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TOURNEFORT, JOSEPH PITTON (1656-1708): AQUISEXTIENSIS I.1719 | PUBLISHER: Parisiis, E Typographia Regia | LANGUAGE: Latin | DIMENSIONS: 248 x 200 mm | NOTE: ex libris Ant. Rochel, stamp Library of the Botanical Institute of the Slovak University in Bratislava | Entire title | Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ... Institutiones rei herbariae. Tomus primus | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. |more photos*In case of missing photos, please feel free to contact us.

TOURNEFORT, JOSEPH PITTON (1656-1708): AQUISEXTIENSIS II.1719 | PUBLISHER: Parisiis, E Typographia Regia | LANGUAGE: Latin | DIMENSIONS: 248 x 200 mm | NOTE: ex libris Ant. Rochel, stamp Library of the Botanical Institute of the Slovak University in Bratislava, illustration | CONDITION: moisture stains, damaged front cover, damaged back plate | Entire title | Josephi Pitton Tournefort Aquisextiensis, doctoris medici Parisiensis ... Institutiones rei herbariae. Tomus secundus | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. |more photos*In case of missing photos, please feel free to contact us.

An early 19th c drawing room album, n.d. [c 1820-30], [90]ff, recto illustrated only, including 19 watercolour studies overall, three of which are of native Indian figures, 20.5 x 15cm, two smaller studies of a northern cardinal and a parrot, five little studies of butterflies, and the rest North European topographical studies, a bound-in pencil sketch picked out in sepia, loosely-inserted mixed media sketch of a botanical specimen, trimmed 19th c engraved ticket - New Musical Fund by Louis Legoux, [1787-1817], another ticket for the 1822 Consecration of St Pancras New Church by Stalker, an early chromolithograph of a Swiss Alpine scene, an Old Master etching, 19th c engravings after Old Master paintings, engraved view of North Gibraltar, further prints, principally engravings, but some aquatints, of genre scenes, clippings of periodical illustrations, Bartolozzi, genre scenes, etc., contemporary quarter-calf over marbled boards, slightly rubbed, starting to split, yet holding, folio (33.5 x 27cm)

Botany. Anderson (James, editor), The New Practical Gardener, London: William Mackenzie, n.d. [1874], illustrated with 27 chromolithographed plates, 5 of which are double-page, contemporary red quarter-calf gilt over cloth, all edges gilt, contemporary ownership inscription: Edward Mills, The Oak Gardens, Ledsham, [West Yorkshire], 4to; Thornton (R.J.), Elements of Botany, two volume set, first edition, London: Printed for the Author, as prizes in the Royal Botanical Lottery, by J. Whiting, 1812, half-title to volume I only, illustrated with plates engraved by Miller after Eves, contemporary marbled boards, rebacked in calf, 8vo; Hulme's Familiar Wild Flowers, First Series only, London: Cassell, n.d. [1878], colour plates, original publisher's pictorial green cloth gilt, all edges gilt, lacking ffep, bookplate, 8vo; Withering's British Plants, eleventh edition, 1863, monochrome plates, contemporary half-calf over marbled boards, 12mo in 6s; Barett's Flowers and Festivals, second edition, 1873, hand-coloured plates, original publisher's cloth, 8vo; nine various numbers of The Botanical Exchange Club and Society of the British Isles Reports, mixed dates from 1913-1932, illustrated, some original wrappers, some lacking, 8vo, (15)

A pair of Copeland & Garrett blue printed earthenware water plates, c1840, with transfer print from the botanical series, 25cm diam One with small chip to foot rim

Botany. Hulme (F. Edward), Familiar Wild Flowers, five volume set, London: Cassell Petter & Galpin, n.d. [1880], full-page botanical colour plates, b/w in-text illustrations, uniformly bound in contemporary green quarter-morocco over cloth boards, red speckled edges, 8vo, (5)

A 19th c photographically-illustrated scrapbook, almost certainly a clergyman's of the Chichester diocese, approx. [76]ff, a manuscript invitation card from The Duke of Wellington, presumably the field marshal, and presumably in a secretarial hand, requesting the company of Lady Georgiana Bathurst to dinner to meet their Royal Highnesses the Duchess of Gloucester, the Duke & Duchess and Prince George and Princess Augusta of Cambridge; a patent chromotype permanent photograph of Princess Dagmar of Denmark (later Maria Feodorovna, Empress/Tsarina of Russia), by J. Russell & Sons of Chichester; MS riddle by Lord Macaulay, presumably not autograph; MS Song to welcome the Return of our friendly organist 1817, composed of two verses of lyrics on a scrap of paper; a pen-and-ink caricature/cartoon of a competition or election, dated Chichester, September 1875; another by a different hand, Scene in a certain House in North Street, Chichester, n.d. [c. 1875], possibly in relation to The Prebendal School; two smaller pen-and-ink sketches in places; 69 mixed process and mixed sized photographs, including Dover's Marine Parade and Pier, Chichester Cathedral and its interior, further churches of this and other dioceses, Longleat, less grand country and other houses, portrait cabinet card of Lord Pembroke, informal snapshots of people; six herbarium pages with various botanical specimens; printed ephemera, including broadside, Part of a conversation held outside the Club House on Saturday Morning, Time - 1.30 A.M., s.l., s.n., n.d., letterpress on blue paper, some MS annotation; letterpress poetry, In Memoriam of I.R.F., April, 1880, black mourning border; Evening Entertainment, July 19th, 1842, on orange paper; Victorian chromolithographed Christmas and greetings cards; illustrations from Punch and other periodicals, including Bishop Samuel Wilberforce; newspaper clippings viz. the life and career of Dean Burgon of Chichester, other newspaper and periodicals clippings, ecclesiastical promotion, preferment, intelligence and theological debate, The Last of the Hanover-Square Rooms, the price of meat; early 19th c and later engraved plates from books and periodicals, etc., a few gatherings loosely-inserted, black roan over cloth boards, c. 1830, perished spine but holding, marbled endpapers, 4to

