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A collection of six hand coloured engraved botanical prints, with a colour print of Narcissus, the largest 52 x 34cm, all framed and glazed.Condition Report: Browning and foxing, some wear to the frames.

PHILLIPS, Henry: 'The History of Cultivated Vegetables Comprising their Botanical, Medicinal, Edible, and Chemical Qualitiesl; Natural History and Relation to Art, Science and Commerce'. Second Edition in two vols. London, Henry Colourn, 1822. The text blocks are complete. Both front and rear boards are present but detached. Spines will need restoration.

J Watts after Edward Dalton Smith (1800-1883), three 19th century hand coloured botanical prints of geraniums, each 21x13cm, published by J Ridgeway, Piccadilly, circa 1820-26, Old Church Galleries label to verso

A pair of hand coloured botanical prints 'Echinops' and 'Althaea', each 23.5x12.5cm; together with a faded Japanese print of chrysanthemums (worm damage), 37.5x25cm (3)

A set of six 19th century English botanical porcelain dessert plates, hand-painted with central floral design in a turquoise border jewelled with interlaced gilt embellishment, 24 cm diameter, together with two other Victorian plated jewelled with turquoise interlaced border, with registration mark to underside, 23 cm diameterProvenance: Contents of the Estate of Sir Frank Williams CBE and Lady Virginia Williams.

A collection of early 19th century Crown Derby porcelain, to include three pairs of shell-shaped serving dishes, a petal-rimmed serving dish, a botanical cachepot, and egg cup, a teacup, and a pair of coffee cans, together with two 19th century Royal Worcester coffee cans Provenance: Contents of the Estate of Sir Frank Williams CBE and Lady Virginia Williams.Condition report: Overall some pieces with gilt loss, paint loss/chips, few areas of pitting and stains.Shell dishes: with garland rim: one with crack to borderwith blue and red sprigs: one with hairline crack to rim, both have crazing and stains throughoutwith central floral spray: one completely restored, the other with large chip to handle edge, and two firings cracks to the rimOne Derby cup with re-glued handleCachepot: one crack to each handle

A set of four KPM porcelain twin-handled cups and saucers, together with four matching plates, each with botanical design, 'Au Vase Etrusque' collection, with woven embossed border, centred with a floral or fruit arrangement, the plates 22.5 cm diameter, the saucers 16 cm diameterProvenance: Contents of the Estate of Sir Frank Williams CBE and Lady Virginia Williams.

* Botanical watercolours and prints. A collection of 28 botanical watercolours, late 19th & early 20th-century, including two watercolour studies on ricepaper (both torn), approximately 19 x 27 cm, plus approximately 250 botanical engravings, including many by W., S. and T. Curtis, some with contemporary hand-colouring, some with manuscript captions to margins written in an early hand, sheet size mostly 25.5 x 16 cmQTY: (approx. 278)

* Burbidge (Vicki, 20th century). Botanical Studies, 1971-95, 5 watercolour and pencil drawings on wove paper, 2 signed and 3 dated, sheet sizes 55 x 40 cm, together with other watercolour and pencil botanical studies, identified artists include Jane Wright (framed and glazed), Kathy Pickles (x2), Rex Pertwee, Marilyn Cox, Jean Morrison-Low and C.F. King, sheet sizes 28 x 23 cm and largerQTY: (15)NOTE:Vicki Burbidge is the married name of Vicki Matthews.

