Hornsea storage jar, Hornsea cruet set with wooden stand, Portmeirion large plates and three large platters 'Botanical Garden', a large Portmeirion casserole, two Royal Worcester souffle dishes, four Royal Worcester egg coddlers, three Hornsea oval-shaped dinner plates and a Royal Winton butter dish
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SET OF TWELVE DERBY BOTANICAL PLATES, circa 1790, pattern 216, painted with a large botanical specimen inside a canary yellow and gilt, fluted border, blue painted factory marks and specimen title, diameter 23cm (12) The specimens include: Hollyhock, Tagetes Patula or French Marigold, Cistus Formosus, Aster Alpinus, Larkspur, Tall Blue Aster, Catesbaea Spinosa, Lathyrus Sativus or Chickling Vetch, Batchelor's Button, Coreopsis Verticillata, Dio... Lychnis and Trillium Sefsile
SET OF NINE DERBY BOTANICAL DISHES, circa 1790, pattern 216, painted with large botanical specimens inside canary yellow and gilt borders, comprising two heart-shaped dishes, three single handled dishes and four quatrefoil dishes, blue painted factory mark and specimen title (9) The specimens include: Madagascar Perriwinkle, Ixia Chinensis, Camellia Japonica, Browallia Elata, Erica Ampullacea, Erica Grandiflora, Scarlet Bizarre Carnation, Virginian Tradescantia or Spider-wort, Pancie or Hearts-ease.
Martyn (Thomas). Flora Rustica: exhibiting accurate figures of such plants as are either useful or injurious in husbandry, drawn and engraved by Frederick P. Nodder, Botanic Painter to Her Majesty..., 4 volumes bound in 2, 1792-94, 144 hand-coloured engraved botanical plates, continuous pagination throughout all 4 volumes, contemporary quarter vellum, hand-titled in brown ink to spines, rubbed and some marks, 8vo Nissen BBI 1291. Pritzel 5929. Great Flower Books, page 118. (2)
Shaw (George & Nodder, Frederick P. ). The Naturalist's Miscellany..., volumes 4-6 only, circa 1790, approximately 110 hand-coloured plates, a few folding and a few detached, lacks some text leaves, contemporary quarter calf, some wear, volume 4 broken on spine, together with 3 further defective 19th-century botanical books with some hand-coloured plates, many detached, broken and worn, all 8vo Sold as a collection of plates not subject to return. (6)
Thirteen books of botanical interest to include: SINCLAIR-RHODE, Eleanour - The Scented Garden - January 1932, third imp., with a typed letter from the author, dated 20th January, 1941 and by the same author, The Old English Herbals - Minerva Press, limited edition no. 134 of 500 copies; LIVINGS - Twelve White Flowers - with all plates [as called for]; JEKYLL, Gertrude - Wood & Garden - 1899; STERN, F. C - Snowdrops and Snowflakes; Flora and Sylva - Vol I only and eight others (13)
REISS GEORGE F. A collection of 14 mounted wood engravings, some of views around Kendal, other botanical. Mainly ltd. eds. Late 1920's to early 1960's; also a pen & ink drawing of "A bit of Old Kendal" by another hand & a ltd. ed. engraving of a fairground by Harold Albert Maddick (purchased at retrospective 50th Exhibition of the Society of Wood Engravers). (16).
