A collection of 27 assorted Collins New Naturalists, all in dust wrappers, ranging from number 2 to number 67 in the series, 18 of which UK 1st editions comprising 'Natural History in the Highlands and Islands' (#6); 'Insect Natural History' (#8); 'British Plant Life' (#10); 'Snowdonia' (#13); 'The Art of Botanical Illustration' (#14); 'Wild Flowers of Chalk and Limestone' (#16); 'Birds and Men' (#17); 'A Natural History of Man in Britain' (#18); 'Wild Orchids of Britain' (#19); 'The Weald' (#26); 'Sea-Birds' (#28); 'Grass & Grasslands' (#48); 'Ants' (#59); 'Inheritance and Natural History' (#61); 'British Thrushes' (#63, 2 copies); 'Waders' (#65); 'Farming and Wildlife' (#67), plus US 1st edition of 'British Seals' (#57) and 8 reprints, some dust wrappers with degrees of fading/browning/chipping (27)
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John Hill: 'The Family Herbal', Bungay, 1812, 54 hand coloured botanical plates as called for, contemporary calf gilt (worn), top board detached but present; plus William Withering: 'An Arrangement of British Plants', Birmingham and London, 1796, 3rd edition, volumes 2 & 3 (of four volumes), 12 engraved plates, contemporary calf gilt (worn), (3)
A fine pair of pearlware botanical sauce tureens and covers, circa 1810, probably Swansea, titled on bases and inside covers, 15cm wide x 19.5cm high - exhibited in the Royal Horticultural Society Loan Exhibition 'The Glory of the Garden' Sotheby's January 1987, number 111Condition report: Both with some minor enamel wear and rim fritting. One has a larger rim chip. Both covers have small chips on the inside rim, and one cover shows some restoration.
Japanese School (Edo/Meiji period)Still life study, an Orchid inscribed with calligraphic script, watercolour and ink on paper, palimpsest studies to verso, 23cm x 17cm, (1); a pair of botanical studies, inscribed, pen and ink on paper, 23.5cm x 16.5cm, (2); another similar study, palimpsest figures to verso, watercolour and monochrome wash on paper, 34.5cm x 24cm, (1), [4] Provenance: 1) Ex Richard Lane Collection. Richard Lane (1926-2002), well-noted and regarded scholar of Japanese art and literature of the Edo period (1615-1868), who established a reputation as one of the leading experts on Ukiyo-e ("Images of the Floating World"). Later his strong ties to Hawaii, commencing with his appointment to the Honolulu Academy of Arts as Research Associate for Ukiyo-e in 1959, led to them in 2003, after Lane's death, acquiring a substantial collection of Japanese, Chinese and Korean paintings, prints and rare books from his estate. 2) The Honolulu Museum of Art (formerly the Honolulu Academy of Arts), until their de-acquisition of some portions of the collection in 2018.
Botany - Local Association Copy, [de La Quintinie (Jean-Baptiste)], The Complete Gard'ner: or, Directions for Cultivating and Right Ordering of Fruit-Gardens and Kitchen Gardens, Now Compendiously Abridg'd, and made of more Use, with very Considerable Improvements, fourth edition corrected, London: Printed for Andrew Bell [...], 1704, frontispiece sellotaped to pastedown, fold-out botanical and horticultural engravings, contemporary panelled calf (boards taped to spine), ink MS ownership inscriptions and stamps: Joseph Dumelow, Castle Donnington, [near Derby], Leicestershire, dated 1838 & 1851, 8vo, (1); Thompson (Robert), The Gardener's Assistant [...], London: Blackie & Son, hand-coloured plates, contemporary green quarter-calf over marbled boards, marbled edges and endpapers, 4to, (1); Tinley (George F.), Colour Planning of the Garden, London: T.C. & E.C. Jack, Ltd., 1924, colour and b/w plates, green cloth, 4to, (1); Burnett (Gilbert T.), Outlines of Botany, including a General History of the Vegetable Kingdom [...], Two Hundred and Fifty Wood Engravings, volume I only, first edition, London: Henry Renshaw, 1835, contemporary polished brown half-calf over marbled boards, 8vo, (1); Rhind (William), A History of the Vegetable Kingdom [...], Revised, with Supplement, Illustrated by Several Hundred Figures, Many of them Coloured, London: Blackie and Son, 1868, contemporary half-calf over cloth, 4to, (1); Adams (H. Isabel), Wild Flowers of the British Isles, Illustrated [...], two-volume set, London: William Heinemann, 1907-1910, contemporary green cloth, 4to, (2); Flora of Tropical Africa, ten volumes, various imprints and dates, cloth, 8vo, (10); etc., [19]
