12 BOTTLES FLAVOURED VODKASaaremaa Must Sostar Berry (50cl), Cranberry (50cl) and Rhubarb (50cl); Black Cow English Strawberries (50cl); Kakira Distillery Coffee; Absolut Wild Berry; Ignis Passion Fruit; Three Olives Berry; Ren Liquorice; Finlandia Botanical Cucumber + Mint; Koskenkorva Raspberry Pine; Two Birds Cherry + Almond
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12 BOTTLES LONDON DRY GINChauffouillarde Cascade (50cl); Stone Grange Craft Distillery Lovebirds Limited Edition Small Batch; Nine Sisters Ocean Organic; Rambla 41 Mediterranean; Green Room Houselight; Boar Blackforest Premium (50cl); Aqua di Gloria Distillery Ivaí; Black Robin Rare; Berkeley Square; The Boatyard Distillery Boatyard Double; Isle of Raasay Hebridean; Bareksten Botanical
12 BOTTLES GINBreslauer Curaçao Dry (50cl); Hermit Dutch Coastal Small Batch (50cl); Bathtub Gin Double Infused; Black Pe + Ar Black Forest Dry (10cl); Dr Gin Premium; Åland Distillery (50cl); Rutte Botanical Distillers Dutch Dry; Tobermory Elderflower, Tea + Wild Heather; Hedonya London Dry; ar.GIN.tà.rio (50cl); Edinburgh Gin Seaside Small Batch; Distillerie du Viaduc
12 BOTTLES RUMP+O Cruises Golden Tide Spiced; Greensand Ridge Wealden Reserve (50cl); Glashtyn Spiced Manx; Hygge Spiced; Abingdon Distillery Wild Oxen Spiced (50cl); Hitch Hiker Breton Sea Salt, Sicilian Pine and Azorean Orange Blossom; Suncamino Floral; Cut Rum Cut to the Smoke; M+S Spiced; Honest Six Spiced Botanical
A Group of Miscellaneous Pictures To include a signed etching and aquatint of the Maria am Gastade church in Vienna; a signed etching of a continental river town scene; an etching of The Thames at Battersea; an frame containing two signed French etchings with sepia; a print of a dog by Julie Dawson, a hand-coloured botanical engraving; and a frame containing two reproduction prints of street scenes, 32.5cm x 27cm (Largest) (7)
18th century Sevres hard paste bisque porcelain portrait medallion, bust of Benjamin Franklin (American 1706-1790) facing right, circa 1778-1800, after Giovanni Battista Nini (1717-1786) and Jean-Jacques Caffieri (1725-1792) A/F. For another example see the collections of The Huntington Library, Art Museum and Botanical Gardens in San Marino, California Location:Catalogue note: A terracotta relief bust by Nini of the same model, enclosed within a glass medallion case survives in the archives at Sevres, said to have been inspired by/after a terracotta bust of Franklin by Caffieri, which was exhibited at the Salon, 1777 Location:
Green, Thomas The Universal Herbal, or Botanical, Medical and Agricultural Dictionary Liverpool: Printed at the Caxton Press by Henry Fisher, [c.1820], 2 volumes, 4to, engraved frontispiece to volumes 1 and 2, additional engraved title-page to volume 1, and 106 hand-coloured engraved plates, bookplates and occasional small library stamp of the Carlisle Natural History Society Library, later half morocco, some spotting and occasional soiling
An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China taken chiefly from the papers of his Excellency the Earl of Macartney. [London, 1797. First edition, large folio, atlas volume only (without the 2 vols. of text), folding map and 44 maps, plates, charts and plans, including 6 double-page, old half vellum, slightly spotted, slight loss to upper margin of plate 39, binding rubbed, library stamp to plate 2 Staunton was appointed principal secretary to Lord Macartney's embassy to China in 1792 which sought "to improve commercial relations with China, through Canton (Guangzhou), and to establish regular diplomatic relations between the two countries. Though Macartney and Staunton had an audience with the emperor their proposals were rebuffed. In China [Staunton] closely observed and noted all that he saw, and during expeditions he was able to collect botanical specimens. His son, George Thomas, then just twelve years old, accompanied him to China as page to Lord Macartney, and was the only member of the mission who bothered to learn Chinese" (DNB). Staunton's account of this important, but ultimately unsuccessful mission, conceived on a grand scale, takes in numerous places visited en route: Madeira, Tenerife, Rio de Janeiro, Java, Sumatra, Cochin-China, etc. Brunet V:525; Cox I:344; Cordier Sinica 2382
