We found 14383 price guide item(s) matching your search

Four framed and glazed contemporary Oriental botanical prints of various flowers. H.73 W.53cm

Four framed and glazed contemporary Oriental botanical prints of various flowers including Iris, Snakehead Fritillary and Blue Poppy. H.73 W.53cm

HENFREY.  Botanical Diagrams. 3 rolled hand col. botanical plates, approx. 22" x 30". All chipped, one torn. Van Voorst for The Department of Science & Art, 1854.

A pair of hand-coloured botanical prints, a colour print after Picasso, a Thai temple rubbing and two other pictures, birds

A PAIR OF BOTANICAL PRINTS OF FRUIT, 20TH CENTURY 64 cm x 42 cm (frame) and A EARLY 20TH CENTURY OIL STILL LIFE OF ROSES, and A SMALL WATERCOLOUR OF A MOORLAND SCENE, C1920

Royal Worcester Oven to Table Ware; Spode Stafford Flowers dish; Royal Horticultural Society plates, Hookers Fruit; Portmerion Botanical Garden; Laura Ashley; etc

A QUANTITY OF DECORATIVE PRINTS, TO INCLUDE A SET OF FOUR BOTANICAL STUDIES TOGETHER WITH A FLORAL RESIN PLAQUE

Ann Allen (21stC). A botanical study of Snakes Head Fritillaries, watercolours drawing, signed in pencil AA, 22cm x 16cm, framed.

THORNTON'S TEMPLE OF FLORA; the 1951 edition reproduced by the original Geoffrey Grigson featuring coloured plates, pub. Collins London, and five coloured botanical prints after G.G. Ehret, framed and glazed.Additional InformationSome visible spotting and browning to the botanical prints, some spotting and browning to the book interior. Some tears, creasing, marks and scuffs to exterior.

A mixed lot of ceramics including a George Jones 'Crescent China' vase, height 6.5cm, set of five Wedgwood botanical painted ribbon plates, Chinese stands, etc (numerous af).Additional InformationFour of the plates with cracks, further items with chips, etc.

A watercolour painting by Stuart Lowdon titled to reverse “Azalea, Tresco Abbey”, signed, 5¾” x 8¼”; together with three coloured botanical prints; & various decorative ornaments.

BOTANICAL ETCHING TITLED IN PENCIL TO THE MARGIN 'A FIELD OF GREEN ROSEMARY...', SIGNED TOM BUTLER, NUMBERED 1/1, (16CM X 11.5CM), FRAMED AND GLAZED

A Spode botanical bone china centrepiece: of two-handled oval form on scroll feet, transfer printed with 'Cenothera & Serapias' within gilt scrollwork borders, printed mark & title, 23cm wide.

A Minton porcelain botanical part dessert service: each piece finely painted with rose sprays on a pale green ground within a gilt key pattern and line border, impressed factory mark with date codes predominantly for 1876, painted shape no. G2247, comprising: two comports and five plates; together with a matched plate, shape no.G1559, eight pieces [two with minor wear].

Group of four 19th century Chinese paintings on rice paper, to include three various images of vases of flowers and a figural group, together with a 19th century English botanical watercolour, all in glazed frames, the largest 28 x 18cmProvenance: The Robert Barley Collection

Stamps a selection of early presentation packs mostly early 1960s including Gepgraphoical, botanical, Shakespeare etc plus a range of modern covers, presentation packs, PHQ sets and modern banknotes

A collection of mostly named ceramics. Comprising of a Portmeirion 'Botanical Garden' clock, a Wade port barrel, and 'Copeland Spode' lidded jar etc. Condition good.

PAINTINGS AND PRINTS, to include two watercolour botanical studies with indistinct monogramme, framed, largest size approximately 48cm x 33cm, framed botanical prints, framed Alphonse Mucha prints, William Russell prints, Henry Alken prints, topographical prints etc, together with an ornate gilt frame with fitted light source and John William Waterhouse print, frame size excluding light approximately 68cm x 57cm

° Sowerby's. A set of twelve botanical books (containing 600 colour plates), vols 1 to 12

A pair of Botanical coloured prints (28cm x 20cm) and another pair of Floral prints in single frame (3)

19th century watercolour, botanical study, sheet size 27cm x 22cm, unframedA few fox marks in the background, paper discoloured at the edges

Francis Blagdon, "Modern Discoveries, Or, A Collection of Facts and Observations, Principally Relative to the Various Branches of Natural History, Resulting from the Geological, Topographical, Botanical, Physiological, Mineralogical, and Philosophical Researches of Celebrated Modern Travellers in Every Quarter of the Globe", vol I, London, James Ridgway, 1802

A set of five botanical coloured prints to include Viola and Orchids, all framed (5).