* Ehret (Georg Dionysus, 1708-1770). Sherardia, lilio-narcissus & arachidna, [from Plantae et papilliones rariores... , 1748-59], hand-coloured engraved plate (no. 5), plate impression 41 x 27 cm, together with plate 12 (baruce fructis e pluribus) and no. 14 (amomum scapo nudo) from the same work, the latter trimmed to plate impression and tipped on to a paper mount, plus other hand-coloured engravings and chromolithographs of flowers from 18th and 19th-century botanical works, artists include C.F. Rosenberg, Arentine H. Arendsen, Ferdinand Bauer, G. Spratt, etc.QTY: (28)

* Evans (Harry, 1918-1990). Trillium, 1980, colour linocut, signed, dated and numbered 375/420, mount aperture 44 x 25 cm, framed and glazed, together withMcHale (Bridget, 20th century). Botanical Study, 1978, hand finished colour screenprint, signed, dated and numbered '10/25', mount aperture 37 x 26 cm, framed and glazed, plusWilson (Grey, C, 20th century). Yellow Flags, gouache and watercolour, signed and titled, mount aperture 22.5 x 34 cm, framed and glazed, and 7 other similar modern botanical and natural history printsQTY: (10)

* Goaman (Victoria, 20th century). Botanical studies, 1983, a group of 4 botanical watercolours on thin card, all signed in pencil and dated to lower margins, some other pencil annotations to blank margins and versos, sheet sizes 38 x 24 cm, 2 of the sheets framed and glazed, together with 6 other watercolour and pencil composite botanical studies on wove paper or card, 2 identified as used in Mountain Flowers of Europe by A. Huxley and 2 possibly by Mary Grierson, 44 x 34 cm and smaller, plus a group of 10 watercolour and pencil botanical studies on various coloured paper, all initialled LS and mostly dated 1919/1920, sheet sizes 37 x 28 cm and similar sizesQTY: (20)NOTE:The four watercolours by Victoria Goaman (born 1951) may all be for the book Gardening on Walls by C. Grey-Wilson and Vicki Matthews.

* Van Niekerk (Sarah, 1934-2018 ). September, 1993, wood engraving, printed in an edition of 100 impressions, signed and dated, titled and numbered 23/100, image size 200 x 150 mm (8 x 6 ins), with margins, framed and glazed, together with eleven other wood engravings, almost all of botanical subjects, by Yvonne Skargan, Peter Reddick, Geri Waddington, Barry Woodcock, Marcus Brean, Hilary Paynter (Good Morning Lemmings), Anne Hayward, D. L. Setford, and Geraldo Abraham, Brender a Brandis (1878-1971), all except three framed and glazedQTY: (12)

* Pickles (Kathy). Cowslips, May 1992, watercolour on wove, signed in pencil and dated lower right, image size 23.5 x 15 cm, framed and glazed, together with:Sellars (Pandora, 1936-2017), Lilum Bellingham hybrid, 1994, watercolour on wove, signed and captioned to lower margin, 15.5 x 16 cm mount aperture, framed and glazed, Coombs (J. M.), Nasturtiums, circa 1980s, watercolour on wove, signed in pencil lower left, image size 16 x 20 cm, framed and glazed, plus five others similar, mostly botanical studiesQTY: (8)

* Stitt (Charles Hewitt, 20th Century). Lily, 1993, watercolour and body colour, signed and dated in pencil, 27 x 24.5 cm mount aperture, together with Rosenberg (Kristin, 20th Century). Study of a snail by a log with ivy and brambles, 1972, watercolour, signed lower right, 14 x 20 cm mount aperture, framed and glazed, plus Mendum (Mary, 1945-2004, born Caroline Mary Bates). Dendrobium hellwigianum, watercolour, 15 x 14 cm mount aperture, framed and glazed, provenance to verso, with three other botanical illustrations including one signed by Mary Bates and another on vellumQTY: (6)

* Yokota (Hisao A., 20th century). Stylomecon heterophylla, 1982, & E. californica, 1983, & Allium dichlamydeum, 1987, together three colour screen prints, each signed, titled, dated, and numbered, the second and third works additionally numbered 180/250 and 12/120 respectively, the first work 37 x 42.5 cm mount aperture, all framed and glazed, together with other various botanical prints, framed and unframed, including Bryan Poole (Calla Lily), Jenny K. Phillips (from The HIghgrove Florilegium), Libby Carreck (Cornflower), Mary Grierson, signed reproduction print, and a quantity of other reproduction botanical prints, including Samuel Curtis Monograph, Honour Genus Camilia, republished by Charles Traylen [1965], etc.QTY: (approx. 30)

