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A set of four botanical prints in simulated walnut frames

A 19th-century scrapbook, 1838-1849, featuring seven mounted Valentines (embossed & pierced paper-lace by Dobbs and similar), three of which include a central watercolour illustration, plus three smaller greetings cards from the same era; ten original sketches, including pencil portraits/topographical views/animals, watercolour botanical studies, and an ink sketch poking fun of a "Grand Historical" painter with delusions of becoming President of the Royal Academy, "poor devil", inscribed & signed, Thomas Harrington Wilson [draughtsman illustrator for Punch, fl. 1842-1886]; lots of poetry and romantic verse, much of it quoted from well-known writers such as Percy Bysshe Shelley; a small quantity of pasted Baxter prints; manuscript musical notation, including "A Christmas Melody" (musical quotation) signed Alfred Mellon. Quarto, 29.5cm, elaborately blind-embossed morocco, chequered blue & green endpapers, all edges gilt, 97 pages used across 69 leaves

TWO BOXES AND LOOSE WALKING STICK, ADVERTISING TINS AND SUNDRY VINTAGE ITEMS, to include a horn handled walking stick, vintage advertising tins to include Smith's Potato Crisps, Glucodin, Elastoplast, Mellin's Food Biscuits, Outdoor Girl Olive Oil Rouge, Snowfire Face Powder and OXO, two stoneware bottles from 'White Bros, Botanical Brewers, Chapel Street, Wolverhampton' dated 1960 and 1961, boxed Miniature Beauty Lamps, a boxed brass crumb tray and brush set, a boxed oil lamp, etc (2 boxes + loose) (sd)

After Pierre-Joseph Redoute (1759-1840, French), coloured prints, The Fairest Flowers, six botanical prints - 'Bouquet de Lensees', 'Iris Xiphium Variete', 'Primevere Grandiflore', 'Anemone Simple', 'Lois de Senteur', and 'Narcisse a Plusieurs Fleurs', all framed and limited editions, measuring 13cm x 19cm, & 31cm x 38cm overall (6)

JOHN BAXTER, a companion pair of botanical watercolours, signed and framed under glass, 7 x 9cm, (2)

PATRICIA COX, CERATOSTIGMA, botanical study, framed30 x 40cm under glass,

In the manner of Karl Blossfeldt's Anconitum anthora (Monkshood) framed and glazed. Strikingly modern and inherently beautiful, Karl Blossfeldt's photographs of plants, flowers and seed heads are as appealing today, as they were when they were first introduced to the public in his two landmark books Urformen der Kunst, (Archetypal Forms of Art), 1929 and Wundergarten der Natur, (The Wondergarden of Nature), 1932. From 1898-1932, Blossfeldt taught sculpture based on natural plant forms at the Royal School of the Museum of Decorative Arts (now the Hochschule f�r Bildende K�nste) in Berlin. In his lifetime Blossfeldt's work gained praise and support from critics such as Walter Benjamin, artists of the Neue Sachlichkeit (New Realism) and the Paris Surrealists. The words of Walter Benjamin repositioned the artist in modern art and photography and prior to publishing his photographic book in 1926, Blossfeldt was sent an invitation to exhibit his work at the Karl Nierendorf's gallery. The use of botanical specimens as photographic subject matter became popular in the early and mid-nineteenth century at the inception of the photographic medium, as is evident in the calotypes of Henry Fox-Talbot and the cyanotype studies of Anna Atkins. The further use of these photographic subjects as models for translation into other art mediums was practiced by Blossfeldt as well as others before him, such as the photographer/draftsman Adolphe Braun, who translated floral arrangements into award-winning textile designs.

A quantity of display plates including; Royal Doulton 'Bunnykins', Coalport 40th Anniversary of WWII, three Wedgwood 'World of Clarice Cliff' plates, two Portmeirion Botanical Garden, etc.