Alicia Margaret Tyssen Amhurst, Lady Rockley (British, 1865-1941), botanical studies, seven, each initialled A.R, two dated 1935, watercolour 35 by 24.5cm, framed , together with a copy of 'A History of Gardening in England', Alicia Amhurst, Bernard Quaritch, London, 1895, first edition (8). Note: the artist was an English horticulturist, botanist and author of the first scholarly account of English Gardening History published in 1895. Provenance: passed by descent through the artist's family

A group of Daniel porcelain circa 1830, including three cabinet plates with apple green and gilt borders framing titled botanical studies, another cabinet plate with turquoise and gilt border finely enamelled with a loose bouquet, a notched square plate with heavy gilt borders interspersed with flower bouquets and two oblong card trays, one with pierced handles and green border and flowers, the other with shelf formed handles and scattered bouquets (two trays). Three cabinet plates - one with numerous hairlines, one with a star crack and hairlines, the other with numerous paint scratches. Turquoise plate with a hairline and surface scratches. Notched square plate with several hairlines, crazing and with some rubbing and paint scratches. Oblong card tray one with numerous hairlines and repairs. Card tray two with hairline cracks, repairs and paint scratches. £200-300

Michaela Yearwood-Dan You're Doing Great My G Acrylic, Gouache, Ink and Gold Leaf on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Michaela Yearwood-Dan, a contemporary British artist born in South London in 1994. Completing her BA in Fine Art Painting at the University of Brighton, before residing back in London, Yearwood-Dan often depicts a variety of topics based on observations of society and self. Her works tend to explore themes of class, culture/race, gender and nature and in later more current works love, loss and reflection all whilst remaining playful, personal and vibrant. Working predominately with paint and collage, Yearwood-Dan's art is habitually thick and sumptuous with references to both the origins of traditional Fine Art and pop culture; including images of late night food spots, overtly feminine stereotypes, botanical influences within personalised visual narrative. As a contemporary artist working in a historically renowned (and critically in some cases seen as a "dying art form") Yearwood-Dan's work heavily focuses on method and technique, often borrowing and adapting traits from western, Japanese and Chinese historical painting and craft. Her vibrant and luxurious style is underpinned by an expansive repertory of cultural signifiers, borrowing freely from millennial culture, blackness and feminism: texting, acrylic-nails, gold-hoops, carnival culture, and a lush, omnipresent flora which evokes seeding, propagation, growth and alludes to the intimate, infinite possibilities of a diaspora. Michaela Yearwood-Dan's work is in continuous metamorphosis as it is highly expressive and dependent on her own identity, vision and philosophy of life, as a young British artist.   Recent exhibitions include a solo show at Tiwani Contemporary (2019), One English Pound, Sarabande, The Lee Alexander McQueen Foundation (2019); New Contemporaries, Baltic, Gateshead and Block 336, London (2018); After Cesaire/Morden Tropiques, Platform Southwark, London (2018).  

Michaela Yearwood-Dan It's Yours for the Taking Babe, 2021 Acrylic, Gouache, Ink and Gold Leaf on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Michaela Yearwood-Dan, a contemporary British artist born in South London in 1994. Completing her BA in Fine Art Painting at the University of Brighton, before residing back in London, Yearwood-Dan often depicts a variety of topics based on observations of society and self. Her works tend to explore themes of class, culture/race, gender and nature and in later more current works love, loss and reflection all whilst remaining playful, personal and vibrant. Working predominately with paint and collage, Yearwood-Dan's art is habitually thick and sumptuous with references to both the origins of traditional Fine Art and pop culture; including images of late night food spots, overtly feminine stereotypes, botanical influences within personalised visual narrative. As a contemporary artist working in a historically renowned (and critically in some cases seen as a "dying art form") Yearwood-Dan's work heavily focuses on method and technique, often borrowing and adapting traits from western, Japanese and Chinese historical painting and craft. Her vibrant and luxurious style is underpinned by an expansive repertory of cultural signifiers, borrowing freely from millennial culture, blackness and feminism: texting, acrylic-nails, gold-hoops, carnival culture, and a lush, omnipresent flora which evokes seeding, propagation, growth and alludes to the intimate, infinite possibilities of a diaspora. Michaela Yearwood-Dan's work is in continuous metamorphosis as it is highly expressive and dependent on her own identity, vision and philosophy of life, as a young British artist.   Recent exhibitions include a solo show at Tiwani Contemporary (2019), One English Pound, Sarabande, The Lee Alexander McQueen Foundation (2019); New Contemporaries, Baltic, Gateshead and Block 336, London (2018); After Cesaire/Morden Tropiques, Platform Southwark, London (2018).  

