24cm

A Royal Worcester Roanoke part tea service, comprising four cups, saucers, tea plates, cake plate, sugar and milk jug, together with a set of five Royal Worcester botanical 23cm diameter plates and a Hammersley part tea service retailed by Goode and Co. Ltd

Early Victorian needlework sampler, by Ann Maria Mayes, aged 13 years, 1846, with alphabet bands and central religious verse within foliate meander bands and scattered mineral and botanical motifs, in a glazed gilt gesso frame, 54cm x 46cm

*Glyn Morgan (1926 - 2015), two sketchbooks, circa 1983 - 1984 - including highly finished watercolour landscape and botanical subjects, together with another, possibly by a different hand (3)

*Glyn Morgan (1926 - 2015), four sketchbooks, circa 1971 - 1973 - including pencil sketches, botanical and other subjects, together with two others, circa 1970s

*Glyn Morgan (1926 - 2015), watercolour - 'Oriental Poppy', signed and dated '86, 50cm x 36cm, together with a collection of botanical watercolours by the same hand, all unframed

*Glyn Morgan (1926 - 2015), collection of scraperboard pictures - botanical subjects and others - including two framed (qty)

*Glyn Morgan (1926 - 2015), watercolour - 'Lilium Tiyrinium Luteum', signed and dated '91, 54cm x 34cm, together with another botanical watercolour by the same hand, both framed (2)

Joyce Pallott (1912 - 2004), collection of unframed works in various mediums - including botanical, mythical and geometric shapes

*Glyn Morgan (1926 - 2015), three sketchbooks, circa 1974 - 1977 - to include highly finished pencil sketches, botanical, animal studies and other subjects, together with two small sketchbooks