Collection of works Darwin, Charles. The Structure and Distribution of Coral Reefs. London: Smith, Elder, & Co., 1874. Second edition ('revised'), 8vo, contemporary blue half calf, half-title, folding lithographic colour map, 2 similar plates;Scrope, G. Poulett. The Geology and Extinct Volcanos of Central France. London: John Murray, 1858. Second edition ('enlarged and improved'), 8vo, contemporary half calf, half-title, all plates and maps as called for (of which 2 folding in end-pocket), gilt stamp of University College London to front board, related prize-plate to front pastedown, binding rubbed, loss to head of spine;and approx. 30 others, miscellaneous (and not collated) including: Philip Miller, The Gardeners Dictionary ... Second Edition, Corrected, 1733 (folio, contemporary calf, worn, engraved frontispiece, damp-staining to rear); Apsley Cherry-Garrard, The Worst Journey in the World ... One Volume Edition, 1937 (original cloth, marked, tear to head of spine); A. H. Millar, Fife: Pictorial and Historical, Cupar, 1895 (2 volumes, 4to, original cloth); Edmund Dulac, Stories from Hans Andersen, 1911 (4to, original cloth, plates, tear to head of spine, spine sunned, covers mottled); and similar, including botanical books and local interest(30)
A collection of English pottery and porcelain plates, principally dessert wares, comprising a Samuel Alcock botanical plate, circa 1827, 23cm diameter; two further pink-bordered botanical plates, two scroll and shell-moulded plates; a pair of Machin moustache edged plates, pattern 663, 22cm diameter; a further shell-bordered plate, 23cm diameter; a pair of Dilwyn & Co (Swansea) 'Long Bridge' blue and white plate, 24cm diameter; a pair of Coalport dessert centre dishes, circa 1805-10, cobalt borders and centres painted with flowers, impressed numeral '6', 28cm wide (one chipped); a pair of grey-bordered square dishes, possibly Derby, pattern 523, 21.5cm wide; a set of Copeland and Garrett dessert wares, transfer-printed with borders of flowers in baskets and a single bird on branch to the centre, comprising a pair of twin-handled plates and six plates, pattern 6246, printed factory mark, 16cm diameter (an identical pattern found in the frontier Hudson Bay Company order books, circa 1840); sold together with four saucers attributed to Hicks & Meigh, circa 1814 and a porcelain door knob, painted with flowers and a set of nine Coalport peach-bordered plates (qty)
A group of Coalport, comprising a low etruscan cream jug, circa 1820-30, painted with roses, Society of Arts mark, 5.5cm high; a turquoise ground plate painted with two oval panels of fruit and flowers by William Cook, circa 1851-60, gilt CBD mark, 25cm diameter; a small pot with cover, painted with naturalistic foliage and flowers, blue CBD mark, 10cm high, a botanical plate with relief-moulded blue and gilt border, Society of Arts mark; a Feltspar standing dessert comport, matt blue border, with central group of yellow brugmansia and four smaller cartouches of flowers to the border, Society of Arts mark, 12cm high; a Thomas or John Rose cream jug, the rich cobalt ground with gilt reserved floral panels, unmarked, 10cm high; and a oval scale blue tureen stand, painted with flowers, unmarked, 19cm wide; sold together with a further plate, possibly Coalport, circa 1805-10, pattern 399, painted with a central group of flowers surrounded by an exterior border of roses, numbered, 22cm diameter and a small floral-encrusted saucer, 11cm diameter (qty) Condition:Cream jug - Crazing to the glaze generally throughout, some staining to the base. Patches of gilt wear to the rim. Turquoise plate - gilt wear to edges. Pot and cover - some losses and rubbing to the painted decoration, chip to the inner rim of the cover. Pale blue bordered plate - Cracked across the centre, some crazing to the underside. Sauce tureen stand - rubbing to gilt around rim. Floral-encrusted saucer - breakages and losses to some flowers and petals. No other obvious damages or repairs.