A COLLECTION OF BOTANICAL DRAWINGS AND PAINTINGSvarious subjects and artists

A collection of six botanical artworks to include two signed 1990's watercolours depicting stacks of fruit and vegetables respectively by Susan Ogilvy (b.1948), a signed limited edition lithographic print by Elizabeth H. Rice, and two lithographs signed in plate by Kate Nessler. All framed and glazed some with notes to the reverse. H.75.5 W.70cm

Eight Chinese 18th and 19th century plates and dishes, together with a painted botanical plate and a Cantagalli maiolica ewer, tallest ewer 37cm high. Condition - ewer and a small dish restored, the other items good

A selection of stoneware jugs and glasses including one titled 'Stantons (Bolton) Ltd' Botanical Brewers Bolton and another 'Butterworth & Wild' Forrington Street Hopwood Heywood etc.

Tilly/paraffin lamps - 3 lamps in three colours (red, yellow and green) possibly by Blackspur Hand Tools. Also included is a stoneware flagon by Barton's Botanical Brewers St Helens that has had the base removed and possibly used in the garden to force rhubarb or similar. And a RAC badge. (This does not constitute a guarantee) [L] ALL ITEMS MUST BE PAID FOR AND COLLECTED/SHIPPED BY CLOSE OF BUSINESS ON WED 12TH MARCH

This captivating oil painting by Annette Krauss Rose showcases a striking composition of vibrant yellow orchids set against a muted blue-gray background. The piece highlights the artist's mastery in botanical art, with a realistic depiction of the orchid's delicate petals and lush green leaves. The interplay of light and shadow brings depth and texture, enhancing the naturalistic appeal of the artwork. The muted background emphasizes the vivid yellows, drawing the viewer's focus to the elegant flowers. Annette Krauss Rose, who studied painting in New York City under Tonalist and Impressionist Frank Vincent DuMont, is recognized for her exceptional talent in capturing the beauty of nature through her artwork, particularly her floral compositions. This piece exemplifies her meticulous attention to detail and her ability to evoke tranquility and elegance through her choice of color and form. The painting is executed on a board and remains unframed, showcasing slight wear along the edges, consistent with its age. It would make an excellent addition to any collection of floral or nature-themed art. Artist: Annette Krauss Rose (American 20th Century)Dimensions: 34"L x 34"HCountry of Origin: USACondition: Age related wear.

Rosenthal Versace Jungle porcelain gravy boat. This elegant piece features a vibrant botanical design on a blue gradient background, accentuated with a Greek key border in gold. Marked on the underside: "Rosenthal Versace Jungle," with the iconic Medusa logo. A stunning addition to any luxury dining collection. Issued: c. 1990Dimensions: 4"HCountry of Origin: GermanyCondition: Age related wear.

**Golden Framed Botanical Illustration by Marion Beresford**This elegant botanical illustration by Marion Beresford features an exquisite array of yellow, white, and purple blooms interspersed with lush green leaves. The piece is accentuated by a sophisticated golden frame with ridged detailing, measuring 14.5 inches by 17.5 inches, while the illustration itself occupies 8 inches by 11 inches of this space. Notably, the artwork bears the signature "Marion Beresford S.F.P." in the bottom right corner, confirming its authenticity. Known for her detailed floral depictions, Beresford's work emanates from Pound Farm in Wearne Langport, Somerset. This artwork is not only a testament to her skill but also a vibrant representation of floral beauty, making it a valuable addition to any collection.

Collection of Antique Tableware, Cutlery, and Decorative ImplementsThis collection, dating between the late 19th and mid-20th century, comprises assorted antique tableware, cutlery, and decorative tools crafted from metals including silver, brass, and potentially silver plate. Notable items include:1. **Spoons (2)**: Silver or silver-plated with floral/botanical motifs engraved on the handles, likely Victorian-era tableware components.2. **Forks (2)**: A three-pronged fork and a smaller double-pronged fork, both with decorative handles.3. **Decorative Blades and Handles**: Includes a brass piece featuring a dragon motif and a miniature sword-style blade.4. **Letter Openers (several)**: Highlights include a gold-toned blade with animal motifs (horse and parrot), and handles showcasing intricate designs.5. **Feather Pens (2)**: Red and blue decorative dip pens with brass or gold-toned handles, styled to evoke traditional quill aesthetics.6. **Carved Wooden Piece**: Featuring a wheat or grain design, potentially a ceremonial item or letter opener.7. **Animal Motif Pieces**: Includes a letter opener with a small dog-shaped handle and a parrot-adorned utensil.8. **Decorative Pierced Utensil**: Likely a serving utensil with lattice-style cutouts and ornate handle detailing, bearing possible hallmarks indicative of silver content and origin.The pieces feature various ornamental themes, such as animal figures, floral patterns, and scrollwork, reflecting Victorian, Edwardian, and mid-20th-century influences. This diverse group serves both functional and aesthetic purposes, encompassing cutlery, writing tools, and decorative objects.