A Collection of Botanical Prints, to include "Sweet William", "Pomegranate" and "Showy Fleabane", etc, together with a further four prints after Sue Cook depicting Spode teacup designs (23)

A Lego Botanical collection Bonsai Tree boxed kit housed in the original box and unmade

A folio of botanical specimens "Ecole Des Garcons Petit Saint Jean Amiens Herbier"

A pair of Derby botanical ice pails and covers, c,1795-1800, painted in pattern 216 with specimens of Pulmonaria, Double China Hollyhock, Blue Spring Crocus, Mimosa Verticillata, American Cowslip, Rigid-Leav'd Gorteria and Globe Amaranthus, with yellow and gilt borders, blue crowned crossed batons marks, damages and repairs, 23.5cm. (4)Provenance: the Martin Mortimer Collection.

Ten Coalport dishes from the Harewood House service, c.1830-40, each piece decorated with botanical specimens of differing European flowers including hollyhock, convolvulus, stocks, tulip, poppy and rose, the rims with panels of flowers reserved on a dark blue ground with formal gilt designs. Comprising: two shell dishes, two square dishes, two oval dishes and four plates. (10)

A Derby botanical comport, c.1800, finely painted in pattern 216 with a bold specimen of 'Double China Hollyhock', after John Edwards, within a narrow gilt husk border and bright yellow rim, raised on a low oval foot, titled to the underside, gilt crowned crossed batons and D mark, 30.2cm.

A Derby botanical ice pail with cover and liner, c.1790-1800, painted in pattern 197 with specimens of Sweet Pea, China Aster, Campanula and Capella Pulchella, blue factory marks and titles, together with a sauce tureen with cover and stand, painted with Briar Rose, Common Passion Flower and Polyanthus, iron red factory marks and titles, some damages, 28cm max. (6)Provenance: the Martin Mortimer Collection.

A large Spode botanical comport, c.1800, painted in pattern 1100 with a specimen of Winged Podded Sophora, the sides with flower stems of Mediterranean Stock and Peacock Iris, within a wide gilt formal acanthus leaf border, titled and marked in purple to the base, 37.3cm.The flowers for this service were copied from William Curtis's Botanical Magazine of the late 18th century.

A Chelsea 'Hans Sloane' botanical plate, c.1755-56, painted with a fruiting branch of Annona (custard apple), a butterfly and another insect, brown line rim, red anchor mark, 20.2cm.Provenance: the Clifford Henderson Collection. Purchased from Reeman Dansie, 2nd November 2011.Cf. Sally Kevill-Davies, Sir Hans Sloane's Plants on Chelsea Porcelain, pp.78-81. The decoration appears to derive from C J Trew, Plantae Selectae, dec.1, Tab.5, and P Miller, Figures of Plants, pl.XXXXV.

A Flight Barr and Barr botanical ice pail and cover, c.1825, of campana form, finely painted with flower specimens of Mountain Peony and Nootka Sound Lupin, within a green shaped border, raised on a square foot, titled to the base, script mark, the liner lacking, some faults, 26.5cm. (2)Provenance: the Charles Dawson Collection.

Three Flight Barr and Barr botanical dessert plates, c.1825-30, each finely painted with floral specimens of Scarlet Lychnis, Long-tubed Tritonia and Ninepin Heath, reserved within shaped green borders and gilded gadrooned rims, titled in Latin and English to the reverse, printed and impressed marks, 21.8cm. (3)Provenance: the Charles Dawson Collection.

Porcelain dessert service Victorian, decorated with a botanical theme on a turquoise ground, with a gilt chain link border, unmarked, comprising four pedestal dishes, a taller comport and twelve plates (17) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.

Set of five botanical studiesPossibly English, 19th Century School, watercolours, unsigned, 15cm x 19cm (5) All have been reframed. Display wear and some scuffs to the frame. Some foxing and discolouration.

Collection of six botanical still life studies watercolours, one with indistinct title and date lower right, various sizes (6) All with damage and some losses to the frames. With fading, discolouration, watermarks and faults to the paintings themselves.

A set of twelve circa 1780-1820 hand coloured French botanical prints depicting various dandelion type plants, each plate size 37 cm x 23 cm, frame size 49 cm x 30 cm CONDITION REPORTS There are areas of foxing and some discolouration throughout the majority of the pictures, however, this does not show up too much because of the paper type and colour anyway. A couple of the pages have creases which are very flat. There are some thunderbugs, etc. under the glass. Frames have light wear and tear to include some surface scratches and a couple of bumps, etc. See images for further detail.