Bewick (Thomas). A General History of Quadrupeds, 5th edition, Newcastle upon Tyne: Printed by Edward Walker, for T. Bewick and S. Hodgson, 1807, wood engraved vignette to title and numerous vignette illustrations throughout, upper pastedown with armorial bookplate of Bishop of Bangor: The Library of Watkin Herbert Williams (1845-1944), contemporary half calf gilt, lower joint slightly cracked, worn at head and foot of spine, 8vo, together with Bewick (Thomas). A History of British Birds, volume 1 only of 2 (Land Birds), Newcastle: Printed by Charles Henry Cook for R. E. Bewick, 1832, title with wood engraved vignette and numerous vignette illustrations throughout, edges untrimmed, modern half calf gilt, in slipcase, 8vo,Smith (Gerard Edwards). A Catalogue of Rare or Remarkable Phaenogamous Plants, collected in South Kent: with descriptive notices and observations, London: Longman, Rees, Orme, Brown and Green, 1829, 5 hand-coloured engraved plates, light dust-soiling mostly to title with early signature to upper blank margin of Robt. Sim Junr., 20th-century signature to front free endpaper, original green cloth, light wear to lower joint at head, slim 8vo, plus a duplicate of the same work in modern marbled wrappers, 8vo, plus other mostly 18th-19th century natural history and botany related including Spratt (George). The Medico-Botanical Pocket-Book, comprising a compendium of Vegetable Toxicology..., by G. Spratt, Surgeon, 1st edition, London: Published for the Author by John Churchill, [1836], 15 hand-coloured lithograph plates (old adhesive tape residue at gutter of one plate), original cloth, spine torn with loss, small 8voQTY: (17)
Baudelaire (Charles), Les Fleurs du mal, Paris: Calmann-Lévy, n.d., half-title, portrait frontispiece, later 19th/early 20th c three-quarter brown morocco over cloth by Otto Schulze & Co., Edinburgh, signed, top-edge gilt, others uncut, marbled endpapers, 8vo, Blunt (Wilfrid), The New Naturalist: The Art of Botanical Illustration, signed by the author, first edition, London: Collins, 1950, plates, contemporary red calf gilt by Bayntun (Riviere) of Bath, signed, spine somewhat sunned and rubbed, upper-joint split, all edges gilt, 8vo, [&] Leymaire (Jean), Les Crayons Français du XVIₑ siècle, Paris: Fernand Hazan, n.d. [1947], illustrated, original papered boards, chipped and slightly soiled spine, 8vo, (3) Provenance: 3rd: Anthony Eden, 1st Earl of Avon, KG, MC, PC (1897-1977), British Prime Minister (1955-57); recto pastedown with his autograph ownership inscription, dated 1948.