Collection of Jewellery Including Necklaces, Earrings, Brooches, and Bracelets This versatile jewellery collection consists of multiple items, showcasing a mix of designs featuring pearls, semi-precious stones, enamel, and decorative metal elements. Below is a detailed description:### Necklaces 1. Freshwater Pearl Necklaces: - Includes strands of irregular baroque-style pearls in cream, pink, and peach tones, and another alternating pearls with uniform lapis lazuli beads. - Lengths approximately 45–60 cm. 2. Beaded Gemstone Necklace: - Alternating lapis lazuli and malachite-like green beads with decorative silver-tone spacers. 3. Cobalt Blue Bead Necklace: - Features finely strung uniform cobalt blue beads. ### Bracelets - Stretch Bracelet: - Made of polished lapis lazuli beads with a singular silver accent bead, potentially ornamental or featuring spiritual symbolism, such as a Buddha motif. ### Brooches 1. Lily of the Valley Brooch: - Gold-tone with enamel green leaves and pearl-like flower tips. 2. Bee Brooch: - Designed with rhinestone or crystal accents and lapis-style blue stones for the body. 3. Circular Enamel Brooch: - Features gold-tone scalloped edges, cobalt blue enamel petals, and a central dark blue stone, surrounded by pearl-like beads. ### Earrings 1. Oval Drop Earrings: - Feature deep purple or amethyst-toned stones in linked silver accents. 2. Blue Bead Earrings: - Match the cobalt blue necklace, featuring single round beads on fishhook wires. ### Pendants 1. Lapis Teardrop Pendant: - Polished teardrop-shaped blue stone in a simple setting. 2. Cross Pendant: - Silver-tone Christian cross design adorned with small blue gemstones. ### Materials and Notable Features - Incorporates freshwater pearls, lapis lazuli, malachite-like greens, enamel, rhinestones, and gold- or silver-tone metals. - Craftsmanship varies between vintage and modern styles, some items reminiscent of mid-20th century designs, others likely from the late 20th to early 21st century. - Nature motifs, such as the Lily of the Valley and Bee brooches, add a botanical theme. This collection features decorative costume jewellery suitable for varied occasions, with some pieces potentially featuring artisanal or symbolic elements.

Collection of Mid-20th Century Handcrafted Oriental-Inspired Studio Pottery A curated collection of handcrafted ceramic drinkware, described as follows: 1. **Goblet:** A goblet featuring a bowl atop a pedestal base, decorated with hand-painted abstract floral motifs in blue and purple tones. Semi-matte glaze with textural variations, approximately 10–15 cm tall. 2. **Mug:** Cylindrical mug with a loop handle, adorned with a minimalist depiction of a bird in reddish-brown on a speckled grey-white glaze. Measures approximately 8–12 cm tall. 3. **Set of Four Tapered Mugs:** Matching cream-glazed mugs with hand-painted blue botanical motifs, featuring a slightly flared base and loop handles. Estimated between 8–12 cm in height. 4. **Set of Small Flared Cups:** Multiple small cups, measuring approximately 7–10 cm, with hand-painted cobalt blue fish designs in Oriental styling, featuring an off-white or speckled glaze with blue accents. Notable for their hand-thrown characteristics, slight design variations, and Oriental artistic influence. Handmade by Peter Vost

**20th-Century Chinese-Inspired Porcelain Umbrella Stand**A cylindrical porcelain umbrella stand, dating to the 20th century, decorated with traditional Chinese-inspired motifs. The white glazed surface features cobalt blue transfer-printed details, including intricate floral and botanical patterns, stylised trees, and a bird in flight. Additional decorative elements include geometric borders with repeating lozenge and lattice designs near the rim and base, providing symmetry and balance. Constructed from glazed porcelain, the stand is both functional and decorative, typically measuring between 50–70 cm in height. This piece exemplifies Chinese design influences popular in export wares for Western markets during the 20th century.

Collection of Vintage Decorative Items This is a collection of antique and vintage decorative objects from the late 19th to mid-20th century. **Key Items:** 1. **Brass Menorah**: Seven-branched design, ribbed detailing, tapering arms, and a hexagonal base. Likely mid-20th century, associated with Jewish religious traditions. Approx. 20–30 cm in height. 2. **Carved Wooden Box**: Intricately hand-carved relief depicting animals amidst foliage. Rectangular with hinged lid. Likely from Eastern or folk art traditions, dating between mid-19th to mid-20th century. Estimated dimensions: approx. 20–25 cm length, 10–15 cm width, 5–8 cm height. 3. **Small Decorative Trinkets**: - **Donkey-shaped Pin Cushion**: Silver-toned with floral engravings and blue fabric pin cushion. Likely late 19th or early 20th century. - **Ship Figurine**: Nautical-themed item with fabric or metallic accents, potentially a pin cushion or decorative piece. - **Engraved Boxes**: Includes a match safe or card case with botanical engravings and a rectangular brass box. - **Miniature Figurines**: Bird and animal models, crafted in metal with enamel details, one resembling a parrot. - **Circular Metallic Items**: Possibly lids or decorative caps, featuring floral and radial engravings. 4. **Austin Nameplate**: Metallic script emblem associated with the Austin car manufacturer, likely mid-20th century automotive memorabilia. 5. **Open Wooden Box with Compartments**: Medium-sized, polished, divided into three sections. Possibly used for jewellery or small valuables. The collection, featuring brass, silver, and carved wood with patina and varied craftsmanship, reflects different cultural and temporal origins. Likely of interest to collectors or decorative purposes.