A set of eleven coloured botanical prints, image size 28 cm x 19 cm, frame size 40.5 cm x 31.5 cm CONDITION REPORTS Some small areas of discolouration variously throughout although Plate 20 has a sort of blue mark on the bottom edge. Frames have some rubbing as if rubbed by the hanging hooks. Otherwise general wear and tear conducive with age and use. Glass in need of a clean. Date late 19th Century chromolithograph prints. See images for further detail.

20thC Chinese School. Botanical studies, watercolour, signed with seal mark, a pair, 36cm x 30cm, and an Oriental silk embroidery. (3)

EHRET, Georg Dionysius(1708 Heidelberg - 1770 Chelsea) 2 botanische Illustrationen "Hvra" und "Magnoliae"2 kolorierte Kupferstiche, teils mit Goldhöhung. Druckplatte je 42,5 x 28,5 cm, Blatt je: 51,5 x 35,5 cm. Tafel XXXIV "Hvra Linn. Hort. Cliff. P.486. tab.34" | Tafel XXXV "Fig. 1. Hvrae floris fructusque partes"und "Magnoliae Tab. XXXIII floris fructusque partes" (auf einem Blatt) mit Tuschbezeichnung in Griechisch von alter Hand, gestochen von Johannes Jacob Haid; aus Christoph Jacob Trews "Plantae selectae quarum imagines ad exemplaria naturalia Londini, in hortis curiosorum nutrita", 1750 - 1773. Je etwas fleckig und griffspurig. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:42 Uhr (CET) EHRET, Georg Dionysius(1708 Heidelberg - 1770 Chelsea) 2 botanical illustrations "Hvra" and "Magnoliae"2 colored copper engravings, partly with gold heightening. Printing plate 42.5 x 28.5 cm each, sheet 51.5 x 35.5 cm each. Plate XXXIV "Hvra Linn. Hort. Cliff. P.486. tab.34" | Plate XXXV "Fig. 1. Hvrae floris fructusque partes "and "Magnoliae Tab. XXXIII floris fructusque partes" (on one sheet) with ink inscription in Greek by an old hand, engraved by Johannes Jacob Haid; from Christoph Jacob Trew's "Plantae selectae quarum imagines ad exemplaria naturalia Londini, in hortis curiosorum nutrita", 1750 - 1773. Some spotting and handling marks. Aufrufzeit 24. | Feb 2024 | probably 10:42 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Botanisiertrommel und Brotzeittasche mit Thermoskanne. Um 1900 - 1930. Grün lackiertes Blech. L 27 - 32 cm. Farbig lithografierte Botanisierbüchse mit Auto-Motiv und provisorisch ergänztem Griff. / Kleiner Picknickkoffer mit Isolierkanne "Helios Perfekt". Altersspuren, Lackdefekte. Aufrufzeit 22. | Feb 2024 | voraussichtlich 12:19 Uhr (CET)Botanizing drum and lunch bag with thermos flask. Around 1900 - 1930. Green lacquered sheet metal. L 27 - 32 cm. Coloured lithographed botanical tin with car motif and provisionally added handle / Small picnic case with vacuum jug "Helios Perfekt". Signs of age, paint defects. Call time 22 | Feb 2024 | probably 12:19 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ALDROVANDUS, Ulyssis(1522 Bologna -1602 Bologna) 2 Buchillustrationen mit imaginären Geschöpfen2 kolorierte Holzschnitte. Blatt je: 32 x 24 cm. Gerahmt & hinter Glas : Je 41,5 x 31,5 cm. 2 Darstellungen von imaginären Geschöpfen "Monstrum Alatum" und "Satyri figura altera cum tuba" mit Begleittext in lateinischer Sprache, verso durchscheinender typografischer Text und weitere Abbildung eines Monsters; aus Ulisse Aldrovandis "Monstrorum historia cum Paralipomenis historiae omnium animalium" (Beschreibung von Missbildungen beim Menschen und im Tierreich), 1642. Je stockfleckig und griffspurig. Italienischer Philosoph, Naturforscher, Biologe und Arzt; er gründete im Jahr 1568 den berühmten botanischen Garten von Bologna. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:09 Uhr (CET) ALDROVANDUS, Ulyssis(1522 Bologna -1602 Bologna) 2 book illustrations with imaginary creatures2 colored woodcuts. Sheet each: 32 x 24 cm. Framed & behind glass : Each 41.5 x 31.5 cm. 2 depictions of imaginary creatures "Monstrum Alatum" and "Satyri figura altera cum tuba" with accompanying text in Latin, translucent typographic text and another depiction of a monster on the verso; from Ulisse Aldrovandi's "Monstrorum historia cum Paralipomenis historiae omnium animalium" (Description of deformities in man and in the animal kingdom), 1642. Je foxing and fingerprints. Italian philosopher, naturalist, biologist and physician; he founded the famous botanical garden in Bologna in 1568. About 24 Feb 2024 | probably 10:09 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