Miscellaneous - Botany, Figuier (Louis), The Vegetable World; Being a History of Plants, with their Botanical Descriptions and Peculiar Properties, [...], Illustrated with 446 Engravings, Interspersed through the Text, and 24 Full-Page Illustrations [...], London: Chapman and Hall, 1868, contemporary calf gilt, red-stained edges, 20th century armorial bookplate, 8vo, (1); RAF, Lawrence of Arabia: Lawrence (T.E.), The Mint by 352087 A/c Ross, first trade edition, London: Jonathan Cape, 1955, h/b, d/j, 4to, (1); Local History, Chesterfield, (4); Bell's Peerage, 1892, one volume only, (1), [7]
A set of twenty-four framed botanical plateseach depicting a different plant or flower above its latin name, within two types of frame, the twelve larger framed examples: 30cm high x 21cm wide; the other twelve: 29cm high x 19.5cm wide. (24)For further information on this lot please visit Bonhams.com
A Jasper Ware jug decorated with relief moulded Oriental figures, impressed numbers to base but without makers stamp, height 19cm, together with a pink lustre hunting jug, height 14.5cm, a twin handled vase with geometric and banded decoration, birds and a dripping glaze, height 15cm, a hand decorated plate with central depiction of a female figure, possibly Ceres Roman God of agriculture, diameter 24cm, a later 18th Century botanical study creamware plate with original London gallery label to verso, a/f, and many other 19th and 20th Century British and Continental ceramics (15+)
A LATE 19TH/EARLY 20TH CENTURY MINTONS DESSERT SERVICE, red and gilt border surrounding hand painted botanical studies of corchids, comprising a pair of shallow bowls, a pair of square shallow bowls and six dessert plates, one badly damaged, printed backstamp and painted pattern No.G9190 (10) Condition Report One dessert plate is broken, cracked and chipped. The other five are as follows:- three are badly cracked, all five have crazing and sound defective when tapped, some are stained, especially on the backs, one has a chip to the rim with crackm extending from it. Bowls:- Circular - one has two substrutial chips to the rim and is cracked and stained, the other has a dull ring when tapped but no crack sound. The two square dishes - one is cracked and stained, mostly visible from the back and has a rim chip, the other dish has a dull ring when tapped but no crack found, there is a small rim chip to the front side. To all pieces some gilding loss to rims in places.
* Harris (Edwin, 1810-1895). Landscape with windmill, oil on canvas, depicting a large windmill and 2 small cottages on a heath, with a wagon on a track beside, signed lower right, 18 x 25.5 cm (7 x 10 ins), framedCondition Report: This oil on canvas is in generally good condition, with no major defects or damage. The surface of the picture is lightly discoloured, and would benefit from a gentle professional clean.Qty: (1)NOTESEdwin Harris, well-known for his topographical scenes of New Plymouth and Nelson, emigrated to New Zealand with his wife Sarah and their children in November 1840. The trials and tribulations which beset them in this foreign country were numerous, including losing most of their possessions when their log hut burnt down 2 months after arrival. Edwin began work there as a civil engineer, surveyor, and architect, and subsequently became a drawing master at a school in the town of Nelson. He instructed all his children in the rudiments of sketching and painting, and Emily (1837-1925), the second of his five children, experimented with a variety of artistic techniques, painting landscapes and botanical studies in watercolour and oils, as well as producing items painted on satin such as fire screens and fans. She exhibited these latter items locally as well as sending them for exhibition at the 1886 Colonial and Indian Exhibition in London. In an attempt to bolster her family's finances she also had her work published in 1890 in three books, entitled New Zealand Flowers , New Zealand Ferns and New Zealand Berries, each containing 12 lithographs after her paintings, and a further title, Fairyland in New Zealand , was published containing her illustrations. In 1924 63 of her watercolours were purchased by the Alexander Turnbull Library in Wellington for 10 shillings each, and her father's work is represented in a number of public collections in New Zealand.