**Collection of Vintage Silver-Tone Jewellery**A diverse collection of vintage jewellery, primarily silver-tone brooches and a chain-link bracelet, likely dating from the mid-20th century (circa 1940s-1970s). The group exhibits intricate craftsmanship, incorporating floral, botanical, and regional themes.### Notable Pieces:1. **Rectangular Openwork Brooch** - Ornate filigree design featuring floral patterns, possibly pewter or silver-tone.2. **Circular Brooch with Red Stone** - Central faceted red stone resembling garnet or glass, encircled by a floral border.3. **Monogram Motif Brooch** - Circular open filigree with a potential personal monogram, letters unclear.4. **Water Lily Brooch** - Three-dimensional sculptural design evoking a water lily, detailed with petals and stamens.5. **Thistle Brooch with Amethyst Stones** - Scottish-inspired motif featuring purple cabochons (glass or amethyst).6. **Oval Brooch with Human Figures** - Depicts raised human figures, possibly musicians or dancers, within an ornate openwork surrounding.7. **Chain Link Bracelet with Ball Charms** - Composed of interlinked chains adorned with spherical charms; functional clasp.### Key Observations:- **Materials and Condition**: Aged tarnish and patina suggest pewter, silver-tone, or low-content silver, though no hallmark is visible for verification.- **Design Influence**: Regional motifs include the thistle, reflecting Scottish design. The fine details and craftsmanship align with mid-20th-century costume jewellery trends.- **Notable Hallmark**: One piece marked "A Miracle Creation," attributed to Miracle Jewellery, a British brand known for Celtic-inspired designs.This collection highlights the artistry of mid-century costume jewellery, offering both decorative value and appeal for collectors.

Glass Paperweights and Ceramic Figurines **Glass Paperweights** 1. **Apple-shaped Clear Glass Paperweight** - Transparent glass shaped like an apple, featuring internal air bubbles. 2. **Multicoloured Glass Paperweight** - Iridescent surface with hues of purple, blue, green, and silver, with a textured, bubbled finish. 3. **Engraved Glass Paperweight** - Clear glass with botanical designs etched delicately onto the surface. 4. **Globe Paperweight with Underwater Scene** - Encases a miniature diorama of an underwater landscape, featuring green and red tones. 5. **Edinburgh Crystal Paperweight** - Crystal sphere by Edinburgh Crystal, showcasing exceptional clarity and a polished finish. 6. **Tall Clear Glass Design Paperweight** - Contains a cylindrical internal sculpture, adding dimension to its transparent exterior. 7. **Golden-toned Glass Paperweight** - Clear glass with warm golden accents providing a striking visual feature. 8. **Red Floral Glass Paperweight** - Internal red petal-like and green elements form an intricate floral design. #### **Ceramic Figurines** 1. **Mack Bone China Wren Figurine** - Produced by Mack Bone China, England. Signed "RWJ Mack 99." - Lifelike representation of a wren perched on a branch. 2. **Beswick Beatrix Potter Guinea Pig Figurine** - Crafted by Beswick under licence from F. Warne & Co. Ltd. - Features Beatrix Potter’s Amiable Guinea Pig character with vibrant details. 3. **Beswick Beatrix Potter Lady Mouse Figurine** - Portrays the Lady Mouse character in a detailed dress with soft pastel tones. 4. **Beswick Beatrix Potter Hunca Munca Figurine** - Depicts the mouse character Hunca Munca, accompanied by a finely detailed basket. 5. **Royal Crown Derby Pheasant Figurine** - Made of fine bone china with hallmark and "LXI" marking. - Features intricate red, blue, and gold feather patterns. This collection highlights notable craftsmanship from brands such as Edinburgh Crystal, Mack Bone China, Beswick, and Royal Crown Derby. Each piece is marked accordingly, reinforcing collectability and authenticity.

**Collection of Framed Botanical Illustrations, 19th-Century Style**This collection includes two framed botanical illustrations, both featuring orchids. 1. **Artwork Details**: - The first illustration depicts *Loddigesia schomburgkiana*, showcasing green leaves, bulbous bases, and red and white flowers, with supplemental sketches and scientific annotations. Inscribed below is "drawn by Mrs. Good." - The second illustration depicts *Grammatophyllum villosum*, featuring elongated green leaves, white and orange-red flowers, and floral sketches. It is attributed as "Mrs. Good del" (indicating the artist) and includes a circular emblem in the lower right corner. - Both illustrations highlight traditional 19th-century botanical precision, incorporating supplemental scientific sketches. 2. **Frames and Matting**: - The artworks are mounted on cream-coloured matting with a fine green border. These are enclosed within wooden frames, rectangular in shape, with a medium brown polished finish. Frames measure approximately 30-35 cm in height and 20-25 cm in width. 3. **Additional Features**: - A circular label with "ROYAL EXPORTS LIMITED" and "222" appears on one mat, suggesting mid-20th-century framing or export provenance. - The inscriptions and Victorian-era botanical style suggest these pieces date from the mid- to late-19th century, although framing elements indicate later presentation. These framed botanical artworks reflect the historical importance of scientific illustrators and their contribution to the study of orchids.