EHRET, Georg Dionysius(1708 Heidelberg - 1770 Chelsea) Botanische Illustration "Pavia"Kolorierter Kupferstich auf Bütten, teils mit Goldhöhung. Druckplatte: 42 x 27,5 cm, Blatt: 51,5 x 35 cm. Tafel XV "Pavia" mit Tuschbezeichnung in Griechisch von alter Hand, gestochen von Johannes Jacob Haid; aus Christoph Jacob Trews "Plantae selectae quarum imagines ad exemplaria naturalia Londini, in hortis curiosorum nutrita", 1750 - 1773. Etwas fleckig. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:40 Uhr (CET) EHRET, Georg Dionysius(1708 Heidelberg - 1770 Chelsea) Botanical illustration "Pavia"Colored copperplate engraving on laid paper, partly with gold heightening. Printing plate: 42 x 27.5 cm, sheet: 51.5 x 35 cm. Plate XV "Pavia" with ink inscription in Greek by an old hand, engraved by Johannes Jacob Haid; from Christoph Jacob Trew's "Plantae selectae quarum imagines ad exemplaria naturalia Londini, in hortis curiosorum nutrita", 1750 - 1773. Some staining. Aufrufzeit 24. | Feb 2024 | probably 10:40 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

EHRET, Georg Dionysius(1708 Heidelberg - 1770 Chelsea) Botanische Illustration "Liriodendrvm"Kolorierter Kupferstich auf Bütten, teils mit Goldhöhung. Druckplatte: 42,5 x 28 cm, Blatt: 51,5 x 35 cm. Tafel X "Liriodendrvm foliis angulris truncatis" mit Tuschbezeichnung in Griechisch von alter Hand, gestochen von Johannes Jacob Haid; aus Christoph Jacob Trews "Plantae selectae quarum imagines ad exemplaria naturalia Londini, in hortis curiosorum nutrita", 1750 - 1773. Etwas fleckig und stockfleckig. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:40 Uhr (CET) EHRET, Georg Dionysius(1708 Heidelberg - 1770 Chelsea) Botanical illustration "Liriodendrvm"Colored copperplate engraving on laid paper, partly with gold heightening. Printing plate: 42.5 x 28 cm, sheet: 51.5 x 35 cm. Plate X "Liriodendrvm foliis angulris truncatis" with ink inscription in Greek by an old hand, engraved by Johannes Jacob Haid; from Christoph Jacob Trew's "Plantae selectae quarum imagines ad exemplaria naturalia Londini, in hortis curiosorum nutrita", 1750 - 1773. Some staining and foxing. Aufrufzeit 24. | Feb 2024 | probably 10:40 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Four earthenware flagons bearing advertising including Fentiman's and G Gledhill Botanical Brewer Gosforth, height 28cm.