NO RESERVE Juveniles.- Halsted (Caroline A.) The Little Botanist; or Steps to the Attainment of Botanical Knowledge, vol.1 only (of 2), hand-coloured engraved frontispiece, 14 engraved plates, occasional staining, contemporary morocco-backed cloth, spine gilt, rubbed, John Harris, 1835; and 6 others, Juveniles, v.s. (7) sold not subject to return.

Botany.- [46 Hand-coloured botanical plates], lithograph plates coloured by hand, occasional faint spotting, 3 with short tears, chipping to some edges, disbound, c.1870s; sold as a collection of plates, not subject to return

Botany.- Herbarium.- [Frederick I, Grand Duke of Baden.] Album of pressed ferns, flowers etc., c.25 ff. of pressed flowers and illustrations, including an original gouache Alpine landscape, each captioned by hand, tissue-guards, occasional spotting and off-setting, some abrasion marks where pressed flowers removed, cracked hinges, original roan-backed boards, gilt, rubbed and worn, c.1850s § 3 albums of botanical samples, most ff. with multiple samples, captions opposite, some spotting or staining, contemporary cloth albums, 1947, oblong 4to, (4).⁂ The first mentioned traditionally understood to be an album for Grand Duke Frederick I's herbarium with his inscriptions.

Mid 19th Century hand-painted heraldic illumination by Henry Shaw F.S.A. in carved gesso frame with relief details and sculpted decoration. The illumination was commissioned by the Bertie family, whose coat of arms is made up of three parallel battering rams on a grey shield. The border and central column of the illumination is comprised of crests of notable families to include Chester, Valoines, Albany, Norwich, Warren and many more. Within the two central dark blue rectangular panels is the family lineage beginning in 1562 with John De Vere, Earl of Oxford. Notable individuals are highlighted with a crown motif above their name or a blue border to show a position of influence. Interspersed between the formation of names is botanical decoration and a number of creatures to include butterflies, insects and birds.108cm x 118cm (42.5in x 46.5in)

A box of assorted ceramics to include Portmeirion Greek key part coffee set (one saucer chipped, no pot), French botanical modern tea and dinner wares, art pottery leaf dishes from Isles of Scilly etc [quantity in 2 boxes]

Two early 20th century stoneware beer jars, one by Mitchells and Butlers Ltd., the other by The Birmingham Botanical Brewery Co. 1930 (handle chipped), with perished cork stoppers. Heights 35cm. and 27cm. (2)

A Victorian Staffordshire twin-handled pottery comport with botanical decoration "Hollyhock", broad blue and gilt borders, 22cm high(1)

Botanical/Horticultural Interest. Collection of books to include Gerard's Herball, by Marcus Woodward, Edinburgh: R. & R. Clark for Gerald Howe, 1927; Taschenflora des Alpen-Wanderers, by Ludwig Schroter, Zurich: Albert Raustein, no date; Our Country's Flowers, by W. J. Gordon, sixteenth thousand, London: Simpkin et al., no date; Shakespeare's Wild Flowers, by Eleanour Sinclair Rohde, London: Medici Society, 1935; A Countryman's Day Book, by C. N. French, London: J. M. Dent, 1929; Culpeper's Complete Herbal, Halifax: Milner & Sowerby, 1859, and others (41)

Robert Tanner wine & spirit merchant South Molton glazed stoneware flagon, John Hollows Botanical Brewer Sping Mills Water Lane Leeds glazed stoneware flagon and three other pieces of glazed stoneware

A 19th century botanical print (af), 44x35cm; together with one other of magnolia, 20x24cm

A Victorian glass celery vase, with wheel-cut botanical design, height 22.5cm, and a hobnail cut-glass box and cover, length 12cm (2)

A Crown Derby plate with painted botanical study, by Cuthbert Gresley, diameter 26cm

Brunner, Elise (wohl 1831-1890).: Album mit 26 montierten, gouachierten botanischen und pomologischen Handzeichnungen. Verschiedene Formate. Bern, datiert 1847-48. Qu.4°. Halblederband d. Z. mit Rückenvergoldung. Sehr qualitätvolle Darstellungen von Blumen und Früchten, möglicherweise von der Hand der späteren bekannten Berner Alpinistin dieses Namens. Zumeist im Unterrand bezeichnet. - Schönes Kolorit, wohlerhalten. - Album with 26 gouache botanical and pomological drawings. Contemporary half leather. Good condition. R