Collection of Vintage Cigarette Cards – Various Themes (1930s-1950s)This lot features several distinct collections of vintage cigarette cards covering various thematic series issued by renowned manufacturers such as John Player & Sons, Churchman’s Cigarettes, Mills, and Gallaher Ltd. These cards represent a historical cross-section of the mid-20th-century collectible cigarette card era. All cards are standard-sized and bear vivid illustrations or photographs, along with descriptive text on the reverse.#### Notable Themes and Features:1. **Famous British Ships by Mills (1952)** A collection of cards showcasing notable British maritime vessels, including illustrations of the "Golden Hind," "Mayflower," and "First Ark Royal." Brand: Mills, under the Amalgamated Tobacco Corporation, South Africa. Reverse sides feature detailed descriptors, credited to illustrator Edgar Pullin, S.M.A.2. **Cycling Series by John Player & Sons (1939)** A complete set of 50 cards chronicling the evolution of bicycles, including "Macmillan's Velocipede," "Lady’s Pedestrian Hobby Horse," and "Singer Tricycle." The illustrations feature historic details and cycling innovations, with text focusing on technical and historical aspects.3. **Cricketers Series by John Player & Sons (1934)** Cards depicting prominent cricketers in full-colour lithographic portraits, such as G.O. Allen (Middlesex) and J. Arnold (Hampshire). Reverse texts provide biographical information and player statistics. Notable for its historical value in commemorating cricket legends.4. **Butterflies and Moths by Gallaher Ltd. (1930s)** Exquisitely illustrated cards featuring species such as the "Grizzled Skipper," "Peacock," and "Purple Emperor." Produced by Gallaher Ltd., London and Belfast, the series comprises 48 cards. Each card provides intricate artwork and botanical details, appealing to collectors of natural history.5. **Motorsport Pioneers by Churchman’s Cigarettes** A series focused on motorsport legends and vehicles, including notable figures like Captain G.E.T. Eyston and John Cobb. Sepia photographs are accompanied by descriptions of automobiles and land-speed records, highlighting the golden age of motor racing.### Summary:These collections exemplify key historical and cultural subjects distributed as promotional items during the early-to-mid 20th century. Each set is a remarkable piece of ephemera with strong appeal to collectors of cigarette cards, historical memorabilia, and themed collections focused on sports, exploration, vehicles, or natural history.

Small Chinese Porcelain Vase with Floral and Insect Motifs A small cylindrical Chinese porcelain vase, estimated to measure approximately 10–15 cm in height. The vase features a flared rim with a thin orange-gold painted band and a subtle crackle glaze across the surface. Hand-painted botanical and insect motifs decorate the piece, including a prominent pink peony, green leaves, smaller blue blossoms, a butterfly, dragonfly, and bee rendered in fine detail. The polychrome palette and naturalistic designs suggest influences from the Qing dynasty's famille-rose style, with possible dating to the late 19th or early 20th century. The base is not visible and may contain identifying marks.

French and Colonial Stamp Collection in Album An organised collection of vintage postage stamps housed in a hard-covered green album with a leather-like finish. The cover features gold vertical lines and a "WHS" gold-embossed emblem in the lower right corner, with labels marked "FRANCE" on the spine and cover, suggesting a focus on French philately. The album includes gilded page edges for additional preservation and a refined appearance. ### Notable Stamp Features: - Predominantly French-origin stamps, marked with "RF" (République Française), with varying denominations such as "0.05," "15c," "25f," and "50f." - Themes include portraits, architectural landmarks, wildlife, flora, and maritime imagery. - Some stamps reflect colonial issues from regions like "Cameroun," "Madagascar," "Martinique," and "Côte Française des Somalis." - A notable subset includes triangular-format stamps with botanical or wildlife designs, enhancing visual diversity. ### Condition: The stamps are affixed behind transparent protective overlays; some exhibit clear cancellation marks from circulation, with visible postmarks adding historical context. Some are unused and mint. Triangular and commemorative stamps such as "France Libre" series offer thematic and historical interest, especially for collectors focused on French or colonial postal history. This anthology provides a rich collection appealing to philatelists, combining cultural and historical significance with varied design elements.

**Vintage Stamp Collection in Blue Faux Leather Album** A collector's stamp album, approximately A4 in size, featuring a deep blue faux leather cover with a subtle swirl pattern, accented by gold foil vertical and horizontal lines. The album houses a diverse assortment of vintage stamps, highlighting British and Commonwealth postal history. **Collection Highlights:** 1. **Top Rows:** - A selection of intricate stamps ranging from single brown designs with cancellation marks to blocks of four red-orange stamps. - Includes serial-numbered stamps, e.g., "015997," displayed on uncut perforated sheets. 2. **Commemorative Series:** - "Victoria 1840-1940" red and orange stamps. - "Olympic Games 1948" blue and purple designs embellished with the Olympic symbols. 3. **Denominations and Themes:** - Multiple stamps showcasing regal portraits, emblems, and historic themes. Denominations include "2½d," "4d," "2/6," and "5/-." - Examples of notable series like Silver Jubilee (1910-1935) and International Botanical Congress designs. 4. **Additional Notable Pieces:** - Rare "ARMY OFFICIAL" and "GOVT. PARCELS" overprints. - Postmarked and mint stamps, with observed annotations for cataloguing or valuation. - Blocks of preserved stamps, including Queen Elizabeth II's series in red and blue, organised with intact perforation edges. 5. **Condition:** - Mixture of mint, unused examples and postmarked pieces. - Careful mounting within white album pages and protective transparent sheets ensures preservation. This collection encompasses a broad historical range, featuring commemorative, official, and regional designs, ideal for philatelists and stamp enthusiasts. Additional inspection recommended for valuation of high-denomination and overprinted stamps.