Five Boxes of Sundries to Include Teddy Bear, Glass Vase and Other Glass Items, Botanical Magazine Rack, Pictures and Prints, Books etc

Glasgow Tram Corporation History -  Botanical Gardens to Yoker via Battlefield, Garnwadric, Shawlands, Pollkshields, Gorbals, London Road, Monkland Street, Lorne School, North Hanover Street, Oatlands, Parkhead, Scotstoun, Uddingston etc

Pair of Botanical prints, after Emanuel Sweert (Dutch, 1552-1612) with hand colouring. Floral to bulb depictions of plants. Impressed into paper. Both framed and glazed. Label affixed to reverse reads ‘ Hand-Coloured Print – Made in Italy ‘. 32cm x 43cm, frame measures 44cm x 55cm. (2)

Victorian Travel Photograph Album Middle and Far East 1886, an extensive album, dated in pencil 1886, includes, P&0 Paramatta in harbour, views of Port Said (2), Suez Canal with SS Parramatta (2), Suez, groups of native Arabs (2), travellers on board SS Parramatta and views of Red Sea (7), Agra Taj Mahal, (4), Ahmedabad (4), Himalayas From Darjeeling, view of Darjeeling Railway with train (3), Darjeeling Woodlands Hotel, native scenes, Fort of Jamrud Khyber Pass (by Shepherd), Rangoon (Bourne & Shepherd), Mandalay various views (6) one by Bourne & Shepherd), Ceylon water buffalo plough team with natives, Colombo Harbour with moored ships, Sinhalese fishing boats (Scowen), Colombo street scene, Nuwara Eliya Sri Lanka (6), Tamil and Sinhalese native portraits (11), Sinhalese bullocks (3), Buddhist Priests Ceylon, botanical views (4), Penang (2), Singapore (2), Island of Macao (2), Canton City & River, Chinese Merchants House Canton with group of natives, Macau Passage Canton River, on the Canton River, three views in Canton one a street scene, album measures 27cm x 37 cm, together with three unrelated panoramic views of Rio each 33 cm by 12cm, F-VG, album P-Fthe book itself needs some attention, the front cover has come away from the spine, the pages are bent out of shape, the images are in good condition, please see additional images

Botanical Themed Cigarette Card Sets, all stored in plastic sleeves, mainly common sets, with some duplication, examples by Gallaher's (6) includes Plants of Commercial Value (100), Woodland Tree Series (100), Wills (29) includes Australian Wild Flowers (Wills Australia 50), Abdulla (1), CWS (5) includes Wayside Flowers (brown back 48), Wayside Woodland Trees (48), English Roses (24), R J Lea (2) includes Flowers to Grow The Best Perennials (50), Players (3) includes Useful Plants and Fruits (50), Carreras (4) P-VG, (50)

A collection of Botanical Etchings, all later coloured, covering various species of plant, various sizes, all framed and glazed (parcel)UK postage approx £60+VAT over two boxes

Original chromolithograph on paper by French painter and botanical artist Louise-Cecile Descamps-Sabouret who contributed illustrations for La Revue Horticole at the turn of the 19th century. This velvety lithograph in greens and yellows entitled Iochroma Flavum (Mini Angel Trumpet) is made with delicate details and great accuracy. On the lower part: L. Descamps-Sabouret, del. Chromolith. J.L Goffard, Bruxelles. Housed in a gilded wood frame. Sight size: 6.50"L x 9.75"H.Frame size: 14.25"L x 17.25"H x 1"W. Artist: Louise-Cecile Descamps-Sabouret (French b.1855-?)Issued: c. 1891Country of Origin: FranceCondition: Age related wear. Glass is missing from frame.

BOTANICAL PRINTS, a set of four, framed and glazed, 50cm H x 35cm W. (4)

BOTANICAL PRINTS, a pair, framed, 56cm x 41cm W.(2)

Set six Spode 'Georgian' dinner plates including: 'Woodman,' 'Girl at Well,' 'Rome,' 'Botanical,' 'Floral,' and 'Willow,' (diameter 26.5cm approx, each); together with a pair Churchill 'The Georgian Collection,' dinner plates, (diameter 25cm approx, each).

Group Spode blue & white tableware pieces including: set 4 'Italian' teacups and saucers; a large 'Italian' teacup & saucer; a pair 'Italian' salt & pepper shakers; together with a group 5 The Blue Room entree plates, including: 'Filigree,' 'greek,' 'Warwick Vase,' 'Willow,' and 'Girl at Well,' (diameter 23cm approx, each); and set 4 The Blue Room dinner plates, including: 'Woodman,' 'Girl at Well,' 'Rome,' and 'Botanical,' (diameter 26cm approx, each).