* Pickles (Kathy, 20th/21st Century). Fritillaria Meleagris, 1995, fine botanical watercolour on off-white paper, signed and dated '95 lower left, 298 x 194 mm (11.8 x 7.7 ins) mount aperture, framed and glazedQty: (1)NOTESBotanical artist Kathy Pickles studied at Canterbury College of Art and then textile design at Winchester School of Art before going to Sussex University where she gained a degree in the History of Art. Her work has been exhibited seven times at the Royal Horticultural Society’s Flower Show, on each occasion winning a gold medal (1991-94, 1996, 2015, 2017). Her Gold Medal in 2015 was for 16 paintings of Fritillaria and Helleborus.
A 20th century school three botanical studies; a watercolour on paper, 'Ferraria Orchid', 'Bottle Brush', 'Cratageus Hawthorn', the largest example 34 x 29cm, framed and glazed.Additional InformationMinor wear/chipping rubbing to the gilding throughout, Ferraria with fold/tear to the left of the image approx 3cm in size also slightly dirty. Bottle Brush image also slightly dirty.
A group of early nineteenth century blue and white transfer-printed Wedgwood wares, c.1820-30. To include: A Botanical series cup and saucer, a Botanical series waste bowl, a Blue Bamboo side plate and a Pagoda pattern cup and saucer. Plate: 18 cm wide, Bowl: 16 cm wide. (4)Condition: Waste bowl: hairline from rim, Botanical cup with two small chips to the rim of the saucer. Provenance: The Arthur and Julia Roberts Collection
* [India]. Group of autograph letters signed, 18th and 19th century, comprising: 1. Dirom (Alexander, 1757-1830), army officer, to East India Company director Simon Fraser, Frith Street, London, 10 April 1793, advising of a delay in payment (‘I expected to have heard from Messrs Meyricks to day that they had received some money on my account’), single bifolium written on 1 side, wax seal, old paper extension to conjugate leaf, 4to (22.8 x 18.5 cm), 2. Shuldham (Thomas, 1756-1832), army officer, as aide-de-camp to Sir Robert Abercromby, commander-in-chief, India, to a carriage maker (‘Sir’), Calcutta, 16 February 1794, providing detailed instructions for the provision of ‘a phaeton without a hood finished in the very highest stile’, single bifolium written on 2 sides, 4to (23 x 19 cm), 3. Carey (William, 1761-1834), orientalist and missionary, to ‘My Dear Sir’, Serampore, 13 March 1823, discussing botanical specimens including Beaumontia grandiflora, single sheet written on 1 side, 4to (19.5 x 18.5 cm), 4. Colebrooke (Sir George, 1729-1809, 2nd Baronet), banker and chairman of the East India Company, to ‘Sir’, Bath, 18 April 1809, seeking a place to deposit family records and indentures, single sheet written on 1 side, removed from an album with card residue verso, 4to (23.7 x 19.2 cm), 5. Overbeck (Daniel Anthony, 1764-1840), last Vereenigde Oostindische Compagnie governor of Chinsurah, to John Edmonds, British missionary, Chinsurah, 2 September 1826, on Edmonds’s imminent return to Britain, single bifolium written on 3 sides, remains of seal, 8vo (20.6 x 12.6 cm), and 5 other items, including: Martin F. Tupper (1810-1899), poet, 'Two Sonnets on a rumoured Proclamation', c.1860, autograph draft of 2 poems, incipit 'Our Empress Queen!' and 'A dream of Empire', signed 'Martin F. Tupper, Albany, Guildford' verso, single sheet, 4to; Frederic Augustus Thesiger, 2nd Baron Chelmsford (1827-1905), autograph letter signed, 9 May 1892, single sheet, 12mo; and 'Inspection and Retrospection', North-Western Provinces, India, 1883, anonymous manuscript poem in 17 stanzas, 6 pp., folioQty: (10)NOTESFrom 1790 to 1792 Alexander Dirom was deputy adjutant-general of Company forces in the Third Anglo-Mysore War. He wrote A Narrative of the Campaign in India (1794) and retired with the rank of lieutenant-general. Thomas Shuldham reached the rank of major-general and served as commander of the Sirhind division (see The East India Register and Directory, for 1828, p. 24).