Six Coalport botanical cups and saucers, together with a cake plate (13)

Continental School (20th century)Study of pink RosesSigned, watercolour; together with further decorative furnishing works to include an indistinctly initialled oil on canvas depicting "Three Runner Ducks"; an indistinctly signed, unframed watercolour of a figure and ducks outside a rural cottage; a contemporary, unframed, oil on canvas depicting a goat; four botanical prints; a print after S G Bird depicting "Junior House", Ampleforth College; a print after Petrus Christus "Portrait of a Young Woman" etc, various sizes (15)

Poetry.- Crichton (Rev. Arthur) The Festival of Flora. A Poem. With Botanical Notes, second edition, half-title, 8 hand-coloured engraved plates, including additional vignette title dated 1819, 6pp. publisher's catalogue at end, ownership inscription "Ann Everett, The Gift of the Revd. John Hewlett. 5th July 1826" to pastedown, some light browning and offsetting, some spotting or light surface soiling, uncut in original boards, printed spine label rubbed with small text loss, wear to spine and extremities, joints split but holding, for N. Hailes, 1818 § Walker (James Scott) The South American, A Metrical Tale...With Historical Notes, and Other Poems, first edition, contemporary ownership inscription to pastedown, another to front free endpaper crossed through, light foxing and browning throughout, uncut in original boards, printed paper spine label with small chip to upper corner, loss to spine ends, some staining, quite worn, Edinburgh, Archibald Constable & Co., 1816; and others, 19th century, most poetry, including 'The Dessert, A Poem, to which is added The Tea' (1819), 8vo & 12mo (8)

Egypt.- Sri Lanka.- [Group of 12 photographs of Port Said, Colombo and other locations], including: Harbour Port Said; Harbour and Breakwater from Cathedral, Colombo; The Breakwater, Colombo; Botanical Gardens Sydney; Govetts Leap Falls; Bullock Team on Bulli Pass; and others, some numbered and captioned in the negative, 2 captioned in pencil manuscript to mount, few uncaptioned, one or two nicks or tears, some toning and light spotting or surface soiling, 8 laid down to recto and verso of 4 sheets of card, few loose, all housed in early 20th century cloth portfolio with 'Pictures of Ceylon' to upper cover in gilt, ticket of H.W. Cave & Co. Printers Colombo to inside upper cover, flaps loose or lacking, worn, photographs 220 x 270mm. & smaller, [c.1880s & later].

A pair of botanical engravings 'Flowers in April, Beau regard Tulip', and 'Flowers in June, Miss Glover's Flaming Iris', each 19.5x12cm

MINTON; a collection of eighty-nine 19th century hand painted botanical plates, diameter 23cm, with eighteen matching bowls (107).Condition Report: Surface wear, rubbing to the gilt and paint throughout, chips, crazing, hairline cracks and chips to foot rims to plates and bowls, please see additional images.

New Naturalist, No.14, The Art of Botanical Illustration, 1950 1st edn, No.40 Bumblebees 1959 1st edn, No.29 The World of the Honeybee 1962 revised edn, no dwrps, other volumes on insects, also Ornithological interest: five reference works, all published by T & AD Poyser, including The Atlas of Wintering Birds in Britain and Ireland by Peter Lack, illus, dwrp, cl gt, 4to, 1986 and Findlay (WPK), Wayside & Woodland Fungi, with plts by Beatrix Potter, dwrp, pic cl gt, 8vo, 1st edn, 1967.

A mid-century demi-lune tufted wool rug with botanical design. Length 130cm, width 76cm.

A mid-century botanical design tufted wool rug. Length 128cm, width 72cm.

WOODVILLE (WILLIAM), MEDICAL BOTANY, third edition, vols I, II, III and V, vols I-III with 222 hand coloured plates, (lacking No 112, two plates numbered 181 and 181*), green cloth, London, John Bohn, 1832; a third edition of vol IV in a differnt binding, hand coloured plates, lacking numbers 243, 244, 262, 263, 267, ink stamps to title page, London, 1832; BARTON (BENJAMIN), THE BRITISH FLORA MEDICA, 2 vols, with 48 hand coloured botanical plates, green cloth, ink stamps for J.H. Payne Chemist, London, Cox, 1837 (7)

A collection of 19th century and later botanical books, to include, GRINDON (LEO), THE MANCHESTER FLORA, London, 1859; ROBERTS (MARY), VOICES FROM THE WOODLANDS, colour plates, London, Reeve, 1850; THOMAS (H), GARDENING FOR AMATERUS, 2 vols, Cassell and Co (Qty)

BOTANICAL AND FRUIT BOOKS; a collection of 19th century an later titles to include, GRINDON (LEO), THE MANCHESTER FLORA, later ¾ leather, London, William White, 1859; ROBINSON (W), THE ENGLISH FLOWER GARDEN, London, Murray, 1883; ROBINSON (W), THE PARKS, PROMENADES AND GARDENS OF PARIS, London, Murray, 1869 (Qty)