* Granville (J. J.). A collection of 49 botanical engravings, originally published in "Les Fleurs Animées", Garnier Freres, Paris [1867], engravings by Charles Geoffroy, contemporary hand-colouring, some spotting, occasional duplicates, each approximately 245 x 165 mmQTY: (49)NOTE:Anamorphic engravings depicting flowers and shrubs in the form of pretty girls, often surrounded by anthropomorphised insects and birds that pay homage to their floral host.

Sprunger (Samuel, editor). Orchids from Curtis's Botanical Magazine, Cambridge: University Press, 1986, numerous colour illustrations, original cloth in dust jacket, covers slightly toned & marked, large 8vo, together with other modern botany & gardening reference, including The Dapuri Drawings, Alexander Gibson & The Bombay Botanic Gardens, by H. J. Noltie, 1st edition, London: The Antique Collectors' Club, 2002, original cloth in dust jacket, large 8vo, & a large run of Proceedings of The Geologists' Association, all original wrappers, 8vo, many original cloth in dust jackets, G/VG, 8voQTY: (4 shelves & 2 cartons)

Collection of various pictures to include etchings, 19th/20th century photographs, and a sketchbook with botanical drawings etc (Qty)

Two boxes of stoneware bottles and jars: two stoppered Stanton's (Bolton Ltd.) Botanical Brewers stone jars, small J C Nicholls stone Ginger Beer stone bottle, J A S Eckersley stone bottle, James Simpson mineral waters and hop ale Hebdon Bridge, possibly ash tray, stipple effect Carlton ware pot etc. (2) (B.P. 21% + VAT)  The bottle is un-named.  Additional images added.

* Jessica Tcherepnine [b.1938]-Foxgloves. Digitalis purpurea,:-signed and dated 2000watercolour, 54 x 24cm.Provenance. Harris Lindsay Works of Art, Jermyn Street, London, 2005.Exhibited. Botanical Watercolours by Jessica Tcherepnine, Carol Woodin, Gillian Barlow, Newhouse Galleries, New York, December 2002.

Mungo Park: 'Travels in the Interior Districts of Africa: Performed under the Direction and Patronage of the African Association in the Years 1795, 1796 and 1797', London, G. & W. Nicol, 1810, 6th edition, engraved portrait frontis, large engraved folding map of Mungo Park's route through West Africa exploring the Upper Niger river + 5 engraved plates as called for (of which 2 botanical, 3 folding views), contemporary calf gilt (slightly worn), spine gilt in compartments