Contemporary school - still life with cabbage roses, watercolour, together with similar companion, probably by the same hand, 38x52cm, together with a botanical print (3)

A set of four gilt framed reproduction botanical points, Coldstream Guards print, and GB Cipriani by Bartolozzi - monochrome print and other unframed monochrome prints.

Assorted contemporary amateur art works, to include portrait and botanical studies (6)

20th century school - a set of ten botanical and butterfly studies, watercolours, unsigned, each 17 x 12cm

A pair of watercolour botanical studies of roses and tulips, signed S A Martin, 29 x 22 cm to/w two small portrait prints (4)

Limited edition annual pitcher decorate with raised botanical floral decorations, hand painted in pink, yellow, green, and blue colors. Gilded scalloped borders. Belleek backstamp. Dimensions: 5"L x 5.25"W x 13"HManufacturer: BelleekCountry of Origin: IrelandCondition: Age related wear.

Qing Dynasty, Kangxi Period Ca. AD 1662-1722 .A Chinese blue and white bottle vase. The globular body is decorated with a formal arrangement of plants and antiques, with a series of botanical patterns around the tapering neck. The vessel is finished with a metal mouth.一件中国青花瓶。球形瓶身饰有植物和古董的正式排列，锥形瓶颈周围饰有一系列植物图案。瓶口为金属。 Size: 260mm x 150mm; Weight: 1.6kg

CULPEPER NICHOLAS.  Culpeper's Works, Enlarged, Corrected & Improved, or The Complete English Family Physician ... with Valuable Additions & Improvements by Geo. Alex. Gordon. 3 vols. Eng. frontis & 209 botanical & anatomical plates. Dark half calf, marbled edges, a very useful set. Ownership inscription of W. Moss Harris, no. 972. N.d. but early 19th cent.

A group of late 18th Century Pearlware tea caddies, circa 1780, to include relief moulded and fluted, and shouldered cylindrical examples, all hand painted with botanical studies, floral garlands and chinoiserie landscapes with plain and patterned borders, tallest 11cm, damages. (6)

A set of five framed and glazed botanical prints, COLLECT ONLY.22 x 30cm Approx.

A set of six framed and glazed botanical prints, 38 x 32 cm, COLLECT ONLY.

Nine framed and glazed botanical prints. COLLECT ONLY.

Nine framed and glazed botanical prints, COLLECT ONLY.

Eight framed and glazed butterfly and botanical prints, COLLECT ONLY.

An early 20th century botanical print. 66 x 52 cm, COLLECT ONLY.

Two ecclectic mixed postcard albums: including European (Italy / germany / UK / Polish / France), Russian Royals. Pictorial and Moscow views (approximately 60+), together with various RP and printed European scenes, other pictorial printed examples; botanical, animals etc

2009 original Kew Gardens 50p coin from a limited mintage of only 210,000 struck by The Royal Mint. Obverse: crowned head the Queen facing right, small initials 'IRB' below for the engraver, Ian Rank-Broadley, denomination below in words ('FIFTY PENCE') and legend that reads 'ELIZABETH · II · D · G · REG · F · D'. Reverse: tall pagoda building associated with the Royal Botanical gardens at Kew, with a vine encircling from the base to the top. Date 1759 to the left and 2009 to the right. Designed by Christopher Le Brun. The rarest modern UK 50p that can be found in circulation, sought-after by change checkers. Mintage: 210,000. Face value: 50p. Finish: circulated. Composition: base metal alloy. Weight: 8g. Diameter: 27.30mm.

M'Alpine,D.: The botanical atlas. A guide to the practical study of plants containing representatives of the leading forms of plant life. 2 Bde. Edinburgh, Johnston 1883. Fol. Mit 2 chromolithogr. Titeln u. 52 chromolithogr. Tafeln. Illustr. Olwdbde. (Best. u. berieb., Rckn. tls. etw. läd.). - Etw. gelockert, tls. etw. fleckig u. gebräunt, wenige Bl. mit Randläsuren.