HULME (F), FAMILIAR WILD FLOWERS, five various volumes, colour plates and hand coloured green cloth covers, Cassell; SOWERBY (JOHN), BRITISH WILD FLOWERS, hand coloured plates, binding detached and pages disbound, London, Voorst, 1863; and ten other botanical books (16)

PHILLIPS (HENRY), POMARIUM BRITANNICUM, AN HISTORICAL AND BOTANICAL ACCOUNT OF FRUITS KNOWN IN GREAT BRITAIN, 2nd edition, hand coloured plates, full green leather, London, Allman, 1822; PRATT (ANNE), THE FLOWERING PLANTS OF GREAT BRITIAIN, 4 vols, colour plates, ¾ green leather with cloth boards, London, Society Promoting Christian Knowledge; TYAS (ROBERT), THE LANGUAGE OF FLOWERS, colour plates, ¾ leather, London, Routledge, 1869; NEW CYCLOPAEDIA OF BOTANY AND COMPLETE BOOK OF HERBS, 2 vols, hand coloured plates at the end of vol II, London, (no date); and a copy of vol I, uncoloured plates (11)

A good collection of early 19th century watercolours and drawings Contained in two albums and a folio, to include topographical views, figural studies, botanical and insect studies, ink drawings by Richard Atherton Ffarington (1823-1859), and numerous others, the folio also containing some loose prints and engravings. (qty)

* Hooker (Joseph Dalton). Two lithographs of Rhododendrons: Rhododendron Campbelliae & Rhododendron Lancifolium, originally published in "The Rhododendrons of the Sikkim Himalaya..., [1851], two large lithographs by Walter Hood Fitch, each with contemporary hand-colouring, each approximately 440 x 350 mm, uniformly mounted, framed and glazed (overall size 675 x 585 mm), together with five botanical engravings by or after Maund, Curtis and Andrews, all with contemporary hand colouring, all mounted, framed and glazed, with six lithographs of butterflies and moths, all with contemporary colouring, all mounted, framed and glazedQTY: (13)

* Curtis (Samuel). A collection of approximately 220 botanical engravings, early 19th-century, engravings with contemporary hand-colouring, very occasional spotting and staining, each print with a discreet near-contemporary manuscript annotation inside the plate mark and a number outside the upper plate mark, each approximately 200 x 120 mmQTY: (approx.220)

Gerard (John). [The Herball or Generall Historie of Plantes..., enlarged and amended by Thomas Johnson, London: Printed by Adam Islip, John Norton, and Richard Whitakers, 1633], lacking title and first and last blacks, with numerous botanical woodcuts throughout (few with old colouring), several preliminary leaves torn with loss and repaired, several leaves of index with torn or trimmed margins repaired, several other leaves with marginal repairs, occasional damp-staining to few leaves, 20th-century brown half morocco, folio (34.5 x 21.5 cm)QTY: (1)NOTE:Henrey 155; Hunt 223; Nissen BBI 698; STC 11751.Sold with all faults, not subject to return.

* Sweert (Emanuel, 1552-1612). Fifteen Botanical Engravings [1612 or later], hand-coloured engravings, each approximately 335 x 220 mm, in good conditionQTY: (15)NOTE:Originally published in the Florilegium tractans de variis floribus...,. Emanuel Sweert (1552-1612) was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally intended as a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but sadly he died in the same year.

* Van der Passe (Crispin). Pair of Engravings of Carnations [1614 - 16], two hand-coloured botanical engravings, each approximately 145 x 210 mm, mounted, framed and glazedQTY: (2)NOTE:Originally published in the 'Hortus Floridus'.

* De Bry (Johann Theodor, 1561-1623). Twenty-seven Botanical Engravings, originally published in Florilegium Renovatum et Auctum, Frankfurt: Matthaus Merian, circa 1641, hand-coloured engraved plates, each approximately 290 x 180 mmQTY: (27)

Curtis (William). The Botanical Magazine or Flower-Garden Displayed, 6 volumes (plus an index), London: Couchman, 1810-28, numerous engraved plates with contemporary hand-colouring (many folding), occasional light spotting, small modern book ticket of Gladstone Jones to head of front pastedowns, all edges gilt, contemporary straight-grain morocco, worn, spine labels lacking or missing, volume 55 lacking spine, 8voQTY: (7)NOTE:Volumes present are 31, 44, 46 48, 51, 55, and the index to 42.

Green (Thomas). The Universal Herbal; or, Botanical, Medical and Agricultural Dictionary. Containing an account of all the known plants in the world, arranged according to the Linnean System, 2 volumes, 2nd edition, revised and improved, London: Henry Fisher at the Caxton Press, [1824], hand-coloured engraved frontispiece and additional title to volume 1 only, 105 engraved plates (all hand-coloured in volume 1, uncoloured in volume 2), double column text, some spotting or browning, offsetting in volume 1, contemporary calf, modern near-matching gilt-decorated calf reback to volume 1, volume 2 spine neatly repaired at foot, spine rubbed, a little edge and corner wear, 4toQTY: (2)

Thornton (Robert John). The British Flora; or, Genera and Species of British Plants; arranged after the Reformed Sexual System; and illustrated by numerous tables and dissections, 5 volumes, 1st edition, London: printed for the author by J. Whiting for the Royal Botanical Lottery, 1812, 344 uncoloured engraved plates, engraved part titles and tables, together with Elements in Botany, 2 volumes, 1st edition, 1812, 168 uncoloured engraved plates, engraved plate and tables, a few plates close-trimmed, a few minor spots, previous owner signature and small booklabel at front of each, all edges gilt, uniformly bound in contemporary blue straight-grained morocco gilt, covers and edges a little rubbed, slight fading to a few covers, 8voQTY: (7)