(New Naturalists), a collection of 26 assorted Collins New Naturalist series titles, of which 22 1st editions, all original green cloth gilt, all in dust wrappers, comprising B. Vesey-Fitzgerald: 'British Game', No.2, 1946, 1st edition; L. Dudley Stamp: 'Britain's Structure & Scenery', No.4, 1946, 1st edition, Autograph Letter Signed by Sir Laurence Dudley Stamp (1898-1966), geographer and naturalist, dated February 1959 on his headed paper loosely inserted, ownership signature of the geologist and glaciologist Geoffrey Hattersley-Smith (1923-2012) on FFEP; F. Fraser Darling & J. Morton Boyd: 'The Highlands & Islands', No.6, 1964, 1st edition; J. Ramsbottom: 'Mushrooms & Toadstools', No.7, 1953, 1st edition; A.D. Imms: 'Insect Natural History', No.8, 1947, 1st edition; W.B. Turrill: 'British Plant Life', No.10, 1971 reprint; C.M. Yonge: 'The Sea Shore', No.12, 1961 reprint; 'Snowdonie', No.13, 1949, 1st edition (2 copies); W. Blunt: 'The Art of Botanical Illustration', No.14, 1950, 1st edition; J.E. Lousley: 'Wild Flowers', No.16, 1971 reprint; H.J. Fleure: 'A Natural History of Man in Britain', No.18, 1951, 1st edition; V.S. Summerhayes: 'Wild Orchids of Britain', No.19, 1951, 1st edition; L.A. Harvey & D. St Leger-Gordon: 'Dartmoor', No.27, 1953, 1st edition; H.L. Edlin: 'Trees, Woods and Man', No.32, 1956, 1st edition; C.B. Williams: 'Insect Migration', No.36, 1958, 1st edition; E.A. Armstrong: 'The Folklore of Birds', No.39, 1958, 1st edition; J.B. Free & C.G. Butler: 'Bumblebees', No.40, 1959, 1st edition; K.C. Edwards: 'The Peak District', No.44, 1962, 1st edition (2 copies); L. Dudley Stamp & W.G. Hoskins: 'The Common Lands of England & Wales', No.45, 1963, 1st edition (2 copies); L. Dudley Stamp: 'Nature Conservation in Britain', No.49, 1969, 1st edition; M. Proctor & P. Yeo: 'The Pollination of Flowers', No.54, 1975 reprint; S. Potter & L. Sargent: 'Pedigree: Words from Nature', No.56, 1973, 1st edition; Christopher Perrins: 'British Tits', No.62, 1979, 1st edition (26)

AFTER PIERRE-JOSEPH REDOUTE - SET OF SIX BOTANICAL LITHOGRAPHS 1956 36CM X 26CM

A set of four botanical illustrations, framed and glazed

Framed print of a horseless carriage together with three botanical illustrations

Four Botanical Prints, all framed and glazed (4)

Glass botanical garden vases largest measures approximately 24.5 inches

Martin MacKeown (Irish, 1931 - 2003) "Nerine and Nasturtium Leaves", a bold, chiaroscuro botanical still life, oil on board, signed, dated 1991 verso, in slip and gilt frame under glass, 70 cm x 59 cm overall [Born in Ireland, MacKeown studied at Belfast College of Art and the Edinburgh College of Art. He has exhibited across London and Belfast.]

Two pieces of 19th Century Victorian majolica comprising naturalistic tazza centrepiece with leaf top leading to tapered base, the other a basket with relief moulded botanical decoration and pink glazed interior. Measures approx; 23cm x 27cm x 26cm.

The Royal Mint 2009 UK Proof Coin Set. The Royal Mint 2009 UK Proof Coin Set, 12 coins from £5 to 1p, including a 2009 Kew Gardens Fifty Pence, 250th Anniversary of the Foundation of the Royal Botanical Gardens, Kew. R. A design showing the pagoda, a building associated with the Royal Botanical Gardens at Kew, encircled by a vine and accompanied by the dates '1759' and '2009', with the word 'KEW' at the base of the pagoda, reverse design by Christopher Le Brun, in original black leatherette case of issue with certificate of authenticity, PS97.

PORTMEIRION BOTANICAL SERVING DISHES, GLASS NIGHTLIGHT HOLDERS TOGETHER WITH A JUG OF ARTIFICIAL FLOWERS

A collection of wall plates and other ceramics, including a Botanical Garden Portmeirion jug and bowl, two pear design plates and other limited edition ceramic plates (Royal Doulton and Wedgwood). Diam.30cm (largest)

A large quantity of prints to include 19th century architectural and botanical prints and a coloured engraving of the 1798 victory of the British Squadron under the command of Admiral Nelson over the French FleetLocation: LWB

G M Oliver, Moel Siabod, Snowdonia, signed, oil on card, 16cm x 24.5cm; Garth Bridge, North Wales; Lynne Broberg, by and after, matched pair, botanical studies, 77/250 & 130/250; others various artist & sizes (14)

Group of botanical and other porcelain platesEnglish, 19th Century, including three white ground dishes, and ten others (13)Some wear and firing faults. Crack to one of the oval cobalt blue dishes.