Botany. Hulme (F.E., FLS, FSA), Familiar Wild Flowers, with Coloured Plates, 75 numbers only, being part-runs between nos. 1-87, but lacking 35, 43, 45-48, 52, 67, 70, 74, 80 & 82, London: Cassell & Company, Limited, n.d. [c. 1880], colour botanical plates, original pictorial wrappers, lower-covers with adverts, some worn and split, 8vo, (75)
Christmas Greetings Cards. Three Victorian albums of approx. 250 cards, of which the smallest album of roan over marbled boards has approx. 78 examples, loosely-inserted in annotated leaves and are sometimes dated between 1860-67, comprising embossed examples, botanical, typographic and pictorial, including an early depiction of Father Christmas on a card (1866), sentimental, religious, etc., various publishers, mostly printed by chromolithography, mixed formats and sizes, slightly worn binding and contents with some movement, 4to, a slightly later album, My Christmas Cards, compiled by Gertrude H. Williams, dated Christmas 1875, with approx. 90 cards, including a card with a clown holding begrudgingly holding a branch of holly and inscribed 'Here We Are Again/A Merry Xmas.2.U.', some novel and comic, sentimental, religious, robins, a festive clown, occasional embossed examples, original cloth, split, worn, with losses and some movement, 8vo, and a later 19th/early 20th c album with contemporary cards, various subjects, mixed sizes, contemporary roan over cloth, worn with losses and movement, large 4to, (3)
Medical and Botany. Culpeper's Complete Herbal, to which is now added, upwards of one hundred additional herbs, with a display of their Medicinal and Occult Qualities [...]. To which are now first annexed his English Physician Enlarged [...], London: Published by Richard Evans, 1814, black-ruled double columns, pp: vi, 398, [4] (index), engraved portrait frontispiece, 40 hand-coloured botanical plates, pages 89/90 with a stable marginal tear affecting a handful of words, some small foxed spots or occasional browning as expected, contemporary mottled calf, gilt spine, marbled endpapers, 4to
J. Sowerby (British, 1787-1871): hand coloured engraving of spring flowers and a bee, 17 by 13cm, together with six further 19th century botanical / herbal bookplates, hand coloured, average 24 by 19cm, all mounted, and a part set of ten Wills Cigarette cards ‘Gardening Hints’, 1923, mounted, 26 by 21cm. (8)
Ten Victorian paintings, a tapestry and three prints to include: Three oil on milk glass botanical studies, one initialled G.W.B., all in framed, largest 57 x 34 cm; I.C. Saunders - river scene, watercolour, signed lower left; E. Mary Podmore - 'Summer by the Severn' watercolour, signed; Madge Lewis - 'Keepers Pool' (1895), watercolour with inscriptions to margin; Half portrait of a lady, unsigned, watercolour in oval frame; Two watercolour coastal landscapes with figures, both indistinctly signed; together with a tapestry in a carved frame of the period, and others, all framed (7)
Set of 3 original vintage advertising and propaganda posters promoting healthy lifestyle and vitamin intake. 1. British World War Two food propaganda poster - Vitamin C Content of Raw Fruit compared with oranges - featuring a graph chart in blue detailing the vitamin C content in oranges, blackcurrant, strawberries, gooseberries, tomatoes, rhubarb, blackberries, apples, cherries, plums, pears and rose hips with the Ministry of Food logo and text above and below. Good condition, restored small tears and stains on top margin, backed on linen. The Minister of Food Control (1916-1921) and the Minister of Food (1939-1958) were British government ministerial posts separated from that of the Minister of Agriculture. In the Great War the Ministry sponsored a network of canteens known as National Kitchens. In the Second World War a major task of the Ministry was to oversee rationing in the United Kingdom arising out of World War II. The Minister was assisted by a Parliamentary Secretary. The Parliamentary Under Secretary of State for Food and Animal Welfare (2018-present) was appointed at the Department for the Environment, Food and Rural Affairs to ensure the continued supply of sufficient food during the Brexit process. The ministry's work was transferred in 1921 to the Board of Trade which had a small Food Department between the wars. This became its Food (Defence Plans) Department in 1937 and was then constituted as the Ministry of Food on the outbreak of war in 1939. Country:UK. Year:1940s. Designer:. Size (cm):76x49; 2. Eat To Win - take adequate amounts of each of the following groups of foods daily for best performance - featuring an illustration of a runner, with a table below listing products good for protein, vitamin and mineral intake, alongside Bemax stabilised wheat germ, and suggestion on avoiding excessive amounts of some products to control weight. Issued by the Nutrition Information Centre, Vitamins Limited, Upper Mall, London. Printed by Renart Studio Limited. Fair condition, creasing, staining, tears, pinholes, paper losses. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1950s; 3. Vitamin C - compiled and presented by the makers of Ribena the blackcurrant Vitamin C health drink - featuring articles on what Vitamin C does, the required amount and natural sources where to find it. Developed in 1933 Ribena was named in 1938 after Ribes Nigrum the botanical name for blackcurrant. Good condition, folds, pinholes, tears, creasing, staining. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1950s.
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14378 item(s)/page