Sydney Harpley RA (1927-1992) ''Singapore Girl on a Swing'' Signed in the cast and numbered 4/6, 6 June 1984, on a black slate base and stand, bronze, life size Bronze: 158cm high, 170cm wide (approx.) Base: 45cm high, 88cm wide, 62cm deep Plinth: 8cms high, 84cm wide, 59cm deep Exhibited: Royal Academy Summer Exhibition, 1984, V15 Harrogate Festival Exhibition, 1985 On loan to the Mercer Art Gallery and the Harrogate Town Hall since 1991 *Artists' Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Sydney Harpley was born in 1927 and served in the army National service 1945-48. Between 1950-53 Harpley studied sculpture at Hammersmith School of Art, where he gained the National Diploma in Art and Design. This was followed with a period spent at the Royal College of Art from 1953-56 and was made an Associate of the Royal College of Art. Harpley first exhibited sculpture at the Young Contemporaries in London and the Royal Academy Summer Exhibition of 1954, subsequently exhibiting at the latter every year. Harpley has held a number of highly successful one man shows, including those at The Society of Arts, Cape Town, South Africa (1964), Adler Fielding Gallery, Johannesburg, South Africa (1964), The White House Gallery, Breda, Holland (1974), Nevil Gallery Bath, UK, (1983) to name but a few amongst others within Europe and the United Kingdom. Mixed exhibitions have also been numerous within England. In 1958/9 Harpley was commissioned by London County Council to produce two sculptures, which was quickly followed by a commission from Hemel Hempstead New Town in 1960 for another four works. Cape Town has an over life size memorial to Jan Christian Smuts, amongst other international commissions, but perhaps ''Girl on Swing'' for the Singapore Botanical Gardens of 1984 is most notable here being no.1 from the edition of 6 and commissioned by his Excellency David Marshall, Singapore Ambassador to France. Harpley also lectured at several art schools within the United Kingdom and acted within various committees including the Selection Committee for RA, the Summer Exhibition (1975-76), Council of RA (1975-6) & 1982-3. Bronzes by this important Neo-Romantic artist can be found in many international and national collections including the National Gallery of New Zealand, the National Gallery of South Africa, Bradford City Art Gallery, University of Leeds (The Stanley and Audrey Burton Gallery), Samuel Josefowitz Collection, Geneva, Fleur Cowles Meyer Collection, London and the Paul Mellon Collection, USA. He has also produced several significant portrait busts on commission which include: HSH Prince Albert of Monaco for HSH Princess Grace of Monaco, Lee Kwan Yew, Prime Minister of Singapore and Viscount Villiers for Lord Jersey to name but a few. Sydney Harpley's work captures the full grace of the female form. ''Girl on a Swing'' should be considered one of his finest works representing neo-romanticism in its purest form and arguably equivalent to some of the earlier work produced by Degas and Rodin of a similar theme.
All World Stamps Early to Mid XX Century, predominantly used with plenty of interest on a full album. Together with an attractive Victorian greeting card and decoupage album which lends itself to re-purposing and a collection of G.B. and Canadian F.D.C's, including a Canadian Cover posted to Bakewell in 1952 bearing Queen Victoria and Edward VII stamps, Battle of Britain, Coronation and Botanical Congress.
Fourteen Early G.B. Presentation Packs. 1964 Shakespeare Festival, Geographical Congress, Botanical Congress, Forth Road Bridge. 1965 Churchill, Parliament, Battle of Britain, P.O Tower. 1966 Robert Burns, Westminster Abbey, World Cup, Birds and Technology. All in good flat condition and now cataloguing very highly.
A Significant Large Album of Edwardian and Georgian Picture Postcards, depicting Sheffield and its environs. Vibrant inner city street scenes, transport and railway station interiors. Many real photographs of the suburbs, parks, municipal buildings, 1905 Royal Visit Arches, illuminated trams, Empire Day, the university, Montgomery Road, Botanical Gardens, Whiteley Woods and much more. Viewing recommended.
A COALPORT PORCELAIN PART DESSERT SERVICE, c.1835, comprising four plates, a square dish and pedestal tazza, all painted in polychrome enamels by Stephen Lawrence with botanical specimens including tulips and an auricula, within cobalt blue borders enclosing scroll panels of summer flowers and gilt highlighted ecru scrolls, plates impressed 2, all numbered 4/412, plates 9 1/4" diameter, tazza 6" high (6) See "Coalport 1795-1926" by Michael Messenger, ACC 1995, pp.284/5 (Part Illustrated) (Est. plus 18% premium inc. VAT)
A COALPORT BOTANICAL DESSERT STAND WITH CANTED CORNERS, OUTSIDE DECORATED, C1815 boldly painted to the centre with a poppy in a border of cabbage roses, on four gilt feet, 20.5cm w, painted title Spatlin Poppy in blue script ++Localised crazing of the glaze that has a slight stain and wear to gilding on the rim. No restoration
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