Fullt title: Emil Bretschneider (1833 Ð 1901): Map of China and the surrounding regions, second edition, Edward Stanford Ltd., London, 1900Description: Dim.: 79,5 x 69 cm (the map)Dim.: 18 x 12,5 cm (the cover, size when folded) An interesting map of China 'to illustrate the author's botanical discoveries in China'.With a label to the bottom right reading: Edward Stanford - 26 and 27 Cockspur St., Charing Cross, S.W.- Geographer to the Queen.

A SET OF FOUR 18TH CENTURY HAND COLOURED ENGRAVINGS OF LEMONSEach 34 x 23cm Together with a set of four botanical prints in gilt lacquered frames and two others (10)

Five botanical studies in coloured pencil by J Porwol. Each signed, titled and dated '1994-5' in pencil, within giltwood frames, 55.5cm x 63.5cm max

After John Wheatley, Nearly Dry, etching, 23x17cm, botanical watercolour by Fiona Mackenzie and two maps, (a.f.).Qty: 4

A pair of framed botanical watercolour prints, plastic, faux wood effect, 55.5 x 42cmUsed condition

L. Geikie, early 20th century, watercolour, village view from a hilltop, signed and dated 1923, 23 x 32cm, together with two botanical studies, and a watercolour sketch of St. Paul’s, singed Tunstall Small, largest 30 x 42cm

TWO BOXES AND LOOSE SCIENTIFIC EQUIPMENT ETC, to include a Duorider balance scale in a wood and glass case, a White Electrical Instrument Company variable range meter, cased / boxed sets of approximately 150 prepared microscope slides, to include human, insect and botanical etc, assorted glass and copper flasks and storage bottles etc

Royal Copenhagen Flora Danica serving dish C:1950's, pierced border with a gilded rim, centered by a botanical specimen, identified in Latin to the underside, retains printed factory mark, underglaze blue wave mark and numbered, diameter 36 cm.Condition: Excellent

Two Royal Copenhagen Flora Danica dinner plates C:1950's, each with a gilded rim, centered by a botanical specimen, identified in Latin to the underside, retains printed factory mark, underglaze blue wave mark and numbered (2), diameter 25.50 cm.Condition: One has small restored area to rim, the other tiny chip to golden point.

Two Royal Copenhagen Flora Danica dinner plates C:1950's, each with a gilded rim, centered by a botanical specimen, identified in Latin to the underside, retains printed factory mark, underglaze blue wave mark and numbered (2), diameter 25.50 cm.Very good condition

Two Royal Copenhagen Flora Danica dinner plates C:1950's, each with a gilded rim, centered by a botanical specimen, identified in Latin to the underside, retains printed factory mark, underglaze blue wave mark and numbered (2), diameter 25.50 cm.Very good condition

Two Royal Copenhagen Flora Danica dinner plates C:1950's, each with a gilded rim, centered by a botanical specimen, identified in Latin to the underside, retains printed factory mark, underglaze blue wave mark and numbered (2), diameter 25.50 cm.Very good condition.

Four Royal Copenhagen Flora Danica side plates C:1950's, each with a gilded rim, centered by a botanical specimen, identified in Latin to the underside, retains printed factory mark, underglaze blue wave mark and numbered (4), diameter 19.50 cm. All in good condition, except on that has a tiny back chip one point.

Four Royal Copenhagen Flora Danica side plates C:1950's, each with a gilded rim, centered by a botanical specimen, identified in Latin to the underside, retains printed factory mark, underglaze blue wave mark and numbered (4), diameter 19.50 cm. All have small chips to edge points.

A large Limited edition botanical Print of an Arctic Star Iris by Graham Bunt, no: 5/350, signed lower right and embossed stamp.