Evelyn (John). Silva: Or, a Discourse of Forest-Trees, and the Propagation of Timber in His Majesty's Dominions: As it was delivered in the Royal Society on the 15th Day of October, 1662, 1st edition, York: Printed by A. Ward for J. Dodsley, 1776, engraved portrait frontispiece, 40 engraved plates, including one folding, folding table, subscribers list present, repaired long horizontal closed tear to 4A4, and short closed tear to inner blank margin of 4M5, occasional light offsetting, toning and scattered spotting, armorial bookplate of Margaret Smith Burges to upper pastedown and laid down manuscript note to front free endpaper referring to measurements of various trees with another note in a different hand 'This remark was written by Lord Devonshire when he visited Parkanaur 1845, J.S.B.', contemporary calf, rebacked preserving original gilt decorated spine and maroon morocco title label, boards scuffed and a little worn, board corners worn & showing, 4to, together with: Lindley (John) , Flora Medica; A Botanical Account of all the more important Plants used in Medicine, in different parts of the World, London: Longman, Orme, Brown, Green & Longmans, 1838, half-title, modern bookplate of Noel Lothian to upper pastedown, contemporary calf by Nutt & Son, gilt decorated spine and borders to boards, olive green morocco title label to spine, 8voQty: (2)
* Curtis (William). Eleven hand-coloured botanical engravings from Flora Londinensis, [1777-98], 11 large folio hand-coloured copper engraved plates, heightened with gum arabic, each with accompanying leaf of printed descriptive text, a few light spots (plates generally in clean condition), disbound and loose, sheet size 48 x 30 cm (19 x 12 ins)Qty: (11)NOTESThe plates comprise: Campanula Rotundifolia (Heath Bell-flower), Geranium Pratense (Crowfoot-leaved Crane's-bill), Lonicera Periclymenum (Honeysuckle or Woodbine), Orchis Morio (Meadow Orchis), Veronica Agrestis (Procumbent Speedwell), Linaria Vulgaris (printed text not present), Primula Veris (Cowslip), Hyacinthus Non Scriptus (Bluebell), Ligustrum Vulgare (Privet, or Prim), Scandix Anthriscus (Rough Chervil), Lychnis Dioica (Red Campion, and Malva Sylvestris (Common Mallow).
Bauhin (Caspar). [Prodromos] Theatri Botanici in quo plantæ supra sexcentæ ab ipso primum descriptæ cum plurimis figuris proponuntur, 2nd edition, Basel: Joannis Regis, 1672, printer's woodcut device to title, numerous woodcut botanical illustrations, browning and spotting throughout, bookplate of Leonard E. Newton to upper pastedown, 20th century vellum-backed printed boards, 4toQty: (1)
Candolle (Alphonse de). Lois de la Nomenclature Botanique, re?dige?es et commente?es, 1st edition, Paris: V. Masson et Fils, Libraires, 1867, 60pp., title with three ink ownership stamps (including A. Gubler & L.E. Newton Library), bookplate of Leonard E. Newton, modern cloth-backed stiff wrappers, typed title label to upper cover, slim 8voQty: (1)NOTESAlphonse de Candolle (1806-1893), was the son of botanist Augustin Pyramus de Candolle. He initially studied law, but his interest in botany developed until he finally succeeded to his father's chair at the University of Geneva. He published a number of influential botanical works, including continuations of the Prodromus in collaboration with his son. He developed the first Laws of Botanical Nomenclature, which was adopted by the International Botanical Congress in 1867, and became the prototype of the current International Code of Nomenclature for algae, fungi, and plants. In 1855 de Candolle published Géographie botanique raisonnée which was a ground-breaking work, having a significant influence upon Harvard botanist Asa Gray. In 1859 he was elected a foreign member of the Royal Swedish Academy of Sciences and in 1889 awarded the Linnean Medal.
LODDIGES (CONRAD) & SONSThe Botanical Cabinet, Consisting of Coloured Delineations of Plants from all Countries with a Short Account of Each, 20 vol., engraved titles with decorative borders, 2000 hand-coloured engraved plates (approximately 30 folding) by George Cooke after drawings by several artists, each with small library blindstamp occasionally touching image but usually unobtrusive, 2 uncoloured plates in volume 11 and additional uncoloured plate 684 in volume 7, 9 plates shaved, engraved titles foxed, slight spotting and occasional offsetting, a few titles and final leaves backed, later green morocco-backed boards, shelfmarks at foot of spines [Dunthorne 187; Great Flower Books, p.160; Hunt, p.219; Nissen BBI 2228], 4to, John & Arthur Arch, 1817-1833Footnotes:Provenance: Sotheby's, Atlases, Travel and Natural History, 12 December 1994, lot 79This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
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14378 item(s)/page