Sammlung: von 23 Schriften Botanik in engl. u. franz. Sprache, versch. Formate u. Einbde. (Tls. läd.). Tls. Zeitschriften od. Einzelbände aus mehrbändigen Werken. ╔Enthält u.a.:╗ Curtis's Botanical Magazine... Vol. 25. London 1807. - Hulme,E. Wild fruits of the countryside. London 1902. - Linden,J. L'Illustration horticole. 4. Serie, Bd. 3. Gand 1883. - Weitere. Versch. starke Gebrauchsspuren, nicht eingehend kollat.

An antique ceramic blue and white transferware design meat platter with 'Botanical Beauties' design by Elkin and Newton along with an Ironstone hand coloured bowl, with bird and flower design. Makers stamp to the base. H.5 L.45 W.36cm

Jean Baptiste after de PoillyA basket of flowers, engraving, hand-coloured, 44.5 x 38.5cm; three similar and a further pair of botanical prints (6)

GOULD, Sarah (British contemporary), a pair of botanical watercolours on paper (image size W 24.5cms x 33, framed size W43 x 52 cms)and an oval botanical watercolour on calfskin vellum [3]

A group of Portmeirion pottery decorated in the Botanic Garden pattern, including storage jars, oval platters, bowls, plates, and a salt and pepper, together with a Kew Royal Botanical Gardens porcelain teapot, and a Portmeirion pottery jug decorated in the Pomona pattern. (a quantity)

A wood 3D viewer, together with a collection of approximately 95 cards.Condition report: Viewer: Fair condition with minor signs of age.  Lenses good.  In working order.Cards: All fair to good.  Subjects include topographical Europe and Edward VII funeral procession and lying in state, Kew Gardens, botanical and nature studies.

A quantity of ceramics to include a Ridgway jug, a stoneware jar for 'Botanical Brewer T Brierley Hindley 1925', a pair of Victorian vases, various meat platters, Spode Italian ware bowl, Parian ware figure of Queen Victoria seated and a Victorian pitcher and bowl.

A Portmeirion 'Botanical Ware' part tea, coffee and dinner service comprising plates, bowls, platter, teapot, hot water jug, cups, saucers, ramekins, jugs, etc.

Great Britain 1964 (8 May) Botanical (10th International Congress) Edinburgh Aug 1964, London FDC (Stanley Gibbons)

Great Britain FDC 1964 (5 Aug) Botanical Congress Phosphor set, Southampton date stamps, J. Saundons

Great Britain FDC 1964 (5th August) Botanical Congress non phosphor set London CDS, Eric Etkin A/P

A Coalport, Thomas Rose, botanical teapot and cover, c1805, 16cm h, painted titles Passion Flower and Nasturtium in gilt script and a Flight and Barr shanked teapot, cover and stand, c1792-1800, incised B, pattern 10 (5)

A Coalport botanical plate, c1810, painted with a double specimen in rose border and gilt, 21cm diam, painted title in blue script Anemone, a contemporary cushion shaped dessert dish painted with a specimen of the dingy flowered glyceine and a dessert plate, painted with a version of a Spode rose pattern, c1820 (3) Provenance: Sir Roy Strong

A Minton botanical dessert service, c1852, with lightly moulded turquoise border ribbon, the service including two stands, 23cm diam, impressed PODR mark for 26 June 1846, pattern A1372 (14)

Two stoneware flagons for Pigott Summertown Stores, Oxford and Scotts Botanical Brewers, Bolton, tallest 29cm

Four stoneware flagons for Shergold and Kimber, Cirencester, Joseph Firkins, Tewkesbury and Upton upon Severn, S. Stone Botanical Brewer, Gloucester, and Stroud Brewery Co Ltd, tallest 39cm

SERIES OF FOUR PRINTS OF ENGRAVINGS OF THE SEASONS, ALONG WITH A SET OF BOTANICAL PRINTS

A MIXTURE OF CERAMICS TO INCLUDE A MASONS DECORATIVE JUG AND VASE , BOTANICAL SERVING DISH WITH 4 SMALL BOWLS ETC

Victorian school, pair of botanical studies, watercolours, pierced frames. 21 x 16cm approx. (2)(B.P. 21% + VAT)

Three vintage two tone stoneware flagons to include James Williams, Narberth and Glasgow, C.U.Breweries, Carmarthen, and H.Greenhalgh Botanical Brewer, Aberaman 1923. (3)(B.P. 21% + VAT)