A large quantity of china and glass to include; Royal Crown Derby 'Derby Posies', Carltonware cups & saucers (plus a dish in original box), Coalport 'Meryl' figure, Portmeirion Botanical Garden vase, etc. Plus a small quantity of Porcelain miniature irons.

Nine Wedgwood bowls in floral pattern no. 4235 to reverse (having staple repairs) and eight Wedgwood plates in floral and fruit pattern, (repaired and chipped), and ten Royal Worcester boxed Botanical dessert plates, mostly faded and/or cracked.

WILLIAM WALLCOTT EARLY 20th C. ENGLISH SCHOOL, A VIEW OF THE THAMES PENCIL SIGNED ETCHING 20 x 35cms, TOGETHER WITH ANOTHER ETCHING OF THE THAMES BY A DIFFERENT HAND AND A HAND COLOURED BOTANICAL PRINT (3)

AN INTERESTING GROUP OF 19th C. BOTANICAL STUDIES BY M.A PEAK, OF ALGERIAN WILD FLOWERS. UNIFORM GILT FRAMES (17)

FIVE VINTAGE COLOUR BOTANICAL PRINTS IN BESPOKE MOUNTS AND FRAMES TOGETHER WITH VARIOUS OTHER BOTANICAL AND DECORATIVE PRINTS (QUANTITY)

A Victorian china dessert service of scalloped design including two rectangular shaped serving dishes, one restored and badly cracked, a pair of oval standing fruit dishes, one riveted and repaired and cracked, a comport and seven dessert plates, one with hairline crack, another with a crack to base, all individually handpainted with botanical studies including roses, pansy's, chrysanthemums etc, some signs of wear and rubbing to gilding, comport of slightly different design, (plates :- d 24cm, oval shaped serving dishes 32cm, fruit plate 30cm)

Antonio Martínez Royal Silver Factory. With marks, Martínez, Madrid Villa y Corte, 1838. Measurements: 28 x 28 x 19 cm. Weight: 1,455 g. Large incense burner in the shape of a turkey with the tail open in a fan.Made of embossed, cast and chiselled silver.The body is hinged and opens in the middle, inside there is a bowl for burning fragrant substances.The turkey rests on an oval tray with a railing, to catch the ashes that fall from the embers.Magnificent specimen that displays the mastery of the silversmith, as befits the Martínez silverware workshop. The Prado Museum, the National Museum of Decorative Arts in Madrid, and the National Museum of Romanticism, among others, have pieces from the workshop among their collections.As we read in the Catalogue of the exhibition "Lo Exquisito. Artes suntuarias del siglo XVIII del Museo de Historia" (The Exquisite. Sumptuary Arts of the 18th Century in the Museum of History): "In 1778, Antonio Martínez created a Silverware School-Workshop in Madrid, with models and machinery purchased in Paris and London during his study trip which was funded by royal patronage. After working from several locations, he finally settled on the neoclassical building on Paseo del Prado, opposite the Botanical Garden, and abandoned hand-crafted production for industrial production, which would allow them to lower the prices of their products, and therefore make them more affordable to the new bourgeoisie.The School acquired the title of Royal Factory and Fernando VII maintained activity there after the death of Martínez in 1798. The Factory stopped producing in 1869 and the building was demolished in 1920."

WITHERING WILLIAM.  A Botanical Arrangement of All the Vegetables Naturally Growing in Great Britain With Descriptions of the Genre & Species. 2 vols. 12 fldg. & other eng. plates as called for. Rebound qtr. calf, some internal browning & foxing. 1776. The first ed. of the first Flora of Great Britain to use the Linaean system.

MILNE COLIN.  A Botanical Dictionary or Elements of Systematic & Philosophical Botany. 25 good hand col. plates. Stained calf gilt, rebacked. Ex St. Chad's & Denstone College libraries, with minimal stamps. 1805.