Baxter (William). British Phaenogamous Botany; or Figures and Descriptions of the Genera of British Flowering Plants, 6 volumes, mixed editions, Oxford: published by the author, 1834-43, volume I 2nd edition, volumes II-VI 1st editions, 509 hand-coloured engraved plates, volume VI stitching breaking, a few plates and leaves detached, text leaf opposite plate 167 with small marginal biopredation, occasional light offsetting and spotting, previous owner inscription and bookplate of William Barneby, Clater Park, original green cloth gilt, spines faded, closed tear at head of volume II spine, 8voQTY: (6)NOTE:Nissen BBI 107; Pritzel 524. The principal work of William Baxter, curator of the Botanical Garden, Oxford.

* Arena (Filippo, 1708-1789). A collection of 36 Botanical Engravings, Palermo: Angelo Felicella, 1767, 36 hand-coloured engravings on laid by Filippo Arena and Mario Cammareri, generally in very good condition, each approximately 195 x 305 mm QTY: (36)NOTE:See Nissen, BBI 48; Tomasi, Oak Spring Flora 38.Rare. Filippo Arena (1708-1789), botanist and professor of mathematics and philosophy at the University of Palermo published his Natura e Coltura dei Fiori between 1767 and 1768 is considered one of the rarest Italian florilegia.

A Chamberlains Worcester curved serving dish, boldly painted with botanical study, Red Blue Ixia, gilt rim, 30.5cm wide, painted script mark, c.1820

THREE PIECES OF STONEWARE TO INCLUDE TWO FLAGONS, 'H A GEORGE BOTANICAL BREWER, BIRMINGHAM' AND 'OXFORD STORES', BURTON ON TRERNT', A JUG 'XMAS 1906, FROM HENRY C COURSE, ACTON'

A charming collection of six hand-painted porcelain floral plaques by Rosenthal, Germany. Each plaque features a beautifully detailed botanical illustration, showcasing a variety of vibrant flowers in full bloom. The plaques are framed in ornate wooden frames with gilt accents, enhancing their decorative appeal. The back of each plaque is marked with the Rosenthal Weltmarke Handmalerei seal and numbered, indicating their unique floral subjects: No. 5 Frühlingsanemone (8"H), No. 15 Schöneblaetter-Herbstzeitlose (8"H), and No. 16 Schneeglöckchen-Leberblümchen-Erika (8"H"), No. 1 Wiesenblumen (8"H), and Akelei & Alpenveilchen (5"H). Made in Germany.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: GermanyCondition: Age related wear.

Set of five Royal Copenhagen porcelain miniature vases, each featuring delicate hand-painted floral and botanical motifs on a soft blue glaze. The largest measures 4.25 inches high. All pieces are hallmarked with Royal Copenhagen Denmark marks and pattern numbers. A fine addition for collectors or decor.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: DenmarkCondition: Age related wear.

A stunning collection of 3 porcelain vases, each featuring elegant floral designs and showcasing the brand's delicate artistry. First vase: features a rounded, gently tapered silhouette with a soft blue and white gradient. Adorned with a white morning glory flower and its delicate green foliage, this vase exemplifies classic botanical elegance. Second vase: a tall and slender, this vase showcases a refined blue and white ombre background. Decorated with striking blue clematis flowers, their intricate petals and accompanying green leaves are rendered in exquisite detail. Third vase: broad with a softly flared shape, this piece transitions from a gradient of white to pale blue hues. It features a large, detailed white hibiscus flower with rich green leaves, capturing natural beauty with sophistication. Each vase embodies Royal Copenhagen's commitment to exceptional craftsmanship and timeless design. A beautiful addition to any collection or decor setting. The tallest vase measures: 7.5"H.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: DenmarkCondition: Age related wear.

his is a meticulously crafted porcelain sculpture titled "Calliope Hummingbird with Hibiscus," produced by Boehm Porcelain. This limited-edition piece is a fine example of Boehm's artistry and dedication to capturing the beauty of nature. The sculpture features a vibrant green calliope hummingbird delicately feeding from a blooming pink hibiscus flower, set against a naturalistic base. The intricate detailing on the hummingbird's feathers and the flower petals exemplifies Boehm's expertise in hand-painted porcelain artistry. The base bears the Boehm backstamp, indicating its authenticity and provenance. The piece is marked "Made in U.S.A." and designated as a limited edition, number 19, adding to its exclusivity and collector's value. Boehm Porcelain, founded in 1950, is renowned for its legacy of creating lifelike representations of wildlife and botanical subjects, making this sculpture a cherished collectible.Issued: 20th centuryDimensions: 8.5"HCountry of Origin: United StatesCondition: Age related wear.

A finely crafted Picturesque wooden box from the Byron's Secret Garden series, titled "Love's Labours," Premiere Edition. This piece features intricately hand-painted resin panels showcasing vibrant botanical and whimsical details, including flowers, mushrooms, and charming characters. The box is framed in warm-toned wood, hinged to reveal a functional storage space. Marked "Picturesque" with the series title and edition details. A beautifully designed collectible that blends utility with artistic charm.Issued: c. 2000Dimensions: 5.75"HCountry of Origin: EnglandCondition: Age related wear.